Name: モリーズヤード (Mollys Yard)
Uploaded: 2021-01-14T05:44:37.000Z
Duration: 14 min 41 s
Description: VoiceTubeの動画で発音を聞きながら英語表現を覚えよう！学べる英語：

Thank you for joining me at Grahame Booth Watercolour Workshops

未来進行形

Today I'm going to be looking at Pen and Wash

Pen and Wash is a medium that uses watercolour but is fundamentally different

It uses line to create an edge rather than a difference in tone

I find it more relaxing than watercolour because the pen creates the structure of the painting

allowing much more freedom when applying the watercolour

HP paper is very smooth which helps when using the pen

This can cause some problems with the wash

The paper tends to almost repel the colour

but when the paint dries there is less dulling than with more textured paper

I use a size 6  rigger and a small squirrel mop

College Green House is the building to the right

It has political connections to both parts of Ireland

It is important that pen and wash subjects have plenty of line work

An open landscape wouldn't really be suitable

but an architectural subject like this is perfect

Using an initial pencil drawing can make the subsequent pen work look too planned

Using the pen directly will result in mistakes

but mistakes give more interesting lines!

I begin by lightly applying the line and when I'm happy I strengthen the line

Don't commit to detail too early. Make sure your initial drawing is simple but accurate

To create extra emphasis I simply use a stronger line

I stop the drawing before I think it is finished

I like to add more pen after the washes have been applied

The red brick colour is a blend of burnt sienna and alizarin crimson

Don't colour in!! The effect is better if the wash does not precisely meet the line

Remember that the pen has already created the structure of the painting

I'm using ultramarine and burnt sienna for the doors

It is extremely difficult to paint around the white lettering

That is why I'm not going too dark with this wash. Artistic licence!!

This is simply to create more variety in the painted wash

Remember that painting is not copying a photograph

You must create interest in the paint itself

The shadows will create tonal contrast and impact

The shadow mix is ultramarine + burnt sienna + alizarin crimson

The final brushwork will add dark details

Mix ultramarine with burnt sienna and very little water

It should be as dark and strong as the ink

Using the brush I can create bigger darker areas that add to the impact

The pen could be used for this but the brush is cleaner, fresher and faster

Edges of windows and doorways will always be darker

I also strengthen up some of the lighter areas

It is vital not to cover all of a previous wash

Finally I will use my pen to reinforce some existing lines