Footer

    Download on the App StoreGet it on Google Play

    VoiceTube とは

    • VoiceTube について
    • 学習サービス紹介
    • 採用情報
    • よくある質問
    • ホットタグ

    サービス一覧

    • スピーキングチャレンジ
    • 保存
    • VoiceTube Hero
    • 法人向け VoiceTube
    • 単語検索
    • 動画をインポート
    • ブログ

    お勧めチャンネル

    レベル別

    • A1 初級
    • A2 初級
    • B1 中級
    • B2 中上級
    • C1 上級
    • C2 上級

    プライバシー˙規約˙
    ©2026 VoiceTube Corporation. All rights reserved

    hitherto

    US /ˌhɪðərˈtu:/

    ・

    UK /ˌhɪðəˈtu:/

    B2 中上級
    adv.副詞これまで
    We need to replace what has hitherto been an unstable solution

    動画字幕

    第三部 - ジェイン・エア オーディオブック シャーロット・ブロンテ著(第12~16章) (Part 3 - Jane Eyre Audiobook by Charlotte Bronte (Chs 12-16))

    14:48第三部 - ジェイン・エア オーディオブック シャーロット・ブロンテ著(第12~16章) (Part 3 - Jane Eyre Audiobook by Charlotte Bronte (Chs 12-16))
    • and having ascertained that I was myself in my usual Quaker trim, where there was nothing to retouch, all being too close and plain, braided locks included to admit of disarrangement, we descended: Adele, wondering whether the petit coffre was at length come: for owing to some mistake, its arrival had hitherto been delayed: she was gratified: there it stood, a little carton, on the table when we entered the dining room: she appeared to know it by instinct.

      それは、アスリート的な意味での良い体格だったのだろう――胸は広く、脇腹は細く、背は高くも優雅でもなかったが。

    • and having ascertained that I was myself in my usual Quaker trim, where there was nothing to retouch, all being too close and plain, braided locks included to admit of disarrangement, we descended: Adele, wondering whether the petit coffre was at length come: for owing to some mistake, its arrival had hitherto been delayed: she was gratified: there it stood, a little carton, on the table when we entered the dining room: she appeared to know it by instinct.

      ロチェスター氏は、フェアファックス夫人と私の入室に気づいていたはずだが、

    B1 中級

    第一部 - ジェイン・オースティン著「分別と多感」オーディオブック(第1章〜第14章) (Part 1 - Sense and Sensibility Audiobook by Jane Austen (Chs 01-14))

    04:35第一部 - ジェイン・オースティン著「分別と多感」オーディオブック(第1章〜第14章) (Part 1 - Sense and Sensibility Audiobook by Jane Austen (Chs 01-14))
    • The complaints and lamentations which politeness had hitherto restrained now burst forth universally, and

      "しかし、彼が誰なのか?"エリノアは語る。 "彼はどこから来るのか?

    • The complaints and lamentations which politeness had hitherto restrained now burst forth universally, and

      彼女自身、男性。

    B1 中級

    タイム・マシン 第1部 H・G・ウェルズ (第1章~第6章) (Part 1 - The Time Machine Audiobook by H. G. Wells (Chs 01-06))

    11:36タイム・マシン 第1部 H・G・ウェルズ (第1章~第6章) (Part 1 - The Time Machine Audiobook by H. G. Wells (Chs 01-06))
    • Happily, then, when it was not too late I thought of a danger I had hitherto forgotten,

      私はこの家が今立つその時に丘側にまだあった、と肩

    • Happily then, when it was not too late, I thought of a danger I had hitherto

      幸いなことにその後、手遅れではなかった時、私は私がこれまで持っていた危険と考える

    B1 中級

    Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson | Full Audiobook(Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson | Full Audiobook)

    28:58Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson  | Full Audiobook(Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson  | Full Audiobook)
    • to whom the fanciful was the immodest. And  hitherto it was his ignorance of Mr. Hyde that  
    • And hitherto it was his ignorance of Mr.

      医師の家臣への少額の支払いを残して、いかなる負担や義務からも解放される。

    B1 中級

    BBC ハワード・グッドオールの音楽の物語 第5部(全6部):反乱の時代 (BBC Howard Goodalls Story of Music. Part 5 of 6: The Age of Rebellion)

    59:17BBC ハワード・グッドオールの音楽の物語 第5部(全6部):反乱の時代 (BBC Howard Goodalls Story of Music. Part 5 of 6: The Age of Rebellion)
    • and turning something hitherto expensive and elitist into an ordinary commodity.

      そしてアジアの音楽音階の正確な分割を、

    • and turning something hitherto expensive and elitist

      それまで高価でエリート主義的なものを

    B2 中上級

    送られなかった手紙の秘められた力 (The Secret Power of Unsent Letters)

