I usually stand on the other side of the light,

舞台に立つのはあまり慣れていません

and now I'm feeling the pressure I put other people into. And it's hard ...

普段はライトの向こう側にいますから

The previous speaker has, I think,

なるほど 舞台の上ではこんなに緊張するんですね

really painted a very good background as to

先ほどの方がこちらで

the impulse behind my work and what drives me, and my sense of loss,

私の経歴を丁寧に説明して下さったように

and trying to find the answer to the big questions.

映画作りの動機は 私の中にある喪失感で

But this, for me, I mean, coming here to do this,

作品を作りながら その答えを探しているのです

feels like -- there's this sculptor that I like very much, Giacometti,

ここで話をするのは どのような気分かと言うと

who after many years of living in France -- and learning, you know,

私の大好きなジャコメッティという彫刻家がいます

studying and working -- he returned home and he was asked, what did you produce?

フランスに何年も滞在して彫刻を学んだ彼は

What have you done with so many years of being away?

故郷へ帰って真っ先に尋ねられたのです

And he sort of, he showed a handful of figurines.

長年外国で何を製作していたのかとね

And obviously they were, "Is this what you spent years doing?

彼が陶製の小物を見せると

And we expected huge masterpieces!"

人々からは「長年フランスで学んできたのに―

But what struck me is the understanding that in those little pieces

大したものもつくれないで…」と言われました

was the culmination of a man's life, search, thought, everything --

しかし私は こうした小さな作品の一つ一つが

just in a reduced, small version.

彼が達成した人生観や考え方の

In a way, I feel like that.

断片的な表現なのだと思います

I feel like I'm coming home to talk about

今の私も同じです

what I've been away doing for 20 years.

久しぶりに故郷に帰って

And I will start with a brief taster of what I've been about:

20年間西洋で学んできたことを話す気分です

a handful of films -- nothing much,

今日は私がしてきたことを少し紹介するために

two feature films and a handful of short films.

2本の長編といくつかの短編から

So, we'll go with the first piece.

ごく一部を見ていただきます

(Video) Woman: "I destroy lives," mum said.

それでは一つ目から

I love her, you know.

あたしのせいだって ママは言ってた

She's not even my real mum.

ママは大好きよ

My real mum and dad dumped me

本当のママじゃないけど

and fucked off back to Nigeria.

両親はあたしを捨てて

The devil is in me, Court.

ナイジェリアに帰っちゃった

Court: Sleep.

あたしが厄介者だからよ コート

Woman: Have you ever been?

もう寝なよ

Court: Where?

行ったことある？

Woman: Nigeria.

どこに

Court: Never.

ナイジェリアよ

My mum wanted to,

いや

couldn't afford it.

母さんは行きたがってたけど

Woman: Wish I could.

行けなかった

I have this feeling I'd be happy there.

もし行けたら

Why does everyone get rid of me?

あたし幸せになれるのに

Court: I don't want to get rid of you.

みんな あたしが邪魔なのよ

Woman: You don't need me.

僕はきみを離さない

You're just too blind to see it now.

アンタも同じよ

Boy: What do you do all day?

そのうち あたしを捨てるんだ

Marcus: Read.

何してるの

Boy: Don't you get bored?

本を読んでる

And how come you ain't got a job anyway?

飽きもせずに

Marcus: I am retired.

仕事はしないの？

Boy: So?

退職した

Marcus: So I've done my bit for Queen and country, now I work for myself.

それで？

Boy: No, now you sit around like a bum all day.

これからは自分のために働くのさ

Marcus: Because I do what I like?

ぐうたらしてるだけじゃないか

Boy: Look man, reading don't feed no one.

好きなことをしているだけだ

And it particularly don't feed your spliff habit.

読書じゃ腹いっぱいにならないし

Marcus: It feeds my mind and my soul.

葉っぱだって買えないだろ

Boy: Arguing with you is a waste of time, Marcus.

心は満たされるさ

Marcus: You're a rapper, am I right?

あんたじゃ 話になんねぇ

Boy: Yeah.

お前さんラッパーなんだって

Marcus: A modern day poet.

ああ

Boy: Yeah, you could say that.

詩人なんだろう

Marcus: So what do you talk about?

そんなもんだな

Boy: What's that supposed to mean?

何を歌ってるんだ

Marcus: Simple. What do you rap about?

