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  • Are any of you people members of the World Future Society?

  • I'm sure most of you've heard of Arthur C. Clarke.

  • Would you raise your hands? Good.

  • He said that if he wrote a book

  • that everybody enjoyed and understood

  • he said he wouldn't be saying anything new.

  • Think about that.

  • What I'm going to talk about is going to change some of your lives:

  • the way you look at yourself and the way you look at the world around you.

  • The subject matter is not the kind

  • you get from ordinary sources or books

  • so I would like your participation in an experiment.

  • Some of you might be able to tell what it is

  • that I draw on the board before I finish

  • and if you know what it is, interrupt, say "I got it!"

  • I'm going to start. Can all of you see the board?

  • I don't think I can make it with this.

  • Can all of you see the board? Can you hear me all right?

  • The minute you know what it is, interrupt.

  • (Audience member) Sinking ship, the Titanic.

  • - What is it? - Titanic. - OK, great.

  • If he didn't call that (remember, there's no ship there at all)

  • there were enough bits for his associative memory

  • to put that together. You know that's not a ship.

  • Now, what is this? Some of you older people might guess this.

  • (Audience member) - An alarm clock - Who did that?

  • You are amazing!

  • That's not an... Where's the alarm clock? Well, anyway

  • if she didn't call that, if she wasn't able to call that

  • I would have put the little legs on it, the clock, the hammer

  • everything until somebody called it.

  • Now, there is still some that cannot see the ship.

  • So I would have gone all along, put all the windows in Titanic

  • everything until somebody got up to said "Yeah, Titanic!"

  • This is an attempt to prove that all of us

  • are capable of making decisions and arriving at a conclusion

  • without all of the information prepared for us.

  • That is a unique quality in human beings: We can put things together.

  • We do not require the accumulation of a great deal of information.

  • In this system, if you understand the system quite well

  • who would you say, this is?

  • (Audience member) Lincoln? - Who said that?

  • Who said that? Someone said Lincoln.

  • I don't see Lincoln, but it is. It would have been Abraham Lincoln.

  • When I got through with it, I would have gone on with the beard and all the rest.

  • This is just to prove that people can put something together

  • and I'm going to try to explain to you

  • just what creative thinking really is.

  • I'm going to use old language, the language that I use

  • with people who are not familiar with this way of thinking.

  • The old language is that people can think and reason.

  • I do not believe that is possible.

  • I have many inventions. I've worked on many different things

  • but I don't believe that human beings can think or reason.

  • This is what I do believe. By the way, you don't have to accept anything I say.

  • During the question period, don't be polite!

  • Come at it from all angles. Break it down if you can.

  • This helps me and it helps you.

  • When I talk about thinking, reasoning and putting things together

  • we're talking about the forces that shape human behavior.

  • I believe that all human behavior is lawful

  • that the reactions and values that all people have

  • are perfectly lawful to the environment that they come from.

  • Every human being is perfectly well-adjusted

  • from where they are coming from

  • from their background and experience.

  • If you as a baby were raised by the Seminole Indians

  • you would behave (if you never saw anything else) like a Seminole Indian.

  • If you were brought up in any other Indian group

  • and you had feathers in your headgear

  • and you were dancing around the fire and I walked over and said

  • "That's ridiculous! Why are you dancing around the fire with the feathers?"

  • You don't take your hat, throw it on the ground and say

  • "I never thought about it that way." We can't do that.

  • We are victims of culture.

  • We look at the world with our background.

  • We have no other way of doing it.

  • Psychology is kind of a rudimentary form today

  • an attempt to grasp at the factors that shape human behavior

  • the facts that are responsible for the way we look at ourselves

  • other people and the way we behave or, if you wish, misbehave.

  • I don't believe that any human being misbehaves.

  • They use whatever tools they know of

  • whatever tools they're familiar with. Language is a tool.

  • If someone were to show you a picture of an airplane

  • (what appeared to be an airplane) without wings;

  • people look at it, they stand by and they say:

  • "It will never fly! " but they don't say "How do you propose

  • to lift off the ground without wings?"

  • That's the key to communication.

  • A very famous scientist

  • (deceased now) tried to get the government and people

  • to put up sufficient funds to monitor outer space

  • to try to make contact with extraterrestrial life.

  • I want to try to say this to you and think about what I say.

  • Toss it around. I'm using the old language

  • because you're not that familiar with these values.

  • If people, beings or things

  • can travel a hundred million light years

  • through time and space, they are not humanoid.

  • The storage system for water would occupy miles

  • and all of the facilities required by humans

  • would take up tremendous amounts of space

  • and require tremendous amounts of energy.

  • There are people that talk of flying saucers that land

  • here on Earth and they go to some farmer.

  • They take him into the saucer and they do all kinds of experiments on him.

  • First of all

  • people do not travel hundreds of millions of light years

  • to pick up some farmer and ask him what kind of suspenders he wears.

  • Carl Sagan wanted to communicate with extraterrestrials.

  • He hoped that they, in turn, would communicate with us.

  • Now you know, that Republicans can't communicate with Democrats.

  • You know that husbands and wives have difficulty in communicating.

  • Children and parents have difficulty because the language we use

  • was designed a long time ago.

  • It is inherently difficult to get ideas across

  • in the language that we use today.

  • However when engineers meet and talk

  • they speak a different language.

  • One engineer might present a very thin cable

  • and say "This can support 5,000 tons"

  • and the other engineer says "What's its tensile strength?"

  • He's given that information, then he puts it in a machine

  • and he snaps it to make sure that it holds to that.

  • When engineers design an airplane

  • they do all the calculations (this is a front view

  • a very rapid drawing of a front view of an airplane.)

  • They do all the rapid calculations and they figure

  • what that wing will be able to support.

  • After all their calculations and after they are certain

  • they then pile sandbags on the wing

  • until it breaks off, to make damn sure that it does the job.

  • That does not exist in everyday language.

  • In everyday language you don't have that ability.

  • When an engineer meets another engineer, he says

  • "I can illuminate an area with this tiny point of light

  • that has 50,000 square feet.

