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  • THERE HE IS, HOW ARE YOU, SETH, ARE YOU WELL?

    THERE HE IS, HOW ARE YOU, SETH, ARE YOU WELL?

  • >> I AM, I'M VERY WELL, HOW ABOUT YOU.

    >> 私は、私は非常によく、あなたについてはどうですか。

  • >> James: I'M GOOD, WHERE ARE YOU IN YOUR HOUSE RIGHT NOW,

    >> James: I'M GOOD, WHERE ARE YOU IN YOUR HOUSE RIGHT NOW,

  • WHAT ARE WE LOOKING AT?

    WHAT ARE WE LOOKING AT?

  • WHERE IS STH?

    STHはどこだ?

  • >> I'M IN MY LIBRARY O.

    >> 私は図書館にいるわ

  • >> James: OF COURSE.

    >> ジェームズもちろんです

  • NO HOUSE IS COMPLETE WITHOUT ONE.

    NO HOUSE IS COMPLETE WITHOUT ONE.

  • >> WITH A DELICIOUS CUP OF SOMETHING.

    >> 美味しいカップに何かを入れて。

  • >> James: OH LOOK AT THAT.

    >> ジェームズあれを見て

  • WELL, IT WOULDN'T BE AN APPEARANCE ON THE "LATE, LATE

    "LATE, LATE "には出演しないわ

  • SHOW" IF YOU WEREN'T HERE WITHOUT A MUG FULL OF WHISKEY.

    ウイスキーの入ったマグカップを持って来なかったら「ショー」。

  • WELL, WE ARE SO HAPPY THAT YOU ARE HERE.

    WELL, WE ARE SO HAPPY THAT YOU ARE HERE.

  • I REALLY WANT TO KNOW, WE JUST TALKED ABOUT IT ON THE SHOW,

    私は本当に知りたいんです、私たちはちょうどショーでそれについて話しました。

  • THIS WEEKEND, WAS SORT OF THE CRAZIEST NEWS CYCLE IN THE

    THIS WEEKEND, WAS SORT OF THE CRAZIEST NEWS CYCLE IN THE

  • CRAZIEST YEAR OF NEWS CYCLES AND EVENTS.

    CRAZIEST YEAR OF NEWS CYCLES AND EVENTS.

  • WHAT WAS YOUR THOUGHTS ON THE WHOLE SITUATION THIS WEEKEND?

    WHAT WAS YOUR THOUGHTS ON THE WHOLE SITUATION THIS WEEKEND?

  • >> I MEAN LOOK, YOU KNOW, WE'VE BEEN WORKING WITH SOME WONDERFUL

    >> I mean look, you know, we have been working working with some wonderful wonderful wonderful

  • EPIDIMIOLOGISTS AS WE FIGURE OUT HOW TO STRUCTURE OUR PRODUCTION

    EPIDIMIOLOGISTS AS WE FIGURE OUT HOW TO STRUCTURE OUR PRODUCTION

  • AT THE ORVILLE TO GET BACK ON TRACK AND GET SHOOTING AGAIN.

    AT THE ORVILLE TO GET BACK ON TRACK AND GET SHOOTING AGAIN.

  • AND YOU KNOW, ONE OF THE THINGS THAT ONE OF THE DOCTORS POINTED

    知っての通り、医師の一人が指摘したことの一つが

  • OUT IS ST SHOULD BE SUR PRIESING TO NO ONE.

    アウトはSTは誰にも好意を持っていないはずだ。

  • YOU WITH SAY IT IS INEVITABLE AS TAXES BUT EVEN THAT REALLY

    あなたはそれが税金として不可避であると言いますが、それさえも本当に

  • DOESN'T APPLY ANY MORE.

    DOESN'T APPLY ANY MORE.

  • IT WAS BOUND TO HAPPEN.

    起こるべくして起こったことだ

  • IT WASN'T AN IF, IT WAS A WHEN.

