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  • My name is Steve Pinker, and I’m Professor of Psychology at Harvard University.  And

  • today I’m going to speak to you about language.  I’m actually not a linguist, but a

  • cognitive scientist.  I’m not so much interested as language as an object in its own right,

  • but as a window to the human mind. Language is one of the fundamental topics

  • in the human sciences.  It’s the trait that most conspicuously distinguishes humans

  • from other species, it’s essential to human cooperation; we accomplish amazing things

  • by sharing our knowledge or coordinating our actions by means of words.  It poses profound

  • scientific mysteries such as, how did language evolve in this particular species?  How does

  • the brain compute language? But also, language has many practical applications not surprisingly

  • given how central it is to human life.  Language comes so naturally to us that were

  • apt to forget what a strange and miraculous gift it is.  But think about what youre

  • doing for the next hour.   Youre going to be listening patiently as a guy makes noise

  • as he exhales.  Now, why would you do something like that?  It’s not that I can claim that

  • the sounds I’m going to make are particularly mellifluous, but rather I’ve coded information

  • into the exact sequences of hisses and hums and squeaks and pops that I’ll be making.

  •  You have the ability to recover the information from that stream of noises allowing us to

  • share ideas. Now, the ideas we are going to share are about

  • this talent, language, but with a slightly different sequence of hisses and squeaks,

  • I could cause you to be thinking thoughts about a vast array of topics, anything from

  • the latest developments in your favorite reality show to theories of the origin of the universe.

  •  This is what I think of as the miracle of language, its vast expressive power, and it’s

  • a phenomenon that still fills me with wonder, even after having studied language for 35

  • years.  And it is the prime phenomenon that the science of language aims to explain.  

  • Not surprisingly, language is central to human life.  The Biblical story of the Tower of

  • Babel reminds us that humans accomplish great things because they can exchange information

  • about their knowledge and intentions via the medium of language.  Language, moreover,

  • is not a peculiarity of one culture, but it has been found in every society ever studied

  • by anthropologists. There’s some 6,000 languages spoken on Earth,

  • all of them complex, and no one has ever discovered a human society that lacks complex language.

  •  For this and other reasons, Charles Darwin wrote, “Man has an instinctive tendency

  • to speak as we see in the babble of our young children while no child has an instinctive

  • tendency to bake, brew or write.” 

  • Language is an intricate talent and it’s not surprising that the science of language

  • should be a complex discipline. It includes the study of how language itself

  • works including:  grammar, the assembly of words, phrases and sentences; phonology, the

  • study of sound; semantics, the study of meaning; and pragmatics, the study of the use of language

  • in conversation.  Scientists interested in language also

  • study how it is processed in real time, a field called psycholinguistics; how is it

  • acquired by children, the study of language acquisition.  And how it is computed in the

  • brain, the discipline called neurolinguistics. 


  • Now, before we begin, it’s important to not to confuse language with three other things

  • that are closely related to language.  One of them is written language.  Unlike spoken

  • language, which is found in all human cultures throughout history, writing was invented a

  • very small number of times in human history, about 5,000 years ago.  

  • And alphabetic writing where each mark on the page stands for a vowel or a consonant,

  • appears to have been invented only once in all of human history by the Canaanites about

  • 3,700 years ago.  And as Darwin pointed out, children have no instinctive tendency to write,

  • but have to learn it through construction and schooling.

  • A second thing not to confuse language with is proper grammar.  Linguists distinguish

  • between descriptive grammar - the rules, that characterize how people to speak - and prescriptive

  • grammar - rules that characterize how people ought to speak if they are writing careful

  • written prose.   A dirty secret from linguistics is that not

  • only are these not the same kinds of rules, but many of the prescriptive rules of language

  • make no sense whatsoever.  Take one of the most famous of these rules, the rule not to

  • split infinitives.   According to this rule, Captain Kirk made

  • a grievous grammatical error when he said that the mission of the Enterprise wasto

  • boldly go where no man has gone before.”  He should have said, according to these

  • editors, “to go boldly where no man has gone before,” which immediately clashes

  • with the rhythm and structure of ordinary English.  In fact, this prescriptive rule

  • was based on a clumsy analogy with Latin where you can’t splint an infinitive because it’s

  • a single word, as in facary[ph] to do.  Julius Caesar couldn’t have split an infinitive

  • if he wanted to.  That rule was translated literally over into English where it really

  • should not apply.   Another famous prescriptive rule is that,

  • one should never use a so-called double negative.  Mick Jagger should not have sung, “I can’t

  • get no satisfaction,” he really should have sung, “I can’t get any satisfaction.”

