字幕表 動画を再生する 英語字幕をプリント On this edition of Mississippi Roads, community spirit unites an all-state marching band, the hunt is on in Glenn Allen for haunting spirits and in Ridgeland we capture the whimsical spirit found in one artist's bottle trees. Mississippi Roads is made possible in part by the generous support of viewers like you. Thank you! Support for the Arts Segment of Mississippi Roads comes from the Mississippi Arts Commission whose vision is to support and celebrate Mississippi's creative and innovative spirit. Informaiton available at arts.state.ms.us. ♪ Down Mississippi roads... ♪ ♪ Mississippi Roads... ♪ Welcome back to Mississippi Roads. I'm your host Walt Grayson. This week coming to you from one of the most historic cities in the state. We are in beautiful Natchez for the 12th Annual Food and Wine Festival. Every year this culinary extravaganza gathers together celebrity chefs from across the south for three fulfilling days of feasting festivities. Events begin Friday night at the Natchez Convention Center with Tastings Along the River, where regional restaurateurs serve up a virtual smorgasbord of scrumptious samplings. Amongst this display of delectable delights even the most precocious peruser is bound to find something pleasing to the palate. Saturday morning starts off with Biscuits, Beignets and Breakfast at the Natchez Coffee House. Then that afternoon there's a Wine & Cheese Tasting at Dunleith mansion, followed by Brews, Blues & Burgers at Bowie's tavern. A few of the region's most prominent chefs show off their culinary skills Saturday night by preparing a multitude of multi-course meals at many of Natchez's most historic homes, treating guests to an evening of fine dining and soulful entertainment in elegant settings. And finally the festivities culminate Sunday Morning with a Champagne Jazz Brunch at The Carriage House Restaurant where Osgood and Blaque strike up the band. Speaking of bands, every year some of the most talented high-school musicians in the state come together to form the Mississippi Lions All-State Band. (Marching band music) I think excellence draws young people. I think young people today are just like they were 64 years ago. They are drawn together to the Lions All-State Band because they know it is a two-week period band-wise that is going to be like heaven. They know for those two weeks that they are going to get to achieve a level of excellence that they can't achieve anywhere else: at their home schools or anything else. Mississippi Lions Band is a group of 145 young people from Mississippi. They survive a two-stage audition process. They come from all parts of Mississippi. We have 54 different high schools represented this year. The Lions Band has been in existence for 64 years. It is sponsored by the Lions of Mississippi and its main purpose is to represent them at their annual convention. ♪♪ They have to survive a two-stage audition. The first stage, a student goes before five judges. Then we bring them back to a second tryout with a totally different set of judges. So we are getting the very best we can. Every year when you audition, you go into this practice room and you get a chance to warm up and get ready for your actual audition and you hear all the players in there and you are like wow, they are all amazing. It's pretty nerve-racking especially when you know how great all the players are. I had tried out my freshman year and I didn't make it. I made callbacks but it was really hard for me but I took that as a way saying I need to work harder and whenever I worked harder, it all paid off in the end. One of the worst things I ever saw was a child that had been in the Lions Band for three years, had made callbacks, made the cut for the second one and then didn't make it at all after having been in it for three years. He came from a family of four brothers that had all been four-year members. So nobody is guaranteed a spot. Nobody. I think that's one of the reasons it has been really good for a long time. You can make it this year and easily not make it next year. Adjust your block, please. Adjust to the woodwinds. Woodwinds, make sure you are in line. Just go to standby with your feet together. The kids lovingly call camp Hell Week. It's very, very difficult. The day starts just before 6:00 everyday. The staff wakes the kids up. We have breakfast at 7:00. We start marching at 8:00. We take a little break in the middle of the morning then we have concert rehearsal until noon. Then we have reversals again in the afternoon, take a little break for supper then we come back and march for two more hours. Take a short break and then we do concert rehearsal till 10:00. Then at 11:00, they go to bed and then we start all over the next day. ♪♪ Let's just say that traveling with 145 students is not your most ideal vacation travel arrangements. But if you're going to travel with 145 students, these guys are the best. This year we have 80 seniors that have graduated from high school. We have a lot of repeat students, so they are travel savvy. They know how to get around. We have a really highly trained staff. We have been preparing for this trip, really, since before last year's trip was over. We are going to hike Diamond Head. Were going to snorkel in Honama Bay. We are going to let them have surf lessons on Waikiki Beach, not to mention the performances