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  • Klaatu barada nickels?

  • Klaatu barada nebuli!

  • -Uh, hey, Dr. McT. -Hey, Dr. Z.

  • What ya doin'?

  • I'm reciting a spell from the "Necronomicon."

  • You know, the ""Book of the Dead"" from "Evil Dead:

  • Army of Darkness."

  • Yeah, I see, but you're a little off there.

  • This episode is actually about

  • the Egyptian "Book of the Dead."

  • And the "Evil Dead" franchise

  • actually borrows from H.P. Lovecraft,

  • and "The Day the Earth Stood Still."

  • It has nothing to do with the Egyptian "Book of the Dead."

  • But what you've heard about that one...

  • Uh, like the "Mummy" movies?

  • Yeah, maybe if you could just give it to me,

  • I can bring my gerbil chocolate chip back to life.

  • Yeah, I'm sorry, that's still not quite right.

  • That's a common misconception

  • about the Egyptian "Book of the Dead."

  • It was never supposed to summon demons

  • or bring the dead back to life.

  • It was actually a written guidebook for the deceased

  • to help them get to the afterlife.

  • I see, but I'm not happy about it.

  • You can't judge a book or graveside by its cover.

  • [whimsical mysterious music]

  • The "Book of the Dead" can be more accurately translated

  • as "The Book of Coming Forth by Day,"

  • or "The Book of Emerging Forth into the Light,"

  • and was used from the beginning of the New Kingdom.

  • It was a collection of spells, incantations,

  • and instructions intended to be used by the deceased

  • to gain entry into a glorious afterlife.

  • And not just heaven as we commonly see it rendered today,

  • but in fact to join the ranks of the mighty Gods themselves.

  • Also, the "Book of the Dead" wasn't really a book,

  • but we'll get to that later.

  • And that's what this epic piece

  • of Egyptian history really is:

  • a handbook for the recently deceased.

  • Sans the be-striped bio-exorcist, of course.

  • There was no singular version that everyone used,

  • and different people would often request specific inclusions

  • that they felt would best get them through the trials--

  • like Madlibs, but for your soul.

  • In the Early Dynastic Period,

  • most funerary sites in Egypt had no inscriptions at all,

  • which likely indicates oral tradition

  • dictated any ritual or funerary practice.

  • What evidence does suggest is that, universally,

  • the body was ritually treated post-mortem

  • and buried with artifacts,

  • suggesting a belief in an afterlife.

  • The images depicted on temples dedicated to the Gods

  • often show the Pharaoh

  • performing daily ritual offerings.

  • These seem very similar to those described

  • in later centuries funerary texts

  • in relation to passage to the afterlife,

  • which means we can't be totally sure

  • what even indicated funerary concepts to begin with

  • when we are relying on illustrations alone.

  • Decorated burial chambers and tombs

  • became symbols of social, religious, and political power.

  • In the Third Dynasty, we see written inscriptions pop up.

  • Having a cool tomb might be a status symbol

  • that could help preserve your legacy.

  • It also ensured your name was still spoken,

  • an important concept to ancient Egyptians,

  • but it wasn't required.

  • Only in the Fifth Dynasty do we see inscriptions

  • that spoke of the deceased's life after death.

  • Called the "Pyramid Texts" today,

  • the text in the Pyramid of Unas told of how the king

  • could journey successfully into the afterlife.

  • By the First Intermediate Period,

  • many of the original "Pyramid Texts,"

  • along with new spells and illustrations,

  • were now painted or inscribed on the interior of coffins,

  • rather than inside the Grand Tombs.

  • These are known as the "Coffin Texts."

  • They would become favored by the members

  • of the upper echelon of Egyptian society,

  • but only in the Middle Kingdom Period.

  • Funerary rights existed long before

  • they were recorded in the Old Kingdom.

  • While we might refer to them as the "Pyramid Texts,"

  • "Coffin Texts, or even the "Book of the Dead" today,

  • those are modern attributions.

  • Some of these rites would need to be performed, others not.

  • Just knowing they existed was sometimes enough,

  • which is why having a scroll

  • or illustration of the spells with you upon burial

  • was helpful, but not necessary.

  • And I cannot stress this enough,

  • rituals and spells in this context are different.