  • The engineer says "That's not possible! " he doesn't talk like that.

  • He says "How do you power that unit?

  • What kind of voltage does it take?

  • How do you illuminate that spot? " They ask questions.

  • The average person says "No, not in a thousand years..."

  • That's been around for a long time. That is a language of war

  • hatred, bigotry, prejudice:

  • the inability to ask questions.

  • We've got to be very careful about that.

  • At one lecture I remember at Princeton I was trying to say

  • that human beings cannot think or reason

  • (this was the psychology and sociology department).

  • One of the individuals stood up (one of the staff) and he said "All right

  • where did the camera come from? There were no cameras at one time.

  • Someone had to think about a camera.

  • it just doesn't come out of thin air!"

  • After doing a lot of work many years ago

  • in ancient Egypt

  • or if you have lived out in the country

  • if there was a hole in a barn wall

  • that was knocked out

  • the cows on the outside appeared on the wall of the barn upside down.

  • In Egypt, you went in this dome to see the upside down world.

  • There was a little hole here. Day light came in

  • and you saw people walking upside down on the wall.

  • How many of you have experienced that kind of phenomenon?

  • That is essentially the box hole camera.

  • A simple camera without a lens is just a little hole in a box.

  • Somebody said "How can I see that image?"

  • and they used a transparent membrane back here

  • and they could see the upside-down head, a person or cow

  • and they asked this question "If only I can retain that image."

  • That isn't the answer. That's just a question.

  • "I wonder how I could retain that image."

  • Years before that, the American Indians

  • and other primitives have taken tapper cloth

  • or they'd weave natural materials into a kind of fabric

  • and then they would take berry juices and dye it different colors.

  • Sometimes a leaf would fall upon that surface

  • and after the sun dried it, they had an image of the leaf.

  • So they began to use dyes from this background.

  • That all human beings, to understand me better

  • the first human being that jumped off a precipice with wings, he died.

  • His brother-in-law wrote "Next time, make the wings larger."

  • No one starts out right away and solves a problem

  • unless you have a tremendous background in many different areas.

  • The next guy that jumped off, he jumped off with larger wings.

  • He flew a little and then he went [wings collapse]

  • and the old fisherman said "You gotta brace them wings

  • like a boat, like a mast.

  • They're not going to hold! " So they braced them.

  • Then this individual jumped off the precipice.

  • He flew but hit a tree

  • and hurt his leg really badly.

  • His wife said "You know, John, a fish has a rudder."

  • Good point! And they stuck the rudder on the airplane.

  • No one ever sat down and invented a television set

  • an airplane, the electric light, wireless.

  • None of that came about by man walking in deep concentration

  • and then through some ethereal substance.

  • Bingo! The idea is formulated. It doesn't work that way.

  • It's hard work.

  • I make more mistakes than anybody I know

  • because I try more things.

  • There's nothing wrong with building something

  • and finding out that it doesn't work. This is where you get your experience.

  • There's nothing wrong with criticism.

  • I remember the first model airplanes I built

  • went nosing into the ground and I was ashamed of them

  • and a young engineer told me that my center of gravity had to be corrected;

  • that is, move the wing forward.

  • All of us stand on the shoulders of one another

  • and we shape the future.

  • Another question that was asked:

  • "Somebody had to invent the bow and arrow!

  • Somebody had to think of it! It didn't just come out of nowhere!"

  • I talked to many Indians and after talking to many Indians

  • this is what I found out:

  • Indians used to skin animals

  • (and this is a lousy drawing of the skin of an animal)

  • stretched out in the sun.

  • When the Indians got back

  • the skin was half the size. It shrunk and became thicker

  • and they didn't like that at all, so they cut leather into thin strips.

  • They took an existing frame and they tied that skin

  • to the frame (some of you may have seen this)

  • with lace of leather all around to prevent it from shrinking.

  • When they cut the strips of leather

  • and put them out in the sun, they shrunk and became fat and short

  • and they were displeased with that.

  • After many years, one Indian tied that strand of leather

  • to a piece of wood, a stick:

  • he split the top, tied a knot and tied the leather to the stick.

  • When he came back, hoping that it would dry and not shrink

  • the stick took this form; it was bent.

  • He plucked that; it went 'Bung!'

  • After many years, somebody took another piece of wood

  • put it in, pull the string and off it went.

  • "Well if man can't think or reason, where did the movie camera come from?

  • Somebody had to think of that! It doesn't exist out there."

  • Here's where it came from.

  • Thousands of years ago in China

  • they used to take a candle

  • and they'd take some bamboo paper at the time

  • put it in front of the candle and then they'd cut out

  • a little figurine of a human being and put the candle behind it.

  • As the candle undulated

  • the little person would dance and they'd play music.

  • That was the beginning. How did that happen?

  • Some guy had a candle and a piece of paper

  • and he just happened to be behind it

  • and his finger appeared to move on the screen

  • and so he extracted or built upon that phenomenon.

  • Then later something interesting occurred.

  • The Chinese used to

  • take these tremendous scrolls and open them up

  • while they then later taped or wired or used gut

  • and tied many pages together and built a kind of pad

  • but in order to get to a particular page

  • the Oriental would mark the corner of the page

  • so that they could find it with a symbol.

  • As you flipped through the pages fast

  • that little dot would jump all over the place.

  • Years later, an individual drew

  • various successive pictures of a bird in flight

  • and put them down on the corner of the paper and flipped it.

  • The little bird wings began to move up and down.

  • A Frenchman saw that

  • and he took little pieces of cardboard

  • and he put them in a circular pattern

  • (I'm going to try to get it down as clear as I can, quickly)

  • and he put a crank up here that you turned

  • and the little pictures would go around the circle.

  • The Chinese also had something like this. They had a bamboo interrupter

  • that would just hold the picture for a second, less than a second.

  • As you turned it, a man appeared to move across the screen.

  • The Frenchman machined that out of brass.

  • He did a beautiful job and when you turned the crank

  • the person walked with smoother motions

  • rather than these abrupt motions.

