objectivity
US /ˌɑbdʒɛkˈtɪvɪti/
・UK /ˌɒbdʒek'tɪvətɪ/
A2 初級
n. (u.)不可算名詞実物
Objectivity is required for scientists to reach good conclusions
n. (u.)不可算名詞客観性
I question the objectivity of this judge because this case is about his son
動画字幕
ウクライナ、戦争開始後初の主要反政府デモ (Ukraine sees first major anti-government protests since start of war)
- Critics say the law weakens anti-corruption measures in the country by placing the agency in charge of it under the purview of a presidentially appointed prosecutor, which could limit their objectivity. The protests are among the largest since 2022, when Russia's full-scale invasion unified Ukrainians against the war.
批評家たちは、この法律は、汚職を担当する機関を大統領に任命された検察官の権限下に置くことで、国内の反汚職対策を弱体化させるものであり、彼らの客観性を制限する可能性があると述べている。 今回の抗議行動は、ロシアの全面侵攻によってウクライナ国民が戦争に反対する意思統一がなされた2022年以来、最大規模のものである。
- Critics say the law weakens anti-corruption measures in the country by placing the agency in charge of it under the purview of a presidentially appointed prosecutor, which could limit their objectivity.
キエフ市長も含め、何人かの政府関係者が反対を表明している。「私は今日、この法律に反対している人々を全面的に支持する。
CBS重役、ネットワークの大失敗によりニュースプロデューサーが辞任し、炎上 (CBS Boss BURNED As News Producers Quit Over Disastrous Network Shift)
- There's these outlets who got obsessed after Trump won the election with with neutrality as opposed to objectivity and making it appear like everything's a both-sides issue as opposed to just reporting.
はい。
- With neutrality as opposed to objectivity and making it appear like everything's a both sides issue as opposed to just reporting.
客観性ではなく中立性を重視し、単に報道するのではなく、すべてが両方の側面の問題であるかのように見せかけることです。
ジャービス：「主要メディアは、国民に情報を提供し、保護するという任務に失敗している」| DW News (Jarvis: 'Major media failing at their task to inform and protect the public' | DW News)
- One is that we have this myth of objectivity, especially in American media, which happened when mass media took over, when we used to have 46 daily newspapers in New York alone.
ひとつは、客観性という神話があることで、特にアメリカのメディアでは、マスメディアに支配され、かつてニューヨークだけでも46の日刊紙があった時代に起こったことだ。
- One is that we have this myth of objectivity, especially in American media, which happened when mass media took over.
今のところ、彼が勝っているように見える。
9分で感情をコントロールする方法 (Manage your emotions, in 9 minutes)
- They have an objectivity that we often lack.
彼らは私たちにしばしば欠けている客観性を持っている。
- They have an objectivity that we often lack.
感情をコントロールできないと思っている人がいるが、あながち間違いではない。
ゲアハルト・リヒターの物語 (1932年～現在) (The Story of: Gerhard Richter (1932–Today))
- Realism, and with reference to Socialist Realism, but also a label Richter wasn't too satisfied about. Richter was interested in current affairs, consumer society, new media and popular culture. He incorporated these elements into his painterly practice, depicting for instance televisions, design magazines, advertisements or political figures and events. This was the genesis of Richter's professional oeuvre, and photography was the starting point, something which used to be impossible with his academic background. He combined photography with his characteristic blurred effect, and immediately started to examine the relationship between both media, photography and painting, a true pillar within his artistic practice. The German artist was interested and fascinated by the dialectic relation between the objectivity and the subjectivity when painting photographs. For Richter, the photograph was the most perfect picture. He could eliminate conscious thinking, as the picture does not change, it is absolute, autonomous, unconditional and not linked to any style. With his blurred effect, he made everything equal, equally important and simultaneously equally unimportant. He was strongly drawn to depicting certain subjects from found photographic material. Think of military subjects, family portraits, images from newspapers or magazines. These selected images all have their very own narrative and motive to be painted, most often combining death or suffering, and its exploitation of death and suffering in media. From 1963 until 1964, Richter had his first exhibitions and commercial successes, collaborating with several galleries, and also collectors were starting to get really interested in his work and career. A landmark year for Gerhard Richter was 1966, for many reasons. The first, the birth of his daughter, Betty, whom he iconically painted in 1988. He also painted his wife
リアリズム、そして社会主義リアリズムを参照しながらも、リヒターはこのレッテルにあまり満足していなかった。リヒターは、時事問題、消費社会、ニューメディア、大衆文化に関心を持っていた。リヒターは、テレビ、デザイン雑誌、広告、政治的な人物や出来事などを描き、これらの要素を絵画制作に取り入れた。これがリヒターのプロフェッショナルな作品の起源であり、彼の学歴では不可能であった写真が出発点となった。リヒターは写真と彼の特徴であるぼかし効果を組み合わせ、すぐに写真と絵画という2つのメディアの関係を検証し始めた。このドイ
- The German artist was interested and fascinated by the dialectic relation between the objectivity and the subjectivity when painting photographs.
事実かフィクションか：学習に最適なのはどちらか？ (Facts vs Fiction: What is Better for Learning?)
- Put them on a spectrum and you'll find high retention versus low retention, easy reading versus hard studying and a subjective perspective versus objectivity.
それらをスペクトラムに当てはめれば、高い定着率と低い定着率、簡単な読書と難しい勉強、主観的な視点と客観的な視点が見つかるだろう。
- a subjective perspective versus objectivity.
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マティスはどのように美術における色彩に革命をもたらしたか (How Matisse Revolutionized Color In Art)
- He was substituting for their illusion of objectivity a conscious subjectivity, a 20th century art that would draw its validity essentially from the painter's own visual and emotional responses.
彼は、客観性という幻想の代わりに、意識的な主観性、つまり、画家自身の視覚的、感情的反応から本質的な妥当性を引き出す20世紀の芸術を代用したのである。
- He was substituting for their illusion of objectivity a conscious subjectivity, a 20th-century art that would draw its validity essentially from the painter's own visual and emotional responses.
この記憶のバージョンは『人生の喜び』に見られるが、マティスは新しいスタイルと新しい道具を使ってこのシーンを再現しようとした。