and things like that, so they are going to be really busy. (Hawaiian music playing) Every year, Lions International has a parade competition in conjunction with their convention. The Mississippi Lions Band has won the competition more than any other all-state band, in fact more than any of the others combined. The band has not been defeated since 1999. I get nervous sometimes, yes, when we go and compete. I'm worried one year. This is my year I'm going to be in it. I don't want to mess it up for everybody and ruin the streak. But we are doing pretty well and I don't think we are going to mess up the streak anytime soon. Here's the thing: we never talk about winning or losing ever. What we talk about is achieving excellence both individually and as a group. We understand that our streak is going to come to an end some day. Someday someone is going to figure it out and they are going to do what it takes to do what our band does. I think, honestly, our kids will be okay with that. That's a life lesson. Once you have done your personal best, how much more can you give? They take great pride in the knowledge that if someone beat them, they must be pretty good. I want it to be a life- changing experience for them, a positive life-changing experience. I want them to make friends that will last them forever. And hopefully we are achieving that. Lions Band has helped me to grow. It has helped me lead others. You really feel more responsible, I guess, because you are pretty much expected at the highest standard and you have to meet those. It has really grown me as a person and I absolutely love it. It has made me want to do music more. It has encouraged me because it has surrounded me with people who enjoy it as much as I do. It's what I want to do for the rest of my life. I'm going to major in music and Lions Band has played a large role in that. ♪♪ (Applause) The Old South Winery in Natchez is just one of the local purveyors of libations that participates in the Wine Festival every year. Founded in 1979 by Dr. Scott O. Galbreath Jr. and his wife Edeen, the Old South Winery specializes in muscadine wines of varying sweetness. But if you find muscadine wine is not your cup of tea, the festival offers other beverages sure to enliven even the most tepid taste bud. There you'll find on display a dazzling array of medicinal spirits designed to delight and gratify. In our next story we follow a band of paranormal investigators as they explore spirits of a different kind. (spooky music playing) (heartbeat beating) Ghost hunts characteristically take place at night. Nighttime is the right time for ghosts. Well, we do it at night because the theory is between the dead time. In between 2:00 and 4:00 is the dead time. And that is where the most of the activity usually generates. I mean, they're out during the daytime, too. Grayson: But if you are undertaking a ghost hunt you can't wait until dark to start setting up the myriad of monitors and putting out the battery of batteries and to untangle cables and set up cameras and check out all of the other equipment that modern ghost hunters have at their disposal. Man: His power supply was dead. So we just switched out power supplies with him. Grayson: That is a mid-afternoon assignment at the latest. And a walk-through of the haunted property in the daylight is a must. This particular house was lived in by an elderly lady who died of quite ordinary causes. The home was never lived in again, left completely furnished until it was leased out for the filming of a movie at which time the more valuable pieces were removed to a warehouse and only odds and ends were left behind in the home. But still there are signs of life everywhere. Old film negatives and reels and reels of home movies caught my attention being a photographer at heart. They were just strewn across floor. Obviously by trespassers who slipped through the boarded up and locked doors to sight-see and perhaps search for valuables that may have been overlooked, either oblivious of the rumors of the hauntings, or chancing they'd not run into any of the other-worldly inhabitants. Now, I was told that even when they were filming the movie here there were instances of doors slamming on their own and even a hammer was reported to have flown across a room under its own power. So today, several ghost hunters, all under the banner of the Delta Paranormal Group are here to investigate the house to determine, as best as they can, if the place is really haunted or not. And to do that, they have invested thousands of dollars in equipment and have already spent countless hours of time in other haunted houses gaining experience and collecting data. Curiosity about life after death is another of the elements that separates us from the animals. Of all creatures, only humans ponder their own mortality. And since time immemorial we've wondered whether ghosts really exist and have tried to find them, or avoid them, as we could. And to say you don't believe at least in the possibility is an attempt to deceive yourself about your own inner feelings. For who HASN'T had to steal themselves to keep from dashing out of a darkened room, or been too afraid to turn and look and see for SURE that there was nothing behind, following them on a dark path at night. These paranormal seekers come to their hobby from various mind-sets. Some out of