  • Edison saw that unit that the Frenchman designed

  • and he turned it into this position.

  • I guess I can't work with that microphone.

  • Can you hear me back there?

  • What happened is...

  • He turned it into a vertical position

  • and all the pictures

  • were set in a circular fashion.

  • You turned the crank here...

  • (Roxanne) Excuse me, they won't get the audio and the camera...

  • - I'm sorry - Why don't you just put it in your pocket or something?

  • - I'll try.

  • Thanks. Roxanne is my associate.

  • She works on all the buildings and all the things we've developed

  • in The Venus Project which I'll talk to you about later.

  • Edison purchased it, put a magnifying glass in front of it.

  • You put a nickel in, you turn the crank and you saw people moving;

  • a bunch of still photographs.

  • It was a long, slow process.

  • No individual invented the camera.

  • A little bit here, a little there, add it to that and eventually

  • the Wright Brothers read about experimental aircraft

  • where thousands of people died, trying to develop a flying machine.

  • After picking up bits of this information

  • (including man-carrying kites in China, thousands of years ago)

  • they built the first flying machine.

  • They were called 'The Father of Flight'. Again

  • there's no father of anything.

  • You may take an idea so far, you add to it and gradually, it's built up.

  • Genius! A genius is a person that has been exposed

  • to many different systems. Therefore, they can come up

  • with a wide range of solutions.

  • A man like Leonardo da Vinci:

  • You think that he just evolved out of nothing?

  • He spoke to people that were interested in mechanics in his time.

  • They gathered, they shared ideas, but you'll only hear of Da Vinci.

  • Unfortunately, guys like Nikola Tesla

  • Edison, all the great innovators of the past

  • have been influenced by other people.

  • The mythical structures that we build around inventors

  • that they inherit special abilities: They are geniuses

  • or they're in tune with the infinite mind

  • and the ideas somehow filter in.

  • This is a kind of nonsense.

  • It's the same story about "Is there intelligent life out there?"

  • The real question is "Is there intelligent life here?"

  • We don't think so, not yet.

  • I'm serious. I'm not kidding.

  • What is intelligence?

  • The ability to reason things out? You can't have that ability

  • unless you've had experience in particular areas.

  • An Eskimo never dreams

  • (I repeat this) of walking on a palm-fringed beach.

  • Can you understand that? It is not possible

  • unless he has seen motion pictures or something about the beach.

  • It is not possible for any human being to build a frame of reference

  • of any kind without experience.

  • I know where every invention I ever made came from.

  • I know the influence, the books I've read, the people I've known

  • everything that shaped those values.

  • Sometimes people say "When did you think of that wonderful idea?

  • It was February the 1st?" No.

  • It's cumulative bits of information

  • that we put together with experience.

  • All of the artificial structures and artificiality of all societies

  • they are all primitive today. They are all backward.

  • The very fact that we use political systems

  • the very fact that there are Democrats and Republicans

  • and notions about how the world ought to be governed.

  • Scientists could not do a thing with that.

  • If you want to put a man on the Moon, you have to know

  • what the distance is precisely.

  • You have to know how much material you're lifting up toward the Moon.

  • You have to know how much force a human body can stand.

  • To start with, they don't have that information

  • so they build special devices, a big centrifuge.

  • They put in a human being in it and whirl it around. They say

  • "How are you doing? " and the guy conks out

  • and they say "This is how fast you can rotate

  • certain groups of people. " They build data

  • and from that data, they plan the Moon voyage.

  • The question then is, what kind of world do we want?

  • How is it that we want our social system to operate?

  • What makes criminal behavior?

  • What are the factors that make a Jeffrey Dahmer?

  • I'm sure you know who that was. Before Jeffrey there was Albert Fish.

  • I don't know if any of you remember Albert Fish.

  • Albert Fish was a fine-looking gentleman.

  • He ate 45 children.

  • You wonder, how can anyone do that kind of thing?

  • I'm going to try to give you some idea of the background of Albert Fish.

  • When he was a youngster, about 10 years old

  • he was touching his private parts.

  • His mother was an old-time Baptist.

  • She'd say "You are going straight to hell. You will burn eternally!"

  • That kid, Albert Fish, stuck needles into his genitals

  • because he didn't want to burn in hell.

  • He took other children into empty lots and cut off

  • their private parts because he wanted to save them.

  • If you're brought up in a distorted environment

  • (which we all live in today) any judge

  • that wraps the gavel and says "30 years!"

  • is an ignoramus because he has no idea

  • of the factors that shape human behavior.

  • When you become aware... If you bring up a healthy boy

  • with about six women and one of the girls say

  • "Oh did I see the gorgeous hat!"

  • that boy will pick up the same mannerisms

  • same facial expressions and say "Oh, I just love that hat!"

  • because that's the environment. If you're brought up in Italy

  • you say "Hey, watsa matta he? You like or no like?".

  • In other words it depends on where we're brought up.

  • Did you know that Lincoln was Irish? It depends on your group

  • and the values that you exchange.

  • If you want a world without war

  • without hatred, crime and stupidity

  • it can be arranged

  • if you follow this bit.

  • If we consider at some time (which society will

  • at a later time, I hope it would be sooner)

  • that all of the Earth become the common heritage of all nations.

  • All of the resources of the Earth: the common heritage of all nations.

  • If you believe in God, if you understand the teachings of all religions

  • there are no property lines in heaven

  • no banks, no personal positions

  • in which one person is elevated above another

  • that if the Earth were common heritage of all nations

  • and all of the artificial boundaries removed that separate people

  • there would be no basis for war

  • no basis for armament.

  • The world you live in is an old world. Its language is old

  • its values are old and our institutions of education

  • fail to touch the social system. "You want to be careful, don't touch that!

  • This is an area that you don't want to get involved in."

  • In order for you to grow and make the world a better place

  • you have to face this situation.

  • I don't say that people are going to sit back and do that.

