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  • [SOUND OF PROJECTOR]

  • CHARLES MOORE: Every reporter changes the story.

  • Just like every scientist changes what he's observing,

  • every reporter is changing that story.

  • [MUSIC PLAYING]

  • MEREDITH DANLUCK: What are we doing, Joe?

  • JOE GOODMAN: Well, I'm ready to put a plastic catcher in

  • the water, a troll.

  • MALE SPEAKER: Troll?

  • JOE GOODMAN: So I'll troll for plastic.

  • [MUSIC PLAYING]

  • CHARLES MOORE: What in the hell is that?

  • There's a misconception that the worst kind of spill is the

  • gooey, oily mess.

  • THOMAS MORTON: Yeah.

  • CHARLES MOORE: But it's really these nice little bits of your

  • plastic bottles that are going to be

  • around forever, basically.

  • THOMAS MORTON: So we're just on the outskirts of

  • the gyre right now.

  • I haven't really even gotten into the thick of things.

  • And already, in the last hour, we've seen more fucking trash

  • float by than we have in the entire voyage up until now.

  • We're nowhere near land.

  • We're nowhere near any other fucking ships.

  • And it's just flotsam city out here.

  • All fucking plastic too, all gross, sun baked, plastic.

  • It's absurd.

  • FREDERICK VOM SAAL: Just this one chemical, bisphenol A,

  • that is used to make this hard, clear plastic called

  • polycarbonate, is produced at over 7 billion pounds a year.

  • And it's a non-recyclable plastic.

  • What's happening to it?

  • It's being thrown away into the environment.

  • The evidence from Europe, Asia, the United States, is

  • that every person examined has these

  • chemicals in their bodies.

  • There is actually a study in Japan where women with

  • elevated levels of bisphenol A were the women who were

  • repeatedly miscarrying, never able to have

  • a successful pregnancy.

  • When you go out into the ocean and you see that the ocean is

  • full of these plastic products, where in the world

  • is there not exposure to them?

  • [MUSIC PLAYING]

  • THOMAS MORTON: Tell me when.

  • Ready?

  • JAKE BURGHART: All right, whenever you're ready.

  • THOMAS MORTON: OK, you rolling?

  • JAKE BURGHART: Yep.

  • THOMAS MORTON: Hi.

  • I'm Thomas Morton.

  • We're here in Long Beach, California, on our way to meet

  • Charles Moore, who's the captain of the oceanographic

  • research vessel, Alguita.

  • For a number of years, we've been reading these articles

  • about this just huge section of the ocean that's

  • essentially a floating landfill.

  • 10 years ago, on a sailing trip back from Australia,

  • Captain Moore took a detour into a section of the North

  • Pacific called the North Pacific Gyre, which is kind of

  • a swirling vortex of currents.

  • That area has historically acted as a collecting point

  • for all the debris.

  • And it's sometimes referred to as the Eastern Garbage Patch.

  • Now, with the advent of plastics, it's just become one

  • large, continuous dump.

  • When Captain Moore found it, it was just plastic bags and

  • bottles and consumer products as far as the eye can see.

  • Some places have estimated it as the size of Texas.

  • There's a lot of what sounds like hyperbole.

  • And some people have written it off

  • totally as an urban myth.

  • So we're going to go out with Captain Moore on his boat to

  • survey the damage out there.

  • I've never been on a boat.

  • And I've been kind of boning up on my knots and swimming

  • lessons and all.

  • It's a three-week trip.

  • A week to get out there, a week of taking samples and

  • hanging out with all the trash, and a week to get back.

  • We are going to act as crew.

  • That's Jake, our camera guy.

  • Meredith, our producer.

  • We are 1/2 of the crew of the ORV Alguita on our way to

  • "Garbage

  • Island." [CAR HORN]

  • MEREDITH DANLUCK: Captain Moore?

  • THOMAS MORTON: Hi.

  • I'm Thomas.

  • CHARLES MOORE: Nice to meet you, Thomas.

  • THOMAS MORTON: Good to meet you.

  • CHARLES MOORE: Good to have you.

  • Come on aboard.

  • Come on aboard.

  • THOMAS MORTON: Thank you.

  • CHARLES MOORE: We've got some people for you to meet here.

  • FEMALE SPEAKER: Great.

  • Welcome.

  • THOMAS MORTON: Hello.

  • FEMALE SPEAKER: Come on in.

  • Welcome aboard.

  • CHARLES MOORE: We do have a freezer on this side.

  • And we can put a couple gallons of ice cream in there.

  • MEREDITH DANLUCK: Ice cream seems to be a high

  • priority for you.

