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  • In the US, summer is for sand, sun, and blockbuster movies.

  • And this summer, we're going to use those movies

  • to learn English, and study how to sound American.

  • Every video this summer is going

  • to be a Study English with Movies video.

  • We'll pull scenes from the summer's hottest movies,

  • as well as favorite movies from years past.

  • It's amazing what we can discover

  • by studying even a small bit of English dialogue.

  • We'll study how to understand movies,

  • what makes Americans sound American,

  • and of course, any interesting vocabulary, phrasal verbs,

  • or idioms that come up in the scenes we study.

  • I call this kind of exercise a Ben Franklin exercise.

  • First, we'll watch the scene.

  • Then we'll do an in-depth analysis of what we hear together.

  • This is going to be so much fun.

  • Be sure to tell your friends and spread the word

  • that all summer long, every Tuesday,

  • we're studying English with movies,

  • here at Rachel's English.

  • If you're new to my channel, click Subscribe,

  • and don't forget the notification button.

  • Let's get started.

  • First, the scene.

  • What do you want from me?

  • Yes?

  • My, my grandma wanted me to tell you

  • that she missed you at Christmas.

  • Yeah, well, I couldn't have gone anyway.

  • My mom was pissed about Thanksgiving.

  • Your mom is crazy, I'm scared of her.

  • She's not crazy, she's just, y'know, she,

  • she has a big heart, she's very warm.

  • Now, the analysis.

  • What do you want from me?

  • I love this phrase, it's a little bit sassy.

  • There's one really clear stressed word,

  • and she does a movement on it, as she says it.

  • She puts her foot down on the stressed word.

  • Watch it again and listen for that.

  • What do you want from me?

  • And the most stressed word is want.

  • What do you want from me?

  • What do you want from me?

  • So the energy goes up towards the peak of want.

  • What do you want from me?

  • And then it falls down away from that peak.

  • What do, we have a T and a D.

  • How are these two words pronounced?

  • Let's go ahead and throw in this word, too.

  • How are these three words pronounced?

  • What do you want from me?

  • What do you want from me?

  • What do you want from me?

  • They're pronounced

  • what do you, what do you, what do you.

  • So the vowels in do and you are not reduced.

  • You could hear that whaddya, whaddya.

  • You could hear them as schwas,

  • but she's making them both OO vowels.

  • what do you, what do you, what do you, what do you.

  • But notice the T here is dropped,

  • and she's just using the D to link the two words together.

  • Wha-do, wha-do.

  • So it's a flap because it comes between two vowel sounds.

  • And the T is also a flap

  • when it comes between two vowel sounds.

  • So it's sort of like she's combining the two,

  • or you can think of it as dropping the T.

  • But this would be a pretty common way

  • to pronounce the phrase, what do you.

  • What do you, what do you, what do you,

  • what do you, what do you.

  • I would say it's the most common way.

  • You can just forget about the T and link it into the D.

  • What do you, what do you want from me?

  • What do you want from me?

  • What do you want from me?

  • What do you want from me?

  • Want from me, want from me.

  • So we have a stop T, want from, want from.

  • And the word 'from' is reduced.

  • It's not from, it's from, from.

  • I would write it with a schwa.

  • From me, from me.

  • Then here we have ending M, beginning M,

  • links together with just a single M sound.

  • Very smooth, no breaks, no skips or jumps

  • in the intonation here.

  • Uhh, just a smooth up and down.

  • What do you want from me?

  • What do you want from me?

  • What do you want from me?

  • What do you want from me?

  • Yes?

  • Yes?

  • And she does a head gesture, she's impatient.

  • Why is this guy showing up at her work, yes?

  • Upward pitch shows that it's a yes-no question.

  • She's saying, I'm expecting you to talk here.

  • Yes?

  • Yes?

  • Yes?

  • My, my grandma wanted me to tell you

  • that she missed you at Christmas.

  • Whoa, different day, different outfit,

  • important announcement.

  • Did you know that with this video,

  • I made a free audio lesson that you can download?

  • In fact, I'm going this for each one

  • of the YouTube videos I'm making this summer,

  • all 11 of the Learn English with Movies videos.

  • So follow this link, or find the link

  • in the video description

  • to get your free downloadable audio lesson.