  • According to all historical records

  • no civilization (to my knowledge anyway)

  • has ever set out to plan the future:

  • exactly what we're going to do, how we're going to live

  • how we're going to work out transportation. No!

  • We just build highways all over the place. Although you go to school

  • and you learn something, you learn that a straight line

  • is the shortest distance between two given points.

  • Well look at a road map of the United States

  • and I think you'll find spaghetti all over the place.

  • Rarely do you see that.

  • Look at your cities, every building, a different size and shape;

  • this does not express individuality.

  • It's utter chaos.

  • At 4 o'clock, all the cars come out of this building

  • and they can't get across that bridge, so you've got to build another bridge.

  • You elect people to political office that are totally incompetent.

  • They are neurally bankrupt. I don't care whether you're Democrat or Republican.

  • They don't have the value system to solve these problems that exist.

  • They are not educated in that way.

  • They are brought up with a uniform set of values

  • and they go out into the world and this is the sad story of coming events.

  • There are computers today, there are machines in existence today

  • that can handle 500 trillion bits of information per second.

  • No human comes anywhere near that

  • and you think that in the next 15 or 20 years

  • there's going to be people in government? No way!

  • For example, if you took a group of computers

  • and arrange them in a special fashion

  • and ran the electrical tentacles

  • out to the agricultural belt

  • with probes into the soil

  • when the water table drops

  • that will turn on the pumps and bring the water into the area.

  • If the nutrients change, it would pump nutrients into the area.

  • What kind of world do you want?

  • I don't think any of you here, maybe a few of you might remember

  • when human beings used to operate elevators.

  • They turned a crank; they never quite got to the floor, up and down.

  • Finally, they became automated:

  • "Step back. It's a lovely day today! How are you, Mr. Jones?"

  • (if they scan your face) and they'll take you exactly to that floor.

  • After that comes the transveyor:

  • an elevator that moves up and down, sideways, in all directions.

  • You get on it and verbalize "I want to go to the art center

  • the music center" and it will take you there.

  • The kind of world you live in and the automobiles

  • that exist as transportation units are dangerous

  • because they have a bumper in front and one in the back.

  • I'm sure that if an extraterrestrial visited the Earth they'd say

  • "What are those shiny things in the front and back of the vehicles?"

  • "They're bumpers; they're there to prevent damage."

  • "Well, don't you ever hit on the side?

  • Why aren't there bumpers all around the car?"

  • Then they came with the airbag. They put an airbag in front of you.

  • If you get hit on the side, your head goes right through the glass.

  • The automobile companies had a long time

  • to solve those problems.

  • Then you see motorcycle policeman "Pull over!

  • What do you think you're doing?"

  • All you have to do in a car if you wanted to (I wouldn't do it

  • I wouldn't even put this in a car) is put a sort of kymograph

  • or a cylindrical recorder.

  • When you go through a 30 mph zone at 50 mph, it's recorded on there.

  • Every month you have to tear that strip out of your car

  • and mail it to the police department.

  • Though the police wouldn't like that

  • but how many violations do you think you'd have?

  • There are better ways than that.

  • You just make a car intelligent.

  • Here's what that means. How intelligent can machines be?

  • There's a little gadget called a pressure transducer.

  • If you squeeze it, it generates electricity.

  • So let's put one in each tire. Let's say that you kick the front right tire.

  • It goes to a recording that says "Ouch, my front right tire!"

  • Of course, if you kick any tire, it'll verbalize

  • but if you kick it hard it'll say "OUCH! My front right tire!"

  • If you kick it again it'll say "Who do you think you are?"

  • Do you want to give a machine feelings?

  • Do you want to give a machine compassion, love, warmth?

  • I'll tell you why they leave it out of machines: because it doesn't work.

  • Human emotions that you learn are the most significant

  • most important differences between men and machines.

  • Human emotion is a very touchy subject.

  • It's like racing your engine at a stop light.

  • It doesn't take you anywhere. It doesn't serve any purpose.

  • If you get a lump in your throat when you see hungry people, that's emotional

  • but when you get increase the agricultural yield per acre, that's caring

  • that's love. Love is transforming

  • all of the verbal and paper proclamations to a way of life.

  • The shameful thing about our century is that there was only one Edison

  • one Luis Pasteur, one Nikola Tesla, one Madame Curie.

  • We should have had thousands of them and we will

  • once we get rid of the artificial boundaries that separate people;

  • once we get rid of nationalism, patriotism...

  • Again, I do not mean to offend anybody.

  • All that I ask you to do is to think about this, toss it around

  • this is what The Venus Project advocates.

  • The Venus Project is a design for culture

  • in which we bridge the difference between all nations.

  • How is that done? By universal language, the blueprint.

  • If you open a blueprint in Japan, they know what you're talking about.

  • If you write a prescription for England, Japan, France

  • the pharmacologist understands that. There's no discrepancies.

  • There's no ambivalence "I wonder what he meant by that."

  • It's clear. The language we use daily is not.

  • The language of warmth and love are verbal excuses

  • and verbal outlets for some people

  • for avoiding their responsibility

  • to make the world a better place for everyone.

  • The smarter your kids are, the richer my life.

  • Every kid on a corner, shooting up drugs, going nowhere

  • you're going to have to pay for in the future.

  • Therefore, it is efficient and functionally selfish

  • to build a better world for everyone.

  • People come to me all time and they say

  • "Can you design a city with a wall high enough

  • so when the Y2K problems come or the system breaks down

  • or the banks fail, we will be protected?"

  • I say "Sure I can design that, but there are people that will drive by

  • with launching mechanisms right over your little wall."

  • There's no place you can hide.

  • We have 25 acres. People call it 'Eden 2'. It's beautiful

  • but if the bottom falls out of this culture

  • there will be people on my front gate with children:

  • "How about some food just for the kids? " The next day, 50 people.

  • Everything looks solid to you, everything looks solid and stable

  • and the future looks promising but here's the truth:

  • I have seen an XY plotter

  • (that is a machine that moves in three dimensions).

  • They put a scalpel in that machine

  • and an X-ray of a brain tumor.