  •  Now, this is often promoted as a rule of logical speaking, butcan’t” andany

  • is just as much of a double negative ascan’t” andno.”  The only reason thatcan’t

  • get any satisfactionis deemed correct andcan’t get no satisfactionis deemed

  • ungrammatical is that the dialect of English spoken in the south of England in the 17th

  • century usedcan’t” “anyrather thancan’t” “no.”  

  • If the capital of England had been in the north of the country instead of the south

  • of the country, thencan’t get no,” would have been correct andcan’t get

  • any,” would have been deemed incorrect. 

  • There’s nothing special about a language that happens to be chosen as the standard

  • for a given country.  In fact, if you compare the rules of languages and so-called dialects,

  • each one is complex in different ways.  Take for example, African-American vernacular English,

  • also called Black English or Ebonics.  There is a construction in African-American where

  • you can say, “He be workin,” which is not an error or bastardization or a corruption

  • of Standard English, but in fact conveys a subtle distinction, one that’s different

  • than simply, “He workin.”  “He be workin,” means that he is employed; he has a job, “He

  • workin,” means that he happens to be working at the moment that you and I are speaking.

  •   Now, this is a tense difference that can be

  • made in African-American English that is not made in Standard English, one of many examples

  • in which the dialects have their own set of rules that is just as sophisticated and complex

  • as the one in the standard language.   Now, a third thing, not to confuse language

  • with is thought.  Many people report that they think in language, but commune of psychologists

  • have shown that there are many kinds of thought that don’t actually take place in the form

  • of sentences.  

  • (1.) Babies (and other mammals) communicate without speech

  • For example, we know from ingenious experiments that non-linguistic creatures, such as babies

  • before theyve learned to speak, or other kinds of animals, have sophisticated kinds

  • of cognition, they register cause and effect and objects and the intentions of other people,

  • all without the benefit of speech.   (2.) Types of thinking go on without language--visual

  • thinking We also know that even in creatures that do

  • have language, namely adults, a lot of thinking goes on in forms other than language, for

  • example, visual imagery.  If you look at the top two three-dimensional figures in this

  • display, and I would ask you, do they have the same shape or a different shape?  People

  • don’t solve that problem by describing those strings of cubes in words, but rather by taking

  • an image of one and mentally rotating it into the orientation of the other, a form of non-linguistic

  • thinking.   (3.) We use tacit knowledge to understand

  • language and remember the gist For that matter, even when you understand

  • language, what you come away with is not in itself the actual language that you hear.

  •  Another important finding in cognitive psychology is that long-term memory for verbal material

  • records the gist or the meaning or the content of the words rather than the exact form of

  • the words.   For example, I like to think that you retain

  • some memory of what I have been saying for the last 10 minutes.  But I suspect that

  • if I were to ask you to reproduce any sentence that I have uttered, you would be incapable

  • of doing so.  What sticks in memory is far more abstract than the actual sentences, something

  • that we can call meaning or content or semantics.  

  • In fact, when it even comes to   understanding a sentence, the actual words are the tip of

  • a vast iceberg of a very rapid, unconscious, non-linguistic processing that’s necessary

  • even to make sense of the language itself.  And I’ll illustrate this with a classic

  • bit of poetry, the lines from the shampoo bottle.  “Wet hair, lather, rinse, repeat.”

  •   Now, in understanding that very simple snatch

  • of language, you have to know, for example, that when you repeat, you don’t wet your

  • hair a second time because its already wet, and when you get to the end of it and you

  • seerepeat,” you don’t keep repeating over and over in infinite loop, repeat here

  • means, “repeat just once.”  Now this tacit knowledge of what the writers **** of

  • language had in mind is necessary to understand language, but it, itself, is not language.

  •  (4.) If language is thinking, then where did

  • it come from? Finally, if language were really thought,

  • it would raise the question of where language would come from if it were incapable of thinking

  • without language.  After all, the English language was not designed by some committee

  • of Martians who came down to Earth and gave it to us.  Rather, language is a grassroots

  • phenomenon.  It’s the original wiki, which aggregates the contributions of hundreds of

  • thousands of people who invent jargon and slang and new constructions, some of them

  • get accumulated into the language as people seek out new ways of expressing their thoughts,

  • and that’s how we get a language in the first place.  

  • Now, this not to deny that language can affect thought and linguistics has long been interested

  • in what has sometimes been called, the linguistic relativity hypothesis or the Sapir-Whorf Hypothesis

  • (note correct spelling, named after the two linguists who first formulated it, namely

  • that language can affect thought.  There’s a lot of controversy over the status of the

  • linguistic relativity hypothesis, but no one believes that language is the same thing as

  • thought and that all of our mental life consists of reciting sentences.  