何をって

Boy: Reality, man.

詞の内容さ

Marcus: Whose reality?

今の状況

Boy: My fuckin' reality.

誰の？

Marcus: Tell me about your reality.

俺の日常さ

Boy: Racism, oppression, people like me not getting a break in life.

ちょっと聞かせてくれ

Marcus: So what solutions do you offer? I mean, the job of a poet is not just --

人種差別や不景気で 活躍の場がないんだよ

Boy: Man, fight the power! Simple: blow the motherfuckers out of the sky.

で 詩人としては どう解決するんだ

Marcus: With an AK-47?

クズ連中をぶっ飛ばすのさ

Boy: Man, if I had one, too fuckin' right.

AK-47でか

Marcus: And how many soldiers have you recruited to fight this war with you?

ああ 手に入ればな

Boy: Oh, Marcus, you know what I mean.

それで 仲間は何人ぐらい集まった

Marcus: When a man resorts to profanities,

本気にすんなよ

it's a sure sign of his inability to express himself.

マトモに言っても聞いてもらえないから

Boy: See man, you're just taking the piss out of me now.

荒っぽいやり方で意思表示するんだろう

Marcus: The Panthers.

俺をおちょくってんのか

Boy: Panthers?

パンサー党だな

Ass kickin' guys who were fed up with all that white supremacist, powers-that-be bullshit,

パンサー党？

and just went in there and kicked everybody's arse.

白人至上主義が権力を牛耳っているのが嫌んなって

Fuckin' wicked, man. I saw the movie. Bad! What?

仲間を煽って権力を手に入れた連中か

Director 1: I saw his last film.

映画も観たけど 最低だったぜ

Épuise, right?

最新作を観たよ

Woman 1: Yes.

『Epuise』だろ

D1: Not to make a bad joke, but it was really épuisé.

ええ

Epuisé -- tired, exhausted, fed up.

悪くはないが 文字通りの作品だったな

Director 2: Can you not shut up?

退屈で うんざりするような ひどい映画だ

Now, you talk straight to me, what's wrong with my films?

その辺にしておけよ

Let's go.

お前は 俺の作品をどう思う

W1: They suck.

言ってみろ

Woman 2: They suck? What about yours?

くだらないわ

What, what, what, what about, what?

お前のはどうなんだい

What do you think about your movie?

な…何ですって

D1: My movies, they are OK, fine.

あなたは自分の作品をどう思っているの

They are better than making documentaries no one ever sees.

「ドキュメンタリー」よりは

What the fuck are you talking about?

俺の作品の方がよっぽどいい

Did you ever move your fuckin' ass from Hollywood

よくそんなことが言えるわね

to go and film something real?

いいかげん ハリウッドから出て

You make people fuckin' sleep.

世の中の真実を撮ってきたらどう

Dream about bullshit.

あんたの作品じゃみんな

(Applause)

くだらなくて寝ちゃうわよ

Newton Aduaka: Thank you. The first clip, really, is

（拍手）

totally trying to capture what cinema is for me,

ありがとうございます　最初の作品は

and where I'm coming from in terms of cinema.

私にとって映画とは何かということと

The first piece was, really, there's a young woman talking about Nigeria,

映画を作るときの私の立場を描いています

that she has a feeling she'll be happy there.

ナイジェリアに行って幸せな生活をしたがる

These are the sentiments of someone that's been away from home.

作品中の少女の気持ちは

And that was something that I went through, you know, and I'm still going through.

故郷を離れている人には共感できるでしょう

I've not been home for quite a while, for about five years now.

私も彼女と同じ郷愁を感じています

I've been away 20 years in total.

最後に里帰りしてから5年もたっています

And so it's really --

最初に外国へ来て20数年

it's really how suddenly, you know, this was made in 1997,

その後 故郷では

which is the time of Abacha -- the military dictatorship,

1997年に突然軍部が政権を握り

the worst part of Nigerian history, this post-colonial history.

アバチャ将軍の独裁が始まりました

So, for this girl to have these dreams

植民地時代以降で最悪の時代です

is simply how we preserve a sense of what home is.

少女が抱く夢は

How -- and it's sort of, perhaps romantic, but I think beautiful,

誰もが感じる故郷への思いなのです

because you just need something to hold on to,

故郷の現実はもっと厳しいかもしれませんが

especially in a society where you feel alienated.