  • It's where you're going to train all of the things

  • that you learned about pronunciation in this video.

  • Back to the lesson.

  • Yes?

  • My, my grandma wanted me to tell you

  • that she missed you at Christmas.

  • So we have several stressed words here.

  • My, my grandma wanted me

  • to tell you

  • that she missed you at Christmas.

  • So I'm hearing those as our four most stressed syllables,

  • little bit longer, up-down shape,

  • the energy goes towards them then it comes away.

  • But we have lots of other interesting things

  • with pronunciation that are happening here.

  • My, my grandma wanted me to tell you

  • that she missed you at Christmas.

  • My, my grandma wanted me to tell you

  • that she missed you at Christmas.

  • My, my grandma wanted me to tell you

  • that she missed you at Christmas.

  • My, my grandma, my, my, my, my.

  • Both the words 'my' are unstressed,

  • they're said really quickly, they're low in pitch.

  • My, my, my, my, my.

  • So you have to simplify the mouth position.

  • You can't do this big jaw drop for the AI diphthong,

  • like you might do in a stressed syllable, my, my, my, my.

  • My, my grandma,

  • Grandma, so it's a stressed word,

  • and yet we don't say the D.

  • Very common to drop the D in this word.

  • We often drop the D between two consonants,

  • here it comes after N, before M, and it's dropped, grandma.

  • My, my grandma,

  • And actually, he's dropping the N, too.

  • So this can be pronounced with the N,

  • grandma, but you know what?

  • It's actually not that common either

  • in this particular word, grandma,

  • grandma.

  • AH vowel,

  • followed by the M consonant,

  • when AH is followed by M it's not pure, we add an AH vowel.

  • Grandma.

  • Grandma, grandma, grandma, try that.

  • My, my grandma,

  • My, my grandma wanted me to tell you

  • that she missed you at Christmas.

  • Wanted me to tell you,

  • actually, I really need another line here,

  • another curve on wanted.

  • Now, it's interesting, it is stressed, it's the verb.

  • Usually we don't reduce stressed words, but you know what?

  • Sometimes we do and that's happening here, wanted.

  • The T is not there.

  • Sometimes we drop the T after N, that's what's happening.

  • Wanted, wanted.

  • But the ED ending still follows the rule for ED after T,

  • and that is it adds an extra syllable.

  • It's the IH vowel plus D sound.

  • Wanted, wanted,

  • wanted me to, wanted me to.

  • The other thing that you might notice is

  • the word 'to' is not pronounced to,

  • it's pronounced duh, duh, duh.

  • It's a flap T and the schwa, wanted me to,

  • wanted me to, wanted me to tell.

  • Wanted me to tell you,

  • wanted me to tell you that she missed you.

  • Tell you that she missed you,

  • tell you that she missed you.

  • Okay, so the word That, tell you that she,

  • it's reduced, it's not that, but it's that, that.

  • It's the schwa instead of the AH vowel, that, that, that.

  • Tell you that she.

  • So, between the stressed words Tell and Missed,

  • we have three unstressed words,

  • and they're all said really quickly,

  • and they're flat, lower in pitch,

  • you that she, you that she, you that she.

  • Tell you that she,

  • tell you that she missed you at Christmas.

  • Now the ED ending after S is pronounced

  • as a T sound, so it does not add an extra syllable.

  • Missed you, missed you.

  • But that's not what's happening, is it?

  • Let's listen.

  • That she missed you at Christmas.

  • That she missed you at Christmas.

  • That she missed you at Christmas.

  • Okay, so what's happening here?

  • We do drop the T sometimes

  • when it comes between two consonants

  • just like I said we do with the D here,

  • although we were actually dropping the N

  • and the D in that case.

  • But we do drop the T between two consonants.

  • So here T comes after the S sound,

  • it comes before the Y consonant.

  • I'm not really hearing the T.

  • I'm certainly not hearing

  • (softly makes T sound) a released T.

  • So I'm actually gonna go ahead and say

  • you can drop that sound, you can drop the ED ending.

  • And this is something that my students ask me sometimes.

  • They say, "I don't hear the ED ending sometimes."

  • And I think that when they don't hear it

  • is when it makes a T sound,

  • but it comes between two consonants.

  • I think this is a case where it gets dropped a lot

  • in conversational English.