  • You needed to know the spell, but you had to do the ritual.

  • This means that you didn't have to physically

  • have some copy of the spell on your body or burial items.

  • Someone could do the ritual for you.

  • And if you knew about the spell in life, presumably,

  • that counted in death.

  • What mattered is that it was written down somewhere,

  • and you knew about it.

  • By the New Kingdom Period of the 18th and 20th dynasties,

  • descriptions of what the afterlife

  • was supposed to be like

  • were present in funerary texts and tombs.

  • Fun fact: a lot of the spells in the "Book of the Dead"

  • likely had nothing to do with funeral rights at first.

  • That's not even the right name.

  • Ancient Egyptians called the written collection,

  • "Spells for Going Out in Daylight,"

  • AKA, "How to Get to the Afterlife."

  • These spells were ever changing with corrections,

  • redactions, and new additions.

  • They could be on papyrus scrolls, linens, walls,

  • and other burial objects.

  • And it wasn't just the ultra wealthy or powerful

  • that knew about them.

  • Heck, even they cut corners.

  • While some protective amulet spells

  • outlined in the "Book of the Dead"

  • were supposed to be in solid gold,

  • only a handful of these have been found at grave sites,

  • likely because of the expense.

  • More commonly, the mummies we found bore amulets

  • of less expensive material like glazed ceramic,

  • or just some gold gilding.

  • Even the famous King Tut's amulets weren't all solid gold.

  • Think of all the elaborate tombs,

  • chockfull of everything someone could want

  • in the afterlife as the bonus stuff.

  • It helped show wealth and status, and it couldn't hurt,

  • but it wasn't required for entry.

  • It was also during this period

  • that more written funerary texts as a whole emerged.

  • The whole lot was referred to as "Books of the Netherworld,"

  • despite the fact that there weren't any books.

  • Some of these weren't as positive as others.

  • The "Book of the Dead" is in general, not that grim.

  • The "Amduat," though?

  • That one is all doom and gloom, and monsters and torture.

  • You may have heard that the "Book of the Dead"

  • dramatically changed the way ancient Egyptians

  • viewed the afterlife.

  • That it suggested all people of any social strata

  • could make it all the way to the best parts.

  • Some even refer to it as

  • the democratization of the afterlife.

  • This theory dates back

  • to the early 20th century scholarship,

  • and was the consensus among Egyptologists

  • and other scholars until very recently.

  • The conventional wisdom for a long time

  • was that the "Book of the Dead" dramatically changed

  • Egyptian perspectives of the afterlife.

  • But that's not exactly true.

  • There's actually a much longer history

  • that indicates the "Book of the Dead"

  • wasn't some pivotal shift,

  • but more like a collection of funerary spells and practices

  • most Egyptians had access to already.

  • Some scholars now argue that in the Old Kingdom,

  • non-royals and non-elites also had access

  • to equivalent funerary rituals and texts.

  • There was really no democratization

  • of the afterlife,

  • because there never needed to be.

  • Social access might have changed

  • as politics and religious beliefs shifted,

  • and there were certainly some who displayed

  • their social status more extravagantly.

  • Of course, the King had special access and rights,

  • including the ability to judge

  • who could enter the afterlife.

  • But since they were seen as part divine,

  • that's not unexpected.

  • The Egyptian afterlife was open to all,

  • but a social hierarchy still existed.

  • One of the reasons a lot more people

  • know about the "Book of the Dead,"

  • is because of one specimen in particular

  • that was found mostly intact and well-preserved:

  • the "Papyrus of Ani."

  • Who was Ani in the "Papyrus of Ani," you ask?

  • He was a scribe.

  • It was created sometime around 1250 BCE,

  • or more specifically, the 19th dynasty of the New Kingdom.

  • Not only is the text dense with hieroglyphics,

  • it also features various vignettes of Ani himself,

  • as he undertakes his various trials.

  • Each version of the "Book of the Dead" varies slightly

  • in how it depicted the trials,

  • but there are general similarities.

  • There's the Sun God "Re," or "Ra,"

  • whose daily journey illuminated the underworld,

  • while the mortal world entered night,

  • joining up with Osiris for some R&R.