  • CHARLES MOORE: Well, it's like that's a treat

  • because it's a dry boat.

  • I usually give it one day in the jar, because it's so calm

  • and we've been working so hard for so long, where we just put

  • out the sea anchor and stop.

  • And if you want to get pissed, go ahead.

  • [LAUGHTER]

  • CHARLES MOORE: But mostly, when you're on watch and we're

  • working, it's a dry boat.

  • THOMAS MORTON: Yeah.

  • CHARLES MOORE: That's just the way it is.

  • I know that you don't have much experience.

  • But do you know whether or not you get sea sick?

  • THOMAS MORTON: I have in the past.

  • CHARLES MOORE: OK, so you're going to

  • probably want the patch.

  • THOMAS MORTON: I might.

  • CHARLES MOORE: At least to get started.

  • THOMAS MORTON: I'm about to get my scopolamine patch to

  • help keep down the sea sickness, hopefully.

  • This is the same stuff that Colombian gangsters use to

  • knock people out.

  • FEMALE SPEAKER: The one thing you want to be careful of is,

  • if you touch it, don't touch your eyes.

  • THOMAS MORTON: OK.

  • I'm just going to--

  • [LAUGHTER]

  • THOMAS MORTON: I'm not going to try to imagine

  • what that would do.

  • FEMALE SPEAKER: Yeah.

  • THOMAS MORTON: I'm not going to do it.

  • JAKE BURGHART: We haven't really done anything.

  • We loaded up the boat.

  • And since we're going to be at sea for three weeks and then

  • this boat's going to be in Hawaii for a ways of time and

  • then coming back, so they're just making

  • everything super tight.

  • MEREDITH DANLUCK: Do you want to introduce yourself?

  • JOE GOODMAN: The last voyage, nobody survived.

  • Hi.

  • My name is Joe Goodman.

  • MEREDITH DANLUCK: What do you do, Joe?

  • JOE GOODMAN: I'm a physician in Fresno, California.

  • I work with crazy people.

  • MEREDITH DANLUCK: [LAUGHS]

  • JOE GOODMAN: I don't know if you know Captain Moore, but

  • the guy is an extremely good cook.

  • THOMAS MORTON: That's what we've read.

  • JOE GOODMAN: So don't hesitate saying, hey, by the way-- this

  • is on film too.

  • I love the man.

  • I love him.

  • THOMAS MORTON: It seems it, so far.

  • JOE GOODMAN: He also will keep a little distant to all of us.

  • I mean, he'll bark at me too.

  • If I'm not moving fast enough, he's going to say something.

  • THOMAS MORTON: Yeah.

  • JOE GOODMAN: So don't take offense to it.

  • Safety is number one for hitting on his boat.

  • Everyone that comes back, healthy, happy and enjoyable.

  • And nobody has any problems.

  • And then you cross over, and then come through.

  • MEREDITH DANLUCK: We're preparing to leave, to leave

  • and not see land for three weeks.

  • I trust the captain.

  • He knows what he's doing, right?

  • This smells like cat piss.

  • LORENA M. RIOS MENDOZA: [SPEAKING SPANISH]

  • CHARLES MOORE: And now here's the sea grass

  • and all this plastic.

  • This is a pre-production plastic pellet here.

  • These pellets are the virgin material that have never been

  • through the hands of a consumer.

  • They're just what the factory uses to make plastic objects

  • out of, whether it's a plastic bag or a coffee cup.

  • They get here by being lost in the rail yards and the truck

  • delivery docks.

  • It's a symbol of the whole plastic production chain, how

  • it pollutes from the very beginning, when it's just in

  • this pellet form, up to these bottle caps.

  • We may get up to, say, 50% of some water bottles recycled.

  • But none of the caps are getting recycled at the

  • present time.

  • She's on the phone.

  • Soon there will be no phone.

  • It will be all work and no play.

  • MEREDITH DANLUCK: [LAUGHTER]

  • THOMAS MORTON: I think, from first impressions, we're going

  • to have kind of a family cruise vibe on this trip.

  • Captain Moore is, obviously, the no-nonsense dad.

  • He sort of reminds me of the dad from

  • Freaks and Geeks a little.

  • Joe's the wacky uncle.

  • Lorena's the Mexican scientist aunt.

  • And I guess we're the slightly grown kids.

  • THOMAS MORTON: You all right?

  • Did you just clock yourself?

  • JAKE BURGHART: Yeah.

  • THOMAS MORTON: Nice.

  • CHARLES MOORE: OK, here we go!

  • Gwen, we got Gwen on the stern line.

  • We've got Parker on the bow.