  • She missed you at Christmas, she missed you at Christmas.

  • I know exactly what's being said,

  • I know that it's past tense.

  • I'm not hearing it and thinking it's not past tense.

  • Because I know the context,

  • and I'm used to T's being dropped between two consonants.

  • That she missed you at Christmas.

  • That she missed you at Christmas.

  • That she missed you at Christmas.

  • Missed you at Christmas,

  • you at, you at, you at.

  • So here we have two more unstressed words together,

  • they're flat in pitch, they're said very quickly,

  • the AH vowel is reduced, it's the schwa,uh, uh, uh stop T.

  • So that and at are similar

  • in that they both reduce often

  • with the AH vowel becoming the schwa,

  • and then the T is a stop T when it's followed

  • by a word that begins with a consonant.

  • That she missed you at Christmas.

  • That she missed you at Christmas.

  • That she missed you at Christmas.

  • Like Christmas.

  • Okay, let's keep talking about our T's between consonants.

  • How is this T pronounced?

  • Christmas.

  • It's dropped.

  • Christmas, Christmas.

  • Christmas.

  • Yeah, well, I couldn't have gone anyway.

  • Yeah, well, I couldn't have gone anyway.

  • What are our stressed syllables there?

  • Yeah, well, I couldn't have gone anyway.

  • Yeah, well, I couldn't have gone anyway.

  • Yeah, well, I couldn't have gone anyway.

  • Yeah, yeah, that has a little stress.

  • Yeah, well, I couldn't have gone anyway.

  • An, anyway is well stressed.

  • Yeah, well, I couldn't have gone anyway.

  • Yeah, well, I couldn't have gone anyway.

  • Yeah, well, I couldn't have gone anyway.

  • Tiny little break after yeah.

  • Yeah, well, tiny little break after well.

  • Yeah, yeah, well, I couldn't have gone.

  • Yeah, well, I couldn't have gone.

  • And then very smooth, I couldn't have gone anyway.

  • How is she making those words link together so smoothly?

  • Yeah, well, I couldn't have gone anyway.

  • Yeah, well, I couldn't have gone anyway.

  • Yeah, well, I couldn't have gone anyway.

  • Well she's dropping the H in have, that's common.

  • And she's actually dropping the apostrophe T

  • in an apostrophe T contraction.

  • That happens sometimes, too.

  • It happens especially when an apostrophe T is followed

  • by a word that begins with a vowel or diphthong.

  • Now this word typically begins with a consonant,

  • but that often gets dropped, so it's not a consonant,

  • it is a vowel, couldn't've.

  • And so the N is linking right into the vowel

  • and the vowel is reduced.

  • It's not AH, it's the schwa, couldn't've.

  • Couldn't've, couldn't've.

  • Try that, let's do it slowly, couldn't've.

  • So I'm putting the tongue up

  • into position for the D, couldn't.

  • I'm not releasing the D, I'm going right into an N sound.

  • couldn't've, couldn't've, couldn't've,

  • couldn't've, couldn't've, couldn't've, couldn't've.

  • That really smooths it out, doesn't it?

  • A lot smoother than couldn't have, couldn't have.

  • Well, I couldn't have gone.

  • Well, I couldn't have gone.

  • Well, I couldn't have gone anyway.

  • Couldn't have gone anyway.

  • Gone anyway, gone anyway.

  • Ending N, ending consonant links into beginning vowel,

  • the EH of anyway, and it's just all very smoothly connected.

  • Actually, she keeps going.

  • She smoothly connects the AY diphthong into the N consonant.

  • Well, I couldn't have gone anyway.

  • Well, I couldn't have gone anyway.

  • Well, I couldn't have gone anyway.

  • My mom was pissed about Thanksgiving.

  • So this is actually a pretty long thought group.

  • My mom was pissed about Thanksgiving.

  • What are our most stressed words here?

  • My mom was pissed about Thanksgiving.

  • My mom was pissed about Thanksgiving.

  • My mom was pissed about Thanksgiving.

  • My mom, little bit of length there,

  • little bit of higher pitch.

  • My mom was pissed about Thanksgiving.

  • Pissed and Thanksgiving.

  • Okay, now here we have another ED ending, it comes after S,

  • an unvoiced sound, therefore, it is the T.

