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  • ♪ (upbeat gaming music) ♪

  • - Outlast.

  • Oh, 2. - I see the 2 hiding up there.

  • - All right, yeah. - Okay.

  • - Did you play Outlast 1? - I've not played any Outlast.

  • - I played a little of Outlast 1.

  • - (nervously) I'm so scared right now. - I'm so ready.

  • This either might be a prequel.

  • Or it could be like another one of your reporter buddies

  • coming out after all the footage got leaked.

  • - I just played this last night!! - Are you seri--

  • No, I'm SO excited. I know you're scared.

  • I'm so excited!

  • The first episode we filmed for it, I was scared shitless.

  • But as I got into it, I was like, "This game is so fun."

  • And I've been waiting for the second one.

  • - (FBE) We're gonna have you play

  • the first couple hours of the game over the span of two episodes.

  • You ready? - I'm kind of shaking a little bit.

  • I'm not gonna lie.

  • - Let's go. - Let's try and outlast the game.

  • - Okay. "Outlast 2 contains intense violence, gore,

  • graphic sexual content, strong..."

  • Yeah, that's all what I expect from Outlast.

  • - Then it says "Please enjoy." Please enjoy.

  • - I'm actually shaking (giggling) right now.

  • - "Lynn Langermann is an investigative journalist

  • seeking the answers behind a pregnant woman

  • murdered under impossible circumstances in rural Arizona."

  • - Oh, so we're somewhere else now.

  • - Okay. So it's still going the whole journalism route.

  • - Yeah. - "You are Blake Langermann, her husband,

  • assistant, and cameraman. Record everything.

  • Neither of you are fighters.

  • To navigate the horrors waiting for you in the desert,

  • your only choices (amused) are to run, hide, or die."

  • - There's no fight or flight here. You just run or die.

  • - It's just-- it's only flight.

  • - (female voice, hushed) Please, Blake. - Boy.

  • - (voice) Where are you? - So wait. She's our wife?

  • - (voice) Where are you? - "Where are you?"

  • I don't know. Where are we?

  • - (voice) I'm scared. - Chillin'.

  • - She's scared.

  • - (voice) He's coming. - Oh god.

  • (Lynn shrieks) Oh.

  • - (Lynn) HE'S HERE!

  • (shrieks) - (laughs)

  • NO! GET AWAY!

  • FAST! AAHHH!

  • Jesus, Blake. Are you really sleeping?

  • - (Blake) I'm awake.

  • - (Lynn) You should've slept last night.

  • - Is that his wife?

  • - Is he not gonna tell his wife that he just heard her screaming?

  • - (Blake) I had to get that hospital footage organized.

  • - (Lynn) You were calling out some other woman's name.

  • - Oh.

  • - (Lynn) Jessica, I think.

  • You know a Jessica? - (Blake) Oh. Uh, no. No. I mean--

  • - Blake been cheatin'. - (Blake) I was dreaming about

  • Jessica Gray... - Oh.

  • - (Blake) ...from when we were kids. - Nice save.

  • - (Lynn) I haven't thought about her in ages.

  • - (pilot) Hey, we're crossing into reservation land now.

  • You said I'm looking for some... - I mean,

  • what could go wrong in rural Arizona?

  • - (pilot) You said I'm looking for some sort of factory?

  • - (Blake) Yeah.

  • - (pilot) We can look, but there's nothing out here.

  • - (Blake) It does look pretty empty.

  • - (Lynn) All the mercury in that woman's blood.

  • - Oh. Are we-- no. - You know what? This is dangerous.

  • They're flying in clouds.

  • - (Lynn) She had to have spent at least a decade downstream

  • from some pretty heavy industry.

  • - Oh. - (pilot) If you say so, ma'am.

  • You bought the time.

  • - (Lynn) We should record an intro while we're up here.

  • - Okay. - (Lynn) Production value?

  • - Okay. - (Blake) Sure.

  • - Oh. Are we YouTubers?

  • - Does he at least have batteries this time?

  • - (Lynn) Can't work my diaphragm with this thing on.

  • - So we're gonna crash, right?

  • - 100% this chopper's going down.

  • - (Blake) Audio's gonna be crap.

  • - Oh, that's probably gonna be a thing again.

  • Oh shoot. - You idiot.

  • - (Blake) [Bleep]! - Oh, we wear glasses.

  • Those are gonna come off at one point.

  • - (pilot) Sorry about that.

  • Left panel's a little soft. But, uh, we're good.

  • - Come on, pilot. - Trying to make a movie here.

  • - (Lynn) Get as much of the landscape behind me as you can.

  • - Oh. Okay. - What is this?

  • - We're YouTubers. We're vlogging.