  • This machine removed the brain tumor

  • on a cadaver in about 1/10th the time.

  • The doctors think "Just the industrial worker on the production line

  • he's on the way out, but not me, I can think."

  • Let me say this again, the typewriters that work to speech...

  • Today you talk to your computer and you get it typed

  • and also corrects your English, restructures your sentences

  • makes recommendations.

  • How much longer do you think people are going to be

  • in positions in industry and government

  • making their own decisions?

  • We don't believe that anyone ought to make decisions.

  • We believe that people ought to arrive at decisions.

  • Here's what that means:

  • You go across the country and pick up samples of the soil

  • from all over the nation. You bring it to central agriculture

  • analyze that soil, and then turn to the health department

  • and ask them what people need: manganese, whatever they need.

  • What is the soil good for? What should we grow?

  • Tomatoes and then rotate the crop, move to something else;

  • that's what I mean by surveying the conditions.

  • Not "what's your opinion?"

  • Democracy is a crude and vulgar system

  • and should have been phased out centuries ago

  • but we don't have enough outside points of view

  • on radio and television.

  • When I talked this way on the Larry King show, he said to me

  • "Just a minute, I depend on those people that you're attacking."

  • I wasn't attacking the automobile companies.

  • I just said that if you did that, it would be safer.

  • If you put proximity units on automobiles

  • (most of you have them in your home now, when you walk over the building

  • the light goes on, that's a proximity unit)

  • put that in your car and if you're backing up and a child is crawling behind you

  • it stops, no matter how much you step on the gas.

  • I don't want any signs 'Slippery when wet'.

  • I want an abrasive put in the highway and take that sign down

  • so it's not slippery when wet.

  • I don't want to say to kids "Stay away from drugs."

  • I want to make life so interesting for people

  • that they don't want drugs. They don't want to dull their senses.

  • They want to become keen and they want to become fully aware

  • (I'm using older language) and conscious of their surroundings.

  • It's painful to deaden your awareness when life is beautiful

  • when what you do goes out to people and makes their lives better.

  • In one session at Princeton, I changed the values of many people.

  • They walked out discussing this for years thereafter

  • and I still get letters today.

  • I went into an area of New York called 'Hell's Kitchen'.

  • The kids there were considered very bad.

  • The social worker used to wear a necktie and eyeglasses.

  • Anyone who wore eyeglasses when I was a kid was a sissy.

  • When you wear a necktie and a suit

  • and you're talking to these kids in rags in the slums

  • they look at you as an outsider. You're unacceptable to them.

  • I put a wire recorder out in the front office and

  • after the social worker talked to the young boy... By the way

  • they made guns out of water pipe in New York.

  • how many of you knew that? They didn't go and buy guns, they made them.

  • The social worker picked up the gun and said

  • "You're gonna take someone's eye out with it, wind up in state penitentiary

  • hurt your mother and father. Do you wanna to do that?"

  • The kid said nothing at all.

  • When the kid walks out I make a wire recording of the way

  • he talks to his friend "He's a jerk! " (The guy up front, the social worker.)

  • Then I walk over to the social worker "How did you make out with Johnny?"

  • "I had a good talk with the boy. I believe we established rapport."

  • "How do you know that? " He says "I felt it intuitively."

  • Then I played the tape (by the way, it was a wire recorder)

  • I played the tape of the kid's answers

  • and he says "That ungrateful so and so! " I said "No, no, just say

  • I don't know how to get to Johnny (I know how to get to Billy)

  • I tried 8 different methods, none of them worked."

  • I said "Watch what I do next week. " I walked in the office

  • picked up the gun and said "I understand you made this gun?"

  • "I told the guy I made it last week! " (this is New York City

  • I used to make recordings of this; I wanted to use it in a film later).

  • I picked up the gun, I'm looking at it and I'm shaking my head.

  • He said "What's a matter with it? " I said "Come here.

  • The damn pin is an 8th of an inch off center."

  • He says "Yeah!" I said "If you put a couple of washes on the side

  • you can move the pin right on center. " He says "Hey, do you work here?"

  • I said "What? With those jerks? Naah!"

  • "Can I bring my friends over to meet you?"

  • That's people like him with similar values.

  • Then you go to work in their terms, not your terms.

  • Real psychology has to be related to the real world.

  • Not theory, not lab experiments in schools

  • where you're not in touch with people, where you don't get the feel of people

  • where you don't get the sense

  • of their identification with the world around them.

  • I have changed many of those kids.

  • I've brought a gun in for them to look at and I said "I made this gun."

  • "Wow!" they said. "I sure would like to be able to make a gun like that."

  • I said "Well, I can help you do it. " "You can?

  • What do I have to do?" You have to learn how to draw a front view of a gun

  • a side view of a gun

  • (I know I'm going fast, making a lot of drawings).

  • You have to make three views to the gun so it can be made.

  • He says "I'm gonna learn to do that! " So I set him up on a drafting table

  • and I took him from guns to water skis, to other things.

  • Today, a lot of them are engineering draftsmen.

  • Because they told me that the kids only had an IQ of 24 or something

  • "You can't get to them."

  • I said to one of these kids with an IQ of 24

  • "Suppose you wanted to rob that jewelry store across the way

  • how would you go about it? Any way at all."

  • He said "I'd throw a bag of fecal matter in there.

  • The guy gets mad at my friend, he runs after him

  • and I clean off the counter. " That's where they live.

  • "And suppose you wanted to rob the 3rd story?

  • No ladders, no ropes, no weights

  • how would you get up to the 3rd story?"

  • After several days, one of the youngsters came up with a piece of wood:

  • (he didn't even know what a wedge was)

  • "Do you see that hunk of wood?

  • I could stick it in bricks and it gets tight

  • no matter how far the bricks are.

  • Then I can climb up the gutter (he didn't use that language

  • he used much stronger language)... I'd climb up the building

  • and take whatever I want to take. That's how I do it.'"

  • How do you give people an IQ test that comes from a different environment?

  • How do you know what they sense?

