Name: ジェラルド・ヌニェス氏インタビュー - パート2 (Interview with Gerardo Nuñez - Part 2)
Uploaded: 2021-01-14T04:27:42.000Z
Duration: 6 min 34 s
Description: VoiceTubeの動画で発音を聞きながら英語表現を覚えよう！学べる英語：

再帰代名詞

The Flamenco finds himself  in a difficult situation.

転換語

On one hand we have the classics,  where we all learned from.

Antonio Chacón, Marchena, Pepe Pinto ...

The classics that we know and where  we know know what we're talking about.

And now we young people have  to create a current Flamenco.

You have to see that Flamenco  is a very tonal music.

Harmonically it moves  within narrow limits.

But then the classical  people gets mad about us ...

I think we are in a stage of the search ...

and of the realization that  everything is just changing.

Earlier in Flamenco only  a few chords were used.

Today every guitarist knows  his instrument perfectly.

And I think, there is another reason  why it is currently difficult for guitarists:

There are a few Flamenco artists  who have been very successful ...

And now the young guitarists  want to have success ...

and make a lot of money  right from the beginning.

Summed up, I guess, this  our current situation.

You have close relationships  to the United States.

For example this projects in New York ...

Is that also kind of an escape  from the Spanish provincialism?

No, this is simply my  understanding of the situation.

Therefore, you need to be known  internationally as an artist.

I understood very early  that I had to get out ...

working abroad and  do projects over there.

Therefore people get to know you. To  make a living playing guitar is very difficult.

There were only two or three guitarists  who made interesting music.

For Flamenco guitarists there  exists no conservatory ...

We guitarists have created  our own music history.

So now we talk about  the information age ...

were opposed to the  harmonization of Boleros ...

and swore that these were no more Boleros.

Now today all Boleros are  arrangement the modern way.

As new trends came up, it was  said that this was no more jazz.

I think we are experiencing a normal change.

In Andalusia, the people celebrate  their festivals with flamenco.

Well, life has changed. People live differently today.

They feel and think differently,  and this is reflected in the music.

Sometimes I wonder if the Jazzmusicians  make the better Flamenco?

No, no, no! Jazzmusicians  don't know Flamenco.

They deal with it, learn it  and they are interested in.

In Flamenco you only need to  know the compás [rhythm].

Of course many Jazzmusicians  are interested in Flamenco.

But they approach only,  nothing more. Unbelievable!