  • - Landscape behind her. - Nice.

  • Rae the camera girl. I like it.

  • - Looks like clouds mostly. - Oh, I'm filming right now.

  • I need to get my director mode going.

  • - (Lynn) I'm Lynn Langermann, here for newstomorrow.net.

  • We're flying past the Havasupai Indian Reservation

  • in central Arizona. - Oh great, Indian reservation,

  • 'cause that's so-- - Okay.

  • - (Lynn) In search of the origins

  • of murder victim Jane Doe. - (Blake) Hey, Lynn.

  • I don't think you should say "murdered."

  • We don't know that.

  • - (Lynn) Oh, I'll say she strangled herself to death.

  • - (Blake) It's what the police report says.

  • - (Lynn) We may play this before the doctor interviews.

  • If this falls in the first 30,

  • we need to get the word "murder" in there.

  • We should probably mention the fetus too. I mean, how it just--

  • - The fetus. - How it just what?

  • - (Lynn) Here. Let me try a version...

  • - How it just what? What'd the fetus do?

  • - The fetus? - (Lynn) Here. Let me try a version

  • that conserves an intro for the whole piece.

  • Tell me when we're good.

  • - (Blake) Okay. - We're good.

  • - (Lynn) Two weeks ago, a young woman was found wandering,

  • barefoot, pregnant, and alone on a barren stretch of highway

  • 100 miles from the nearest-- - Whoa.

  • - (Lynn) Oh!

  • - (pilot) We lost the engine! - Oh shoot.

  • - (Lynn) ...100 miles from the nearest--

  • - Oh! - Oh, what the heck?!

  • - (pilot) We lost the engine!

  • - How do you lose the engine?!

  • - Loud noises. - Oh no.

  • - (pilot) ...the engine! [Bleep]! - Yeah, you called it.

  • We're gonna crash. - Yep. We always crash.

  • - Oh. - No!

  • - Oh shoot.

  • Oh, good catch.

  • - (gasps) Oh, she gone!

  • Oh shoot. (relieved chuckle)

  • Aah!

  • - Oh my god. (shouting in game)

  • "1,000 feet." Wow, they're going down fast.

  • (frantic shouting, bloodcurdling shriek)

  • - Bye. - Ooh, I got chills. I got goosies.

  • - See why that sign.

  • - Oh, that's an upside-down cross too.

  • - (dramatically) "Outlast." - Oh GOD.

  • Okay, this is gonna be like some--

  • The last Outlast was a ghost thing.

  • I feel like this one's gonna be like a demon thing.

  • - Oh man. - Oh no.

  • Now we're the creepy church. - All right. We're in.

  • - Oh. Oh. - You remember, there's a preacher

  • who lit himself on fire in the last one too.

  • So it all has biblical references all throughout it.

  • - Are we in a hospital?

  • - It looks like a school.

  • A bible school, 'cause there's lockers. - Oh, yeah.

  • These are lock-- good catch.

  • - Something's gonna pop out of the lockers.

  • (eerie creak)

  • - (laughs) - Fool!

  • (eerie creak)

  • - [Bleep] that. Turn around. - Oh.

  • - What is this?

  • - "To Jessica." - Wait, Jessica.

  • Isn't that who we were talking about?

  • Jessica being from their childhood or something.

  • - Yeah. - Maybe this is like a flashback.

  • (faint clatter) - Oh.

  • What was that?

  • - Did you hear that?

  • - That's him walking.

  • - I heard something.

  • - That's him-- - (gasps)

  • - Boy.

  • - Oh.

  • - Hey. - Would you go after him?

  • - Go see the teacher. I think it's the principal.

  • We're probably late.

  • - The music is picking up.

  • That's how you know some bad shit's about to happen.

  • - Something's gonna pop out?

  • - What time is it?

  • 6?

  • - Uh... we definitely shouldn't be in school.

  • - I'm gonna scream. I swear, I'm scared.

  • - Okay. Okay, it's getting dark. It's getting dark.

  • - Into the darkness. - You want to just go--

  • ♪ (abrupt music) ♪ (both exclaim)

  • - Okay.

  • - Hold on. Look at the--

  • ♪ (abrupt music) ♪ (both exclaim)

  • - Oh, shit!

  • ♪ (abrupt music) ♪ - Mother Mary! Oh my god!

  • (both screaming) - WHAT THE [bleep]?

  • - Oh-- - WHAT IS THAT?!

  • - (whispering voice) We're not alone.

  • - Jessica! - Whoa!!!

  • - (voice) We're not alone here.

  • - We ain't alone here!

  • - Oh, buddy. That's blood. - Ohh.

  • - (voice) We're not alone here.

