Name: ズートピアの深い意味。子どもたちとの会話の仕方 (Zootopia's Deep Meaning: How We Talk to Kids)
Uploaded: 2021-01-14T07:59:04.000Z
Duration: 7 min 37 s
Description: VoiceTubeの動画で発音を聞きながら英語表現を覚えよう！学べる英語：

Zootopia is hardly the first kids movie to
appeal to adults, but what stands out

関係詞節（制限と非制限）

about Zooptia is that it tackles adult
topics that family films usually avoid:

[Crazy world are you living in where you think a bunny

Of course none of these
terms is ever expressly named.

so that kids can grasp the underlying point, while

adults also might learn a fresh approach
to controversial issues,

and you'd never call Zootopia gritty, heavy, or moralizing

because it pulls all this off while while still feeling light, entertaining, and heartfelt.

Zootopia was already making strides to
draw in a more mature crowd.

Many of their promotional pieces were parodies
of film posters for R-rated films such

as The Big Short, The Revenant
and Mad Max Fury Road.

On the primary level, Zootopia is an allegory about prejudice.

will ever be anything more than just a
stupid carrot farm and dumb bunny]

The way that the Zootopia animal society is structured mirrors our real-world racial tensions.

The city is made up of 90% prey
and 10% predator.

Even though the prey is the vast
majority and thus protected by social

institutions, the minority, the predators, are
made out to be feared.

Authorities and power, who are part of the majority,
vilify the predators, highlighting

their physical strength and different
looks.

that takes place as animals are
separated by species

[We reserve the right
to refuse service to anyone.]

[Very first rabbit officer: Judy Hopps/O. M. Goodness they really did hire a bunny.]

Then, there's the discrimination in Judy
Hopps workplace.

physically larger animals, Judy
represents the female in a

[Parking Duty.] [I was top of my class at the Academy.]

[Well then writing 100 tickets a day should be easy.]

parking duty this speaks to how women
historically have been stalked in

secretarial or administrative jobs with
the excuse that they're unfit

[I don't want to be a
meter maid, I want to be a real cop.]

Judy's co-workers equate her smaller
size with an inability to do the job

because the job is designed for animals
who fit the Big Animal for Male profile.

But like other smart women facing sexism, 
Judy uses her smarts to outwit,

work around, and find different means to
excel.

[I gotta tell you, you are even cuter than

I thought you'd be.] [A bunny can call
another bunny cute,

but when other animals do it...] [You're a cute meter maid doll. It's not exactly a place

for a cute little bunny.] [Don't call me cute. Get in the car.]

challenging her co-workers and even us
watching because naturally we'd never

thought twice about calling bunnies cute.
 [Go back home would that cute fuzzy wuzzy little tail]

It seems absurd that this would be
offensive.

But as we react
to that absurdity we're implicitly

encouraged to apply the same questioning
to how we talk about women

while sure it might be a nice compliment for some to
tell a woman she's cute or pretty,

In a working context, this talk elevates her
appearance over her merits and minimizes

When Judy hold the press conference, she's

surrounded by horrifying imagery of
predators in mid growl, shrouded in black

and white. The way the Predators are
portrayed in the media masks that as

much outnumbered minority, the Predators
are actually a disadvantaged group.

The reporter's questions seem intentionally
leading, meant to instigate fear, alienate

predators solely for the sake of pushing headlines.

[More bad news in this city gripped by fear.]

and play upon the public's fear is an
ever-present reality.

This problem is exceptionally relevant in today's media climate

with its polarized news sources and plethora of fake news feeding divisive political agendas.

Even though Judy is one of the prey and experiences
discrimination, she's not without fault.

[It may have something to do with...biology.]

perpetuate problematic stereotypes,
alludes to highly racially charged

offensive discussions of genetics from
our world in history.

Afterwards, Judy is confronted by her
partner Nick, the Fox, who's a predator.

This event leads to a series of scenes showing microaggression:

a mother on the train pulling her child away from the predator,

which can be associated
with critiques of the media's

one of the movies most explicit lessons
to the audience.

Even if we don't consider ourselves guilty of prejudice,

microaggression, and even word choice can be

gateways to treating people as others or
less than.

if a predator, such as myself,
wasn't the first face that you see when