Aspromotionsfortheupcomingfilmbegan, theyoungactressopenlybarmouthedtheoriginalmovie, infamouslycallingitextremelydatedinitsideasaboutwomenandreferringtothelovestorywith a guywholiterallystalksher.
Everyonesuddenlysawthatshehatedthefilm, whichis a terriblebasistomarketthemovieinandofitself, playingoneofthemostlucrativerolesyoucouldimagine, andthenjusthatingonit.
彼女はこの映画を嫌っており、それ自体が映画を売り込むためのひどい根拠となっている。
Andsoofcourse, thefansofthisabsolutelyhatedit.
だからもちろん、このファンは絶対に嫌だった。
Still, I supposeyoucan't expectanybetterfrom a companythathasprovedthatithaszerorespectforthehistoryofthefranchisesit's purchasedovertheyears, northefansthatthefranchiseissofamoustobeginwith.
WhileDisneyattemptedtodosomedamagecontrolbymakingZeculacompletelychangeherpersonalityandstickingherin a roomwhereshehadtotoneitdownandappearallmeek, honouringtheworkoftheirrespectedprojects, thedamagewasalreadydoneandeveryonecouldseehowfakethisPRmovewas.
Oneofthemostcontroversialchangesthat I mentionedearlier, andthatfanscompletelybashedDisneyforinthecomments, wasthanksto a commentmadebyPeterDinklage, whochastisedDisneyformaking a backwardsstoryaboutsevendwarveslivingin a cave.
Manyfounditweirdthat a manwhohadnoissueplayingfantasticalcharactersinprojectslikeNarnia, ElfandevenMarvel, wouldsuddenlyhavesuch a visceralreactiontosomethinglikeSothestudiodecidedthatthebestwaytoavoidanypotentialdiscoursewastochangethesevendwarvestosevenmagicalcreatures, effectivelyerasingtheiconiccharactersandtherareopportunitiestheyonceafforded.
Peoplewereupsetaboutthecompromiseandthefactthatthewordsofonehighlysuccessfulmanhadnowcostsevenothers a chanceatsuccess, completelyruiningthewholelive-actionremakethingthatDisneywasgoingfor.
NowthestudiodidinformpeoplethatthemagicalcreatureswouldbeimprovedwithCGI, but I don't thinkanybodywasexpectingthefinalproduct, theproductthatwejustgottowitnesslastweek.
There's a veryspecificmomentinthetrailerwheretheevilqueenisaskinghermagicmirrorwhoisthefairestoneofall, andthecamerapopstoSnowWhite, whowiggleshereyebrowwith a arrogantsmirk.
Whenthedwarvesarrivehomeafterspendingalldayinthemines, they'renotsurprisedby a cleancottageandfoodawaitingonthetablebecausethatwouldconformtogenderstereotypes, butinsteadtheyfind a womanwaitingtoinstructthemonhowtocleantheirownhome.
Thefilmisn't goingtobe a battlebetweenkindnessandvanity, orloveandhate, but a depictionofwomen's superiorityovermen.
この映画は、優しさと虚栄心、愛と憎しみの戦いではなく、男性に対する女性の優位性を描くものだ。
ItfurtherprovedthatDisneyonlyseemstoknowhowtowriteonetypeofwomanthesedays, a strongfemalecharacter, andindoingsotheyignoreandshameanentiregroupofgirlswhomaynotwanttobeleaders, insteaddreamoflove, valuekindnessandenjoymoresimplepleasuresinlife, erasing a charactergirlslookeduptofordecades.
Andwhilstthismightseemlike a goodthing, withtheactresstryingtohelpoutthepeopleofPalestine, otherssawitas a jabattheformerWonderWomanactress, who's anIsraeliactressandveryvocalabouthersupportofIsrael.