    "if "ではなく "when "だった。

  • IT IS LIKE IF YOU DON'T WEAR YOUR SEAT BELT AND ARE YOU IN A

    まるでシートベルトをしていない時に 乗っているようなものです

  • CAR ACCIDENT YOU ARE GOING TO BE MUCH WORSE OFF THAN IF YOU HAD.

    車の事故 あなたが持っていた場合には、はるかに悪いオフになるようになっています。

  • AND THAT'S-- THESE PEOPLE HAVE BEEN WALKING AROUND LIKE FOOLS

    それは...この人たちは馬鹿みたいに歩き回っていた

  • WITH NO MASKS, DESPITE ALL THE BEST SCIENCE AVAILABLE.

    WITH NO MASKS, DESPITE ALL THE BEST SCIENCE AVAILABLE.

  • AND OF COURSE THEY ARE INFECTED.

    AND OF COURSE THEY ARE INFECTED.

  • AND YOU KNOW, WE DON'T WANT TO WISH ANYONE ILL BUT AT THE SAME

    誰かに病気になって欲しいとは 思わないが同時に

  • TIME IT'S LIKE COME ON.

    TIME IT'S LIKE COME ON.

  • WHAT'S WRONG WITH YOU.

    WHAT'S WRONG WITH YOU.

  • >> YES, I MEAN YOU HAVE BEEN RUNNING LIKE SHOWS AND WRITERS

    >> そう、あなたはショーやライターのように走っていることを意味しています。

  • ROOMS SINCE YOU WERE 24 YEARS OLD.

    ROOMS SINCE YOU WERE 24 YEARS OLD.

  • NARRATIVES, SCRIPTED SHOWS, MOVIES, ALL THOSE THINGS, IF A

    ナラティブ、スクリプト化されたショー、映画、すべてのそれらのもの、もしあれば

  • WRITER PITCHED YOU THIS WHOLE THING, THE STORY LINE WOULD YOU

    WRITER PITCHED YOU THIS WHOLE THING, THE STORY LINE WOULD YOU

  • BE LIKE OH, I DON'T KNOW MAN, THIS FEELS A LITTLE TOO ABSURD?

    ちょっと不自然な感じがしないか?

  • >> I GUESS IT WOULD DEPEND ON THE NETWORK.

    >> ネットワークに依存していると思う。

  • YOU KNOW.

    あなたは知っている

  • >> James: NOW YOU ARE KNOWN FOR COMEDIES.

    >> ジェームズ今や君はコメディで知られている。

  • WE ALL KNOW YOU FROM YOUR BIG COMEDIES, FAMILY GUY, TED, BUT

    WE ALL KNOW YOU FROM YOUR BIG COMEDIES, FAMILY GUY, TED, BUT

  • YOU ARE ALSO THE PRODUCER OF A BRILLIANT SCIENCE SHOW COSMOS

    YOU ARE ALSO THE PRODUCER OF A BRILLIANT SCIENCE SHOW COSMOS

  • WHICH IS BACK FOR A NEW SEASON ON FOX.

    FOXの新シーズンのために戻ってきました。

  • A LOT OF FANS IN THIS ROOM OF THE SHOW.

    この部屋のファンの多くは、ショーのこの部屋で。

  • HOW DID IT COME ABOUT AND HOW DID YOU AND NEIL DEGRASSE TYSON

    HOW DID IT COME ABOUT AND HOW DID YOU AND NEIL DEGRASSE TYSON

  • MEET AND START FORM LATING WHAT THIS SHOW WOULD BE.

    このショーがどのようなものになるのか、ミーティングをして形にしていきます。

  • >> YOU KNOW, I JOINED AN ORGANIZATION IN HOLLYWOOD THAT

    >> 私はハリウッドの組織に 参加したんだよ

  • WAS STARTED BY JERRY AND JANET ZUCKER, JERRY ZUCKER IS

    WAS STARTED BY JERRY AND JANET ZUCKER, JERRY ZUCKER IS

  • AIRPLANE, NAKED GUN FAME CALLED THE SCIENCE AND ENTERTAINMENT

    AIRPLANE, NAKED GUN FAME CALLED THE SCIENCE AND ENTERTAINMENT

  • EXCHANGE.