  • - I'm dead. I'm dead.

  • - What a crazy night. Hangover 4.

  • - So that one was a dream, and this is what reality is.

  • This is after the helicopter crash.

  • - "Tap repeatedly."

  • - "Tap repeatedly." - Do it, do it, do it, do it.

  • - (shouts fervently)

  • - Repeatedly.

  • (Blake grunts and gasps)

  • - Ooh.

  • - Boy, you need a manicure. - Dirty.

  • (Blake gasps) - So you grab the camera first?

  • - Yes.

  • - You're not even gonna check if your friends are alive?

  • - We need views.

  • - I feel like I just played the first part,

  • so now maybe you should play this part.

  • - All right. We'll switch off.

  • - "Press Tab."

  • "Find Lynn. Okay."

  • - (Blake) Find Lynn. - Okay.

  • - (Blake) Nothing matters but Lynn.

  • - "Nothing matters but Lynn. Review footage."

  • - I like how this you can actually go through your footage.

  • - Let's not review the footage. - Okay, yeah.

  • We don't need to see this.

  • - Which way do I go? I don't know if I want to--

  • I don't think we can go down here. - Just jump off the cliff.

  • - I don't see anything.

  • - There we go. - Should I just

  • hop down here? - Yeah. I would say hop down.

  • - Okay, this way. That looks less steep.

  • There we go.

  • - They're killing it with the soundtrack. I love this.

  • (rustling)

  • - These graphics though. - Ooh. I know.

  • These are actually really nice.

  • - We're traveling to Mordor. - Oh.

  • "To jump over, press Space." Okay.

  • Oooh. Yes.

  • - Oh. You got hops, Rae.

  • Get on the ledge.

  • - "Strafe left or right."

  • - Dude. This guy's got balls. - I know.

  • - I'd be like, "All right, see you later."

  • - "To drop from the ledge, press Control."

  • - There.

  • - Ooh.

  • - Jump, boy, jump. - Ooh! Okay.

  • - "Important events should be captured on video."

  • - Hold it down.

  • Okay. - Wait. What is that circle?

  • - Until the red circle's full?

  • - Oh yeah, right there.

  • You see Lynn in there?

  • - "Video recorded."

  • - (Blake) Jesus. - Okay.

  • So it's saying we need to record all this stuff,

  • and then you can review it if you need.

  • - (Blake) She wasn't there. Lynn's body wasn't--

  • I guess that answers your question.

  • - (Blake) She could still be alive.

  • - That's cool that they actually record what I'm doing,

  • 'cause I zoomed out, and it zoomed out.

  • - It's probably that way.

  • - OH JESUS!

  • - You went in the fire! - It's lit.

  • - (singsong voice) Oh, Lynn.

  • The night vision is to see in the dark.

  • (night vision whines on) - Aha.

  • - Aha.

  • - Ooh, what's that light over there?

  • - Feel like the battery's just gonna constantly run out.

  • - Yeah.

  • - Oh. Why is he freaking out? - (Blake) Oh, [bleep].

  • - What is it?

  • - Ohh, that's definitely the pilot on the tree.

  • - Oh shit.

  • - Hopefully the battery doesn't die.

  • - (Blake) ...did not happen in the crash.

  • - Oh, no, that didn't.

  • - That did not happen in the crash.

  • That's correct. - Oh my god.

  • Lynn's not looking too good. I don't think that's Lynn.

  • That's definitely the pilot. - I hope that's not Lynn.

  • - Eww.

  • Nice.

  • Glad we got that on camera. - Disgusting.

  • - Run! Get out of there! - Okay.

  • - Why go into the cave?

  • - Let's run. - "Look back by holding Left-Alt."

  • Ooh. Ooh. I don't like that.

  • I don't like having to look back.

  • - Oh, so it's like a quick turn-around.

  • - Okay, cool.

  • - Dude, this is scar-- "reload"? Reload what?

  • - Reload batteries. - Oh.

  • (camera whines)

  • - Yeah. - Cool.

  • - Oh my gosh. Ooh.

  • - Until you start dying, I'm dipping. - Okay, okay, okay.

  • - Fool, how do you fall down the rocks?

  • - Oh shoot. Okay.

  • - Okay. There's a little light here.

  • - Oh. - Little ominous.

  • - It's so beautiful.

  • - To run, hold Shift. - Oh. Why do we need a--

  • - Oh. - (Blake) Oh, thank God.

  • - That's a town?

  • - What? Where is the town?

  • - Whoa, that's definitely-- hold on, that's like--

  • - Oh shoot. Hello. - Oh, it's a windmill.

  • - Okay, yeah. I thought that was

  • something weird too. - I thought that was someone on a stake.