  • [APPLAUSE]

  • [CHEERS]

  • FEMALE SPEAKER: Have a great trip!

  • FEMALE SPEAKER: Have a nice journey!

  • THOMAS MORTON: I don't know if it's like California, or being

  • in a marina.

  • It's really hard to distinguish between other

  • people that are being friendly or dickheads or are just so

  • sun-basted, their brains are done.

  • You know, it's funny if you consider that there are places

  • in the world that are seven days away.

  • Like flying to Hawaii from LA or whatever takes, what?

  • Like eight hours?

  • Eight or nine?

  • And yet this is going to be seven days away.

  • [MUSIC PLAYING]

  • JOE GOODMAN: Here he is.

  • He's coming up right here.

  • THOMAS MORTON: There we go.

  • Oh, this might be the final one.

  • Look.

  • Look.

  • JOE GOODMAN: I tell you, if he circles around, I'm putting my

  • wet suit on.

  • [LAUGHTER]

  • JOE GOODMAN: Yeah.

  • So I've swam with the Orcas.

  • Orcas aren't afraid of me.

  • I'm not afraid of them.

  • They can take me, if they want to, today.

  • THOMAS MORTON: It's just water now.

  • MEREDITH DANLUCK: There's not even any boats.

  • THOMAS MORTON: Nope.

  • Nothing on the radar, on the radio.

  • Just us.

  • MEREDITH DANLUCK: I got a little twinge of anxiety last

  • night where I was like, holy fuck.

  • We are on a boat in the middle of the ocean.

  • JOE GOODMAN: We're not even close to the middle yet.

  • MEREDITH DANLUCK: Yeah.

  • JOE GOODMAN: I can still see land.

  • THOMAS MORTON: What made you want to come?

  • JOE GOODMAN: First I've always wanted to be

  • in the North Pacific.

  • I've never sailed this area before.

  • Also, I wanted to know about the plastic garbage problem.

  • There's so much that individuals, they get

  • inundated, inundated, inundated.

  • And yet something really significant, like The Gyre,

  • nobody knows about it.

  • I mean, if we didn't have this boat and some other people,

  • who would ever tell us about it?

  • It's the middle of nowhere.

  • Why would it affect us?

  • It's the middle of nowhere.

  • We don't see it.

  • And if you don't see it, it doesn't exist.

  • [MUSIC PLAYING]

  • CHARLES MOORE: Where can you really see a

  • huge expanse of nothing?

  • What's the biggest thing most people ever see that's really

  • open and unencumbered?

  • Like a desert scene?

  • But still, it's very finite, compared to the ocean.

  • MEREDITH DANLUCK: How much garbage do you

  • think is in the ocean?

  • CHARLES MOORE: I think there's 100 million tons minimum.

  • 100 million tons minimum.

  • We're all guilty.

  • There's no guiltless parties here.

  • MEREDITH DANLUCK: Ooh.

  • Wow.

  • MALE SPEAKER: What'd you get?

  • THOMAS MORTON: Whoa.

  • I busted out the ship's jelly guide and managed to hit the

  • right page.

  • Jesus Christ.

  • OK, so I went to the glossary to look up manubrium, because

  • I was a little unclear on what that was.

  • And thankfully, it lays it straight for me.

  • "The manubrium is a variously shaped pendant,

  • subumbrellular, gastrovascular cavity in medusa bearing a

  • terminal mouth." [MAKES SPITTING NOISE]

  • Of course.

  • MEREDITH DANLUCK: It really is amazing how similar plastic

  • looks to the jellies.

  • I swam up to it thinking it was jelly.

  • It's crazy.

  • LORENA M. RIOS MENDOZA:

  • CHARLES MOORE: Every part needs to have a

  • well-understood by the general public end.

  • You can't just say it's the consumer's fault, right?

  • You've got to have a place for it to go.

  • Right now, plastic has no end game.

  • You're done with it?

  • Well, which bucket do I throw it in?

  • You know, there's no end game.

  • MEREDITH DANLUCK: I've done it before.

  • I don't know what kind of status that is.

  • THOMAS MORTON: Isn't it a little ironic that, on a trip

  • out to see the damage plastic's doing to the ocean,

  • almost all the food that we need for the trip has to be

  • kept in plastic?

  • CHARLES MOORE: I'm quite sure all of us during this trip

  • have contributed plastic to the ocean, not wantonly, but

  • helplessly.

  • With all the plastic we have, we can't help it.

  • This idea that we're going to have all these pristine

  • products in plastic one after the other, and open, open,

  • open, open, all day long, it's like Christmas every day,

  • you're being fooled.

  • What about an orange?