    EXCHANGE.

  • IT WAS PERFECT TO CONNECT PEOPLE IN ENTERTAINMENT, WRITERS AND

    エンターテインメント、ライター、ライターの人たちを結びつけるのに最適でした。

  • DIRECTORS WITH SCIENTISTS.

    科学者のいる監督

  • BECAUSE WHAT THEY WERE REALIZING IS THAT A LOT OF PEOPLE IN THE

    なぜなら、彼らが現実に感じていたのは、この国の多くの人々が

  • COUNTRY GET THEIR SCIENCE FROM FICTION, FROM ENTERTAINMENT.

    国は、娯楽から、小説からの科学を取得します。

  • AND IT MAKES SENSE FOR A LOT OF REASONS FOR US TO DO OUR

    そして、私たちが自分たちの仕事をする理由の多くに意味があります。

  • HOMEWORK AND MAKE SURE THAT WHAT WE ARE PUTTING OUT THERE IS

    HOMEWORK AND MAKE SURE THAT WHAT WE ARE PUTTING OUT THERE IS

  • ACCURATE.

    正確に。

  • AND SO YOU KNOW, IT IS BETTER BENEFITS THE SCIENTIFIC

    そして、あなたは知っているように、それはより良い科学的な利益です。

  • COMMUNITY, THE ENTERTAINMENT COMMUNITY, AND THAT IS HOW I MET

    コミュニティ、エンターテイメント・コミュニティ、そしてそれが私との出会いです。

  • KNEEL, AND I WAS IN NEW YORK AT ONE POINT AND CALLED AND SAID

    クニール、ニューヨークにいた時に電話して言ったんだ。

  • LET'S HAVE LUNCH.

    LET'S HAVE LUNCH.

  • AND I SAID LOOK, I'M AT THE POINT IN MY CAREER WHERE I HAVE

    そして私は言った、見て、私はキャリアの中で、私が持っているポイントにいる

  • SOME CAPITAL TO KIND OF USE FOR GOOD, IS THERE ANYTHING I CAN

    何か良いことはありませんか?

  • HELP WITH.

    助けてくれ

  • AND HE SAID WELL WE'RE TRYING TO GET COSMOS OFFER THE GROUND

    AND HE SAID WELL WE'RE TRYING TO GET COSMOS OFFER THE GROUND

  • AGAIN, WE'RE GOING TO DISCOVERY CHANNEL, GOING TO NATIONAL

    またしてもディスカバリー・チャンネルに行きます ナショナルに行きます

  • GEOGRAPHIC.

    GEOGRAPHIC.

  • AND HI PITCHED AT THE TIME CRAZY IDEA OF GOING TO FOX.

    そして、FOXに行くというイカれた考えで、ハイピッチをしていました。

  • OF GOING TO A MAJOR NETWORK, AND YOU KNOW, THE REGIME AT FOX AT

    OF GOING TO A MAJOR NETWORK, AND YOU KNOW, THE REGIME AT FOX AT

  • THE TIME WAS RECEPTSIVE TO THE IDEA AND MAYBE ANXIOUS TO MAKE

    時間はアイデアを受け入れていたし、作ることに不安を感じていたかもしれない

  • UP FOR OTHER TRANSGRETIONS.

    UP FOR OTHER TRANSGRETIONS.

  • BUT THEY WENT FOR IT AND SUPPORTED IT THUKICALLY AND NOW

    しかし、彼らはそれを求めて、それを支援していた。

  • WE'RE IN SEASON TWO.

    第2シーズンに入った

  • >> IT'S SO INCREDIBLE.

