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  • We often look down on people who take things too literally, but some of Rick and Morty's

  • most hilarious jokes are derived from beingliteral

  • ["Well then get your shit together! Get it all together and put it in a backpack. All your shit. So it's together."]

  • -- taking a sci-fi trope and

  • interpreting it literally, picking apartcommon knowledge,” and taking a concept all the

  • way to its logical conclusion.

  • ["Fighting continues as the dog army

  • captures the Eastern Seaboard.

  • It appears clear at this time

  • that the era of human superiority

  • has come to a bitter end."]

  • Matching a scientist's thought process, the show takes conventional story clichés,

  • and everything we generally assume, and unpacks them with a thorough, defiantly literal mind.

  • The result, besides being funny, teaches us to break our habit of processing our lives

  • through assumptions.

  • It teaches us to think like Rick.

  • ["Oh you agree, huh? You like that Red Green Grumbolt reference?

  • Well, guess what? I made him up.

  • You really are your father's children. Think for yourselves. Don't be sheep."]

  • Instead of allowing viewers to watch in a placid, Jerry-like oblivion, the show's

  • genius for being literal pushes us to look at the world more like Rick does -- questioning

  • everything, avoiding assumptions, and trying to perceive the many-layered complexity life

  • has to offer.

  • ["Life is effort and I'll stop when I die!"]

  • The show asks, for example, what if a telepathic cloud actually existed?

  • How would this cloud be able to untangle the thoughts it hears and understand which thought

  • relates to which human words?

  • ["I communicate through what you call

  • Jessica's feet. No...telepathy."]

  • Or, would a Frankenstein monster share the personalities of all the people whose body

  • parts it was made of?

  • Then, if this were a monster made up of half Abraham Lincoln and half Hitler, how would

  • it reconcile the conflicting values it has?

  • ["I definitely think that all men are created equal...

  • ...but at the same time..."]

  • To think like Rick it's necessary to master something calledFirst Principles Thinking”.

  • ["First Principles is kind of a physics way of

  • looking at the world

  • and what that really means is

  • you kind of boil things down to the most fundamental

  • truths and say, okay,

  • what are we sure is true, or

  • as sure as possible is true,

  • and then reason up from there."]

  • In our daily life we almost never think this way, instead we mostly think by analogy.

  • For example, if we see this - we make a snap decision - because we've seen this before

  • -- it's round, it's red, it's shiny --it's an apple!

  • But what if it's not an apple?

  • Past experience lets us jump to instant conclusions and we do this thousands of times a day, almost

  • every time we have a thought about anything.

  • Thinking by analogy saves our brains a lot of time and effort

  • ["We reason by analogy. It's...we're doing this because

  • it's like something else that was done, or it's like what other people are doing."]

  • ...but it also stops us from

  • discovering anything new.

  • If we thought by analogy 100% of the time we would still be traveling like this.

  • ["Nobody wants a car because horses are great and we're used to them and they can eat grass

  • and there's lots of grass all over the place and, y'know, there's not, like, there's no gasoline

  • that people can buy so people are never gonna get cars.

  • People did say that."]

  • Rick tries to make his grandkids avoid the mistakes of thinking by analogy

  • ["This seems kinda fancy."

  • "Jerry, for all you know this is the equivalent of an alien truck stop. You have no frame of reference."]

  • and in many ways the show does

  • the same thing for us.

  • By evaluating sci-fi possibilities without skipping over the awkward details, Rick and

  • Morty mimics the comprehensive process of a scientific thought experiment.

  • Most of the stories we watch are full of clichés and conventions that don't make any sense

  • but that we happily accept because we're so used to seeing them.

  • Just like Rick, the show never misses an opportunity to point out ineptitude or logical errors

  • in classic sci-fi stories and other movies it references.

  • ["It's just like that movie that you keep crowing about." "Are you talking about Inception?"]

  • "That's right Morty. This is gonna be a lot like that except, y'know, it's gonna make sense."]

  • InAnatomy Parkwe see how implausible it is that in many sci-fi movies, there is

  • a character who willingly steps forward and sacrifices his or her own life for the good of the team

  • ["There's no autopilot. One of us will have to stay here and operate it manually.

  • When Rick and Morty meet Scary Terry,

  • ["Welcome to your nightmare, bitch!"]

  • a B-list Freddy Krueger,

  • they point out a pretty glaring issue with horror movies in general by taking the

  • sentence at its word: [“He keeps saying we can run but we can't hide. I say we try hiding”]

  • They also point out the issues a number of films have with vampire naming conventions

  • ["Coach Feratu's presence was discovered by the humans. He has been destroyed."

  • "No bother. The mortals shall soon--I'm sorry, what did you say his name was?"]

  • In “M. Night Shaym-Aliens”, they point out a problem with director M. Night Shyamalan's

  • trademark twists -- they aren't always that cool, especially if we know they're coming,

  • like we do when we go to see a Shyamalan film.

  • [“Oh, this is going to be such a mind fuck!”]

  • Rick finds out he is in a simulation, then it turns out he was in a simulation of

  • a simulation and another simulation after that --

  • ["How dumb are you? You're inside a simulation of a simulation inside another giant simulation!"]

  • -- and gets more and more annoyed with each realization.

