All right What's up guys if your reaction to having to color your drawings is anything similar to that You need help and I am here To help please excuse my appearance.

もし、あなたの絵に色を塗らなければならないことに対するあなたの反応が、それに近いものだとしたら。

I just finished this tattoo yesterday and i'm trying not to have anything touch it I'm, sorry now in today's video i'd like to teach you a little bit about how to color your art We'll be using some of my favorite methods working in a semi-realistic style and just so you guys know I have a tiny brain It's very small.

このタトゥーは昨日仕上げたばかりで、何も触れないようにしているんだ。

It's very smooth So I like to break down my processes and make them as simple as possible so that absolutely anybody can follow along even you Yes, you sitting on the toilet right now taking a dump.

だから、僕は自分のプロセスを分解して、できるだけシンプルにするのが好きなんだ。

Don't think I can't smell you that is disgusting So with that being said, let's dive right in i've even got notes for today's video.

だからと言って、今日のビデオのためにメモまで取ってあるんだ。

Look at that Actually, don't look at it.

見てください、見てはいけません。

It's very messy as always before you start any drawing Make sure you have a reference for what you want to draw in today's case Sam does man first identify the style that you want.

デッサンを始める前に、描きたいもののリファレンスがあることを確認するのはいつものことだが、今日の場合、サムはまず自分の求めるスタイルを明確にする。

Do you want to do flat colors?

フラットカラーにしますか？

Do you want to do cell shading?

セルシェーディングをしますか？

Do you want something semi-realistic or do you want to do something hyper-realistic in that case?

半リアルなものがいいのか、それとも超リアルなものがいいのか。

I'm, sorry, but you've lost your mind and that's coming from someone who already has no sanity So the first thing I try to do is I break it down All right, I start from the big to the small I want you to take a look at this beautiful man here and ask yourself What is the main color that you see in this composition aside from the blue sky?

この美しい男性を見て、自分自身に問いかけてみてほしい。 この構図の中で、青い空以外に見える主な色は何だろう？

Well for me you see the first color I would start with is the color of his skin the skin in light This color right here So once you've identified your main color go through your hues find that color that orangish color now I know a lot of you guys might have a hard time finding the right colors Just like how you have a hard time finding grass to touch.

メインカラーが決まったら、色相を調べて、みかんのような色を見つける。

Don't you worry?

心配ないですか？

I've got a little trick for that So you click on this icon here and bring up this eyedropper tool I want you to take this eyedropper tool and run it over some of the areas where you see that main color Now go and visit your color picker couple things to pay attention to here Where does this color sit on the hue spectrum, which is this slider down here?

このアイコンをクリックすると、スポイトツールが表示されます。このスポイトツールを使って、メインカラーが表示されている部分にスポイトを当ててみてください。

Where does it sit on the saturation spectrum, which is this slider right here?

このスライダーは、彩度スペクトルのどの位置にあるか？

And where does that color sit on the value spectrum, which means how light or how dark?

そして、その色は価値スペクトルのどこに位置するのか。

That color is so going back to the eyedropper tool with the color on the arm We can observe that it is an orange color medium saturation And very light in terms of value which makes sense because he's in sunlight Now when you're working try not to use that color directly from the reference from the eyedropper tool Try to find that color yourself play around with your colors.

この色は、スポイトツールで腕の色を見てみると、オレンジ色で、彩度は中程度、値は非常に薄いことがわかります。

See if it looks right This will be a great challenge and a really good learning opportunity just to make my life a little bit easier I am selecting the overall shape of this character and i'm going to just fill the whole thing in With my base color now if you're wondering where are all the shadows?

このキャラクターの全体的な形を選択し、ベースカラーで全体を塗りつぶす。

Where are all the soft transitions?

ソフトなトランジションはどこにある？

Patience my son.

我慢してくれ、息子よ。

This is step number one.

これが第一段階だ。

Remember that we are working from big to small So now we're going to get a little bit smaller We're going to try to look for the other smaller flat colors that are here, which will be The hair the black hair and the white shirt i'm going to go with a very dark Desaturated brown color.