  • That has its own wrapper.

  • What about a head of lettuce?

  • Romaine lettuce, you just pick off the outer leaves.

  • You don't need a wrapper.

  • Now there's a million things that don't need this bullshit.

  • MEREDITH DANLUCK: What is that?

  • THOMAS MORTON: Some sort of pod fruit?

  • What is it?

  • CHARLES MOORE: Banana flower.

  • MEREDITH DANLUCK: A banana flower.

  • MALE SPEAKER: [FOREIGN]

  • CHARLES MOORE: Well, we're going to have this for dinner.

  • [FOREIGN]

  • All the religions got to go.

  • JOE GOODMAN: [FOREIGN]

  • [LAUGHTER]

  • THOMAS MORTON: Kind of hard to remember what day it is when

  • all you're doing is sitting on a boat.

  • We've been having shit luck with sailing wind.

  • So we've been running the motors the whole time.

  • And now we need to refuel.

  • Have to run hoses down into the tanks from those little

  • nozzles on top.

  • I guess it's kind of ironic that we're here on this

  • environmental tour of the place.

  • Nature won't even give us the winds we need not to pollute

  • her with diesel fumes.

  • CHARLES MOORE: Can you imagine this full of vegetable oil?

  • THOMAS MORTON: So you're planning on

  • converting your engine.

  • How soon do you think you're going to be able to do that?

  • CHARLES MOORE: As soon as I can identify sources in

  • foreign ports where I'll be traveling.

  • THOMAS MORTON: Ah!

  • JOE GOODMAN:

  • THOMAS MORTON: Yeah.

  • CHARLES MOORE: (WITH AUSTRALIAN ACCENT) Aye, mate.

  • Take her up another five inches, mate.

  • [LAUGHTER]

  • THOMAS MORTON: So we just stopped and Lorena's going to

  • take her first samples.

  • We're just going to see, I think, what the plastic

  • content in this water is, and see if we can

  • catch a couple of pieces.

  • It's literally what you'd expect.

  • It's like beakers and funnels, some sort of weird handheld

  • microscope, it looks like.

  • This is nerd heaven.

  • LORENA M. RIOS MENDOZA: Thomas?

  • THOMAS MORTON: Yes?

  • LORENA M. RIOS MENDOZA:

  • THOMAS MORTON: From the freezer?

  • LORENA M. RIOS MENDOZA: Yes.

  • THOMAS MORTON: OK.

  • LORENA M. RIOS MENDOZA:

  • THOMAS MORTON: Lorena was explaining to me earlier a

  • little bit of her equipment, some sort of solution that's

  • going to somehow indicate the presence of plastic particles,

  • polymers, in the water, so that you can get a rough

  • estimate of what the exact polymer count is.

  • JOE GOODMAN: Wherever there's little areas of collection,

  • you see this stuff filling them up.

  • And historically, these places were places where nutrients

  • accumulated.

  • And debris had nutrient value.

  • It was biodegradable.

  • Now we're covering up with a suffocating layer of non-gas

  • permeable plastic with toxics attached to it.

  • When you put your hand in here, you can feel some of the

  • hard objects, the plastics.

  • It's kind of interesting.

  • THOMAS MORTON: The difference between organic trash and

  • synthetics is whereas the organic stuff biodegrades,

  • plastics, they just break down into individual polymers.

  • So as small as they keep getting, it's

  • still the same plastic.

  • It's every part of a Coke bottle busted down into a

  • little digestible morsel.

  • CHARLES MOORE: What we say is, we sweat the small stuff.

  • And what we're doing with Lorena is trying to get down

  • into what we can't see.

  • No one's tried to find microplastics in the main

  • environment.

  • What is it doing to these jellyfish?

  • When we pull up blobs of plastic and globs of jelly all

  • mixed together, what's going on there?

  • [MUSIC PLAYING]

  • MEREDITH DANLUCK: We just jostled Thomas out of bed for

  • the sunset.

  • Is this one, maybe, in the top five things that

  • you've never seen?

  • THOMAS MORTON: I've seen some things.

  • JAKE BURGHART: Have you seen the moon on the other side?

  • Let's go check that out.

  • THOMAS MORTON: I'm bored.

  • JAKE BURGHART: All right, let's see your point.

  • Bring your point out a little to the right.

  • All right, ready?

  • Turn back and look at the camera.

  • [LAUGHTER]

[SOUND OF PROJECTOR]

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ゴミの島。プラスチックでいっぱいの海 (Part 1/3) (Garbage Island: An Ocean Full of Plastic (Part 1/3))

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    稲葉白兎 に公開 2021 年 01 月 14 日
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