  • - Uh, maybe we should go in the house? Can you go in the house?

  • - Don't go inside the house. - Oh, we're gonna knock.

  • We're gonna be polite about it. - Carl, get back in the house!

  • - Knock. Yes. Why? - "I'm lost and hurt."

  • - (Blake) I'm lost... and hurt. (doorknob rattling)

  • - Jammed. - Jammed.

  • - We're coming, Lynn.

  • - Okay. There's a light.

  • - What is that?

  • - Oh, that's a little tricycle. - That's a tricycle?

  • That's freaking... - We're about to go see Jigsaw.

  • - (Blake) Is anybody there? - What are those noises?

  • - Oh, Jesus.

  • - (chuckles)

  • - (both) Oh! - Hey.

  • - (Blake) Who's... - "Sacrifice"?

  • Whoa, that's creepy. That's creepy.

  • That's creepy. That's creepy. - Okay, we're gonna go this way.

  • - "To peek, Q or E." Okay. But what are we peeking at?

  • - Oh, there's a tricycle. - I think we should--

  • - You know it's never good when there's a tricycle around.

  • - That's true also.

  • Oh, and it's that guy. - Oh, no, no, no, no.

  • - Oh, hello there, sir. Zoom in, zoom in.

  • Ooh. What the hell? - (shakily) What the [bleep]?

  • - I'm, like, slowly curling up more and more

  • because I'm so scared.

  • (nearby rattle) - Oh.

  • Ohhhh. - That's creepy! I don't like that.

  • It's a doll bathing in [bleep] blood. Are you kidding me?

  • - IS THAT A BABY? - It's a doll. Aah!

  • - Look into that window. What was--

  • What's going on?

  • - Nice cross.

  • - Oh. I see...

  • - Batteries. - Batteries!

  • - Battery. Battery. - Tada.

  • Wait. How do I-- - Pick it up.

  • - There we go. - There we go.

  • - Very nice. - Such an aggressive grab.

  • - Can you go in any of those houses at all?

  • - Do you want to?

  • - I mean, maybe. - What is that?

  • - Whoa, that's weird.

  • - (Blake) That's [bleep] up. - Okay.

  • - Of course. There's just weird dolls and tricycles.

  • - Ew. What is...

  • - Got a skull on his door.

  • "Open windows." - "Open windows."

  • Open the window.

  • - (whimpers)

  • OH! JESUS!

  • No! God!

  • - Okay. "To open windows..."

  • (crow screeches and flaps) - Oh!-kay.

  • What was that? What was that? What was that? What was that?

  • (crow screeches and flap) - Whoa!!

  • - [Bleep].

  • - What was that? - Damn.

  • I think it was a bat or a crow or some shit. I don't know.

  • - Michelle, stay with me. I need moral support.

  • - Okay, I'm here for you. - (giggles)

  • - (both) "Some doors have deadbolts."

  • - "You can hide by crawling under beds."

  • - Look down.

  • Can you zoom in on those shoes over there?

  • - Shoes? - Yeah.

  • - What are those?! Okay, sorry, I had to do that.

  • - Oh jeez, I'm scared. (whimpers)

  • Ohhhh.

  • Oh, it has a deadbolt.

  • - "Move backwards." (door creaks)

  • Okay.

  • Hey, what is that?

  • - Let's crawl through there.

  • - Yeah. - I know it seems like a good idea.

  • (clatter)

  • - What was that? You heard that? - Mm-hmm.

  • - There's so many crosses everywhere.

  • - Dude, we-- - This is WEIRD.

  • And dolls and baby tricycles.

  • - Oh no! We don't have batteries.

  • No, come on, come on.

  • Oh, I can't see anything without it!

  • - Oh, is there something following us, man?

  • I hear something. - Yeah, dude.

  • I'm hearing too much.

  • - (Blake) Satanas Inimical Dei...

  • - What the hell? - What kind of language was that?

  • - Oh, oh, who's whispering?

  • All right, time to go to the creepy basement.

  • - This looks good.

  • - Ohhh. - Something's gonna crawl up the stairs!

  • Hayah! God!

  • - Mmmm. - This better not be like Resident Evil 7.

  • (footsteps crunching)

  • - I don't like that the camera's not focusing.

  • - What the [bleep]? - Oh.

  • - What the [bleep]?

  • - Huh.

  • All right.

  • - "Midwife's Lament. The babe is coming. Ready the knife.

  • The babe is coming. Night's midwife.

  • Mother to the Enemy stained within.

  • God's creation saved with sin." - "Chorus."

  • ♪ Hallelujah ♪

  • - "Ezekiel waits, sharpening his blade.

