we're going to talk about the shape of a stressed syllable.

I've been talking a lot recently with my private students about the shape of stress. Stress

isn't simply a higher pitch and a lower pitch. Yes-ter-day. Da-da-da. But actually, there's

a swoop from one pitch to the next, so there's always a gliding feeling. Yesterday. When

my students are able to switch into this mode, it makes a world of difference. All of a sudden,

the speech is much more natural, is much more American. This applies even to one-syllable

words and one-syllable sentences. For example, yes, yes. It's not yes, yes, all on one pitch;

that's very flat. Yes. Yes. Hi. Hi. Hi -- do you hear that change in pitch, that shape

in that syllable? Very different from hi, hi, hi. Hi.

So the shape of a stressed syllable has the pitch gliding up and the pitch gliding down.

Let's take for example the word 'hello'. Hello, -llo. Do you hear how the change in pitch

isn't abrupt. It slides from lower to higher and lower again. This is very different from

hello, hello, an abrupt pitch change of two flat ideas. Hell-o, hell-o. Hello.

It's not a bad idea to practice words and sentences very under pace, sliding from pitch

to pitch. For example: hey, how are you? Then, when you speed it up, don't think of switching

back into speaking mode. Think of taking this stretched out, gliding from pitch to pitch

speech, and speeding it up. We don't want the character of that uhh-- to change. You

want to keep that in your speech. So please keep this in mind, and do practice speaking

under pace sometimes. Stress is much more than a change in pitch, it's how you change

the pitch.

That's it, and thanks so much for using Rachel's English.