  • Now that we have set aside what language is not, let’s turn to what language is beginning

  • with the question of how language works. In a nutshell, you can divide language into

  • three topics.   There are the words that are the basic components

  • of sentences that are stored in a part of long-term memory that we can call the mental

  • lexicon or the mental dictionary.  There are rules, the recipes or algorithms that

  • we use to assemble bits of language into more complex stretches of language including syntax,

  • the rules that allow us to assemble words into phrases and sentences; Morphology, the

  • rules that allow us to assemble bits of words, like prefixes and suffixes into complex words;

  • Phonology, the rules that allow us to combine vowels and consonants into the smallest words.

  •  And then all of this knowledge of language has to connect to the world through interfaces

  • that allow us to understand language coming from others to produce language that others

  • can understand us, the language interfaces.

  • Let’s start with words. The basic principle of a word was identified

  • by the Swiss linguist, Ferdinand de Saussure, more than 100 years ago when he called attention

  • to the arbitrariness of the sign.  Take for example the word, “duck.”  The word,

  • duckdoesn’t look like a duck or walk like a duck or quack like a duck, but I can

  • use it to get you to think the thought of a duck because all of us at some point in

  • our lives have memorized that brute force association between that sound and that meaning,

  • which means that it has to be stored in memory in some format, in a very simplified form

  • and an entry in the mental lexicon might look something like this.  There is a symbol for

  • the word itself, there is some kind of specification of its sound and there’s some kind of specification

  • of its meaning.   Now, one of the remarkable facts about the

  • mental lexicon is how capacious it is.  Using dictionary sampling techniques where you say,

  • take the top left-hand word on every 20th page of the dictionary, give it to people

  • in a multiple choice test, correct for guessing, and multiply by the size of the dictionary,

  • you can estimate that a typical high school graduate has a vocabulary of around 60,000

  • words, which works out to a rate of learning of about one new word every two hours starting

  • from the age of one.  When you think that every one of these words is arbitrary as a

  • telephone number of a date in history, youre reminded about the remarkable capacity of

  • human long-term memory to store the meanings and sounds of words.  

  • But of course, we don’t just blurt out individual words, we combine them into phrases and sentences.

  •  And that brings up the second major component of language; namely, grammar.  

  • Now the modern study of grammar is inseparable to the contributions of one linguist, the

  • famous scholar, Noam Chomsky, who set the agenda for the field of linguistics for the

  • last 60 years.  To begin with, Chomsky noted that the main

  • puzzle that we have to explain in understanding language is creativity or as linguists often

  • call it productivity, the ability to produce and understand new sentences.  

  • Except for a small number of clichéd formulas, just about any sentence that you produce or

  • understand is a brand new combination produced for the first time perhaps in your life, perhaps

  • even in the history of the species.  We have to explain how people are capable of doing

  • it.  It shows that when we know a language, we haven’t just memorized a very long list

  • of sentences, but rather have internalized a grammar or algorithm or recipe for combining

  • elements into brand new assemblies.  For that reason, Chomsky has insisted that linguistics

  • is really properly a branch of psychology and is a window into the human mind. 

  • A second insight is that languages have a syntax which can’t be identified with their

  • meaning.  Now, the only quotation that I know of, of a linguist that has actually made

  • it into Bartlett’s Familiar Quotations, is the following sentence from Chomsky, from

  • 1956, “Colorless, green ideas sleep furiously.”  Well, what’s the point of that sentence?

  •  The point is that it is very close to meaningless.  On the other hand, any English speaker can

  • instantly recognize that it conforms to the patterns of English syntax.  Compare, for

  • example, “furiously sleep ideas dream colorless,” which is also meaningless, but we perceive

  • as a word salad.   A third insight is that syntax doesn’t consist

  • of a string of word by word associations as in stimulus response theories in psychology

  • where producing a word is a response which you then hear and it becomes a stimulus to

  • producing the next word, and so on.  Again, the sentence, “colorless green ideas sleep

  • furiously,” can help make this point.  Because if you look at the word by word transition

  • probabilities in that sentence, for example, colorless and then green; how often have you

  • heard colorless and green in succession.  Probably zero times.  Green and ideas, those two words

  • never occur together, ideas and sleep, sleep and furiously.  Every one of the transition

  • probabilities is very close to zero, nonetheless, the sentence as a whole can be perceived as

  • a well-formed English sentence.   Language in general has long distance dependencies.