  • I do have a video on ED endings

  • if you're not sure about the rules for pronunciation.

  • So you can search on YouTube Rachel's English,

  • ED endings, and you'll find it there.

  • It's pretty simple, the rules.

  • Last time we dropped the T in 'missed'

  • because it was followed by a word

  • that began with a consonant.

  • But here, the next word begins with a vowel

  • and do you hear a T sound?

  • My mom was pissed about.

  • My mom was pissed about.

  • My Mom was pissed about.

  • Definitely, I definitely hear

  • a true T releasing into the vowel.

  • Pissed about, t'about, t'about, t'about, t'about,

  • pissed about.

  • My mom was pissed about.

  • My mom was pissed about.

  • My mom was pissed about.

  • I also wanna point out the word 'was' isn't was.

  • That's stressed, it's was, unstressed.

  • Said very quickly, I would write that with a schwa.

  • Was, was, was, was, was, was pissed, was pissed about.

  • Then we have a stop T in about

  • because the next word begins with a consonant.

  • It's the TH, unvoiced, of Thanksgiving.

  • My mom was pissed about.

  • My mom was pissed about.

  • My mom was pissed about Thanksgiving.

  • Thanksgiving, middle syllable stressed.

  • Have you noticed when you look this word up

  • in the dictionary, it says it's the A, as in that vowel,

  • is followed by the NG consonant?

  • The letter N here is actually the NG sound

  • because it's followed by K.

  • And when those two sounds come one after another,

  • in the same syllable,

  • usually the K makes the N an NG sound instead.

  • So it's made at the back of the tongue where the K is,

  • instead of at the front of the tongue.

  • Now, when the AH vowel is followed by NG, it is not AH.

  • I'm sure you can tell it's not tha, Thanksgiving,

  • tha, thanks, but it's thanks.

  • When AH is followed by the NG consonant,

  • it sounds a lot more like the AY diphthong, thanks, thanks,

  • and that's just like over on the other slide,

  • where we talked about the word grandma.

  • The AH vowel followed by the M consonant here

  • and the vowel changes.

  • So the AH vowel changes

  • when it's followed by nasal consonants.

  • M or N, we add an uh sound, a-uh.

  • Followed by NG, it changes to the AY diphthong, more or less.

  • Thank, thanksgiving, thanksgiving.

  • Thanksgiving.

  • Your mom is crazy, I'm scared of her.

  • Your mom is, and then a break,

  • thinking about wow, what to say about this girl's mom?

  • Your mom is, what's stressed there?

  • Your mom is,

  • Very clear, isn't it?

  • Your mom is, your mom is, it's the middle word, Mom.

  • Your mom is, your mom is.

  • The word Your is reduced, it's not your,

  • but it's said much faster than that.

  • I would write it with a schwa, reduced vowel.

  • Yer, yer, yer, yer mom, yer mom, yer mom is.

  • Your mom is,

  • crazy, I'm scared of her.

  • Crazy, I'm scared of her.

  • So even though this is two different sentences,

  • he links them right together, he does not stop.

  • They make one thought group, crazy I'm scared of her.

  • Crazy, I'm scared of her.

  • Crazy, I'm scared of her.

  • Crazy, I'm scared of her.

  • Actually, that's not how he said it.

  • He did say the H here.

  • So earlier, she dropped the H on the word have.

  • It's very common to drop the H

  • on words like have, had, her, he, him.

  • But we don't always do it, he doesn't do it.

  • It's still unstressed, I'm scared of her.

  • Of her, of her, of her, of her.

  • But the H isn't dropped.

  • Crazy, I'm scared of her.

  • Crazy, I'm scared of her.

  • Crazy, I'm scared of her.

  • Okay, what are our stressed words,

  • our stressed syllables in this thought group?

  • crazy, I'm scared of her.

  • Crazy, crazy, I'm scared of her.

  • Cray and scare, longer with that up-down shape of pitch.

  • Everything really smoothly connected,

  • the lower unstressed syllables

  • fall right into the same line,

  • no skips or jumps in intonation.

  • Crazy, I'm scared of her.

  • Crazy, I'm scared of her.

  • Crazy, I'm scared of her.

  • Scared of her, scared of her,

  • of her, of her, of her.