それでも 孤独を感じる状況にいる人には

Which takes us to the next piece, where the young man

何か心のよりどころが必要なのです

talks about lack of opportunity: living as a black person in Europe,

次の作品の若い男性は

the glass ceiling that we all know about, that we all talk about,

ヨーロッパで黒人にはチャンスがないと言っています

and his reality.

いわゆるガラスの天井によって

Again, this was my -- this was me talking about --

活躍の場がないと思っている

this was, again, the time of multiculturalism in the United Kingdom,

これも私の気持ちです

and there was this buzzword -- and it was trying to say,

多文化時代を迎えた英国で

what exactly does this multiculturalism mean in the real lives of people?

普通の人たちが感じている

And what would a child --

多文化時代の意味を提起しようとしたのです

what does a child like Jamie -- the young boy -- think,

ジェイミーという

I mean, with all this anger that's built up inside of him?

この作品に出てくる少年は

What happens with that?

心の中の苛立ちを抑えきれず

What, of course, happens with that is violence,

我慢も限界に近い

which we see when we talk about the ghettos

そのはけ口に暴力を使うのは

and we talk about, you know, South Central L.A. and this kind of stuff,

私たちがよく見聞きする

and which eventually, when channeled, becomes,

L.A.のゲットーなどと同じです

you know, evolves and manifests itself as riots --

そして こうした暴力が

like the one in France two years ago, where I live,

最終的には暴動に発展するのです

which shocked everybody, because everyone thought, "Oh well,

2年前フランスで暴動が起きたときは

France is a liberal society."

自由国家フランスに

But I lived in England for 18 years.

幻滅しました

I've lived in France for about four, and I feel actually

18年英国にいて

thrown back 20 years, living in France.

4年前にフランスに来たのに

And then, the third piece. The third piece for me is the question:

故郷にいたころを思い出しました

What is cinema to you? What do you do with cinema?

最後の作品は私自身への問いかけです

There's a young director, Hollywood director, with his friends --

自分は映画で何がしたいのか

fellow filmmakers -- talking about what cinema means.

ここではハリウッドの若手映画監督が仲間と

I suppose that will take me to my last piece --

映画談義をしています

what cinema means for me.

最新作は私にとっての

My life started as a -- I started life in 1966,

映画の意味です

a few months before the Biafran, which lasted for three years

私は1966年の生まれです

and it was three years of war.

3年間続く内戦が始まる

So that whole thing,

数ヶ月前でした

that whole childhood echoes and takes me into the next piece.

こうした状況が

(Video) Voice: Onicha, off to school with your brother.

私の子供時代や次の作品に反映されています

Onicha: Yes, mama.

弟と学校へ行きなさい

Commander: Soldiers, you are going to fight a battle,

はい ママ

so you must get ready and willing to die.

いいか お前らは兵士になって戦うんだ

You must get -- ?

死ぬ覚悟はできているな

Child Soldiers: Ready and willing to die.

いつでも

C: Success, the change is only coming through the barrel of the gun.

命をささげます

CS: The barrel of the gun!

勝つためには 銃がたくさん必要だ

C: This is the gun.

たくさんの銃を

CS: This is the gun.

これが銃だ

C: This is an AK-47 rifle. This is your life.

これが銃

This is your life. This is ... this is ... this is your life.

このAK-47ライフルで命を守る

Ezra: They give us the special drugs. We call it bubbles.

これで命を守る これは…お前の…命綱だ

Amphetamines.

僕達は薬を飲まされました

Soldiers: Rain come, sun come, soldier man dey go.

覚せい剤だな

I say rain come, sun come, soldier man dey go.

雨が降っても 暑くても

We went from one village to another -- three villages.

兵士は進む どこまでも

I don't remember how we got there.

私達はいくつかの村を

Witness: We walked and walked for two days.

連れ回されました

We didn't eat.

2日間何も食べずに

There was no food, just little rice.

歩き続けました

Without food -- I was sick.

少しのお米を食べただけで

The injection made us not to have mind.

とても辛かった

God will forgive us.

注射されて どうかしていました

He knows we did not know. We did not know!

神は許してくださる

Committee Chairman: Do you remember January 6th, 1999?

私達は何も知らなかったのです

Ezra: I don't remember.

