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  • The spine is literally the backbone of the body. It holds the torso together and moves

  • it around.

  • Hey there, I'm Stan Prokopenko, you're watching Proko.

  • We're going to start our study of the skeleton with the spine. The spine is the connection

  • between the 3 major masses: the head, ribcage and pelvis. And it's wedged between 2 butt

  • cheeks.

  • When constructing the figure, it's common to start with these 3 masses, before adding

  • the limbs. Remember how in the figure drawing course we used the bean and Robo bean to quickly

  • establish the torso? The bean was a simple way of establishing the gesture of the torso

  • using simple shapes. The robo bean added more structure to the bean to describe its orientation

  • in space.

  • Melissa: I can't even see the spine. Why do we study it?

  • Here's the deal with the spine. It places the rib cage, the pelvis, and the skull wherever

  • they happen to be, and they can't go anywhere the spine doesn't let them. They inherit the

  • spine's limitations. If we want to construct a torso in any pose, we need to understand

  • the spine. Let's do it.

  • Big Structure of the Spine

  • The spine is strong enough to support the weight of the upper body, yet flexible enough

  • to move. It's composed of 24 individual vertebrae - hard bones that give the spine its strength.

  • The vertebrae have flexible cartilaginous discs between them, that allow the spine to

  • move as a single line. Each plane moves only a little, but they add up to a lot. Like string

  • of beads. Every little movement contributes to a graceful curve.

  • There are 4 sections to the spine. The cervical section of the neck consists of 7 vertebrae.

  • The Thoracic section of the ribcage has 12 vertebrae, one for each rib. The Lumbar section

  • of the lower back has 5 vertebrae. The fourth section is technically considered as 2 separate

  • sections, but I'm going to combine them - the sacrum and coccyx, which is the tailbone.

  • The sections give the spine a 4-arch curve. If the spine were a straight line, it would

  • be strong, but rigid. This 4 arch curve gives better flexibility for shock absorption and

  • aids in balance. And it's the framework for the posture of the body.

  • The cervical curve is the least curvy - it's almost a straight line. But, it does have

  • a very subtle forward curve. The thoracic curve is longest, and more curvy than the

  • cervical section. It curves backward and aligns with the shape of the ribcage. The lumbar

  • section curves forward and is even more curvey. The Sacral curve is the most curvey of all

  • the sections. So, as you can see the curves get progressively curvier as they go down

  • the spine.

  • Common Structure of the Vertebrae

  • The vertebrae of each section have slightly different structures, some for strength, some

  • for flexibility. However all the vertebrae, share the same common components.

  • Each has a thick disk-like Body, which connects to the neighboring vertebra with a squishy

  • little pillow, forming the main joint of the spine.

  • On the back of the body is a u-shaped Arch, creating a hole through which the spinal cord

  • runs. This locks the fragile spinal cord inside and provides protection.

  • On this arch are a few processes; little spikes that stick out like the needles on a porcupine.

  • A Spinous Process points out posteriorly. The subcutaneous tip is the only part of the

  • vertebrae that makes an appearance on the surface body.

  • The shape and angle of the spinous process changes as we move down the spine. Cervical

  • spinous process fans out like a lobster tail. Thoracic is a long spike. Lumbar is like the

  • blade of an axe. But these shapes are not observable on the surface. We can only observe

  • that the thoracic are pointy and the lumbar are longer. The first 6 cervical aren't visible

  • at all. Those are deeper in the neck, cover by the nuchal ligament. The first visible

  • vertebra is 7th Cervical, which is considered a major landmark of the body. This is the

  • most pronounced and clearly visible vertebra along the spine, seen right in the the middle

  • of this diamond shape between the trapezius muscles. Also, the middle vertebrae of the

  • thoracic section are usually not visible, even during forward lean, when the back muscles

  • are stretched. But, this varies. Sometimes you'll see all the thoracic and lumbar vertebrae.

  • Motion

  • What the spine does, affects the entire torso.

  • The thoracic section leans back, and the sacral leans forward. Since the rib cage and pelvis

  • attach to the spine, they inherit this lean. So this, is the default position. Not this.

  • From there each section has it's own range of motion.

  • The lumbar section has the largest and strongest vertebrae of the spine. It takes on the responsibility

  • of holding all the weight of the upper body. It also takes care of lateral bending, flexion

  • and extension. Especially flexion. When you bend down to touch your toes, most of that

  • bending happens at the lumbar region.

  • The lumbar region is able to bending side to side, mostly at the top 3 lumbar vertebrae

  • because the bottom two are connected to the sacrum by ligaments.

  • Rotation is restricted in the lumbar region..

  • The thoracic vertebrae are not as large and strong as the lumbar, so you'd think they

  • have more flexibility. But, you'd be wrong. The interlocking structure of the vertebrae

  • and the fact that they are attached to the ribcage, keep the thoracic section relatively

  • still. Flexion, extension and lateral bending are very minimal. However, the thoracic section

  • is able to rotate. Rotation is the main motion of the thoracic section.

  • The cervical spine is the thinnest and most delicate, so this allows for more flexibility

  • in the neck. Rotation along all 3 axes is possible. Flexion, extension, lateral bending

  • and rotation.

  • The first 2 vertebrae of the cervical section are unique. The Atlas and Axis. The axis has

  • a vertical cylindrical process inserting into atlas. Can you guess what kind of joint that

  • creates? [pause] You guessed it! A pivot joint. As we'll see in a few minutes, this allows

  • the head to rotate left and right.

  • 50% of cervical rotation is at the joint where the atlas meets the axis. 50% of cervical

  • flexion and extension is at the joint where the altas meets the skull. So, the head can

  • rotate side to side and up and down without much help from the rest of the neck, but the

  • head can't bend laterally. The neck does that. Instead of drawing this, you would draw this.

  • Let's review. The cervical section is somewhat separate from the rest of the spine. It moves

  • the head around and has a lot of freedom to move in all directions. The thoracic and lumbar

  • sections are more limited and have to work together. Thoracic takes care of most rotation

  • and lumbar takes care of flexion, extension and lateral bending.

  • Drawing the spine

  • Ok all that information is great and all.. But how do we actually draw this stuff. How

  • does this apply to drawing the figure? I'll show you in the next video. Keep your eyes

  • out for that.

  • That's it, thanks for watching! If you're posting your drawings, use hashtag #proko

  • and don't forget to follow me on Facebook and Instagram. Also check out the Anatomy

  • for Artists group on Facebook at facebook.com/groups/anatomy4artists! If you like this video, share it with your

  • friends, and if you want to be updated about new videos click here to subscribe to the

  • Proko newsletter.

The spine is literally the backbone of the body. It holds the torso together and moves

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B2 中上級

背骨の解剖学 - 芸術家のための (Anatomy of the Spine - for Artists)

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    vulvul に公開 2021 年 01 月 14 日
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