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  • (Music)

  • Esteemed members of the jury,

  • I submit the following words for immediate and violent execution

  • and extraction from our vocabularies,

  • to be locked away forever, if you would prefer.

  • These words I present to you are "good" and "bad."

  • These words have served as treacherous liars

  • for eternity.

  • These two words have worked in tandem

  • to produce vague and bland sentences that have crippled the creativity of humanity.

  • These two deceptively tiny words

  • stifle real description and honest communication.

  • Look at them, just sitting there on this page,

  • all smug and satisfied with their work.

  • How dare they?

  • You serve no purpose in our world,

  • and we must rid ourselves of your influence.

  • We must replace these two words with the truth,

  • with phrases that include adequate and sincere adjectives.

  • I'll offer you "radiant," "stupefying," "awful," "gut-wrenching."

  • These choices create clarity and depth.

  • "Good" and "bad" only provide gray vagueness.

  • We must demand color!

  • We should even use winding similes and metaphors, where appropriate.

  • We have to do whatever we can and should to make our real sentiments known.

  • "Good" and "bad" will no longer be our go-to words

  • that we rely on when we are too afraid or too languid to express our real thoughts.

  • Ladies and gentlemen of the jury, I implore you to deliver a verdict of guilty

  • and send these words to their rightful fate.

  • Now imagine a world without these two words.

  • Imagine a world where real description is required,

  • digging further into our vocabulary

  • than just a monosyllabic effort to get away with not being honest,

  • impactful, creative.

  • How does my hair look?

  • Good. What is that?

  • A dull attempt not to be honest?

  • Perhaps my hair looks like a hideous mess of tangles and bald spots.

  • Yet someone does not want to be honest, and offers the quick fix "good,"

  • to try and mask the truth

  • and send me hurling into the evening with a plop of disorganized tresses.

  • This will not do.

  • Perhaps my hair looks like an amazing glossy sculpture

  • that frames my face perfectly,

  • and lends an air of magic to the night.

  • Well, "good" just doesn't cut it.

  • I won't take any more of this formless, lifeless description.

  • I will not take these lies, and neither should you.

  • A doctor asks you how you feel.

  • "I feel bad."

  • Heresy!

  • The doctor, based on this paltry report,

  • could conclude that you have brain cancer or the flu or rabies.

  • You owe it to yourself and the possible misdiagnosis of your life

  • to be honest about exactly how you feel.

  • "I feel like a herd of wombats has taken up in my chest."

  • A-ha! There we have it. An accurate description.

  • Now the doctor has some real evidence to work with in order to assist you.

  • We have become addicted to the numbness that "good" and "bad" have created.

  • We have become linguistic slobs,

  • churning out "good" and "bad"

  • wherever we are too lazy to allow our minds to communicate

  • with creativity and specification.

  • You look good, you sound bad, this tastes good,

  • the weather looks bad.

  • Lie after lie,

  • repeating this verbal gray, this sloshy mush,

  • this fuzzy picture that reflects no real truth.

  • Replace them with grittier, exact terms

  • that have been buried in our lexis, waiting to see daylight.

  • No longer does the weather look good or bad,

  • the weather looks ominous or exhilarating.

  • Nothing tastes good or bad.

  • It tastes like pillows of sparkles

  • or old shoe and dung.

  • No more of sounding good or bad.

  • You sound like lilting baby laughter

  • or ogres marching to war.

  • Dear God, you do not look good or bad.

  • You look like a feathery angel or a morose faun.

  • Today, you look at these two words,

  • "good" and "bad,"

  • examine them closely.

  • Because behind their seemingly unassuming visages

  • reside two deceitful offerings that smother the truth.

  • These words are liars.

  • These words must be stopped.

  • Remove them from our language so that honesty can return to our communication.

  • Ladies and gentlemen,

  • if I say to you that you have been a good jury,

  • you will take the compliment, make your decision and go on about your day.

  • But if I say to you that you are an honorable jury,

  • and that I hope your unshakeable determination

  • to better the vocabulary of humanity

  • will result in finding "good" and "bad" guilty,

  • you will recognize the ingenuity of this argument

  • and find "good" and "bad" guilty.

  • (Music)

(Music)

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TED-ED】「良い」と「悪い」の区別がつかないケース - マリー・ニール (【TED-Ed】The case against "good" and "bad" - Marlee Neel)

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    稲葉白兎 に公開 2021 年 01 月 14 日
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