  •  The word in one position in a sentence can dictate the choice of the word several positions

  • downstream.  For example, if you begin a sentence witheither,” somewhere down

  • the line, there has to be anor.”  If you have anif,” generally, you expect

  • somewhere down the line there to be a “then.”  There’s a story about a child who says

  • to his father, “Daddy, why did you bring that book that I don’t want to be read to

  • out of, up for?”  Where you have a set of nested or embedded long distance dependencies.

  •   Indeed, one of the applications of linguistics

  • to the study of good prose style is that sentences can be rendered difficult to understand if

  • they have too many long distance dependencies because that could put a strain on the short-term

  • memory of the reader or listener while trying to understand them.  

  • Rather than a set of word by word associations, sentences are assembled in a hierarchical

  • structure that looks like an upside down tree.  Let me give you an example of how that works

  • in the case of English.  One of the basic rules of English is that a sentence consists

  • of a noun phrase, the subject, followed by a verb phrase, the predicate.

  • A second rule in turn expands the verb phrase.  A very phrase consists of a verb followed

  • by a noun phrase, the object, followed by a sentence, the complement as, “I told him

  • that it was sunny outside.”   

  • Now, why do linguists insist that language must be composed out of  phrase structural

  • rules?   (1.) Rules allow for open-ended creativity

  • Well for one thing, that helps explain the main phenomenon that we want to explain,

  • mainly the open-ended creativity of language.  

  • (2.) Rules allow for expression of unfamiliar meaning

  • It allows us to express unfamiliar meanings.  There’s a cliché in journalism for example,

  • that when a dog bites a man, that isn’t news, but when a man bites a dog, that is

  • news.  The beauty of grammar is that it allows us to convey news by assembling into familiar

  • word in brand new combinations.  Also, because of the way phrase structure rules work, they

  • produce a vast number of possible combinations. 

  • (3.) Rules allow for production of vast numbers of combinations

  • Moreover, the number of different thoughts that we can express through the combinatorial

  • power of grammar is not just humongous, but in a technical sense, it’s infinite.  Now

  • of course, no one lives an infinite number of years, and therefore can shell off their

  • ability to understand an infinite number of sentences, but you can make the point in the

  • same way that a mathematician can say that someone who understands the rules of arithmetic

  • knows that there are an infinite number of numbers, namely if anyone ever claimed to

  • have found the longest one, you can always come up with one that’s even bigger by adding

  • a one to it.  And you can do the same thing with language.  

  • Let me illustrate it in the following way.  As a matter of fact, there has been a claim

  • that there is a world’s longest sentence.  

  • Who would make such a claim?  Well, who else?  The Guinness Book of World Records.  You

  • can look it up.  There is an entry for the World’s Longest Sentence.  It is 1,300

  • words long.  And it comes from a novel by William Faulkner.  Now I won’t read all

  • 1,300 words, but I’ll just tell you how it begins.  

  • They both bore it as though in deliberate flatulent exaltation…” and it runs on

  • from there.  But I’m here to tell you that in fact, this

  • is not the world’s longest sentence.  And I’ve been tempted to obtain immortality

  • in Guinness by submitting the following record breaker.  "Faulkner wrote, they both bore

  • it as though in deliberate flatulent exaltation.”  But sadly, this would not be immortality

  • after all but only the proverbial 15 minutes of fame because based on what you now know,

  • you could submit a record breaker for the record breaker namely, "Guinness noted that

  • Faulkner wrote" or "Pinker mentioned that Guinness noted that Faulkner wrote", or "who

  • cares that Pinker mentioned that Guinness noted that Faulkner wrote…"  

  • Take for example, the following wonderfully ambiguous sentence that appeared in TV Guide.

  •  “On tonight’s program, Conan will discuss sex with Dr. Ruth.”  

  • Now this has a perfectly innocent meaning in which the verb, “discussinvolves

  • two things, namely the topic of discussion, “sexand the person with who it’s being

  • discussed, in this case, with Dr. Ruth.  But is has a somewhat naughtier meaning if you

  • rearrange the words into phrases according to a different structure in which casesex

  • with Dr. Ruthis the topic of conversation, and that’s what’s being discussed.  

  • Now, phrase structure not only can account for our ability to produce so many sentences,

  • but it’s also necessary for us to understand what they mean.  The geometry of branches

  • in a phrase structure is essential to figuring out who did what to whom.

  • Another important contribution of Chomsky to the science of language is the focus on

  • language acquisition by children. Now, children can’t memorize sentences because knowledge

  • of language isn’t just one long list of memorized sentences, but somehow they must

  • distill out or abstract out the rules that goes into assembling sentences based on what

  • they hear coming out of their parent’s mouths when they were little.  And the talent of

  • using rules to produce combinations is in evidence from the moment that kids begin to

  • speak.   Children create sentences unheard from adults

  • At the two-word stage, which you typically see in children who are 18 months or a bit

  • older, kids are producing the smallest sentences that deserve to be counted as sentences, namely

  • two words long.  But already it’s clear that they are putting them together using

  • rules in their own mind.  To take an example, a child might say, “more outside,” meaning,

  • take them outside or let them stay outside.  Now, adults don’t say, “more outside.”