curiosity after seeing ghost hunts on TV. Some of these ghost seekers just like the thrill of the expedition and the company of the others along as do any other hunters. But for whatever reason, as night begins to fall and shadows begin to fill the house, and the last flecks of the sun lick at the window panes and there is more dark than light inside now, the group of hunters pauses for a ritual they perform before every hunt. A prayer for protection from the unknown, just in case they ARE trespassing where they should fear to tread. Then the hunt begins. The group divides into teams and they enter the house with just the barest of lights to get them from room to room and then they stop and start their observations: temperature readings, magnetic readings, attempts to make contact. And attempts to get EVP's, that is electronic voice phenomenon where questions are asked while a digital device is recording audio. Man: Give us your name. Grayson: And oftentimes, responses are recorded when nothing was heard by the ear at the time. And while the session is going on inside, on the porch outside the observations are taking place. Monitors from all the carefully selected camera angles are being watched for any movement. The stairs was chosen because steps have been heard on them. The camera hopes to see something. And the room on monitor 4 is chosen because the last time this house was evaluated, both of these doors slammed on their own. The night wears on from late evening to early morning hours, to the sweet spot. The time of night when ghosts come out. Dead time. That's when I went back in on another investigation series and this time kept the camera light on so we could see what was going on. And upstairs, in the room where the doors had slammed on the previous hunt in this house a few weeks earlier, a noise was heard. Man: What was that? Grayson: And I quickly realized the difference between me and professional ghost hunters. Because when THEY heard the noise in this room, they went IN there. Had I been in charge and heard the noise in the room, I'd have been out of the house. It turns out that another door had closed on its own. This one leading to a bathroom. And it not only closed, it continued to rock on its hinges while we were standing there watching it. And asking it to swing wider. And it did. Soon I realized evidently nothing was going to hurt me, and the novelty of the door swinging grew old and the ghost hunters went to another room. But the door swinging was enough to give the group incentive like saying AMEN to a preacher, or sic-um to a bulldog. All of a sudden, the time changed from being very late in the hunt to the hunt just beginning. The rest of the night we're just going to keep on going till sunlight. Grayson: Now at that point I left the ghost hunters. They were still looking for more evidence, but I had gotten what I had come for: The chance to go on a ghost hunt and see something and then walk away. It's the only instrument I really know how to play. Hundreds of years ago there was an old legend that wandering spirits could be lured to and trapped inside bottles. In our next story we're going to meet a kind-hearted spirit who wandered down to Mississippi and has become ensnared by bottle trees. >> Woman: Art is defined as whenever something moves you. So art is all around us. That's why photographers take pictures of still objects. It's moved them in some way to take that picture and thus creating art. So my work is purely subjective. It appeals to certain kinds of people. I'm not going to please everybody in my art. No artist is going to please everybody. But I think because it is an extension of you, if you really put your heart and soul into the piece, whatever it is you're making and people know that, they are going to value that. I think that that is what my connection is with people and my trees. When I first started doing bottle trees, I didn't know but the history was. But when I did art shows, I started talking to people. People would come into my booth and they would tell me their stories about their bottle tree experiences growing up. So I realized there was something very special about these trees. The more I heard people's stories, the more energy and focus I would put into the trees. They kind of started having a life of their own. They came here from Africa back in the 1700's particularly in the Mississippi Delta. They've rooted deep because people still hold on to the tradition of the bottle tree more so than any other place in the South. Experiencing that, that's your connection with your past. The connection I made with folk art is every piece of folk art that you see, that is an extension of that person that created it. So somewhere in that piece is there a personality. Out of necessity, I became an artist. I was an artist growing up, I just didn't know I was an artist. I wouldn't ever label myself that. When I came to Mississippi, it was just out of necessity. I had my plasma cutter, I had my welder, I had my dog, I had my cat, I had furniture and then all of a sudden, I'm not kidding, it was the bottle tree that did it. The bottle tree really pushed me into a whole different realm of work. I came to Mississippi in 2006. It was early August, late July. I was in an abusive relationship where I had to get away from it because I wasn't able to move on in