大きなものから小さなものへと作業していることを覚えておいてください。では、もう少し小さくしてみましょう。ここにある他の小さなフラットカラーを探してみます。

All right So the next step is we got to look for the color of that shirt I think we could go a little bit more towards the reds and bring it all the way up in brightness Now you might be asking is it time to start adding some shadows and you would be wrong It is time now to start adding some shadows So I want you to go back and observe your reference try to find a general color for the shadows one Single flat color now when you zoom in you're going to see a lot of different hues, right?

次のステップでは、シャツの色を探します。もう少し赤に近い色にして、明るさを上げましょう。

You're going to see blues you're going to see oranges, but don't worry about that and try to find one unifying color So for me, I think from the light value we should go a little bit more towards the reds Change this color bring it down a little bit more and maybe we can get something like that Now again, if you're not sure how to do this process I was once upon a time in the same boat as you everybody has to start somewhere So take your eyedropper tool go back into the shadows See if you can find that shadow color right try to observe where it is on the hue spectrum Try to observe where it is on the saturation spectrum But when you actually go to apply that color Don't use the eyedropper now in this part of the process once we've escaped from the flat colors We're starting to add shadows and depth to our drawing you want to identify where the light source is coming from This is very important to anything that you're going to render in this reference He is being lit by the sunlight coming in this direction How do I know this because if you look at surfaces like his shoulder, for example the light Reaches this surface and the shadow falls on this surface So that means the light since it travels in a straight line It's going to be coming from here and there's going to be a fall off of light here as we venture into the shadows So i'm going to start a new layer create a clipping mask and in this layer, we're going to be adding some Shadows, just use a simple hard edge brush.

青もあればオレンジもある。でもそんなことは気にしないで、統一感のある色を見つけよう、スポイトツールを使ってシャドウに戻り、シャドウの色が正しいかどうか、色相スペクトルのどの位置にあるか観察してみてください。さて、このプロセスのこの部分では、平坦な色から抜け出したら、ドローイングに影と奥行きを加え始めます、例えば、光はこの表面に到達し、影はこの表面に落ちる。つまり、光は一直線に進むので、ここから来ていることになり、影に入るにつれて、ここで光が落ちることになる。

I'm using a round brush here.

ここでは丸いブラシを使っている。

Okay, don't be afraid of contrast Don't be afraid to push the darks and pull the lights See i'm just applying these very simple shapes to the areas where I see shadow Just try to make it as simple as possible almost like a 2d animation, right?

コントラストを恐れず、ダークな部分を押し出し、ライトな部分を引っ張ることを恐れず、影が見える部分に非常にシンプルなシェイプを適用するだけだ。

Only one light value and one dark value so we're taking this shadow color bringing it down to the arm just doing the same thing that we did on the face and Just like that.

明るい値と暗い値が1つずつしかないので、このシャドウカラーを腕に持ってきて、顔でやったのと同じことをします。

Now you have a super simplified graphic man Now you can adjust the colors here based on your personal preferences I personally want the shadow to be a little bit brighter.

これで、超簡素化されたグラフィック・マンの出来上がり。ここで、個人的な好みに応じて色を調整することができる。

Maybe a little bit more saturated just like so again personal style Now we're going to move on to the shirt and the hair.

もう少し彩度を上げて、個人的なスタイルに戻そう。

We're going to repeat the exact same process We're going to take this hair color.

まったく同じプロセスを繰り返す。

I'm going to try to find an even darker more saturated color And add that into the areas where I see more shadow so I don't know if you guys can see that but now the hair feels a lot more three-dimensional and i've only Followed where the shadows and lights fall on the hair not trying to create that texture of hair just yet I'm just trying to apply the right colors to the right places.

さらに暗い彩度の高い色を探して、影が多く見える部分にそれを加えてみようと思っている。

Don't overwhelm yourself.