  • Do you think that the formalist who tries to structure the nature of intelligence

  • the nature of creativity without being creative can do it?

  • In order to teach children how to become creative

  • I make a Martian out of rubber with eyes on tentacles

  • and a pointed rear end.

  • They look at it and they think "Ugh!"

  • and I say to them "What good are four eyes on tentacles?"

  • Eventually [they said] "You can look at the back, front, side and the top at the same time!"

  • "And what if the guy had six arms?"

  • "He can shave, read a book, eat a doughnut and drink coffee"

  • instead of "Ugh!! " as we're brought up.

  • Have you met a Martian? They have an opening here.

  • They say "What's that? " Notice the attitude? "What is that?"

  • "If we eat anything that's bad for us

  • it's ejected right away. Not in your system!

  • It goes through your whole system."

  • You are taught in medical school how 'wonderful' the human body is.

  • How wonderful it is? This isn't true at all.

  • That you're indoctrinated to a set of values that are unreal.

  • In order for me to get these ideas out there

  • it's extremely difficult, because we need films

  • we need equipment in order to do that.

  • What The Venus Project has to offer is a way of life

  • without ambiguity, a language that has

  • a much more precise form of communication

  • to change the relationship between people

  • where the male and female are not given separate roles

  • where the female says "I want to be a biochemist or a physicist"

  • and she goes that way. When you hand a girl a doll

  • you're placing a set. You're beginning to manipulate people.

  • Everybody's afraid of controlling human behavior.

  • You're always controlling behavior! When you pick up your little girl

  • and say "Don't play with that little Lutheran boy across the way!"

  • or "Don't talk to that little Catholic girl across the way!"

  • you are always indoctrinating children:

  • "Who loves you more than anything in the world?"

  • "The candy store man. " "No, your mommy and your daddy."

  • Indoctrination continuously! Then all of us together sing

  • "We are free! We are free!"

  • Beware! Whenever you hear of freedom

  • and all that sort of thing, watch out.

  • A real free society, the closest I've ever come to it

  • was in Polynesia. I lived in the South Pacific islands for a while

  • and the natives gave me bananas, coconuts and all that. They were very generous

  • and they had no word for work. Would you believe that?

  • They went fishing all day, they played, they had luaus

  • and they said "Jacque, whatcha want?"

  • and I said "I would like an outrigger canoe" and they built one for me.

  • A few days after they brought it to my hut, I heard some rustling outside

  • and they were all carrying the canoe away. I said "What's going on?"

  • They said "You no use! " It's a different value system.

  • The men and women walked around nude on the island

  • when I got there, a long time ago

  • and I never saw a native poke another native:

  • "Hey, get a load of that chick! " None of that.

  • They looked at the eyes of women when they talked to them.

  • Never "Hey, look at that ," never at the legs.

  • The motion picture cameras and all your movie theaters are 'dolly up and down

  • the hindquarters' and you wonder why men are like that. They are not like that.

  • They are made like that by culture.

  • Then the missionaries arrive

  • and the little girls used to come to church, innocent, listening.

  • They put the t-shirts on them

  • and the girls had no idea why they were putting t-shirts on them.

  • "What's it for? " It's like me, covering your nose:

  • "You can't go in a room unless your nose is covered!"

  • Well, the girls cut two holes in the t-shirts and came to church.

  • We're dealing with many different cultures, subcultures and values.

  • Our culture, if we are to grow and build a civilization

  • worthy of humankind, we have to have a quantum jump

  • in the way we look at our world, people and ourselves.

  • The Venus Project is the redesign of a culture

  • in which the elements that comprise that culture are different.

  • For example, our cities are round, not because I like round cities.

  • The city is round, the center of the city has a socially integrated computer.

  • This may be a medical center; this might be an engineering center.

  • If you work in the medical center, you live in beautiful gardens

  • with running streams and waterfalls.

  • Every district is the same distance from the center.

  • There are no cars in the city. You get on a conveyor

  • and dial where you want to go to. There's no crime in the city.

  • Just before the public library in the United States

  • people said "You can't really do that.

  • The people never bring back the books; they'll keep them.

  • They won't return them! " All that was incorrect.

  • I want to build a library where any child can walk in, check out a camera

  • check out art materials, check out water skis.

  • Make things available [and] people don't steal.

  • No one's going to hit you on a head to take your watch off, if it's available.

  • "How are you going to pay for this central library

  • that gives children these things, for nothing?"

  • It costs about 50,000 bucks to keep a kid in jail one year.

  • An adult: 75,000 bucks a year.

  • Food, clothing, shelter, dental care...

  • Isn't it easier to do it in a different way?

  • I would love to go to Mexico and say "What's your problem?"

  • They'd say "Well señor, we don't have the modern machinery you have."

  • Give them modern machinery.

  • Build schools for them and they won't be coming over the border.

  • What makes them come over the border? Hunger, lack of employment.

  • They say "It's the god damn Mexicans. You know what they're like!"

  • It's nothing like that! Everything is shoved by something else.

  • You are told that a tree falls over.

  • You were told that a sailboat sails. A sailboat cannot sail

  • unless acted upon by a resident force called the wind.

  • A tree doesn't fall. If it rains and it's asymmetric

  • and the soil becomes loose, gravity does the rest.

  • The tree doesn't fall. Plants do not grow.

  • They require radiant energy, nutrients, water.

  • Stop any of those things and the plant stops.

  • Human beings are not self-operating entities.

  • We are operated by many resident forces.

  • Of course many of us are not aware of that. It looks like we're perfectly free

  • making our own decisions. "I know I think for myself.

  • I'm sure you do. " That's an illusion.

  • If you're brought up to believe in the Kennedy Rocker

  • and you want one for your home, it'll injure your back

  • distort your anatomy

  • "but Kennedy had one like that and I want one like that."

  • When you break the patterns

  • that have been established by existing society

  • you begin to move people in a new direction.

  • I admit I could get up here and give a very pleasant lecture

  • of how wonderful everything will be in the future:

  • a helicopter in every garage, a house in suburbia

  • another on the beach, maybe one in Hawaii

  • this is the future... That is not the future!