  • Gather at the gate. We kneel and pray."

  • Oh... no.

  • - It's talking about the babe coming.

  • - Do you think we should-- oh.

  • - I just see-- dude, what the hell?

  • This is so weird. - Did they kill a baby?

  • - (whimpering loudly)

  • Oh, it's fine.

  • - Oh, the music's getting creepier.

  • You know that means some shit's about to--

  • - I should probably reload the battery

  • before all this creepy shit happens. - Wow, what is all of that?

  • What the [bleep]? - That's a pile of babies.

  • - Are those babies?

  • - They're dolls.

  • Are they real?

  • I don't want to step over this.

  • (crunching) - Oh!

  • - Is this allowed? - This sounds real.

  • - They had a thing of gasoline right there.

  • They burnt the babies, and then they left just the cross.

  • That's [bleep] up.

  • - This is the most [bleep]-up I've ever played in my life.

  • - Dude, yeah. All the crosses...

  • - Dude, the babies are in a cross. - ...and the religion aspect

  • just makes it scarier.

  • - (chuckles) Why are we playing this game?

  • - This is terrifying.

  • And there's a rocking horse.

  • - Swings? We got all the cliches here.

  • We got a rocking horse. - Oh my god, a baby's head!

  • Ohhh my god. - Why do they like dolls so much?

  • - What is wrong with this [bleep] town, bro?

  • Why do they have so many babies?

  • Like, how did they get so many babies? - (chuckles)

  • - There were not that many people in that village.

  • There were, like, four houses. - No, they got busy.

  • - What's this?

  • - A wishing well.

  • (demonic muttering) - What was that noise?

  • - Heavy breathing!

  • - Is that of a child or, like...

  • - (voice) ...a blade's baptism for the spider-eyed lamb.

  • - Okay, "lamb" is another reference to...

  • to Jesus. - Jesus.

  • - Batteries! - Whoo!

  • We're rich. We got two batteries.

  • - Look behind you maybe. - Why's the music picking up?

  • - (screaming) - Oh!

  • [Bleep] run! - Run! Run!

  • - (startled gasps)

  • What is that? What is that? What is that?

  • - Keep going toward that.

  • - Oh, buddy. - Okay.

  • - Oh, buddy. - So run, run, run.

  • - Aah. - Okay, we're dead.

  • - All right. - (chuckles)

  • (Blake groans)

  • - Holy [bleep]!

  • - Aah! - Oh, what the [bleep]?

  • - Whoa, whoa, whoa! - Where am I supposed to go?

  • (Blake groans) Holy shit.

  • - We died.

  • - Run!

  • (frantic shouting)

  • - I'm trying to-- - WHAT IS THAT?!

  • - Shift doesn't work.

  • What? - Who are you?

  • - She's killing me with a cross?

  • (Blake groaning weakly)

  • I tried running.

  • - Yeah.

  • - So avoid the voice. - So that just happened.

  • - (voice) Temple gate cuts the whores, bleed a price,

  • the true ascend. - All right.

  • - All right. So we're gonna avoid. - Remember there's the battery

  • at that one place.

  • - We just need somewhere to hide.

  • Unless I go behind that thing and then try and get behind her.

  • - You need to run though.

  • ♪ (soft dramatic music) ♪

  • (entity moans viciously)

  • - Did she see me? - Yeah. The music picked up.

  • (entity shrieks)

  • - Oh, she found me.

  • Oh shit.

  • Okay, we're gonna run.

  • Oh, we're dead. - No, we dead. Oh, we died again.

  • - How the [bleep] are we supposed to do this?!

  • - Yeah, yeah.

  • Okay, run, run, run, run, run, run.

  • - Oh god. - Run, run.

  • - Shift is run. Shift is run. - I'm running.

  • - Oh jeez! - Aah.

  • (Blake groaning) - All right.

  • - Yeah. See, she's still there. Okay.

  • - No, she's coming.

  • - Okay, okay, okay.

  • ♪ (music escalating) ♪

  • We're gonna go behind her.

  • - NO, WOMAN!

  • Keep going! Keep going!

  • Go straight! Go straight!

  • (Blake panting)

  • - Oh, jeez.

  • - "Running for an extended amount of time will exhaust you"?

  • - Oh no! Where do I go? Where do I go? Where do I go?

  • No, no, no, no, no, no, no, no!

  • Come on! Come on! We were so close!

  • I need--

  • Oh, come on! I just needed to know where to go!

  • - (sighs heavily) Lots of pressure.

  • - We got this.

  • - Plan worked last time to go this way.

  • (faint demonic muttering)

  • And then... run.

  • - Let's go. Come on, lady.

