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  • 00:00:02,825 --> 00:00:05,885 Hey there, I'm Mike Rugnetta and this

  • Is Crash Course Theater and this is

  • Yorick.

  • More on him later.

  • (Crash Course theme plays)

  • (theme fades)

  • So maybe you're a part of your school theater program,

  • Maybe you're a Broadway musical devotee, maybe you've just been waiting for a

  • Series that would explain things like, what are are these

  • Phalluses doing in Greek drama? And

  • Who thought neoclassicism was a good idea?

  • And the Theatre of Cruelty, why so mean?

  • If that's the show that you're after then great, have a seat.

  • We've explored several plays in Crash Course Literature,

  • Mostly Greek tragedies and Shakespearean

  • Tragedies, and we'll be looking at plays in Crash Course Theater,

  • But we'll be doing a lot more than that too. We'll

  • Explore theater's history, its theories, and even

  • Its performance technologies, from the Greeks

  • Right into the modern era. Thunder sheets, fog

  • Machines, rotating gobos. Because reading a

  • Play is great but if you've attended live theater then

  • You know that it's a different and pretty extraordinary

  • Experience to see that play performed right

  • In front of you. We're going to investigate how that experience

  • Is produced and what it's meant throughout history

  • To theater going audiences. Theater going at

  • Least when they aren't running off to go see rope dancers, or

  • Consorting with prostitutes, or heading out to grab a beer and a chicken

  • Leg. Audiences are tricky but we say it's worth

  • Staying in your seat. Why?

  • Because theater is the art form most like life.

  • It's performed by real people, in

  • Real space, in real time, and it's often a way

  • To work out our ideas about the social conflicts

  • And problems of the day. Theater

  • Is a laboratory for life.

  • Plays explore how people feel about government, and religion, and birth

  • And death, and love, and each other. And sometimes

  • They explore how it's funny to put on a wig and tell lewd jokes. So really just

  • Something for everyone. And oh, just so you know,

  • I won't be teaching you how to act, or direct, or write

  • Plays, or hang lights, or...

  • Sew phalluses onto costumes.

  • Not because I don't love making theater, I actually--I've been making

  • Theater since I was a kid and before YouTube

  • I was actually a full-time professional

  • Theater artist making multimedia performance art in New York.

  • And I still do that stuff occasionally don't worry

  • I'll invite you to my one man show. So it's not like we don't find the

  • Nuts and bolts of theater exciting, quite the opposite.

  • But here we're mostly concerned with

  • Theater's history, technology, and its

  • Cultural significance on the whole. I'll tell you about

  • Greek tragedy, and Roman comedy, and

  • Classical Japanese theater, and how

  • Theater returns to the west because of one Nun.

  • We'll see cycle plays, and passion plays,

  • And commedia dell'arte, and Shakespeare obviously, but also

  • Renaissance writers other than Shakespeare. We'll cover really long

  • French plays, and shorter Spanish ones, and classical Indian drama,

  • And melodrama, and symbolism, and dadaism, and expressionism

  • And futurism, and all the -isms!

  • Well some of the -isms. A very reasonable number of -isms.

  • And I promise at least one mention

  • Of Hamilton. Until then, exit Mike Rugnetta,

  • And I mean could we end a theater show any way

  • Other than, curtain!

  • (Crash Course outro plays)

  • (Outro fades)

00:00:02,825 --> 00:00:05,885 Hey there, I'm Mike Rugnetta and this

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クラッシュコース演劇・ドラマ試写会! (Crash Course Theater and Drama Preview!)

  • 36 3
    Pei-Yi Lin に公開 2021 年 01 月 14 日
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