  • Those are the illusion generators and there are lots of them.

  • Dick Gregory once told me

  • that being Black and living in the South

  • he said "Whenever I was late for work, I couldn't run to the bus

  • because they would wonder what that blackie was up to, running."

  • In other words, we project our value system into others

  • we project characteristics into others.

  • We have to find out what we are really like.

  • Many people tell me they want to find themselves.

  • This is another ridiculous thing. Who you are going to find?

  • Some jerk at 18? And a different value system at 23?

  • You can never find yourself. If you read, keep up with new ideas

  • what 'self'? Your self of 20?

  • When I was 15, I was a jerk.

  • As time went on, I learned more about many different things

  • and knew how much I had to learn in order to move forward.

  • There is no 'finding yourself'.

  • People come over at me and say "I want to know how I relate to the cosmos."

  • We don't even know how a single cell splits

  • and they want to know how they relate to the cosmos.

  • What a bunch of verbal crap!

  • Really, it's meaningless.

  • I'm sorry that I only have one hour

  • to try to give you ideas along different lives.

  • Generally it takes seminars. It takes a lot of demonstration and films.

  • I didn't mean to offend any of you.

  • I hope that I didn't.

  • Thank you for your time.

  • [Applause]

  • (Audience member #1) I'm sure the audience has some questions? Fire away.

  • (Audience member #2) I teach middle school kids, and what do you see...

  • - I'm a little hard of hearing, I'm sorry about that.

  • - I teach middle school kids and I wondered... Some of your philosophies of education...

  • - OK, I got the point. For example in our city design we have big lakes.

  • We've made all these lakes. They exist. It's real.

  • We have modern structures there, all different.

  • Roxanne, my associate, said to me

  • "Jacque, I just don't want to draw pretty pictures of buildings

  • I want to build them. I want to make them. " She did all the cement work.

  • One day she came over and said "How about a swimming pool?"

  • She was with a girlfriend and I said "When are you girls are going to start?"

  • "We've never built a pool! " They built it in two weeks, a beautiful pool.

  • We'll show you pictures of it.

  • So we built a big lake in the city

  • and there's a hill in the middle of the lake about 80 feet up out of the water.

  • On top of the hill is a craft shop

  • where children can build anything they want to build

  • but in order to get there, you have to get in the boat and row it.

  • Instead of lining them up and saying "Come on, everybody together, forward, backward"

  • arrange the environment so you have to row to get to the hill.

  • You have to climb the hill to get to craft shop.

  • An automobile or anything you build will not go together

  • unless four children pick up the car and the others put the wheels on.

  • Instead of saying "I want you people to work together, cooperate

  • and stop fighting! " arrange things so that it works that way.

  • That's what nature does.

  • When a baby fox sees a porcupine

  • it says "What have we here? I don't know."

  • It gets closer to the porcupine and finally it gets a quill

  • and he stays away from the porcupine

  • If you raise your children and try to avoid

  • experiences that had hurt you

  • and you buy them every toy that they want

  • you produce a blob of jello.

  • Some degree of challenge, some degree of stress is necessary

  • so we build an environment (to try to answer your question)

  • where the elements so arranged, has to produce what you call, creativity.

  • Can I give you one more bit on that? All right.

  • Is there anyone else interested in creativity in children?

  • Would you raise your hands?

  • What we do is, I ask a child to make a drawing

  • anything they want to draw and this is what they usually do...

  • Can everybody see the blackboard? I'll draw it up here.

  • They draw something like this.

  • I'm talking about about 4 and 5-year olds.

  • Then they draw something like this.

  • Then most of them do something like this.

  • I'm sure you've all seen those drawings.

  • In fact, I'm sure many of you draw that way today.

  • The teacher gives them some crayons. They color it and she hangs it up.

  • "This is little Billy's drawing..."

  • but when she tells Billy that this is the way we spell 'cat'

  • Billy says "I see" and he comes back with something like this.

  • Can you see that? The teacher says "That's wrong! " That isn't wrong.

  • Most of it is appropriate. It's just this that we change.

  • So I say "Very close. We just substitute this

  • with something like this."

  • Then the child comes back again with something like this.

  • I say "Much closer, much better!

  • Only we turn this around so you can put the 'A' inside of it."

  • Say whatever you have to say to get the idea across.

  • Instead of saying "That isn't what I told you!"

  • You're just using that child as an outlet for insufficiency.

  • Then, I do this with the children. I have them draw the letter 'T'.

  • Then I say "Which one of these looks like a peach pit?"

  • The child generally picks this.

  • Those of you back there, I'm sure you can't see that.

  • The blackboard is fully cluttered.

  • and I don't have... Here, I'll try to clear the area

  • where most of you can see.

  • The child draws the letter 'T'.

  • He draws a peach pit in the middle.

  • Then he draws a peach pit here and one there

  • and he takes out the middle peach pit.

  • Then I say "What is this?"

  • They say "That's a bunch of birdies, flying! " I say "Good.

  • You move down a peach pit and a half

  • and draw the letter 'V' upside down"

  • and the child draws the letter 'V' upside down.

  • Then he draws a birdy

  • under the 'V' one peach pit down.

  • Then he joins another birdie to that

  • and a half round beneath that. One peach pit above

  • he does this. Then I say to the child "What is this?"

  • "That's a heart! " I say "Good. Half a heart

  • from the top of the eyebrow to the bottom of the nose.

  • They move from that

  • offensive drawing made by the child to this

  • in less than a half hour.

  • I'm talking about 5 and 6-year olds

  • moving into this realm, drawing sports cars, turning them around.

  • We give them crayon and chalk

  • because we want them to bring out their artistic ability.

  • You can't bring out anything if there's no basis or structure for it.

  • If you sit in the woods and meditate on your navel for 3 years

  • you'll have a tremendously clear picture of the navel and nothing more.

  • You have to work to get information. You have to arrange things

  • so that it generates what you call creativity.

