Placeholder Image

字幕表 動画を再生する

  • Melanie Klein was a highly creative and original Viennese Jewish psychoanalyst who discovered

  • the work of Freud at the age of 32 and devoted her life to enriching and nuancing it in intriguing

  • and valuable ways.

  • Born in 1882, Klein was held back by her father from her desire to become a doctor and had

  • been pushed by her family into a loveless marriage with a coarse, unpleasant man with

  • whom she had nothing in common. She was bored, sexually frustrated and mentally unwell.

  • Psychoanalysis saved her. She left her husband, read everything she could, attended lectures,

  • and started publishing papers of her own.

  • She soon departed from Freud in an area that most other analysts had overlooked: the analysis

  • of children.

  • Freud had been sceptical that children could ever be analysed properly, their minds being

  • in his view too unformed to allow for a perspective on the unconscious.

  • But Klein now argued that an analyst could get a useable view into a child’s inner

  • world through studying how they played with toys. She therefore equipped her consulting

  • room with small horses, figurines and locomotives and established herself as a child psychoanalyst,

  • first in Berlin and then in London, where she settled in 1926 and remained for the rest

  • of her life. In her work with children, Klein wanted to

  • understand how human beings evolve from the primitive pleasure-seeking impulses of early

  • infancy to the more mature adaptations of later lifeand in particular, she wanted

  • to know what might go wrong on this journey, giving rise to the neurotic adaptations of

  • adults.

  • In her 1932 book The Psychoanalysis of Children she described the difficulty of the young

  • infant’s situation.

  • Weak, utterly at the mercy of adults, unable to grasp what is happening, the infant cannot

  • in Klein’s descriptiongrasp that people around it are in fact people, with

  • their own alternative reality and independent points of view.

  • In the early weeks, the mother is not even ‘a motherto her child, she isto

  • come to the crux of the issuejust a pair of breasts which appear and disappear with

  • unpredictable and painful randomness.

  • In relation to this mother, all the infant experiences are moments of intense pain and

  • then equally intense pleasure. When the breast is there and the milk flows, a primordial

  • calm and satisfaction descends upon the infant: it is suffused with feelings of well-being,

  • gratitude and tenderness (feelings that will, in adulthood, be strongly associated with

  • being in love, a moment where breasts continue to play a notable role for many). But when

  • the breast is for whatever reason it is missing, the infant feels starving, enraged, terrified

  • and vengeful.

  • This, thought Klein, leads the infant to adopt a primitive defence mechanism against what

  • would otherwise be intolerable anxiety. Itsplitsthe mother into two very different

  • breasts: a ‘good breastand a ‘bad breast’.

  • The bad breast is hated with a passion; the infant wants to bite, wound and destroy this

  • object of unholy frustration. But the good breast is revered with an equally thorough

  • though more benign intensity.

  • With time, in healthy development, thissplitheals. The child will gradually perceive that

  • there is in truth no entirely good and no entirely bad breast, both belong to a mother

  • who is a perplexing mixture of the positive and the negative: a source of pleasure and

  • frustration, joy and suffering.

  • The child discovers a key idea in Kleinian psychoanalysis: the concept of

  • AMBIVALENCE

  • To be able to feel ambivalent about someone is, for Kleinians, an enormous psychological

  • achievement and the first marker on the path to genuine maturity.

  • But it isn’t inevitable or assured. Only slowly can a healthy child grasp the crucial

  • distinction between intention and effect, between what a mother may have wanted for

  • it and what the child might have felt at her hands nevertheless.

  • These complicated psychological reactions belong a phase that Klein called

  • THE DEPRESSIVE POSITION

  • a moment of soberness and melancholy when the growing child takes on board (unconsciously)

  • the idea that reality is more complicated and less morally neat than it had ever previously

  • imagined: the mother (or other people generally) cannot be neatly blamed for every setback;

  • almost nothing is totally pure or totally evil, things are a perplexing, thought-provoking

  • mixture of the good and bad

  • This is hard to take andfor Kleinexplains the serious faraway look that may sometime

  • enter the eyes of children during daydreams. These small beings look oddly wise and grave

  • at such moments; they are, somewhere deep inside, cottoning on to the moral ambiguity

  • of the real adult world.

  • Unfortunately, in Klein’s analysis, not everyone makes it to the depressive position,

  • some get stuck in a mode of primitive splitting she termed

  • THE PARANOID-SCHIZOID POSITION

  • For many years, even into adulthood, these unfortunate people will find themselves unable

  • to tolerate the slightest ambivalence: keen to preserve their sense of their own innocence,

  • they must either hate or love. They must seek scapegoats or idealise. In relationships,

  • they tend to fall violently in love and thenat the inevitable moment when a lover

  • in some way disappoints themswitch abruptly and become incapable of feeling anything anymore.

  • These unfortunates are likely to move from candidate to candidate, always seeking a vision

  • of complete satisfaction, which is repeatedly violated by an unwitting error on the lover’s

  • part.

  • We don’t have to believe in the literal truth of Klein’s theory to see that it has

  • value for us as an unusual but useful representation of what it means to be a proper grown-up.

  • The impulse to reduce people

  • into what they can do for us (give us milk, make us money, keep us happy), rather than

  • what they are in and of themselves (a multifaceted being), this can be painfully observed in emotional

  • life generally.

  • With Melanie Klein’s help, we learn that coming to terms with the ambivalent complex nature of all

  • relationships belongs to the business of growing up (a task were never quite done with)

  • and is likely to leave us a little sad, if not for a time quite simply depressed.

Melanie Klein was a highly creative and original Viennese Jewish psychoanalyst who discovered

字幕と単語

ワンタップで英和辞典検索 単語をクリックすると、意味が表示されます

B1 中級

精神療法 - メラニー・クライン (PSYCHOTHERAPY - Melanie Klein)

  • 507 43
    Jamie Wei に公開 2021 年 01 月 14 日
動画の中の単語