  • His annoyance mimics the audience's in a bad "mind-bender" - fed up with the constant twists

  • and turns and ready to know what's real.

  • All of these jokes make us aware of the way that stories tend to rely on easy, unexamined

  • conventions.

  • Rick and Morty is trying to avoid this form of copping out, by maintaining logical integrity

  • in the way that its characters resolve their dilemmas.

  • Rick and Morty is also picking apart itself like a sentient TV show asking, “What am

  • I?”

  • It begins by mixing up the formulas we expect.

  • We're used to seeing any show or movie begin with an exposition which sets up the upcoming

  • plot lines.

  • Rick and Morty sometimes gets rid of exposition all together.

  • For example, here's how the episodeMeeseeks and Destroybegins.

  • This plot doesn't play any part in the actual episode or anywhere else in the show.

  • Meanwhile, the title sequence features a lot of shots we never see on the show.

  • This creates a strangedid I miss an episode?”

  • feeling and suggests that Rick's and Morty's adventures go on whether we are watching or

  • not.

  • We sense that Rick & Morty's multiverse has autonomy, existing outside what we observe

  • - this disrupts the traditional hierarchy of viewer and show.

  • The show also has a running self-commentary, like in the many times Rick breaks the fourth

  • wall.

  • When Rick and Morty are watching the Interdimensional Cable, Rick says about a show ["It's got an

  • almost improvisational tone”] We immediately recognize this statement to be a comment on

  • Rick and Morty, because Justin Roiland often does break character and sound like he's improvising.

  • ["And it's called...Two Brothers. Two Brothers. It's just called Two Brothers."]

  • InMeeseeks and Destroy,” Morty seems aware that his trips with Rick are stories

  • -- self-contained adventures-of-the week.["You keep heckling my adventure, Rick!"]

  • He even references Joseph Campbell's monomyth: ["I'll accept your call to adventure."]

  • We later get a call-back to Morty's awareness of the serialized nature of his and Rick's adventures.

  • ["I, Morty Smith, invoke my right to choose one in every ten Rick and Morty adventures.']

  • By giving the characters lines that sound like writers room banter, the show gives the

  • characters power over their own story through their self-awareness.

  • Rick and Morty know about their own character arcs,

  • ["That's my series arc, Morty! If it takes nine seasons!"]

  • which makes us think that -- if we started

  • looking at the stories of our own lives -- maybe we could pay attention to our character arcs,

  • So the show's self-awareness challenges us to become a little more self-aware, too.

  • ["I want you kids to look around you today and think about your future.

  • Now is the time in your life when anything is possible."]

  • The Science Fiction genre has always used futures or alternate realities to comment

  • on deep, close-to-home issues in our own society -- think: slavery and freedom, or what it

  • means to be human.

  • Rick and Morty continues this tradition of deep-thinking Sci-Fi, but with a twist.

  • They take the pathos down a notch and dial up some of the more ridiculous aspects of

  • our culture.

  • The sci-fi worlds Rick and Morty visit regularly overflow into theregularone Morty's

  • family inhabits.

  • In other stories, this kind of intrusion typically elicits terror and shock -- the muggles'

  • world is always shaken when they witness magic.

  • But Rick's family reacts to alien intrusions with mild irritation or indifference.

  • This goes to illustrate just how capable humans are of getting used to the weirdest things

  • -- we view something as 'normal' if it's been around long enough.

  • ["Traditionally, science fairs are a father-son thing."

  • "Well, scientifically, traditions are an idiot thing.”]

  • This unfortunate trait is illustrated by Rick's

  • family's selective blindness.

  • Rick and Morty also hilariously infuses the sci-fi worlds with elements of our world,

  • like our obsessions with networking,

  • ["Nice to meet you, Morty! Listen, if you ever need anybody murdered, please give me a call."]

  • therapy,

  • ["Does Grandpa turn himself into a pickle a lot?"]

  • marketing,

  • ["Advertising! Wow! So, people need help figuring out what to buy and then you help them?"]

  • and using people for profit.

  • ["No, no, no. They work for each other in exchange for money, which they then..."

  • "That just sounds like slavery with extra steps!"]

  • All of these jokes go to show that sometimes the social phenomena our world produces are

  • actually stranger than an alien mosquito assassin, named Krombopulos Michael.

  • Our brains are wired to make shortcuts wherever possible - every stereotype, cognitive bias

  • or rule of thumb we possess is something our brains use to come to conclusions faster and

  • save processing power for other things.

  • Rick and Morty teaches us to undo some of this conditioning, to challenge our complacent

  • approach by dismantling step by step the pre-packaged concepts we heavily lean on without realizing.

  • It asks us to forget what we think we know, and meanwhile to allow ourselves to get a

  • little wackier in our thinking,

  • ["I'd like to order one large person with extra people please."]

  • so that we might arrive at something more original, profound

  • and true.

  • Ultimately, the plays on genre tropes and literalism do more than just add some humor

  • and post-modernist-flair: they make us smarter, by teaching us to think like Rick.

We often look down on people who take things too literally, but some of Rick and Morty's

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リックとモーティ:リックのように考える方法 (Rick and Morty: How to Think Like Rick)

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    Ellie に公開 2021 年 01 月 14 日
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