Name: 図の図面の批評 - シェーディング (Figure Drawing Critique - Shading)
Uploaded: 2021-01-14T05:44:22.000Z
Duration: 10 min 57 s
Description: VoiceTubeの動画で発音を聞きながら英語表現を覚えよう！学べる英語：

Hey guys, what's going on. Stan Prokopenko here with Proko. Sorry for the long wait for

new videos. I’ve been working hard to get the anatomy lessons out to you guys as soon

as possible. There’s a lot to do to make this the best anatomy course ever, so I appreciate

Today I have a critique for the Shading lesson and generally summing up all the figure lessons.

Amit Shirole submitted two drawings. He did such a great job with this exercise, I think

he's a good example for everyone else and maybe an inspiration to do the same thing.

Hello sir, I’m following your videos and this video was extraordinary! Here I’m sending

you my work sir… Please guide me with your valuable suggestion. Thank u sir!!!

First of all, you did a fantastic job with the study of my drawing and then doing one

of your own in the same style. I applaud you for such a great effort. It looks to me like

you understood most of the points from the shading lesson. And the best thing is that

you actually did it. You did exactly what you're supposed to do. Watch the lessons,

study from the lessons, and practice what you learned from the lessons. It's easy to

just binge watch all the videos. But it's those people that actually go and practice

that will make the biggest improvements. So, good job man!

Now, if you don't mind, and since you asked, I'll give you few suggestions on how I think

On the first drawing you missed the gesture. Draw a plumb line from the right side of his

head down to his foot. You’ll see that in the photo and in my drawing the line aligns

with the left side of his right foot. On your drawing it's farther to the right. This causes

him to look like he’s balancing on his right leg. But, he’s actually leaning on his left

knee. The weight is distributed evenly between the left and right side. Maybe you could review

You seem to be using too many sharp edges to separate the muscles masses. It can be

good to exaggerate that in some areas, but you’re doing it too much. You have the whole

scapula region outlined. The trapezius is outlined. And the same thing on the other

side. Notice how in my drawing I have areas where I show a sharp edge with a line, but

then I fade the line and the edge becomes more vague. It's softer and it provides a

variation throughout the edges, that's just a more appealing design. When you've indicated

the beginning of the edge and the end, the viewers will connect the dots on their own.

You don't have to outline the whole thing. See how here you have outline, outline, outline.

The background is too messy. It distracts from the focal point. Overall I feel like

the drawing is spotty. Lots of light and dark spots that don’t work together as a whole.

You’re making every area in the composition the lead actor. Try to decide in the beginning

of the drawing, what is the focal point? What is the secondary focal point? See how in the

bottom of the right leg, the highlights are just as bright as the highlights at the top.

The lights on the stick are glowing. See how I have the same highlights, but they are much

darker. They fade as they get farther from the light source. And the background is clean

and doesn't fight for attention. I intentionally made the the upper back as the main focal

point and the left foot as a secondary focal point. Hopefully it comes across that way.

Squint at your drawing and see if anything sticks out too much that shouldn't be. Ok?

So, be more deliberate with the composition, the way you lead the viewer's’ eye through

Proportions - Not too bad. Mainly I think that torso is too short and head is too large.

Ok, let’s take a look at your second drawing. Actually, much better composition. The background

is cleaner than the previous. You kept the lights on the bottom foot a bit darker. You

faded the value of the thigh a bit as it goes toward the knee. When I squint I can see you've

created a focal point at the center of the torso.

But! of course, there’s a but.. I think you still have room to improve the composition.

The background could be more deliberate. I’m seeing spots that don’t seem to have a purpose.

I think that they just happened as you were shading, instead of you deciding that you

want them to be there. As you’re shading, think about how the values in the background

can help tell a story, guide the eye, and create a sense of atmosphere. Any texture

or gradation has an effect. So, take that into consideration and don't let too many

things be accidental. Approach the composition with intent.

You could have made the values of the shadow on the right leg here darker. Some of them

are really close to being halftones rather than shadows.

I would have pushed the darker gradation toward the knees even more. On both sides. The tanned

skin helps to push the eyes back up to the focal point.

As for the gesture, you straightened the body. You made it more vertical. That makes the

pose feel stiff. I like the diagonal in the photo better because it’s more dynamic,

First, his left leg. You did what most of us do when there's foreshortening.. You un-foreshortened

it. You made it longer. An easy way to check that is with a few plumb lines. If you draw

a vertical plumb line from the inside of the knee, you'll see it align with the inside

of the pelvis here. Continue it up and it goes through about the middle of the head.

When we do the same on yours, it aligns with the outside of the pelvis. So what you did

was you swung the leg outward to show the length. Continue the plumb line up and it

misses the head by a lot. Now that's a combination of incorrect foreshortening and also the torso

being more vertical than in the reference as I said earlier about the gesture.

But, down here the relationship between the pelvis and the knee. That's completely a foreshortening

problem. It's a very common mistake. Our brain just wants to elongate foreshortened objects.

We remember the body parts the way they look in their extended position, so we draw them

that way. Using some plumb lines and approaching the shapes abstractly in the beginning will

Another proportional mistake is the foot. It looks too big. Taking the length and stacking

another on top of it reaches the bottom of this upper leg mass. On yours it reaches up

to the patella. So, it's too long. And the shape of the foot is too thick. I would cut

And the last thing I'm going to say about it is that you didn't capture the angle of

the head. Your guy is looking straight ahead, but in the reference he's looking down. Make

sure you're wrapping the lines around the head like on a tilted cylinder. Notice how

the placement of the ear in relationship with the eyes and nose is higher up. And the curve

of the brow ridge shows that curve too. On yours, both of those indicate a straight on

Soo.. What do I like about your drawings? Well I guess everything else, really.. The

first thing that struck me when I saw it was how successfully you captured the style in

which I did my drawing. When I compare yours to mine I can see that you analyzed it almost

line for line. Every stroke in the shading is considered. And it’s that kind of attention

The shading is done very well. All the forms feel 3d. You’ve got all the elements, highlight