  • A psychologist in one session said

  • "I know two children that came from the same environment.

  • If environment is everything, one turned out to be a gangster, the other a minister.

  • If environment is everything, how do you get those differences?"

  • The minute you pick up one child

  • and start playing with him and the other stands there with his lip out

  • you're making jealousy and envy.

  • There's no such thing as the same environment.

  • When I pick up my little girl, I pick up my older little boy.

  • You never work with one child

  • "Why can't you keep your area clean? Your brother does, all the time.

  • You leave all your things around... " When he trips and falls down the stairs

  • his brother smiles. An inhibited smile, but he does smile.

  • We build these artificialities in the world we live in today.

  • We've got to interfere and change things.

  • Those of you who would like to know more about The Venus Project

  • we have a video, a tape and a book introducing

  • the basic conceptual layout of what it's about.

  • Any other questions? I can't go into more detail. Yes?

  • (Audience member #2) I find your views about the future interesting

  • but how do you account for human nature?

  • How do I account for what? - Human nature.

  • Human nature is the way people

  • have found other people to behave over many long years.

  • They appeared to manifest greed, jealousy

  • envy, even animals. If you take a cat

  • and put it on your lap in the presence of the dog

  • the dog may growl.

  • That's why I mean by the nature of the beast.

  • So I said "Come on down to my lab in about a week."

  • I picked up my cat put it on my lap and the dog's tail starts wagging

  • because you reinforce the dog before you pick up the cat.

  • The cat is a threat to the dog's security.

  • The dog wants you to pet it, not the cat.

  • You give the dog these ambivalent feelings

  • but you can have 15 kids in the room without jealousy

  • without envy. It is not human nature

  • it's human behavior that's shaped by culture.

  • If you were brought up in China, years ago

  • you'd walk with your hands in your sleeves, shuffle and wear a long pigtail.

  • They say "Well, that's human nature. " It's not.

  • That's the influence of environment on your behavior.

  • Dancing is the same thing.

  • Dances change over a period of time. Music changes overtime.

  • There is really no human nature.

  • Think about it. Toss it around. There are varying degrees of human behavior.

  • If we wish to understand the factors that generate our value system

  • that generate the way we look at the world

  • we have to go back in time and study these things.

  • I'm sorry I can't go into much more detail

  • just a general overview of The Venus Project. Yes?

  • (Audience member #3) You mention a universal language. Are you speaking about Esperanto?

  • - No that wouldn't do. Or interlingua?

  • No that wouldn't do. The language has to have a physical reference.

  • That means that...

  • Suppose we took some tungsten

  • and hit it with high pitch sound.

  • Bouncing off that tungsten, a pattern occurred

  • on a screen that looked like that.

  • Now if this was the nickel, this was the iron

  • and we learned how to chart that pattern

  • when you wrote tungsten, you'd do this in the future

  • so it's always like chemistry, like a pharmacologist

  • reads a prescription (assuming the doctor's handwriting is good):

  • He looks at that prescription and picks up the same product.

  • We don't want individuality in that area.

  • We want uniformity.

  • Is there a place for individuality?

  • In the next few years, the word individuality

  • will go the way all the other crude and vulgar terms went.

  • Individuality... When you buy a Mercedes, if you can afford it

  • and you turn the key, you want it to start. Not sometimes, all the time.

  • When you turn, you want it to turn.

  • When you put the breaks on, you want it to stop.

  • It's called quality control.

  • Variations in human behavior

  • which we call individuality today

  • is poor quality control.

  • In the future, the question people will ask is: Then wouldn't everybody be uniform?

  • The question of uniformity is essentially this: They will uniformly

  • like anyone they meet. Uniformity: share ideas and resources.

  • Uniformity: share knowledge with everyone else.

  • Uniformity: courteous to everyone else.

  • That's the only kind of uniformity. As far as the accumulation of wealth

  • property and power, this would be considered part of the age

  • of the vulgarians. To us, this is all normal!

  • This is a thing to do: to become successful.

  • In my early days, I wanted to be successful

  • and a company came to me and said

  • "We have a bunch of Mexican and Indian women that sit at a conveyor belt.

  • They pick the black beans. They pick the white beans, throw them in another box"

  • and they said "Can you improve that?"

  • I said "How far do you want to go?

  • How many beans can you deliver? " What I did in the early days

  • is I built a big bicycle wheel with hollow spokes

  • that turned like an airplane propeller into a vat of beans

  • sucking up one bean to each vacuum tube.

  • Then there was a photoelectric cell here.

  • If the bean was black it tripped it with a wire.

  • As you sit and watch, those beans went up like this in a big vat

  • and in eight hours we did the work that 50 women

  • took three months to do.

  • I would like my machines to come in

  • but I would like them to get a shorter work day

  • an increase in purchasing power. If machines

  • don't improve the lives of people who work in automobile factories

  • if they're automated out of existence, so will you be

  • automated out of existence.

  • All of us can be automated out... Roxanne recently had some area...

  • She does architectural renderings and site plans.

  • There are machines that do that, some years ago, CAD.

  • There are machines today that make models.

  • If you take a vase, you put it on the table and it's scanned

  • they have a laser beam

  • that penetrates a fluid and solidifies that fluid

  • in the exact shape of that vase.

  • You can do in England, China, anywhere in the world.

  • I want to repeat this: Machines today (that is three months ago)

  • could handle 500 trillion bits of information per second.

  • I don't care how many humans you get together. There's no place

  • for human behavior in the next 20 years. There's no place

  • for human participation in the next 20 years, or maybe less.

  • No one can predict the future precisely.

  • I'm not gentle. I don't pull my punches, I can't afford it.

  • I respect you. I like you too much.

  • I would rather tell you things as they are

  • not generate additional illusions.

Are any of you people members of the World Future Society?

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ジャック・フレスコ-2000年を超えて未来が抱くもの-ニコルズカレッジ(1999年 (Jacque Fresco - What the Future Holds Beyond 2000 - Nichols College (1999))

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    張譽耀 に公開 2021 年 01 月 14 日
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