    03:17送られなかった手紙の秘められた力 (The Secret Power of Unsent Letters)
    • A general principle of mental health is that the less we are able to express, the more unwell we get. It's when we have to stifle our rage, sadness or fear that we start to develop secondary symptoms – sleeplessness, paranoia, bitterness, poor digestion – just as our spirits can lighten and our horizons expand, once we can find a way to lend outward form to our pains. However, the problem is often one of occasions. We may in theory be ready to say and feel all sorts of things, but our outward circumstances may be highly unconducive to free expression. Perhaps the person we'd really like to say something to is dead, or they may, just as problematically, be distracted, fragile or frightening. We then make the error of imagining that there can be no point in speaking and on this basis stifle our emotions to our increasing cost. But this is to miss out on an unexpected quirk of our psyches. What may matter most in many situations is not, as we might think, that the person we need to speak to is actually able to hear what we have to say, but rather that we have a proper, in-depth chance to say it anyway. There can be as much benefit in shouting our feelings to a deserted beach, a large pillow or an empty chair as there would in having a lengthy dialogue with an intimidating parent or an obtuse lover. The best technique in this tradition may be to write a letter that we never send, either because the person in question is no longer alive or because we just have no expectation that what we could write would remotely be understood. The discipline of writing a long letter has the effect of galvanising our hitherto confused and disparate emotions and forces our intelligence to lay out our story in a systematic and emotionally logical way. As we write, we turn what might have been an inchoate sob into something intelligible, plausible, compassion-inducing and moving. We go from I hate you so much or why why why to a full, leisurely recap of how we felt, why we suffered and what the legacy of our injury has been. We can be like a grown-up lawyer making a case in a courtroom of adults on behalf of a frightened or muddled child. We can take our absent reader into the details of a story that they refuse to see existed and may have done their best to silence. We are giving ourselves an opportunity to feel legitimate in our own eyes. We may realise that the real audience we needed all along was ourselves. We suffer unnecessarily when we think that the only form of catharsis is one that can unfold in the physical presence of a person who damaged us. Our freedom is fortunately far greater than this, because the real sceptic we need to win over and explain our full story to is chiefly and crucially always ourselves.

      メンタルヘルスの一般的な原則は、表現が乏しければ乏しいほど体調が悪くなるというものだ。怒りや悲しみや恐怖を押し殺さなければならないとき、不眠、被害妄想、苦味、消化不良といった二次的な症状が現れ始める。しかし、問題はしばしば機会の問題である。理屈の上ではいろいろなことを言ったり感じたりする準備ができていても、外側の状況が自由な表現を非常に妨げていることがある。もしかしたら、本当に何かを言いたい相手は死んでいるかもしれないし、同じように、気が散っていたり、壊れやすかったり、怖かったりするかもしれない。そのよう

    • The discipline of writing a long letter has the effect of galvanizing our hitherto confused and disparate emotions and forces our intelligence to lay out our story in a systematic and emotionally logical way.
    B1 中級

    第2部 - シャーロット・ブロンテ著 ジェーン・エア オーディオブック (第7章~第11章) (Part 2 - Jane Eyre Audiobook by Charlotte Bronte (Chs 07-11))

    06:10第2部 - シャーロット・ブロンテ著 ジェーン・エア オーディオブック (第7章~第11章) (Part 2 - Jane Eyre Audiobook by Charlotte Bronte (Chs 07-11))
    • turning, he said in more rapid accents that he had hitherto used: "Miss Temple!

      「ご指示は承知いたしました、旦那様」とテンプル嬢は言った。

    • shocked its pupil; turning, he said in more rapid accents than he had hitherto used--

      衝撃を与えたものに出会ったかのように。振り返り、彼はこれまでよりも速い口調で言った。

    B1 中級

    書籍02 - ノートルダム・ド・パリ 朗読音声:ヴィクトル・ユーゴー (第1章~第7章) (Book 02 - The Hunchback of Notre Dame Audiobook by Victor Hugo (Chs 1-7))

    06:58書籍02 - ノートルダム・ド・パリ 朗読音声:ヴィクトル・ユーゴー (第1章~第7章) (Book 02 - The Hunchback of Notre Dame Audiobook by Victor Hugo (Chs 1-7))
    • gilded collar, which he had not hitherto perceived, and

      その300年前にも、その鉄の車輪、その石を妨げ

    • hitherto perceived, and which had remained

      これまでは感知し、これが残っていた

    B2 中上級

    書籍01 - ノートルダム・ド・パリ (ヴィクトル・ユーゴー原作) オーディオブック (第1-6章) (Book 01 - The Hunchback of Notre Dame Audiobook by Victor Hugo (Chs 1-6))

    05:43書籍01 - ノートルダム・ド・パリ (ヴィクトル・ユーゴー原作) オーディオブック (第1-6章) (Book 01  - The Hunchback of Notre Dame Audiobook by Victor Hugo (Chs 1-6))
    • All at once, in the very middle of a quarrel between Mademoiselle Merchandise and Madame Nobility, at the moment when Monsieur Labor was giving utterance to this wonderful line, "In forest n'er was seen a more triumphant beast." The door of the reserve gallery, which had hitherto remained so importunely closed, opened still more inopportunely,

      これは、そのタイトルを持っている"聖母マリアマダムの良い判定を。"

    • which had hitherto remained so inopportunely closed, opened still more

      これまでそうinopportunely閉じたままになっていたこれ、まだ多くのオープン

    B2 中上級

    書籍8 - ノートルダム・ド・パリ(ヴィクトル・ユーゴー)オーディオブック(第1〜6章) (Book 08 - The Hunchback of Notre Dame Audiobook by Victor Hugo (Chs 1-6))

    21:54書籍8 - ノートルダム・ド・パリ(ヴィクトル・ユーゴー)オーディオブック(第1〜6章) (Book 08 - The Hunchback of Notre Dame Audiobook by Victor Hugo (Chs 1-6))
    • It seemed to her as though she beheld advancing from all quarters towards her, with the intention of crawling up her body and biting and pinching her, all those hideous implements of torture, which, as compared to the instruments of all sorts she had hitherto seen, were like what bats, centipedes,

      動物。

    • compared to the instruments of all sorts she had hitherto seen, were like what bats,

      彼女がこれまで見ていた、あらゆる種類の楽器に比べて、、どのようなコウモリのようなものでした

    B2 中上級