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  • well I know his films, his films ... and I loved them because I found here rarely ... French

  • cinema in films like this ... I loved the fact that a simple story he does

  • something shocking ... I found its rich movies

  • I loved the family scenes where everyone eats ...

  • modesty that embodied men ... I loved the fact that it does justice to women

  • in his films, music, trance scenes ... I liked a lot ...

  • I was a fan of him ... I can say that I knew his films ... and that's all ...

  • I was quite fascinated by the realism of his films

  • It was something quite childish ... It has a look of a child ... very attentive ... very

  • very receptive ... I remember that ... Pretty sweet ...

  • I also think it is someone who can be tortured ...

  • I think he has a passion that can be overwhelming , but it can also be unsettling sometimes

  • ... There is also a duty of truth in his films

  • ... He loves filming loan because he loves skin

  • ... You understand that you can not betray the

  • camera when it is so close to you for so long Andchichen method is to take a lot of

  • freedom in time ... You can run an hour and a half a scene ...

  • This is a free game too , He tries to feed you ... with many conversations

  • ... with this freedom there ...

  • There's something spiritual that comes as a bit of him and his conversations and complexity

  • ... At the same time it is challenging because

  • it is hard when someone puts you to the test and destabilizes you pushing you too far and

  • making you take as many risks You give and you receive it , but it's true

  • that this is what is sometimes destabilizing

  • Yes , of course, that obviously raises questions and suddenly you have to work with Abdellatif

  • , forget everything you've learned ... This is someone who works a lot on time and

  • a lot of improvisation as ... So we must constantly renew itself , tap into

  • his imagination ... After this is his method and I have nothing

  • to say ... It is only my opinion and it's subjective

  • It is true that I found her extremely difficult methods ... and of course excessive ... This

  • is what I said ... I will not repeat myself ...

  • But it was difficult and it was at the same time ... it was ... the deal if you want ..

  • This film , I wanted to do ... I clung to do ... because there are times we feel that

  • now ... Abdellatif that ... you can eject ...... and you really want it ...

  • I think to make a movie with Abdellatif must go ...

  • This is a film that is rich ... here tells a lot of things ... a passion ... a meeting

  • , the birth of a sense here says learning to life in the social differences

  • which can be faced ... here tells desire ... it tells of the passion and all those movements

  • that are disturbing ... how you take everything into account a meeting with someone that can

  • upset ... and then there is a rhythm too, with scenes

  • during which all their interest and subtlety ...

  • There 's poetry and transmission There 's love , it tells the daily end ... something

  • that everyone can relate to , but in short it is really a story

  • Love where you forget that they are two women ... It's just a love story ...

  • I remember that I said that I was a little afraid of these scenes , I was afraid that

  • it's a bit pornographic ... Except that at one point it was take it or

  • leave it ... They had to do and that was it ! But I found when

  • even some fun with them ... I wanted to confront me here ... and even if it can be a bit shocking

  • is here is also for me , I still want to go ... Here , test this ...

well I know his films, his films ... and I loved them because I found here rarely ... French

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A2 初級

インタビュー:レア・セドゥー&アデル・エグザルコプロス(金)(スペイン)(エン)(デ)(ポル (Entrevue : Léa Seydoux & Adèle Exarchopoulos (Fr) (Sp) (En) (De) (Por))

  • 53 1
    Tseng Hsiao Yu に公開 2021 年 01 月 14 日
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