It's like New York.

You have these underground.

We do.

We have a whole world underneath ours.

Our streets.

Excellent production.

What can I tell you, Mr Vince?

I don't My goodness, you did such an extraordinary job in this movie.

I wanted to know when you first got the material.

What was your initial reaction to it?

Well, I was extremely profoundly moved on DDE.

Then when I heard that Steven Dollar was going to be directed at whom I had admired, I was very prison said yes, immediately bail on Duh it.

And also the fact that the renter is silent character also made him or more interesting to me.

But I mean, it is a story about the 9 11 on its support story about somebody who chooses a therapy to come over the trauma of the shock on D does it without knowing that it is that it is a therapy on.

But it works.

It works.

And it's a wonderful story.

Also, about a relationship between a father and the son.

Absolutely.

Yes, I want to ask you in terms of Let's talk about doing a silent character.

Um, I don't even know how how you ended up getting through it because everything was obviously in the expression in your eyes and your face, your everything.

It's to me.

It's spoke louder than words.

How do you take take on a character like that?

Well, I didn't do anything.

Our problems didn't do anything different from if, from the part of the same cart speaking, I just didn't speak. 00:01:57.610 --> 00:02:5.150 It's It is the same ideas of the same purpose every time. 00:02:6.150 --> 00:02:39.100 And what I want to do is show what the character in that moment wants to do, not what he feels that comes afterwards that comes automatically when he when I know what I as the character want to do, and, uh, and also how we react to what is around you and to the people and, uh, well.

So it's not very different from I wouldn't say it's different at all.

Is it just the fact that I don't have my voice?

Is it a relief for you not to have to learn any lines?

Yes, well, my memory's going.

It's very bad.

So a lot of work spared.

Yes, please. 00:02:58.350 --> 00:03:2.050 Uh, you've got to tell me about your first impressions of young Thomas Horne. 00:03:2.060 --> 00:03:5.650 This kid is extraordinary, is extraordinary. 00:03:7.450 --> 00:03:9.050 Tell me about working with him and no one. 00:03:9.050 --> 00:03:13.660 No, it it was a pleasure because he he was very well prepared.

And of course, he is a very intelligent young man on dhe.

It was never, never any reason to come to say.

Come here, young man.

I'll tell you what to do.

No, no, no.

He knew what to do.

In the end, he he knew what the character of Oscar was thinking and feeling.

Andi.

He did it.

He showed it.

And he had, For example, he had a long, long, long monologue.

When I saw it, I thought I talked to Steven.

How are you going to do this?

Because you can't do this at one.

Yes, he will do that.

And he did.

He did it.

And he did it again and again.

Long, like was eight minutes or something like that on. 00:03:58.660 --> 00:04:4.000 Did not slowly, very intensely delivered under he used. 00:04:4.630 --> 00:04:7.150 Was there anything that you did special with him to create a bond? 00:04:8.710 --> 00:04:11.210 No, No, I don't think so.

I No, I just weigh.

Just communicated.

And, uh, I think the bond cave automatically it's so did, sir.

It was so, so wonderful to watch the two of you together.

You know, this movie I I was telling everybody he just need a box of Kleenex.

You have.

You just feel so cathartic after seeing.

But it's so emotional.

Was there ever a movie that you just sat in a theater already remember and just cried and cried something that really impacted you that I was in order either way?

Either way? 00:04:42.820 --> 00:05:2.490 Well, I'm sure that was I don't remember now, but but it's very rarely happens that I'm moved by his script this time I waas I was in a film a few years ago and I had one day of shooting. 00:05:2.490 --> 00:05:17.060 I had two little scenes in it, but it was written with very well written, also very moving, very moving story about a man who had lost his ability to communicate.

Really, he was totally, totally paralyzed, and the only thing he could do was to blink on dhe.

He spoke by through blinking, and there were people who had patients enough to communicate him through that.

And I was this poor man's father.

And that script moved me also profoundly.

I remember seeing that movie the Toronto Film Festival, Diving Bell and the Butterfly under another amazing performance.

Well, I just want to congratulate you on this.

You, uh I think we're going to see you at the Oscars And Mark.

So congratulations to you and, uh, such a pleasure to have a chance to talk to you.

Thank you so much.