    >> 驚くべきことに。

  • THE AMOUNT OF WORK THAT YOU ARE DOING, THAT YOU PUT OUT INTO THE

    THE AMOUNT OF WORK THAT YOU ARE DOING, THAT YOU PUT OUT INTO THE

  • WORLDK I REALLY FIND QUITE AS TON FISH-- AS TON SHALLING, YOU

    ワールドワークは、私は本当にトンの魚のように見つける--トンのシャリングのように、あなた。

  • ARE SO PROLISK IN WHAT YOU DO HOW MAGAZINES WORK BEEN FOR YOU

    あなたのためにどのようにマガジンが働いているのか、あなたが何をするかにとても自信があります。

  • DURING THIS TIME OF LOCKDOWN AND ISOLATION.

    このロックダウンとイゾルーションの時期には

  • >> THE THINGS THAT NEED TO DPET DONE HAVE GOTTEN DONE, FAMILY

    >> THE THINGS THAT NEED TO DPET DONE HAVE GOTTEN DONE, FAMILY

  • GUY AND AMERICAN DAD CONTINUE TO GET RECORDED.

    GUY AND AMERICAN DAD CONTINUE TO GET RECORDED.

  • THE WRITERS ALL WORK VIA ZOOM.

    THE WRITERS ALL WORK VIA ZOOM.

  • I HAVE A RECORDING STUDIO HERE AT MY HOUSE.

    I HAVE A RECORDING STUDIO HERE AT MY HOUSE.

  • MOST OF THE FACTORS DO AS WELL SO WE RECORD FROM HOME.

    ほとんどの要因がうまくいっているので、自宅で録音しています。

  • AS FAR AS THE OTHER SHOW, AS FAR AS THE ORVILLE THAT IS MORE OF A

    他のショーと同じように オルヴィルと同じように

  • CHALLENGE.

    チャレンジ。

  • WE'RE REALLY WORKING HARD TO GET BACK TO WORK.

    仕事に戻るのに必死なんだ

  • IT IS A A LOT HARD TOR DEAL WITH THINGS LIKE PROSTHETIC MAKEUP.

    IT IS A A LOT HARD TOR DEAL WITH THINGS LIKE PROSTHETIC MAKEUP.

  • AND YOU HAVE TO BE REALLY, REALLY CAREFUL.

    AND YOU HAVE TO BE REALLY, REALLY CAREFUL.

  • SO WE'RE, I'M READY TO GO BACK, THE WHOLE CAST, WE'RE ALL GOING

    SO WE'RE, I'M READY TO GO BACK, THE WHOLE CAST, WE'RE ALL GOING

  • STIR CRAZY.

    STIR CRAZY.

  • I'M SURE FOR YOU IT HAS BEEN NICE TO BE BACK IN YOUR STUDIO.

    I'M SURE FOR YOU IT HAS BEEN NICE TO BE BACK IN YOUR STUDIO.

  • >>James: IN A WAY.

    >>ジェームスある意味では

  • >> REALLY.

    >> 本当に。

  • >> NO, IT'S GREAT, I'M KIDDING, IT IS FANTASTIC BUT IN THE MEAN

    >> 仝それはいいですね、冗談ですよ。

  • TIME WE'VE GOT THIS TO LOOK FORWARD TO.

    TIME WE'VE GOT THIS TO LOOK FORWARD TO.

  • YOUR 6th ALBUM, GREAT SONGS FROM STAGE AND SCREEN.

    あなたの6枚目のアルバム、舞台と映画の名曲。

  • TELL US ABOUT THIS NEW RECORD.

    この新しいレコードについて教えてください。

  • >> THERE IS, YEAH T IS OUR 6th STUDIO ALBUM,

    >> THERE IS, YEAH T IS OUR 6th STUDIO ALBUM,

  • ARRANGEMENTS BY THE FABULOUS BRUCE BROTEN, FANS WILL KNOW

    ファンなら知っているであろう、素晴らしいブルース・ブローテンのアレンジメント。

  • WHAT TO EXPECT.

