字幕表 動画を再生する 英語字幕をプリント hi everyone. There are many ways to set up a shot while filming. Angle of view is highly important in deciding how you want the audience to be seeing your shot. Each cinematic angle has its own purpose. The norm is eye level to imply that we are standing or sitting at the same eye level of the characters. Low angle is used when one character is standing at an elevated space. High angle is the opposite where one character is shown at a depth than the other character. These angles are symbolically used to represent power or weakness of one character over the other as well in this video we'll be taking a look at how Japanese filmmaker yasujiro ozu manipulated the eye level shot to create a compelling composition Ozu usually places his camera at the level three feet above the ground which made it look like the eye level of person who is sitting in a Japanese tatami floor mat. That's why the shot got its name, Tatami shot. It's also called pillow shot. Most of his films were set in Japanese interiors where the characters used to sit on the floor. He used the tatami shot to make the audience feel close to the characters and a part of the scene. In most of his reaction shots Ozu made the characters look directly to the camera and talk which also made us a part of the whole conversation. The tatami level shot gave a very unique look to his films when added with very limited camera movements. Ozu rarely moved his camera. He would rather use the movement of his characters to add dynamism. Later Ozu started using the tatami shots for exterior shots as well which created some very appealing imagery -one of many things why Ozu is still considered a master in shooting people and spaces.
B1 中級 米 映画の研究。小津安二郎の作曲 (Film Study: Compositions of Yasujiro Ozu) 17 0 Courtney Shih に公開 2021 年 01 月 14 日 シェア シェア 保存 報告 動画の中の単語