  • - She just-- (distant scream)

  • - Ruuuun!

  • I didn't even see her. - Yep, you got it. You got it. Just run.

  • - Start running.

  • - Let's go. - Start running.

  • - Is she coming?

  • Is she coming? - Yeah, she's coming. Now go around.

  • - Running. Running.

  • Oh no, she's right there. - No, the other way!

  • Oh! My god! (loud whimper)

  • - Okay. We're gonna go this way. Going back.

  • (frantic shouting)

  • She's everywhere!

  • - Ohhh, I don't like these noises.

  • - I'm just running, dude.

  • Where do I have to go?

  • Get in. Get in. (trilling words)

  • Go, go, go, go, go. Go.

  • - Okay.

  • - Whoo! - We did it.

  • - Down here? - Get in there!

  • - C, C, C, C, C!

  • C! How do I get in? Aah! I did it!

  • Okay. - All right.

  • - (sighs heavily) - That was easy.

  • - Right here. Sick.

  • (frantically repeating "Go!")

  • Oh my god. Thank God.

  • - I need a break after that. Whoa.

  • - Should we peek down and see if she's still there?

  • - Uh, no.

  • - Yeah. Video game logic.

  • Just wrap a bandage around it, and you're good to go.

  • - I don't like these noises.

  • - He's just stepping on hay. - Oh god.

  • Okay, "You can move objects by holding..."

  • Let's bring this out.

  • - All right, so we're probably gonna have to move objects

  • to get up certain stuff like broken ladders.

  • (Blake grunts)

  • - Oh. Note. - Oh.

  • - "My land laid waste,

  • by my seed firmly set against Babylon..."

  • - I feel like this is like a cult happening.

  • - Well, yeah. It would make sense. - Yeah.

  • - Oh, I hear her again. - Yeah, I do hear her.

  • - Dude, what a sad life she has.

  • - I know. - Does she just do this

  • all day and all night? - I guess so.

  • - Oh.

  • - Oh! - Whoa!

  • - [Bleep]! - Okay. Well, that happened.

  • - Oh! Oh shit.

  • - Did you just die?

  • - No, I fell through the thing.

  • - Can't see anything without my glasses. Oh, jinkies.

  • - (Blake gasps) Jesus! - (voice) Do you want him?

  • - Oh. Is that her?

  • - No. What? No, no, no, no.

  • Okay, okay, okay. - (Blake) God wants me dead.

  • Okay. - Okay.

  • - Uh... oh, which way? That way or that way?

  • - That way. That one has hay, and it's safe.

  • - Okay.

  • - All right. Uh...

  • (camera whines)

  • - I don't see that.

  • Oh, we're good. - This way.

  • - So she's out here though. - Yeah, no doubt.

  • - But I don't think she's coming to get us.

  • 'Cause she was like,

  • "God, if you want him, you can have him."

  • - Cool, another open window.

  • These people really like bugs in their house.

  • - "...hear through walls and track sounds

  • through cameras and microphone."

  • I hear something. - Yeah.

  • "Heavy lamentation."

  • - Where's the lamentation?

  • - They're on the other side of this.

  • - Okay. I don't hear anything. So...

  • - Slowly open. Move back and slowly open the door.

  • - ♪ (faint singing in game) ♪

  • ♪ O hide you in the blood ♪

  • ♪ Hide you in the blood ♪ - (chuckles)

  • - ♪ Till the dangers pass you by ♪

  • - What the [bleep]?

  • - Is he just creepily in a rocking chair?

  • - Yeah, I'm not sure-- - What is he holding?

  • Zoom in on him. - It looks like a gun.

  • Or... - Oh God.

  • (overlapping speech) - Shoot.

  • - They're on your left.

  • 'Cause the left and right. - Oh!

  • - I think that's where it shows.

  • (gunshot) - Oh! Jesus Christ! No!

  • (Blake grunts and pants)

  • - We're running, we're running, we're running.

  • - Yeah, I guess we run.

  • - ♪ (humming) ♪

  • - Oh sh... - Oh, wonderful.

  • - Whoa. - Flash bang.

  • (screaming in game)

  • - Oh! [Bleep]!

  • What is that?

  • - Just run. - Oh my god!

  • There are so many.

  • - (Blake) I need help.

  • (man hacking)

  • (man shrieking intensely)

  • - What's going on? - What the [bleep] happened?

  • - Okay. So they are all blind right now.

  • - Let's get out of here while they're freaking out.

  • - Yeah. I'm dipping. I'm dipping.

  • - (man) We need to be the god!

  • - Oh, we're gonna die. - This battery's gonna die.

  • - (Blake) It's like they're hypnotized.

  • - Okay. Sick. We're out of here.