無理は禁物だ。

All right, don't do too much at once It's just like starting a new drawing If you have one drawing going on make sure you try to finish that drawing before you start another one Right now i'm going to take a bluish color here Um, maybe a little bit lighter than that and I will apply that into the shadow for the t-shirt And there you go If you've been following along with me You should have something similar to this and now you know how to color your drawings for the rest of this video Check out my patreon and i'll see you guys on the i'm just kidding guys.

一度にたくさんのことをしてはいけない。新しい絵を描き始めるのと同じことだ、Tシャツのシャドウにそれを適用してみよう。

I won't abandon you like that I'll go to the grocery store.

そんなふうに君を見捨てたりはしないよ......スーパーに行くよ。

I'll get my milk, but i'll always come back So this is how I like to work All right Now that we have two colors in each section.

ミルクを飲んでも、また戻ってくる。

I like to start adding more colors So two colors is going to turn into four and that four Might turn into more Oh my god bars.

だから、2色が4色になり、その4色がさらにオーマイゴッドバーになるかもしれない。

Jesus.

なんてことだ。

Call me kendrick.

ケンドリックと呼んでくれ。

Sam does rap.

サムはラップをする。

I want you to look at your reference Where are the glowing highlights on this beautiful man's face?

参考にしてほしい。この美しい男の顔のどこに光り輝くハイライトがあるか？

So i'm seeing a little bit right here on the cheekbone.

だから、頬骨のこのあたりに少し見えている。

That's pretty bright I'm seeing a little bit here on the neck There's certain areas here on the nose on the mouth area that also seems a little bit brighter than the rest Maybe a little bit of highlights on the shoulder a little bit on the back of the arm So we're going to take this color All right We're going to shift the hue a little bit more towards the yellow make sure you're shifting the hue According to how you see it in your reference photo Okay, don't always go towards the yellows in some cases.

首筋に少し明るい部分がありますね。鼻や口元にも、他の部分より少し明るい部分があります。

You might be going towards the blues I'm going to start a new layer and i'm going to apply this highlight color this third color onto the areas Where I see it in the reference.

新しいレイヤーを作って、リファレンスで見た部分にこのハイライトカラー、3番目のカラーを適用する。

So for example on the cheek on parts of the nose, it's very subtle But you might also find yourself in situations where this highlight color is a lot more apparent a little bit on the jaw A little bit on the chin.

例えば、頬や鼻の一部には、とても繊細なハイライトが入ります。

There you go.

そうだ。

That's beautiful Now we're getting so much more depth in the light section of his face coming down here Now let's add a streak of highlight onto his neck Now we're going to select the shadow color and we're going to push it just one stop lower Maybe move it a little bit more towards the reds and now we're going to bring this darker color into the areas where you see More shadow just like so right now.

では、首筋にハイライトを入れましょう。シャドウカラーを選択し、1段下げて、もう少し赤の方に移動させます。

Look at that.

あれを見ろ。

Look at that jawline.

あの顎のラインを見てください。

It's got so much depth It's almost as much depth as the traumatic backstories of literally every single one of your ocs I'm gonna start a petition for you guys to stop abusing your ocs, man I'm gonna add a little bit more darkness there onto the shoulder.

オックの一人一人のトラウマ的なバックストーリーに匹敵するくらい、深みがあるんだ。オックの虐待をやめるよう、嘆願書を出すつもりだよ。

So now you see there's a lot of depth, right?

深みがあることがお分かりいただけただろうか？

There's depth in the light.

光の中に深みがある。

There's depth in the dark But it kind of looks like a paint by numbers painting right now where the edges are all very sharp It looks very artificial.

しかし、エッジが非常にシャープで、人工的に見える。

So we're going to change that now.

だから今、それを変えようと思っている。

I want you to take a blending brush Doesn't matter what it is.

ブレンディングブラシを取ってほしい。

Just make sure it's nice and smooth.

ただ、きれいに滑らかにすること。

This is my personal favorite It's available on my patreon, but it doesn't have to be this brush as long as it's smooth it works Now we're going to soften the edges that are soft and maintain the edges that are hard.