  •  So it’s not a phrase that the child simply memorized by rote, but it shows that already

  • children are using these rules to put together new combinations.  

  • Another example, a child having jam washed from his fingers said to his mother 'all gone

  • sticky'. Again, not a phrase that you could ever have copied from a parent, but

  • one that shows the child producing new combinations.  

  • Past tense rule An easy way of showing that children assimilate

  • rules of grammar unconsciously from the moment they begin to speak, is the use of the past

  • tense rule.  For example, children go through a long stage

  • in which they make errors like, “We holded the baby rabbitsorHe teared the paper

  • and then he sticked it.”  Cases in which they over generalize the regular rule of forming

  • the past tense, addedto irregular verbs likehold,” “stickortear.”

  •  And it’s easy to showit’s easy to get children to flaunt this ability to apply

  • rules productively in a laboratory demonstration called the Wug Test.  You bring a kid into

  • a lab.  You show them a picture of a little bird and you say, “This is a wug.”  And

  • you show them another picture and you say, “Well, now there are two of them.”  There

  • are two and children will fill in the gap by sayingwugs.”  Again, a form they

  • could not have memorize because it’s invented for the experiment, but it shows that they

  • have productive mastery of the regular plural rule in English.  

  • And famously, Chomsky claimed that children solved the problem of language acquisition

  • by having the general design of language already wired into them in the form of a universal

  • grammar.   A spec sheet for what the rules of any language

  • have to look like.  

  • What is the evidence that children are born with a universal grammar?  Well, surprisingly,

  • Chomsky didn’t propose this by actually studying kids in the lab or kids in the home,

  • but through a more abstract argument called, “The poverty of the input.”  Namely,

  • if you look at what goes into the ears of a child and look at the talent they end up

  • with as adults, there is a big chasm between them that can only be filled in by assuming

  • that the child has a lot of knowledge of the way that language works already built in.

  •   Here’s how the argument works.  One of

  • the things that children have to learn when they learn English is how to form a question.

  •  Now, children will get evidence from parent’s speech to how the question rule works, such

  • as sentences like, “The man is here,” and the corresponding question, “Is the

  • man here?”   Now, logically speaking, a child getting

  • that kind of input could posit two different kinds of rules. There’s a simple word

  • by word linear rule.  In this case, find the firstisin the sentence and move

  • it to the front.  “The man is here,” “Is the man here?” Now there’s a more

  • complex rule that the child could posit called a structure dependent rule, one that looks

  • at the geometry of the phrase structure tree.  In this case, the rule would be:  find

  • the firstisafter the subject noun phrase and move that to the front of the sentence.

  •  A diagram of what that rule would look like is as follows:  you look for theis

  • that occurs after the subject noun phrase and that’s what gets moved to the front

  • of the sentenceNow, what’s the difference between the simple

  • word-by-word rule and the more complex structured dependent rule?  Well, you can see the difference

  • when it comes to performing the question from a slightly more complex sentence like, “The

  • man who is tall is in the room.”   But how is the child supposed to learn that?

  •  How did all of us end up with the correct structured dependent of the rule rather than

  • the far simpler word-by-word version of the rule? 

  • Well,” Chomsky argues, “if you were actually to look at the kind of language that

  • all of us hear, it’s actually quite rare to hear a sentence like, “Is the man who

  • is tall in the room?  The kind of input that would logically inform you that the word-by-word

  • rule is wrong and the structure dependent rule is right.  Nonetheless, we all grow

  • up into adults who unconsciously use the structure dependent rule rather than the word-by-word

  • rule.  Moreover, children don’t make errors like, “is the man who tall is in the room,”

  • as soon as they begin to form complex questions, they use the structure dependent rule.  And

  • that,” Chomsky argues, “is evidence that structure dependent rules are part of the

  • definition of universal grammar that children are born with.”  

  • Now, though Chomsky has been fantastically influential in the science of language that

  • does not mean that all language scientists agree with him.  And there have been a number

  • of critiques of Chomsky over the years.  For one thing, the critics point out, Chomsky

  • hasn’t really shown principles of universal grammar that are specific to language itself

  • as opposed to general ways in which the human mind works across multiple domains, language

  • and vision and control of motion and memory and so on.  We don’t really know that universal

  • grammar is specific to language, according to this critique. 