life. When I got down to Mississippi, because I was so broken in spirit, I think that I gravitated towards the metal for healing purposes. So I started focusing all the sadness and all of the emptiness, everything into my work. And then gradually it just started evolving. I moved into the house with my mom and my stepdad and I realized seeing my mom in her relationship with my stepfather and reliving my childhood with him, it made me realize that the toxicity that I was encountering in relationships evolved from the relationship my mother had with my stepfather. He's a very controlling person... Let's just say I was raised believing I was worthless and that what I had to say didn't amount to much at all. So there's an empty void there. But I filled it with my work and no matter how many times he would tell me that I was- - just breaking me down. Breaking me down. He found pleasure in that. And the more he did that, the more I would focus on my work. My stepfather and I had a head to head and I got kicked out of the house and the whole neighborhood took me in. It was a very painful experience, but it was also the best thing that ever happened to me because all of these people came out of nowhere to step up to the plate and say no, you are worth something and your work is good and you need to keep growing. That's all I needed to hear. Once I started hearing the positive aspects of my work, I just went with it. Are you sharing? When you are raised in an environment where you feel like you're a burden and you feel like your opinion doesn't matter, you feel like that as an adult. Now it's funny because I feel like I have a voice and I'm using it and some people get real tired of hearing it, I'm sure. But when it comes to animal welfare, I can't keep my mouth shut. If I don't speak, if I don't say anything, nothing gets done. When I was growing up and, same thing. I didn't have a voice. All of a sudden our animals would disappear. Well where is our dog? Where is our cat? I found out later that my stepdad got rid of it. When it comes to animal welfare, I think I'm right up there. They are both equal in my passion. I think the thing that hurts me the most is when I know when I have this information in my head about animals where they are victims of abuse and there's nothing I can do about it. There's nothing I can say. There's nothing I can do. Everywhere I go, I seem to have a little bit of an impact on people and if one person goes out and gets their animal spayed or neutered because I kept hounding them, that makes me feel really good. I get really nice e-mails from people from time to time saying I had my dog neutered because of you. That means more to me, sometimes, than saying your art is outstanding. That hits more here. This is Blue and he was found up in Clarksdale in a ditch. They had fought him for who knows how long. He's approximately 5 years old. He is scarred up, chewed up. He was emaciated when I found him. He was on death's door for sure. The vet was surprised that he even made it for the ride home. But he's doing really good and because of Facebook, I was able to find a foster home for him. And that is great. That's Gracie, she's our baby. She and Trip tear it up. But she is my foster but if for some reason we don't find a home for her, someone doesn't step up to the plate and take her, we will keep her. Fostering I have been doing for a long time. It hurts me when I know that people aren't responsible for their animals. I look at animals as an extension of your family. I do believe that we are supposed to take care of them. Man: Wow look, it's Stephanie Dwyer! (Laughter) How you are, honey? Dwyer: I love the fact that the people I have met down here are so supportive of the arts. I think that's first and foremost down in Mississippi. That stands out to me the most is the support of the arts. Woman: You can tell there is a lot of passion in her work. It's very well done. Things have a lot of energy in it. I think every element that she adds in her artwork speaks of her and where she's been and where she's going and I don't think anybody could ever duplicate what she does because I think it happens while she's doing it. Dwyer: I consider myself a Mississippi artist. I wasn't born and raised here, but the art came from here. The inspiration for art. In my mind, I'm only on this planet for so long. The question is what are you going I only have so much time and I have so many trees to build and the planet is a big place. I've got a lot of work to do. Regrettably, that is all the time we have for this episode from Natchez. If you have any questions about anything you've seen on tonight's show, contact us at: Until next time, I'm Walt Grayson. I'll be seeing you on Mississippi Roads. ♪♪ ♪ It's sweat and mud and our roots run deep. ♪ ♪ The livin' ain't easy but it sure is sweet. ♪ ♪ Make you feel inside what there ain't no words to say. ♪ ♪ Got the river rollin', gamblers floatin', ♪ ♪ singers singin' what the writers wrote. ♪ ♪ Can't always see the signs but we find our way ♪ ♪ Down Mississippi roads. ♪ ♪ Mississippi Roads. ♪ ♪ Ah ah... ♪ ♪ Ah ah ah.... ♪ Mississippi Roads is made possible in part by the generous support of viewers like you. Thank you!
B1 中級 ナチェズフード&ワインフェスティバル|ミシシッピロード|MPB (Natchez Food and Wine Festival | Mississippi Roads | MPB) 56 6 江東潣 に公開 2021 年 01 月 14 日 シェア シェア 保存 報告 動画の中の単語