これは私の個人的なお気に入りだ。私のパトロンで購入できるが、滑らかであればこのブラシである必要はない。

So for example here it's soft Here It's hard.

例えば、ここではソフトで、ここではハードだ。

So just very gently blend out that soft edge and preserve that hard edge Just like so now we can come down here to the jaw area again looking at the reference, right?

ソフトなエッジをなじませ、ハードなエッジを残す。

There's a soft edge.

ソフトなエッジがある。

There's a hard edge.

硬質なエッジがある。

So we're going to blend that out But maintain some of the hard edges that you see on the jaw same thing with the neck, right?

しかし、顎に見られるような硬いエッジは維持する。

You're going to see this hard edge here.

この硬いエッジが見えるだろう。

We're not going to blend that but the this edge Is going to be soft So Gently blending that out gently blending this edge out and maintaining one hard edge.

このエッジはやわらかくなるので、このエッジをやさしくなじませ、1つの硬いエッジを維持する。

That's a beautiful neck That looks delicious.

きれいな首だね。

So delicious that maybe ergo josh would like to eat it.

エルゴ・ジョシュが食べたくなるようなおいしさだ。

That's right.

その通りだ。

Josh you filthy man I'm going to do the exact same thing here, right?

ジョシュ......不潔な男め......ここでもまったく同じことをするつもりだよ？

We're going to blend out the soft edge here on the shoulder We're going to blend out the edge here on the bicep and while you have your blending brush I want you to also soften up some of these highlights here just soften up the edges blend out that edge right there So you see they almost become invisible, but you do see that hue shift throughout the arm still now you might be asking Well, why do you use a hard edge and blend it out instead of using an airbrush?

肩のソフトエッジをなじませ、上腕のエッジをなじませ、ブレンディングブラシを持っている間に、ハイライトをソフトにしてほしい。

Well number one you would be wrong number two.

その1......それは間違いだ、その2......。

The airbrush is completely soft.

エアブラシは完全に柔らかい。

It's very easy for beginners Especially to over rely on the airbrush and end up with drawings and renderings that are way too mushy Don't rely on the airbrush.

特に初心者の場合、エアブラシに頼りすぎて、ドローイングやレンダリングがムキムキになってしまいがちだ。

Okay, preserve your hard edges stay hard.

よし、硬いエッジは硬いままにしておけ。

So you guys see that was a very simple process We've just gone from two colors the four colors.

2色から4色になっただけなんだ。

We've blended the edges.

我々はエッジをブレンドした。

We have hard and soft edges Now you can go wild you can apply this process to almost any part of the drawing you can apply this To the lips, right?

ハードエッジとソフトエッジがある。

The lips are a little bit more red But you can use this same method to color the lips and once you get really comfortable with this, you know You can start adding even more variation after the four colors that you've applied, right?

でも、これと同じ方法で唇を染めることができるし、これに慣れてきたら、4色塗った後にさらにバリエーションを増やすこともできる。

so for example, I think I see a little bit of bounce light a little bit of Subsurface scattering on the nose so I can select a more saturated color I can bring that color in here like so and we're just gonna gently blend that In and you can see now the nose starts taking on a more fleshy transparent appearance If you want more of a flesh tone look you can even use a redder hue and apply that to the cheeks now Your character looks like he's blushing.

例えば、鼻に少しバウンス光やサブサーフェススキャッタリングが見えると思うので、より彩度の高い色を選択し、その色をここに持ってきて、優しくなじませる。

What could he be blushing for?

何を赤面しているのだろう？

I don't know Maybe he just saw you on the toilet So you see these very subtle hue shifts become available to you as you start adding more complexity And that's how you color your drawings or at least that's how I do it.

複雑さを増すにつれて、微妙な色相の変化が利用できるようになる。

That's it's always worked for me All right might not work for you.