  • Secondly, Chomsky and the linguists working with him have not examined all 6,000 of the

  • world’s languages and shown that the principles of universal grammar apply to all 6,000.  Theyve

  • posited it based on a small number of languages and the logic of the poverty of the input,

  • but haven’t actually come through with the data that would be necessary to prove that

  • universal grammar is really universal.   Finally, the critics argue, Chomsky has not

  • shown that more general purpose learning models, such as neuro network models, are incapable

  • of learning language together with all the other things that children learn, and therefore

  • has not proven that there has to be specific knowledge how grammar works in order for the

  • child to learn grammar.   

  •  Another component of language governs the sound pattern of language, the ways that the

  • vowels and consonants can be assembled into the minimal units that go into words.  Phonology,

  • as this branch of linguistics is called, consists of formation rules that capture what is a

  • possible word in a language according to the way that it sounds.   To give you an example,

  • the sequence, bluk, is not an English word, but you get a sense that it could be an English

  • word that someone could coin a new formthat someone could coin a new term of English

  • that we pronouncebluk.”  But when you hear the sound ****, you instantly know thatthat

  • not only isn’t it an English word, but it really couldn’t be an English word.  ****, by

  • the way, comes from Yiddish and it means kind of to sigh or to moan.  Oi.  That’s to

  • ****.   The reason that we recognize that it’s not

  • English is because it has sounds like **** and sequences like ****, which aren’t part of

  • the formation rules of English phonology.  But together with the rules that define

  • the basic words of a language, there are also phonological rules that make adjustments to

  • the sounds, depending on what the other words the word appears with.  Very few of us realize,

  • for example, in English, that the past tense suffixed” is actually pronounced

  • in three different ways.  When we say, “He walked,” we pronounce theedlike

  • a “ta,” walked.  When we sayjogged,” we pronounce it as a “d,” jogged.  And

  • when we saypatted,” we stick in a vowel, pat-ted, showing that the same suffix,

  • edcan be readjusted in its pronunciation according to the rules of English phonology.

  •   Now, when someone acquires English as a foreign

  • language or acquires a foreign language in general, they carry over the rules of phonology

  • of their first language and apply it to their second language.  We have a word for it;

  • we call it anaccent.”  When a language user deliberately manipulates the rules of

  • phonology, that is, when they don’t just speak in order to convey content, they pay

  • attention as to what phonological structures are being used; we call it poetry and rhetoric.

  •  

  • So far, I’ve been talking about knowledge of language, the rules that go into defining

  • what are possible sequences of language.  But those sequences have to get into the brain

  • during speech comprehension and they have to get out during speech production.  And

  • that takes us to the topic of language interfaces.  

  • And let’s start with production.  

  • This diagram here is literally a human cadaver that has been sawn in half.  An anatomist

  • took a saw and [sound] allowing it to see in cross section the human vocal tract.  And

  • that can illustrate how we get out knowledge of language out into the world as a sequence

  • of sounds.   Now, each of us has at the top of our windpipe

  • or trachea, a complex structure called the larynx or voice box; it’s behind your Adam’s

  • Apple.  And the air coming out of your lungs have to go passed two cartilaginous flaps

  • that vibrate and produce a rich, buzzy sound source, full of harmonics.  Before that vibrating

  • sound gets out to the world, it has to pass through a gauntlet or chambers of the vocal

  • tract.  The throat behind the tongue, the cavity above the tongue, the cavity formed

  • by the lips, and when you block off airflow through the mouth, it can come out through

  • the nose.   Now, each one of those cavities has a shape

  • that, thanks to the laws of physics, will amplify some of the harmonics in that buzzy

  • sound source and suppress others.  We can change the shape of those cavities when we

  • move our tongue around.  When we move our tongue forward and backward, for example,

  • as ineh,” “aa,” “eh,” “aa,” we change the shape of the cavity behind the

  • tongue, change the frequencies that are amplified or suppressed and the listener hears them

  • as two different vowels.   Likewise, when we raise or lower the tongue,

  • we change the shape of the resonant cavity above the tongue as in say, “eh,” “ah,”

  • eh,” “ah.”  Once again, the change in the mixture of harmonics is perceived as

  • a change in the nature of the vowel.   When we stop the flow of air and then release

  • it as in, “t,” “ca,” “ba.”  Then we hear a consonant rather than a vowel or

  • even when we restrict the flow of air as in “f,” “ssproducing a chaotic noisy

  • sound.  Each one of those sounds that gets sculpted by different articulators is perceived

  • by the brain as a qualitatively different vowel or consonant.  