  • I would probably write of with the schwa.

  • Sometimes we drop the V sound here,

  • which the letter F makes the V sound.

  • But he doesn't, he does make a quick V sound.

  • Of, of, of, of her, of her, of her, of her, of her.

  • I'm scared of her,

  • She's not crazy.

  • She's not crazy, she's not crazy.

  • So cray, the most stressed syllable there

  • in that little thought group,

  • and the intonation of she's

  • and not builds up towards that, she's not crazy.

  • She's not, she's not, she's not.

  • Do you hear how the pitch is rising there?

  • Towards the peak of cray.

  • She's not crazy, crazy,

  • and we have a stop T at the end of not

  • because the next word begins with a consonant sound.

  • She's not crazy.

  • She's not crazy.

  • She's not crazy, she's just,

  • She just, how is that pronounced?

  • She's just,

  • She reduces the word just.

  • It's not just, it's just, just, just, just.

  • T is dropped, vowel is the schwa,

  • Just, just, just, she just, she just, she just.

  • Flat in pitch, said quickly, unstressed.

  • She's just,

  • y'know, she--

  • Y'know, y'know, y'know,

  • little filler phrase here while she thinks,

  • y'know, y'know, y'know.

  • Often we reduce the word you to yuh

  • in this little filler phrase, she does.

  • Yuh, yuh, y'know, y'know, y'know, y'know.

  • Y'know, she, y'know, she, y'know, she--

  • She, she, she says the word she, it's fast.

  • Even though she stops to repeat herself,

  • the word sort of is on its own,

  • it's still said very quickly, low in pitch, she, she, she.

  • Y'know, she, y'know, she,

  • y'know, she, she has a big heart.

  • She has a big heart,

  • she's defending her mother here.

  • Two stressed words, she has a big heart.

  • So big, even though it's an adjective,

  • it's not as stressed as the other two stressed words there.

  • She has a big heart, heart.

  • So I would say the word big,

  • even though it is a content word,

  • doesn't really feel stressed.

  • And that's something you'll notice

  • as you study pronunciation is that

  • we say content words are stressed,

  • function words are unstressed, totally not true.

  • Sentences with lots of content words

  • will have some content words that sound stressed,

  • and some that sound unstressed

  • because there are other content words

  • that are more important

  • that are stressed in that sentence.

  • She has a big heart.

  • Has, the letter S, here, is pronounced as a Z,

  • and that Z links right into the next sound,

  • which is the schwa has a, has a, has a big heart.

  • And did you notice there's a stop T here?

  • T, we often say in clusters,

  • in ending clusters, is a true T,

  • but that's not really true with NT or RT.

  • I've noticed with RT it's really a lot more like a stop T.

  • Heart, heart, that's what she does here.

  • Heart, heart, heart, she's very warm.

  • She's very warm.

  • She's very warm,

  • ver and warm stress there.

  • I'm sure you can notice that the AW, as in Law, vowel

  • in the word warm doesn't sound like AW.

  • Aw, warm, oh-oh-oh,

  • it's much more closed.

  • When it's followed by R, the letter R,

  • the sound R does change that vowel.

  • Lips round a little bit more,

  • tongue pulls back a little bit more, warm, warm, not AW,

  • which is the symbol you'll see

  • if you look it up in a dictionary.

  • She's very warm,

  • Let's listen to the whole

  • conversation one more time.

  • What do you want from me?

  • Yes?

  • My, my grandma wanted me to tell you

  • that she missed you at Christmas.

  • Yeah, well, I couldn't have gone anyway.

  • My mom was pissed about Thanksgiving.

  • Your mom is crazy, I'm scared of her.

  • She's not crazy, she's just, y'know,

  • she, she has a big heart, she's very warm.

  • We're going to be doing a lot more

  • of this kind of analysis together.

  • What movie scenes would you like to see analyzed like this?

  • Let me know in the comments.

  • And if you want to see all my Ben Franklin videos,

  • click here.

  • You'll also find the link in the video description.

  • That's it, and thanks so much for using Rachel's English.

In the US, summer is for sand, sun, and blockbuster movies.

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映画で英語を学ぶ (Learn English with Movies)

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    金錢窩 に公開 2021 年 01 月 14 日
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