  • There were all manner of ferocious beasts

  • lurking in the dark waters,

  • like the massive snake beast, Apep,

  • who was always trying to stop Re's return.

  • The afterlife only really gets good

  • if you pass through a bunch of labyrinths,

  • and get to the "Judgment of the Dead,"

  • also commonly known as the "Weighing of the Heart."

  • This involves correctly identifying

  • the 42 assessors of Maat,

  • while also listing all the sins that you did not commit,

  • attesting to a purity of heart.

  • -Halt. -Excuse me,

  • I'm trying to get to the afterlife.

  • Whoa! Okay, I love that for you.

  • But first, you need to attest to the purity of your heart.

  • So please, tell me which sins you haven't committed.

  • Spill the tea, sis.

  • I haven't committed witchcraft against the King.

  • Emphasis noted, but go off, Queen.

  • I've never been angry without just cause.

  • And trust me, I always have a just cause.

  • -Mm! -I am not a man of deceit.

  • Dang, that's a loophole. We need to update that.

  • -All right, next! -Thanks.

  • (Dr. Z) If you pass this test,

  • your heart would be weighed by Anubis,

  • the jackal-headed God who placed the heart on a scale

  • opposite of feather of Maat.

  • If their heart weighed the same as the feather,

  • you were in luck.

  • Thoth, the Ibis or baboon-headed scribe God

  • of knowledge, magic, and judgment,

  • would pen the result and pass the deceased onto Osiris,

  • the God of the underworld.

  • He would let them continue on their journey

  • to the Field of Reeds or Field of Offerings.

  • Here, the worthy deceased could live as mortals

  • in an idealized paradise.

  • But this was only a resting stop before the true goal,

  • transformation into a spirit

  • that could cross the boundary of the netherworld,

  • and join Ra on his journey across the sky--

  • to be his entourage, if you will.

  • Oh, and if you didn't pass,

  • having your soul devoured by the goddess demon Ammit,

  • or torture, were among the other options.

  • All things considered, it was fairly egalitarian

  • compared to other world religions at the time.

  • Respect the Gods, remember the bad stuff

  • you decided not to do,

  • know the funerary spells, and hope for the best.

  • The "Book of the Dead"

  • and the other so-called "Books of the Netherworld"

  • gave us a collected written account

  • of the many varied funerary practices

  • of the ancient Egyptians.

  • This includes some really cool art and intriguing concepts.

  • But they represent

  • a continuously evolving set of traditions

  • that were exchanged between social classes,

  • some of which may have even come from a shared source.

  • The common misconception that the "Book of the Dead"

  • dramatically reorganized ancient Egyptian religion

  • is a helpful reminder that us modern folks

  • need to remain open in our interpretation

  • of artifacts from the past.

  • Egyptian mythology is complicated.

  • Their burial practices are complicated.

  • But hey, so is life and death.

  • Okay, Dr. McT,

  • I'm so excited to know your Pantheon pick for this episode,

  • 'cause I'm a big fan of Egyptian mythology,

  • so don't hold out on me.

  • Okay. I know, so I didn't want to disappoint.

  • I think weather is really important in a utopia,

  • and so I chose from the Egyptian Pantheon, Tefnut.

  • [Dr. Z gasps]

  • -Yes. -Yes!

  • -Yes! -Yes, okay.

  • So, Tefnut is a goddess of moisture and dew and air,

  • and I think that she might be able to provide

  • little personal weather bubbles for people.

  • I love that, so you get to pick and choose

  • your weather conditions.

  • Like if I want a nice rainy day

  • to read in paradise, I got that.

  • Yeah, but if you want some dry air to go out

  • and do some calisthenics, it's yours.

  • (Dr. Z) Excellent pick.

  • -Thank you. -[Dr. Z chuckles]

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  • Gaherble.

  • -Like a gherkin? -[Dr. McTier laughs]

  • That doesn't have an H in it, does it?

  • Gherkin.

  • I love a good gherkin.

  • [Dr. McTier chuckles]

  • (Producer) All right.

(host) Thank you to Surfshark with Incogni for supporting PBS.

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The Book of the Dead May Not Be What You Think It Is(The Book of the Dead May Not Be What You Think It Is)

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    林宜悉 に公開 2024 年 02 月 24 日
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