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  • I wanted to take a moment

  • to talk about the Academy Awards.

  • The nominations just got announced today,

  • and, uh, everyone's excited

  • because it looks like Leonardo DiCaprio

  • might actually get the Oscar that he deserves!

  • Come on, Leo!

  • We're behind you.

  • But, uh, while this might be the year

  • that the model-dating environmentalist

  • finally gets his due,

  • other marginalized miron... minorities

  • haven't made the same level of progress.

  • I'm specifically talking about black people.

  • For more, please welcome Roy Wood, Jr., everybody.

  • (cheering, applause)

  • Trevor, you know, man, this whole thing is messed up

  • because it's the same thing every year--

  • great movies made by black people come out.

  • Everybody goes and sees the movie.

  • The movie gets great reviews.

  • And then then the nominations come out

  • and we spend the whole day feeling like... like...

  • Like black people. -Yeah, yeah, exactly, yeah.

  • Yeah. I hear you, Roy. I hear you. You know...

  • uh, the big question is, though, did any black movies

  • really deserve to get nominated this year?

  • Let me ask you. What did you like this year?

  • Oh, that was easy-- for me,

  • I mean, Creed was one of my favorite movies.

  • -Oh, yes. Yeah. -Yeah, I mean, Michael B. Jordan was fantastic.

  • Ryan Coogler did an amazing job directing it.

  • Oh, Tessa Thompson? Tessa Thompson was good.

  • Yeah, and you know who got nominated?

  • Sylvester Stallone, the only white dude in the whole movie.

  • Okay, okay, but, Roy, uh,

  • let's say the writers of Straight Outta Compton.

  • They got nominated for best screen-screenplay.

  • You mean these writers.

  • That movie was about gangsta rap

  • and they still found a way to nominate white people.

  • Straight Outta Compton?

  • More like Straight Outta Cornell.

  • O... Yeah, uh... Okay, but, look, Roy,

  • let-let's be honest, let's be honest.

  • It's easy to point fingers,

  • but you and I, we both know

  • that the problem isn't the Oscars.

  • I know.

  • -You know who's to blame. -Yeah.

  • White people.

  • N... No, no. No, no, Roy. No, no.

  • You know who's really to blame?

  • The media?

  • Roy. It's not the media.

  • You know who it is.

  • Black people.

  • That's right, Roy.

  • Black people are to blame,

  • And not just any black people, but black filmmakers.

  • It's time for black filmmakers

  • to rise up and admit that they know the only way

  • to win Best Picture is by pandering to white Oscar voters.

  • Yeah, that's right. We know the rules.

  • If we want to win an Oscar we have to make a movie

  • -about black people being oppressed. -Yup.

  • I called out these past... I'll call out these past nominees

  • and you tell me what's the first thing that comes to mind

  • -when I call out these movies. -Okay, cool.

  • -Django. -Angry slave.

  • -Selma. -Still angry about the slavery thing.

  • 12 Years A Slave.

  • -Well, I mean, s-slave for 12 years.

  • Exactly. White people love feeling bad

  • about how they treated black people,

  • so to make a hit black movie you need a whip,

  • a fire hose or a Negro spiritual.

  • (bleep). No, no, you know what, this is so true.

  • Now that I think about it,

  • you know, the only black prominent person

  • who got nominated for an Oscar today--

  • that was The Weekend. Yeah.

  • For that Fifty Shades of Grey song,

  • which is basically a movie about a rich white guy

  • who likes whipping people.

  • Exactly. I rest my case.

  • And here's the thing--

  • white people know how to get that Oscar attention.

  • They do what they got to do.

  • They gain weight. They lose weight.

  • -Or they get really ugly. -Exactly.

  • White people play to their strength,

  • and black filmmakers need to understand that, man.

  • I... Look, I hear you there, Roy,

  • but I think it sucks

  • that if black people want Academy Awards

  • we can't just make movies about anything but slavery.

  • No, no, no, no, no, no. We can make any movie we want.

  • We just have to trick white people

  • into thinking the movie is about slavery.

  • What do all award-winning slave movies have?

  • They have scenes like this.

  • (humming a tune)

  • See, man, you put that humming underneath that, man...

  • Dude, Straight Outta Compton

  • would've been nominated five times

  • if they replaced the gangsta rap with spirituals like that.

  • They want NWA?

  • Let's give them NWA.

  • (man humming a tune)

  • -That was, uh... -Yeah.

  • -That was deep, Roy. -Yeah.

  • You know what you're feeling right now?

  • That's the slavery salts I sprinkled on that movie.

  • You got to drizzle that on there if you want to win.

  • Look at Creed. It's a great boxing film.

  • Coulda got an Oscar nod

  • if they'd have put a sprinkle of a little slavery in there.

  • ANNOUNCER: His great-grandfather was a slave,

  • (whoops)

  • And now he has to fight for his freedom.

  • CREED: I been fighting my whole life.

  • ANNOUNCER: But he can't do it alone.

  • Yeah, I want to talk to you about training me.

  • Hey, I-I'm sorry your great-grandfather was a slave.

  • ANNOUNCER: To honor his ancestors he has to fight

  • every white man alive.

  • -His journey will be dangerous. -People get killed.

  • ANNOUNCER: But his destination is dignity.

  • A-Again, kid, you know,

  • I'm sorry your great-grandfather was a slave.

  • ANNOUNCER: This fall, you can't run

  • from 400 years of oppression.

  • You have to stand up and fight.

  • ROCKY: I just want to reiterate,

  • I-I'm sorry your great-grandfather was a slave.

  • Sprinkle that slavery, man.

I wanted to take a moment

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デイリーショー - もう一つの白人オスカー (The Daily Show - Another White Oscars)

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    VoiceTube に公開 2021 年 01 月 14 日
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