  • - What just happened? - (man) ...terrible violence?

  • Do you hate us, God? Do you hate this world?

  • - What if it's the same father from the first one?

  • What if he's just getting around, and now he's in Arizona?

  • Um... let's go a different way.

  • - Over here. Crouch.

  • - (man) God's truth is here now, come to reckon.

  • - I'm trying to listen for whatever we're hearing.

  • - I think it's coming from the speakers.

  • - (man) We need to be the god!

  • - This... way...

  • (people conversing) - Oh my gosh.

  • (angry conversations)

  • You really want to go in there?

  • Oh. Yeah. That's a safer bet.

  • (door creaking) - Oh, I hear something.

  • - Is there any batteries in this church?

  • - Um... these are gospels?

  • - The gospel of what? Sullivan?

  • - (both) "Sullivan Knoth."

  • - So this must just be some weird

  • cult interpretation of the Bible.

  • That's what I'm getting out of this. - Yeah.

  • - Oh.

  • - A lot of deadbolts.

  • (door opens)

  • Okay.

  • - Something's gonna crawl up the stairs, woman.

  • - Let's go down here.

  • - Why do they have these weird cult-like tunnels?

  • - We're going underground.

  • Lynn is over here somewhere.

  • - "Capre a--" - "Atreum."

  • - (man) Give me their lives.

  • I'll save you. - Oh God.

  • - Yeah, we definitely need batteries.

  • Aha! Sick.

  • - Yay, batteries.

  • - Batteries. Is that a flashlight?

  • - Why don't you get the flashlight?

  • - Hello?!

  • - Okay. Yeah, I know. I have no idea where to go.

  • (chuckles) - Oh, key. Where's the key?

  • - Aha.

  • - That's a key. But you're gonna need it and run.

  • (arguing in background)

  • - Oh god. Oh god, okay. Everybody stop screaming, please.

  • - Oh wait. There we go. There we go. - We got it.

  • (startled exclaiming) - Oh my god!

  • (panting)

  • (both exclaim)

  • - No, bro.

  • - Oh, Jesus!

  • OHH my god. I hate everyone.

  • Okay, let's just-- hurry up. Hurry up.

  • (screaming in background)

  • Oh, what's that? Oh, bandage.

  • - Oh, cool.

  • - I don't think they're coming for us, though, right now.

  • Open.

  • - Be careful. There's definitely people up here.

  • There's a battery over there too.

  • (camera beeps) - (nervous chuckle)

  • - And this guy again. - Yeah.

  • - Check upstairs.

  • Be sneaky though.

  • - "You can hide by entering the wardrobe."

  • - Great. - Oh.

  • (gasps)

  • - (distant woman) Get your [bleep] hands...

  • - Oh shoot.

  • - Oh shit. What's going on there?

  • - You can see-- - We're definitely not opening that.

  • - Save the woman.

  • (glass breaks)

  • - Oh. - (Blake) Lynn!

  • - (gasps)

  • - (gasps) - Oh, is that Lynn?

  • - We gotta go help her.

  • - Oh shit. - We're coming, Lynn!

  • - Wait, wait, wait!

  • It's me, it's me, it's me! - Lynn!

  • - Wait, wait, wait! - Go get Lynn.

  • - Just turn that way, and then go through that window.

  • Yes.

  • Oh shoot. - I can't.

  • (both gasp) - Lynn!

  • - (Blake) Are you okay? - No.

  • - (Blake) What the [bleep]? - What's with her eyes?

  • - Lynn, you don't look too good.

  • - Oh, yep. - All right, follow Lynn.

  • - Her eyes look like... what?

  • - I don't think her eyes are supposed to look like that.

  • I think it's just 'cause of the flash.

  • - (Lynn) ...away from here.

  • - All right, Lynn, let's go.

  • - We have Lynn now though.

  • - Are we holding hands? - Awww.

  • - (Lynn) Aah. Oh god.

  • - They did something to her. - Yeah.

  • Ah, did they put a baby in her?

  • - Oh my god, she's impregnated with the Antichrist or some crap.

  • It's gonna burst out!

  • - Oh, that's totally what's happening. - It's gonna kill her.

  • - No. We need to go.

  • - (Blake) We're gonna get out of here, okay?

  • ♪ (gloomy theme) ♪ - Oh, I don't like that music.

  • - (Lynn) I can't talk about it.

  • - Why's it, like...

  • - Oh my god.

  • - Oh shoot.

  • - Get up. Let's go.

  • - You should just, like, carry Lynn.

  • - Hop on my back, woman!

  • - (man) ...with her the foul burden we've been awaiting...

  • - So they're gonna sacrifice her or some crap.

