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  • Here’s a tragedy, in its way, on the level of King Lear or Hamlet.

  • To get a bachelor’s degree in English literature at the University of California at Los Angeles,

  • one of the most prestigious colleges in America, you must take courses in Gender, Race, Ethnicity,

  • Disability or Sexuality Studies; in Imperial Transnational or Post-Colonial Studies;

  • and in Critical Theory. But you are not required to take a single course in Shakespeare.

  • In other words, the UCLA English faculty is now officially indifferent as to whether an

  • English major has ever read a word of the greatest writer of the English language,

  • but is determined to expose students, according to the course catalogue, toalternative

  • rubrics of gender, sexuality, race, and class.” Sadly, UCLA is not leading a movement;

  • it is following one.

  • That movement seeks to infuse the humanities curriculum with the characteristic academic

  • traits of our time: narcissism, an obsession with victimhood, and a relentless determination

  • to reduce the stunning complexity of the past to identity and class politics.

  • In so doing, the modern professoriate has repudiated the great humanist tradition on

  • which much of Western Civilization -- and the Western university -- has been built.

  • That tradition was founded on an all-consuming desire to engage with the genius of the past.

  • The 14th century Florentine poet Francesco Petrarch triggered the explosion of knowledge

  • known today as the Renaissance with his discovery of Livy’s monumental history of Rome and

  • the letters of Cicero, the Roman statesman whose ideas would inspire the likes of

  • John Adams and Thomas Jefferson.

  • Petrarch’s burning drive to recover the lost cultures of Greece and Rome was widely shared

  • and propelled the Renaissance humanists to search for long-forgotten manuscripts in

  • remote castles and monasteries across Europe.

  • The great universities spread this new knowledge across the Western world, teaching it to students

  • who in turn taught it to the next generation.

  • Now compare the classical humanistshunger for learning with the resentment of a Columbia

  • University student, who had been required by Columbia’s freshman core curriculum

  • to study Mozart. “Why did I have to listento this Mozart?” she complained. “My problem

  • with the core is that it upholds the premises of white supremacy and racism.

  • There are no women, no people of color.”

  • These are not the idiosyncratic thoughts of one foolish student. They represent the dominant

  • ideology in the humanities today. This student learned to think like this at the university itself.

  • Rather than encouraging students to engage

  • with the great minds of the past, today’s humanities professors seek only to confirm

  • their own worldview.

  • The annual gathering of America’s literature faculty put at the top of its 2014 agenda

  • the discussion ofembodiment, poverty, climate, activism, reparation, and the condition

  • of being unequally governed,” all in order toexpose key sites of vulnerability

  • and assess possibilities for change.”

  • Lost in this political posturing is the only true justification for the humanities --

  • to provide: knowledgeknowledge leading, one hopes, to the most important acquisition of all:

  • wisdom. The American founders drew on an astonishingly

  • wide range of historical and philosophical sources and on a healthy skepticism about

  • human nature to craft the most stable and free republic in world history.

  • Ignorance of those sources, which led to the West’s rule of law and its unparalleled

  • prosperity, puts these unique and monumental achievements at risk.

  • But humanistic learning is above all an end in itself.

  • It is simply better to escape one’s narrow, self-centered mind and to live inside the

  • prose of George Eliot, the music of Bach or the art of van Dyck than never to have done so.

  • Ultimately, it is the loving duty we owe those writers, artists and thinkers

  • whose works made our world possible.

  • The academic narcissist, oblivious to beauty and nobility, knows none of this.

  • That’s bad enough, but to deny such glorious knowledge and wisdom to students?

  • That’s a tragedy on a Shakespearian scale.

  • I’m Heather Mac Donald of The Manhattan Institute for Prager University.

Here’s a tragedy, in its way, on the level of King Lear or Hamlet.

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B2 中上級

誰がリベラルアーツを殺したのか? (Who Killed the Liberal Arts?)

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    劉善驊 に公開 2021 年 01 月 14 日
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