  • Now, an interesting peculiarity of the human vocal track is that it obviously co-ops structures

  • that evolved for different purposes for breathing and for swallowing and so on.  And it’s

  • anAnd it’s an interesting fact first noted by Darwin that the larynx over the course

  • of evolution has descended in the throat so that every particle of food going from the

  • mouth through the esophagus to the stomach has to pass over the opening into the larynx

  • with some probability of being inhaled leading to the danger of death by choking.  And in

  • fact, until the invention of the Heimlich Maneuver, several thousand people every year

  • died of choking because of this maladaptive of the human vocal tract. 

  • Why did we evolve a mouth and throat that leaves us vulnerable to choking?  Well, a

  • plausible hypothesis is that it’s a compromise that was made in the course of evolution to

  • allow us to speak.  By giving range to a variety of possibilities for alternating the

  • resonant cavities, for moving the tongue back and forth and up and down, we expanded the

  • range of speech sounds we could make, improve the efficiency of language, but suffered the

  • compromise of an increased risk of choking showing that language presumably had some

  • survival advantage that compensated for the disadvantage in choking.  

  • What about the flow of information in the other direction, that is from the world into

  • the brain, the process of speech comprehension?  

  • Speech comprehension turns out to be an extraordinarily complex computational process, which we're

  • reminded of every time we interact with a voicemail menu on a telephone or you use a

  • dictation on our computers.  For example, One writer, using the state-of-the-art speech-to-text

  • systems dictated the following words into his computer.  He dictatedbook tour,”

  • and it came out on the screen asback to work.”  Another example, he said, “I

  • truly couldn’t see,” and it came out on the screen as, “a cruelly good MC.”  Even

  • more disconcertingly, he started a letter to his parents by saying, “Dear mom and

  • dad,” and what came out on the screen, “The man is dead.”   

  • Now, dictation systems have gotten better and better, but they still have a way to go

  • before they can duplicate a human stenographer.  

  • What is it about the problem of speech understanding that makes it so easy for a human, but

  • so hard for a computer? Well, there are two main contributors.  One of them is the fact

  • that each phony, each vowel or consonant actually comes out very differently, depending on what

  • comes before and what comes after.  A phenomenon sometimes called co-articulation.  

  • Let me give you an example.  The place called Cape Cod has two “c” sounds.  

  • Each of them symbolized by the letter “C,” the hard “C.”  Nonetheless, when you

  • pay attention to the way you pronounce them, you notice that in fact, you pronounce them

  • in very different parts of the mouth.  Try it.  Cape Cod, Cape Cod… “c,” “c”.

  •  In one case, the “c” is produced way back in the mouth; the other it’s produced

  • much farther forward.  We don’t notice that we pronounce “c” in two different

  • ways depending whether it comes before an “a” or anah,” but that difference

  • forms a difference in the shape of the resonant cavity in our mouth which produces a very

  • different wave form.  And unless a computer is specifically programmed to take that variability

  • into account, it will perceive those two different “c’s,” as a different sound that objectively

  • speaking, they really are:  “c-eh” “c-oa”.  They really are different sounds, but our

  • brain lumps them together.   The other reason that speech recognition is

  • such a difficult problem is because of the absence of segmentation.  Now we have an

  • illusion when we listen to speech that consists of a sequence to sounds corresponding to words.

  •  But if you actually were to look at the wave form of a sentence on a oscilloscope,

  • there would not be little silences between the words the way there are little bits of

  • white space in printed words on a page, but rather a continuous ribbon in which the end

  • of one word leads right to the beginning of the next.  

  • It’s something that were aware ofIt’s something that were aware of when

  • we listen to speech in a foreign language when we have no idea where one word ends and

  • the other one begins.  In our own language, we detect the word boundaries simply because

  • in our mental lexicon, we have stretches of sound that correspond to one word that tell

  • us where it ends.  But you can’t get that information from the wave form itself.  

  • In fact, there’s a whole genre of wordplay that takes advantage of the fact that word

  • boundaries are not physically present in the speech wave.  Novelty songs like Mairzy doats

  • and dozy doats and liddle lamzy divey 
A kiddley divey too, wooden shoe? 

Now,

  • it turns out that this is actually a grammatical sequence in words in EnglishMares eat

  • oats and does eat oats and little lambs eat ivy, a kid'll eat ivy too, wouldn’t you?

  • When it is spoken or sung normally, the boundaries between words are obliterated and so the same

  • sequence of sounds can be perceived either as nonsense or if you know what theyre

  • meant to convey, as sentences.   Another example familiar to most children,

  • Fuzzy Wuzzy was a bear, Fuzzy Wuzzy had no hair.  Fuzzy Wuzzy wasn’t very fuzzy,

  • was he?  And the famous dogroll, I scream, you scream, we all scream for ice cream. 