  • - (Lynn) They're all [bleep] insane. - Reload.

  • - (Blake) Lynn?

  • - (Lynn) Please, Blake. I just want to get out of here.

  • - The devil's in her belly.

  • - (Lynn) Let's just get away from this place.

  • Please. - (man) Kill them!

  • - I feel like she's just luring him into a trap.

  • - (man) Rip the devil from her belly

  • and crush it beneath your boot heels.

  • - Dude, what the hell? Seriously.

  • - Oh. There's somebody there.

  • - (Lynn) Stay back!

  • - No, don't talk to them.

  • - (Lynn) I swear to [bleep] Christ,

  • the first person who touches me loses their eyes.

  • - I don't know what-- - The cowboys.

  • - (Lynn) No!

  • - (both) Oh!

  • - (Lynn) No! - (people, droning) God wants the child.

  • - Hey, man. God wants the child.

  • - (Blake) Aah! Lynn! - (people, droning) God wants the child.

  • - Come on. We can't even do anything. That's so frustrating.

  • - (Blake) Lynn! Lynn! (Lynn screaming)

  • (Blake grunting)

  • (Blake shouts)

  • - She's, like, over there.

  • What are they doing? What are they doing?

  • - (Lynn) No! - (Blake) You mother[bleep]!

  • - (empathetic) Oh.

  • - What are-- (gasps)

  • Are they killing her? - What are they doing to her?!

  • - (Blake) Lynn! - Back off my woman!

  • - I don't know--

  • oh, what the [bleep] was that? - Are you controlling it at all?

  • - WHAT ARE YOU?

  • - (worriedly) What is happening?

  • (Blake gasping, grunting)

  • (faint muttering) - (flustered) What is going on?

  • - (flustered) I don't know.

  • - (voice) I watched my father [bleep] your God...

  • - What the [bleep] is going-- what is that thing right there?

  • - The thing's, like, eating my leg.

  • - What is happening? What is this?

  • There's, like, goblins and monsters.

  • - (Lynn) Blake! Blake!

  • - Wait, Lynn. I hear Lynn. Is she not dead?

  • - (Blake) Wait! No, wait!

  • - (incredulously) What the [bleep] is happening?

  • - (Blake) No! - (gasps) Nooo.

  • They're gonna murder her.

  • - (man) I'm gonna share my love with the father.

  • - (aghast) No. - Oh, she's coming for me now.

  • (Blake grunting)

  • - Dude.

  • - That's a man.

  • - (man) God doesn't love you.

  • - No, it's a girl. - That's a man.

  • - (gasps)

  • - (man) Not like I do.

  • (Blake grunting) - (gasps)

  • (horrified) Ugh!

  • (Blake grunting) - Ugh!

  • Ew!

  • - Boy, what kind of crap are you into? - Ew!!

  • Eww!!

  • - (man) Yes, my love? Ah.

  • - I feel dirty.

  • - (man) Ah. We have mother.

  • - I'm so uncomfortable!

  • - (man) I think I'll see you again.

  • - (disgusted) Oh god.

  • - Yeah, I wonder if that's papa. - What the [bleep] is that thing

  • though with the branches sticking out of his head;

  • that creature, you know? What is that?

  • (wallop) - (both) Oh!

  • - Don't talk shit, Rae. We just got hit.

  • - That fool just backhanded me in the face?

  • - Oh my god.

  • - Wait. I'm just so confused.

  • - Yo, where's Lynn doe?

  • - Where's Lynn doe? I think they took Lynn back.

  • - Yo, we are so blind right now.

  • - I feel like we just witnessed something.

  • - We did.

  • - (Blake) Oh shit! Lynn!

  • - Damn it. Not Lynn!

  • - (Blake) Lynn! (breathing heavily and shakily)

  • Oh god.

  • - Okay, where's Lynn? - (Blake) Lynn!

  • - Is she okay?

  • - Dude, this is freaking wild.

  • I don't know what's happening at all.

  • - That's it for today,

  • but we'll be back to play more of Outlast 2.

  • - What's gonna happen next? Subscribe to find out.

  • - Let us know in the comments

  • what other games you'd like to see us play.

  • - (tired groan) Google is frightening.

  • Okay. Hi, guys. Uh, Zach, producer at the React channel.

  • Thank you so much for watching this episode.

  • And stick around, because we got part 2 coming atcha.

  • No, don't lick me. Please no.

♪ (upbeat gaming music) ♪

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OUTCAST 2: RUN OR DIE!前編（REACT：ゲーミング (OUTLAST 2 | RUN OR DIE!!! Part 1 (REACT: Gaming))

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    黃資庭 に公開 2021 年 01 月 14 日
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