1999年1月6日のことは

Various Voices: You will die! You will die! (Screaming)

覚えていません

Onicha: Ezra! (Ezra: Onicha! Onicha!)

エズラ！

Various Voices: ♫ We don't need no more trouble ♫

オニチャ！

♫ No more trouble ♫

♫もう戦争はまっぴらだ♫

They killed my mother.

♫これ以上の無駄死にはたくさんだ♫

The Mende sons of bastards.

母さんを殺したな

(Shouting)

このクズ野郎

Who is she?

（叫び声）

Me.

この写真は

Why you giving these to me?

私よ

So you can stop staring at me.

どうして

My story is a little bit complicated.

私をじっと見てた

I'm interested.

話せば長くなるわ

Mariam is pregnant.

聞かせてよ

You know what you are? A crocodile.

子供ができた

Big mouth. Short legs.

アンタって ワニと同じよ

In front of Rufus you are Ezra the coward.

口ばっかりで グズグズしてて

He's not taking care of his troops.

上官に逆らえない臆病者

Troop, pay your last honor. Salute.

アイツは部下を捨てたのよ

Open your eyes, Ezra.

みんな 別れのあいさつを

A blind man can see that the diamonds end up in his pocket.

目を覚まして エズラ

♫ We don't need no more trouble ♫

ダイヤモンドはアイツの懐に入っているの

Get that idiot out!

♫もう戦いはたくさんだ♫

I take you are preparing a major attack?

どけバカ野郎

This must be the mine.

これから攻撃ですか

Your girl is here.

これは私のものだ

Well done, well done.

女はここだ

That is what you are here for, no?

よくやったぞ

You are planning to go back to fight are you?

協力に感謝する

♫ We don't need no more trouble ♫

戻って戦うんでしょう

♫ No more trouble ♫

♫争いごとはもうたくさんだ♫

♫ We don't need no more trouble ♫

起きろ 道路が封鎖されている

♫ No more trouble. ♫

♫これからは戦いはやめて♫

Wake up! Everybody wake up. Road block!

♫静かに過したい♫

♫ We don't need no more ... ♫

♫平和な世の中で 生きるんだ♫

Committee Chairman: We hope that, with your help and the help of others, that this commission

♫こんな事はもう...♫

will go a long way towards understanding the causes of the rebel war.

これから皆さんの協力の下で

More than that, begin a healing process and finally to --

当委員会で反政府活動の真実を明らかにし

as an act of closure to a terrible period in this country's history.

一連の手続きを経て

The beginning of hope.

この国の歴史的暗部に 終止符を打とうと思います

Mr. Ezra Gelehun, please stand.

それでは

State your name and age for the commission.

エズラ ゲラーさん ご起立を

Ezra: My name is Ezra Gelehun.

お名前と年齢を

I am 15 or 16. I don't remember.

エズラ ゲラー

Ask my sister, she is the witch, she knows everything.

たぶん 15か16だと思います

(Sister: 16.)

姉に聞いて下さい　彼女なら何でもわかる

CC: Mr. Gelehun, I'd like to remind you you're not on trial here

16歳です

for any crimes you committed.

ゲラーさん ここであなたの罪を

E: We were fighting for our freedom.

裁く気はありません

If killing in a war is a crime,

僕達は自由になるために戦った

then you have to charge every soldier in the world.

戦争で人を殺すのが罪なら

War is a crime, yes, but I did not start it.

世界中の兵士はみんな罪人だ

You too are a retired General, not so?

戦争は犯罪だけど 始めたのは僕じゃない

CC: Yes, correct.

あなたは退役将軍でしたね

E: So you too must stand trial then.

ええ そうです

Our government was corrupt.

ならば あなたも同罪だ

Lack of education was their way to control power.

政府は腐敗しきっていた

If I may ask, do you pay for school in your country?

権力維持のために 教育もおざなりだった

CC: No, we don't.

あなたの国で学費は払いますか

E: You are richer than us.

いいえ 払いません

But we pay for school.

僕らは貧乏なのに

Your country talks about democracy,

学費を払わないと勉強できない

but you support corrupt governments like my own.

あなたの国は民主主義国家なのに

Why? Because you want our diamond.

僕の国の政府の腐敗を支えているんだ

Ask if anyone in this room have ever seen real diamond before?

そんなにダイヤモンドが欲しいのか

No.

この中で 実物のダイヤを見た人なんて