I think that if you cover fiction as a writer in the modern day, you should address

the tougher subjects. When I wrote it, I had a couple of family situations which meant that

quality of life was very high in my mind. I had two relatives who required 24 hour care just to stay alive.

I think if you deal with that situation on any kind of lengthy basis

you, you can't help but ask yourself questions about

how somebody lives and what kind of quality of life you can offer someone.

It was inspired by real life, which was, which is true of most of my books. I heard a news

story about a young man, a sportsman, who had been left quadriplegic after an accident

and who, several years later, had persuaded his parents to take him to a centre for assisted

suicide and I found this story profoundly shocking. I just, I couldn't understand it

The more I read into the subject, the more I realised that it was, a kind of extraordinary

situation but also one that it was very difficult to judge, because unless you put yourself

in somebody's shoes, I think you shouldn't judge their actions.

I accept that it's a really tough subject and so you're going to attract strong opinions.

But what I would say ultimately is this is a love story, it's about one woman trying

to understand a decision that she finds incomprehensible.

You know, what we have in Will Trainor, is

a man who is rigid and uncompromising and refuses in a way that is completely unusual

to accept his new circumstances. And I wanted to ask the question, what happens

when you are faced with someone who makes a decision that you do not agree with. I mean,

the fact is in the film as in the book, nobody else agrees with what he decides to do. This

is not, by any means, sending out a message, this is saying, what do you do in a particular

human circumstance and it's about autonomy and choice and the fact is, I guess, you know,

not everybody's going to agree with Will's decision.

Everybody is fighting their own particular battle but certainly it has no message beyond

his own particular story.

[Interviewer] There are so few films about these conditions that people then watch

them and think here's one that is about this condition and this man is

is seeking assisted suicide. I mean, can you see that kind of point of view?

I can absolutely see that point of view, all I can say is, um, you know, I set out to write

a book four and a half years ago that was a love story about two people, you know. In

four and a half years of thousands of reader responses, I have never had anybody take that

message from this story and so, all I would hope is that if people get into his head and

get into his shoes perhaps they will understand that it's just about one character it's

nothing more than that. I think it's really important as a writer to just tell the story

that preoccupies you and when I told my then publishers what this story was, it's fair

to say they, they were probably not attracted to this subject matter. And I get that, you

know, it's a tricky subject matter, but for me I just felt that I had a story to tell

about ordinary people in an extraordinary situation. I think it's just a very human story