breath
US /brɛθ/
・UK /breθ/
A2 初級
n. (u.)不可算名詞息 : 呼吸
How long can you hold your breath underwater?
n. (u.)不可算名詞息
He had bad breath after eating garlic.
n. (u.)不可算名詞命
There was no breath left in his body.
動画字幕
第1部 - ジェイン・オースティン原作 傲慢と偏見 オーディオブック (第1章～第15章) (Part 1 - Pride and Prejudice Audiobook by Jane Austen (Chs 01-15))
- Darcy, "there is a fine old saying, which everybody here is of course familiar with: Keep your breath to cool your porridge;
生意気な。彼女は彼女の友人さんにこのように述べた
- is of course familiar with: 'Keep your breath to cool your porridge'; and I shall
"お粥を冷却するためにあなたの息を残す';と私は、以下を行うものとする。精通し、もちろんです。
太陽が死ぬ｜注目のSF超大作「プロジェクト・ヘイル・メアリー」完全解説
- not like a theme park attraction, but truly, right there with Ryan Gosling solving a puzzle, checking the math, holding your breath as the airlock cycles.
ライアン・ゴズリングと一緒にパズルを解いたり、計算を確認したり、エアロックが動くのを息をのんで見守ったりするような、まさにそんな体験ができるんです。
- truly right there with Ryan Gosling solving a puzzle, checking the math, holding your breath as the airlock cycles.
この作品、楽しみですか？下のコメント欄で教えてくださいね。
実は危険！食べ過ぎると死に至るかもしれない食べ物！
- Stick your head under water or simply hold your breath, and it takes around 4 minutes without oxygen to cause severe brain injury, and at 6 minutes, you could die.
水中に頭を突っ込んだり、息を止めたりするだけで、酸素がなければ4分程度で重度の脳障害を起こし、6分では死に至ることもあります。
- Stick your head under water or simply hold your breath,
水中に頭を突っ込んだり、息を止めたりするだけで、酸素がなければ4分程度で重度の脳障害を起こし、6分では死に至ることもあります。
第三部 - ジェイン・エア オーディオブック シャーロット・ブロンテ著（第12～16章） (Part 3 - Jane Eyre Audiobook by Charlotte Bronte (Chs 12-16))
- If a breath of air stirred, it made no sound here;
フランス人のナースのソフィーは、まともな人々だったが、どの点でも際立ってはいなかった。ソフィーとはフランス語で話すこともあったし、
- If a breath of air stirred, it made no sound here;
フランス人のナースのソフィーは、まともな人々だったが、どの点でも際立ってはいなかった。ソフィーとはフランス語で話すこともあったし、
シャナイア・ヤン - Sunshine in the Rain (歌詞ビデオ) (Shania Yan - Sunshine in the Rain ( Lyric Video))
- I never felt the butterflies like those lovers do until I met you You're standing there, I'm holding my breath cause I'm terrified To tell you that I think I'm in love with you And I'd hear your stumble words when you tell me your theories They call us nerds, like hell I give a damn what people care When all I see was your perfect hair Can't seem to get enough of that mesmerizing glare And I was like, I think I'm in love But what is that?
"恋している "と言うのが 怖くて息を止めたよ 君の理論に耳を傾ける時 僕らはオタクと呼ばれてる 君の完璧な髪を見るだけで その魅力的なまなざしがたまらないんだ
- You're standing there, I'm holding my breath 'cause I'm terrified to tell you that I think I'm in love with you.
"恋している "と言うのが 怖くて息を止めたよ 君の理論に耳を傾ける時 僕らはオタクと呼ばれてる 君の完璧な髪を見るだけで その魅力的なまなざしがたまらないんだ
クリエイティブな人間の恐るべきパラドックス - ハンター・S・トンプソン (The Terrible Paradox of Being a Creative Person - Hunter S. Thompson)
- Every man is the sum total of his reactions to experience. As your experiences differ and multiply, you become a different man, and hence your perspective changes. The answer, then, must not deal with goals at all, or not with tangible goals anyway. In short, a man who has found meaning has not dedicated his life to reaching a predefined goal, but he has rather chosen a way of life he knows he will enjoy. The goal is absolutely secondary. It is the functioning toward the goal which is important. The directions we go in life are far less important than whose finger it is that we are following. In Thompson's case, that trembling, pointing finger always remained his own, even up until the last choice he made. And in this, he reminds us, in the most extreme sense, to take control over our lives and live them on our own terms. To step outside the lines. To curve and blur them. To make new ones. To inhale them. He shows us that our work and our lives are always an ongoing process of change, of effort, of labor, of pain, of hope, of laughing, of tripping, of meandering, of loving, and of dying, in hopes that the story will continue in the words of others. His life was as much a part of his work as the words on the pages, each breath as much as each line, revealing the difficulties of making it through this world with any resemblance to the person you were when you came in, while also showing the unbelievable thrill of the whole process.
人は皆、経験に対する反応の総体である。経験が異なれば異なる人間になり、視点も変わる。その答えは、目標をまったく扱わないこと、あるいは目に見える目標を扱わないことである。要するに、意味を見出した人間は、あらかじめ決められたゴールに到達するために人生を捧げているのではなく、むしろ自分が楽しめるとわかっている生き方を選んでいるのだ。ゴールは二の次である。重要なのはゴールに向かう機能である。人生で進む方向は、誰の指に従うかよりもはるかに重要ではない。トンプソンの場合、最後の選択に至るまで、その震える指は常に彼自身
- His life was as much a part of his work as the words on the pages, each breath as much as each line, revealing the difficulties of making it through this world with any resemblance to the person you were when you came in, while also showing the unbelievable thrill of the whole process.