Name: 速い車の撮り方（リメイク版! (How to photograph a fast car (the remake!))
Uploaded: 2021-01-14T04:25:43.000Z
Duration: 7 min 32 s
Description: VoiceTubeの動画で発音を聞きながら英語表現を覚えよう！学べる英語：

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What an amazingly splendidly lovely car this is, and i'm lucky enough to know the owner

過去形

Jo, I've known you since what? we were seventeen? mm

there a bouts, that long, and now it's a long time.

We're going to use this car to remake one of the first films we ever did.

The film i'm talking about is on YouTube,

go and search for 'how to photograph a fast car' and you should find a film where we make

Now this was done some time ago and this was the very first film we ever did

and i know i left out some crucial information.

If you're some one who's seen this on YouTube and you're frustrated by that,

The key to getting movement into something

you need a slow shutter speed to create movement to create the blurry effect.

But obviously we don't want to blur Jo or her car, so

the camera and the car have got to move together nice and smoothly.

If you're a proper car photographer doing it for a living, you might have a

rig made out of steel which will clamp in just underneath the car and come out here

and you can mount the camera on it, and move it to where you want it,

But if you don't want to go to the expense of doing that, you can use something as simple as

All i'm going to do is literally sit it on the wing of the car

you may notice i have little soft rubber feet here because the last thing we wanna do is damage the paint work.

This is original plaint work too, this car has never been restored, is that right?

I've got some little bits of tape on here, because i want to make sure

cornery bits of plastic actually touch the paint work

So, i'm going to sit the tripod on those bits of tape like that, and I've already

And you'll also notice that I've got a cable release going on here too because

the last thing i want to do is to vibrate the camera during the

you need a slow shutter speed in order to create movement or a fast shutter speed

in order to freeze it, to stop it, to get rid of it.

Now the alter shutter speed for this shot, i reckon is about half a

so that's the first thing i'm gonna do is shoot in manual mode for this

a half a second, actually i'm not i'm going to go for a one second exposure okay.

Now i can't tell you what aperture you're gonna need because i don't know

and this is crucial you've obviously got to get the exposure correct.

and it's a bit of an over cast sort of an evening and we're under trees,

is brilliant because it blocks some of the sky reflections

it makes it a little bit darker so we can use the slow shutter speed and it

gives us plenty of things to blur in the picture. If you try this out on an open

prairie somewhere or something like that without stuff either side of the road,

Try and do it somewhere a bit quite so you don't get in everyone's way,

but the crucial thing is stuff either side of the road.

the aperture in that will work with that exposure.

info button up, so i can see the light meter

as you an see I've set a one second exposure

at F ten and it's saying it's over exposed.

So i need to change, that's the wrong one, here we go, my aperture

until the light meter is about in the middle.

This is a very dark green car, cameras think that everything is mid grey

so actually i want it to be a little bit tiny bit darker than the cameras light meter

If you don't know what i'm talking about you need to go and take a look at the exposure films.

so i'm just gonna change my, I've done it again wrong one, there we go, i'm

going to F twenty which is just under exposed very very very

because i want to get the exposure right.

Now in these lighting conditions, i'm using an iso

of two hundred, which is pretty low, so I've got nice fine quality and good

As i say if you have more light going on here,

you might not be able to get a one second exposure at F twenty with

You might need to go to one hundred iso to make the camera less sensitive.

Even then, that might not be enough and you might need to use

This is like a pair of sunglasses, it's you kinda put it over the lens

and it just cuts light out that's all it does, there's no colour in it.

This is a cokin you can get lee which are absolutely brilliant at it i have to say,

and it has a little bracket which slots on the front, you slide it in and it will cut out the

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速い車の撮り方（リメイク版! (How to photograph a fast car (the remake!))

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