    WHAT TO EXPECT.

  • HE IS A BRILLIANT COMPOSER AND WE RECORDED IT AT ABBY ROAD

    HE IS A BRILLIANT COMPOSER AND WE RECORDED IT AT ABBY ROAD

  • ACTUALLY.

    ACTUALLY.

  • A LOT OF IT BEFORE THE PANDEMIC.

    パンデミックの前に多くのことがあった

  • SO WE HAD TO FINISH IT BACK HERE BUT WE SQUEAKED IN JUST UNDER

    だからここで終わらせなければならなかったんだが、その真下で言葉を漏らしてしまった。

  • THE WIRE AND MANAGED TO GET IT IT KIND OF A PERFECT THING TO

    ワイヤーと管理されたそれは完璧なもののようなものを手に入れるために

  • RELEASE FOR THIS POINT IN TIME IT IS VERY UPBEAT.

    この時点でのリリースは非常に高揚感があります。

  • IT'S A LOT OF FUN SHOW SONG, THE ARRANGEMENTS ARE BRIGHT AND

    楽しいショーソングで、アレンジは明るくて楽しいです。

  • COLORFUL AND YOU KNOW, GOOD HAPPY MEDICINE FOR THIS POINT IN

    COLORFUL AND YOU KNOW, GOOD HAPPY MEDICINE FOR THIS POINT IN

  • TIME.

    時間だ

  • >> NOW YOU'VE ALSO EXECUTIVE PRODUCED A HORROR MOVIE CALL THE

    >> 今ではホラー映画「コール・ザ・ザ」の 主演もしていますね

  • BOOKS OF BLOOD, FOR ANYONE THAT DOESN'T KNOW, TELL US ABOUT THE

    血の本、知らない人のために、この本について教えてください。

  • FILM.

    フィルム.

  • >> THIS, BOOKS OF BLOOD IS THE TEL PLAY SCREENPLAY RATHER AND

    >> THIS, BOOKS OF BLOOD IS THE TEL PLAY SCREENPLAY RATHER AND

  • DIRECT OR YAL, ALL BY MR. BRANDON BRAGA WHO, WOD ON

    DIRECT OR YAL, ALL BY MR.ブランドン・ブラガ 誰がやったの?

  • COSMOS AS WELL, HIS BABY.

    コスモスアズウェル、彼の赤ちゃん。

  • HE AND CLIVE BARKER HAD A LOT OF CONTACT AND I WAS VERY CAREFUL

    彼とクライブバーカーは多くの接触を持っていたので、私は非常に注意しました。

  • TO GIVE THE DUE THAT CLIVE'S FANS WILL WANT TO SEE BUT YEAH,

    TO GIVE THE DUE THAT CLIVE'S FANS WILL WANT TO SEE BUT YEAH,

  • IT IS SORT OF MY FIRST FOR AYE AS A PRODUCER INTO THE HORROR

    IT IS SORT OF MY FIRST FOR AYE AS A PRODUCER INTO THE HORROR

  • GENRE AND IT IS COOL.

    GENRE AND IT IS COOL.

  • IT IS SCARY, IT'S SMART, IT'S CEREBRAL, I THINK IT WILL BE

    It is scary, it's smart, it's CEREBRAL, I think it will be.

  • SOMETHING VERY DIFFERENT FROM ANYTHING OUT THERE RIGHT NOW.

    SOMETHING VERY DIFFERENT FROM ANYTHING OUT THERE RIGHT NOW.

  • >> WELL I CAN'T WAIT TO SEE IT

    >> >> WELL I CAN'T' CAN'T WAIT TO SEE IT

THERE HE IS, HOW ARE YOU, SETH, ARE YOU WELL?

THERE HE IS, HOW ARE YOU, SETH, ARE YOU WELL?

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