  • We are generally unaware of how unambiguous language is.  In context, we effortlessly

  • and unconsciously derive the intended meaning of a sentence, but a poor computer not equipped

  • with all of our common sense and human abilities and just going by the words and the rules

  • is often flabbergasted by all the different possibilities.  Take a sentence as simple

  • asMary had a little lamb,” you might think that that’s a perfectly simple unambiguous

  • sentence.  But now imagine that it was continued withwith mint sauce.”  You realize

  • thathaveis actually a highly ambiguous word. As a result, the computer translations

  • can often deliver comically incorrect results.  

  • According to legend, one of the first computer systems that was designed to translate from

  • English to Russian and back again did the following given the sentence, “The spirit

  • is willing, but the flesh is weak,” it translated it back asThe vodka is agreeable, but

  • the meat is rotten.”  So why do people understand language so much

  • better than computers?  What is the knowledge that we have that has been so hard to program

  • into our machines?  Well, there’s a third interface between language and the rest of

  • the mind, and that is the subject matter of the branch of linguistics called Pragmatics,

  • namely, how people understand language in context using their knowledge of the world

  • and their expectation about how other speakers communicate.  

  • The most important principle of Pragmatics is calledthe cooperative principle,”

  • namely; assume that your conversational partner is working with you to try to get a meaning

  • across truthfully and clearly.  And our knowledge of Pragmatics, like our knowledge of syntax

  • and phonology and so on, is deployed effortlessly, but involves many intricate computations.

  •  For example, if I were to say, “If you could pass the guacamole, that would be awesome.”

  •  You understand that as a polite request meaning, give me the guacamole.  You don’t

  • interpret it literally as a rumination about a hypothetical affair, you just assume that

  • the person wanted something and was using that string of words to convey the request

  • politely.   Often comedies will use the absence of pragmatics

  • in robots as a source of humor.  As in the oldGet Smartsituation comedy, which

  • had a robot named, Hymie, and a recurring joke in the series would be that Maxwell Smart

  • would say to Hymie, “Hymie, can you give me a hand?”  And then Hymie would go, {sound},

  • remove his hand and pass it over to Maxwell Smart not understanding thatgive me a

  • hand,” in context means, help me rather than literally transfer the hand over to me.

  •   Or take the following example of Pragmatics

  • in action.  Consider the following dialogue, Martha says, “I’m leaving you.”  John

  • says, “Who is he?”  Now, understanding language requires finding the antecedents

  • pronouns, in this case who theherefers to, and any competent English speaker knows

  • exactly who theheis, presumably John’s romantic rival even though it was never stated

  • explicitly in any part of the dialogue.  This shows how we bring to bear on language understanding

  • a vast store of knowledge about human behavior, human interactions, human relationships.  And

  • we often have to use that background knowledge even to solve mechanical problems like, who

  • does a pronoun likeherefer to.  It’s that knowledge that’s extraordinarily difficult,

  • to say the least to program into a computer.  

  • Language is a miracle of the natural world because it allows us to exchange an unlimited

  • number of ideas using a finite set of mental tools.  Those mental tools comprise a large

  • lexicon of memorized words and a powerful mental grammar that can combine them.  Language

  • thought of in this way should not be confused with writing, with the prescriptive rules

  • of proper grammar or style or with thought itself.  

  • Modern linguistics is guided by the questions, though not always the answers suggested by

  • the linguist known as Noam Chomsky, namely how is the unlimited creativity of language

  • possible?  What are the abstract mental structures that relate word to one another? How do children

  • acquire them?   What is universal across languages?  And

  • what does that say about the human mind?   The study of language has many practical applications

  • including computers that understand and speak, the diagnosis and treatment of language disorders,

  • the teaching of reading, writing, and foreign languages, the interpreting of the language

  • of law, politics and literature. But for someone like me, language is eternally

  • fascinating because it speaks to such fundamental questions of the human condition.  [Language]

  • is really at the center of a number of different concerns of thought, of social relationships,

  • of human biology, of human evolution, that all speak to what’s special about the human

  • species.  Language is the most distinctively human talent.

  •  Language is a window into human nature, and most significantly, the vast expressive

  • power of language is one of the wonders of the natural world.  Thank you.

My name is Steve Pinker, and I’m Professor of Psychology at Harvard University.  And

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スティーブン・ピンカー脳を理解するための窓としての言語学 (Steven Pinker: Linguistics as a Window to Understanding the Brain)

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    kleeff に公開 2021 年 01 月 14 日
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