僕はいつもそうしてきた。

You can even start to find some of the ambient light like for example on his forehead There's a lot of blue light because the sky is casting a blue light down on you So we're going to take a bluish color here All right And we're going to just glaze that over the forehead very lightly and you can get that blue on any surface That's facing upwards towards the sky because of that ambient lighting see now We have one two, three, four, five, six, maybe seven colors here now and they're all blending into each other There's soft transitions the variation of color really starts to pick up, you know You can get some bounce light here just under the chin like that with a nice bright orange color again Using a blending brush blend that out nice and smooth.

例えば、彼の額には青い光がたくさんあります。空が青い光をあなたに投げかけているからです、顎の下には明るいオレンジ色をのせ、ブレンディングブラシでなめらかになじませる。

Jesus.

なんてことだ。

That's nice Oh, if only I look like that and just to wrap this up I'm going to show you guys that you can do this with any subject any lighting scenario doesn't have to be harsh sunlight Okay, here is my chicken chicken.

どんな被写体でも、どんなライティングシナリオでも、厳しい太陽光線でなくてもできることをお見せしましょう。

Just remember what we talked about.

私たちが話したことを思い出してほしい。

Okay, we're going to start with one main color Okay, and then we're going to go on to the secondary color, which is the color of the shadow So it's going to be a little bit more muted Maybe a little bit warmer alpha lock that layer then we're going to come down and apply that shadow color now Even though it is a very soft shadow what i'm doing here is i'm trying to identify the transition between light And shadow if you squint your eyes and take a step back you can kind of determine that the main transition occurs Here, so that's the break between the shadow side and the light side.

では、まずメインカラーを1色、次にセカンダリーカラーに移ります、シャドウの色なので、もう少し淡い色にします。 アルファはそのレイヤーをロックして、シャドウの色を適用します。

So there's the light There's the shadow and just for good measure.

だから、光があり、影があり、そして念のためだ。

We're going to add in his little wings here as well We're going to take that light color and we're going to start adding an even lighter color in this case I'm going to start using an airbrush and just get that nice soft color in there in the reference I see the shadow mostly under the wing and the eye and maybe a little bit down here towards the bottom of the Chicken a little dark shadow under the wing a little bit of darker shadow under the chicken just like that That's a bit too dark now I'm going to take our blending brush gently work these colors in nice and soft like so Okay, you don't even have to blend them if you prefer a more rough looking style now coming back to this edge Between the light and the shadow we're just gonna soften that now the wing smooth now the other wing Smooth and would you look at that, right?

ここに小さな翼も追加していく。明るい色を使って、さらに明るい色を追加していく。そしてチキンの下の方に少し濃いシャドウがある、もっとラフなスタイルがお好みなら、なじませる必要はありません。光と影の間にあるこのエッジに戻り、この部分を柔らかくします。

We started with two colors added two more colors started blending the edges and look how three-dimensional that chicken looks I can practically eat it You're not safe here.

2色から始めて、さらに2色足して、エッジをブレンドして......ほら、こんなに立体的なチキンになった。

See after this stage, you can start adding even more You can start adding some bounce light, right?

この段階が終わったら、さらにバウンスライトを加えることができる。

You want to add some bounce light at the bottom for the table?

テーブルの下にバウンスライトを追加しますか？

You can add some ambient lighting in the back.

後ろにアンビエント照明をつけることもできる。

You can do the exact same process with the eyeballs Let's get a bluish color for the light section and a darker warmer bluish color for this shadow section Okay, and then we're gonna alpha lock this layer color in your shadows Now i'm gonna add an even lighter highlight just on this side I'm gonna blend all of this out nice and smooth add in his little iris You can add in a highlight just on top of that and would you look at that?

では、このレイヤーカラーをアルファロックして、シャドウの部分をアルファロックします。

What a beautiful eyeball now we can move this eyeball here.

なんて美しい眼球なんだろう......この眼球をここに移動させることができる。

We can duplicate this eyeball Oh My goodness, so now let's take some of that yellow color Let's add some beautiful bounce light to the bottom side of these eyeballs just like that Look at that get a nice dark shadow ambient occlusion under the eyeballs Just like that blend this out soften it up and look at these stunning results Simple process that took about what five minutes.