Name: サンドラのタヴィス・スマイリー - 12-04-2010 (レジェンドード-その1/3) (Sandra no Tavis Smiley - 12-04-2010 (Legendado - Parte 1/3))
Uploaded: 2021-01-14T04:44:37.000Z
Duration: 7 min 55 s
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Credits | @GoSandraBR YouTube.com/GoSandraBR

to 不定詞

Pleased to welcome Sandra Bullock to this program.

最上級形容詞

The talented actress and producer just completed one of the most successful,

prolific years, I could add, that anyone could ever hope for in this business.

This Sunday night she has the rare distinction of being nominated

for a Golden Globe in both the comedy and drama category.

From one of those nominated roles, here she is in "The Blind Side."

I was thinking yesterday in advance of our conversation, Sandra,

about the number of women, respectfully, who I've interviewed on this program

over seven seasons who get to a certain age, and have said to me

in this very chair countless times there aren't quality roles

in this business for women of a certain age.

You pulled off two in one year. What do you make of that?

I just don't think there's a lot of quality roles for both men and women, but...

There weren't for women, but then someone was smart enough to start writing them

"No one will ever pay me to write this script," so they do it on the sly.

I think the writer's strike and the actor's strike

You know what, someone started writing it. It's like if you build it,

they will come. If you write a great story with a great role,

no matter if it's male or female, I think people go.

I don't, you know? I was talking to someone the other day...

The perception of Meryl Streep is seasoned actress,

and then she does something like "The River Wild",

and she becomes a badass action hero on the water, and that's Meryl Streep.

No one was going to let her do that, but she wanted to and she did it

and it made tons of money. And they went, "Oh. Oh, okay."

When you saw... let me just take them one at a time,

When you saw the script for this, two things:

What pulled you to it, and just between the two of us, did you know..?

-Yeah, because no one else's listening. -Yeah, exactly, nobody else.

Did you have any idea it would hit the way it has?

For about eight months to 10 months I was saying no a lot.

I kept turning it down. I don't know if it was where I was in my head.

It was beautifully written. I got it. I said,

"All the elements are here for a great story.

I don't know how to pull her off. I don't know how to do this

I didn't want it to become cheesy, for lack of a better word.

But our director, John Lee Hancock, who I have to give all the credit to,

hands down, this was his baby for two years

and he spent time with the family. He just kept coming back and finally said,

"Just meet the woman before you say no again,"

So I met her, and after a day with Leigh Anne Tuohy,

to say life was never the same in that I finally met someone

who is more manic and driven than I was to get stuff done in life

not in work, but in life.  That's an understatement

to step up to the plate to try, because it's an amazing story.

The fact that it is true, if it was told perfectly,

then it could be something that left the world in a better place. You know?

It's nice to leave good things behind in your work

rather than just something that's going to make your paycheck or be a trend.

I don't know when I said yes. I still don't recall.

I remember how scared I was, I remember the first day of shooting,

thinking, I shouldn't have done this film,

I'm not making this scene work, I don't know what's happening.

Really dreading it because I thought I was going to ruin

This is my word, not yours, but I think the sentiment you're expressing

I think this word captures the sentiment.

There was an intimidation that you felt by this script,

and you've spoken to that now a couple of times. What was that?

When you read something that was already done beautifully

in real life by this family, and then we're getting ready

to copy it on film, if you don't copy it beautifully and perfectly,

having all those elements there... and it's not just you.

It's the direction, it's the cinematography,

it's how the story's told, all the cast, everything.

If it's not pitch perfect, you're going to do harm

They didn't want a story made. They didn't want a book written about them.

because that was their destiny in life and their calling.

I didn't want to be responsible for destroying something

And I didn't know how to make it better than it already was.

The viewers of this show know, because I reference it all the time,

some of the most fascinating conversations I have,

as is the case for any brother, you have in the barbershop.

Because the brothers hang out in the barbershop

-and we talk about everything. -Women, it's in the bathroom.

Same thing? Okay, bathroom. Brothers in the barbershop, women in the bathroom.

So in the barbershop, when the trailer...

literally, when these trailers started running,

and all the brothers in the barbershop had their opinions.

Some brother hollers out, "Another movie about White folk,"

if I can quote Harry Reid, "saving Negroes."

Another movie about White folk saving Negroes.

-I know you've heard this before. -Yeah, I heard it from...

字幕リスト動画再生

サンドラのタヴィス・スマイリー - 12-04-2010 (レジェンドード-その1/3) (Sandra no Tavis Smiley - 12-04-2010 (Legendado - Parte 1/3))

brother

bathroom

love

family