字幕表 動画を再生する 英語字幕をプリント Here are the Apocapop 10 best moments on Punisher. 10: The first half of the closing track contains the phrase, ‘I know’, repeated in resigned acceptance. It’s heard in groups of three, usually finishing restfully on the tonic – the note that sounds like home. But on the last time, the melody wanders, an ellipsis that sets up the song’s intense final minutes. 9: Phoebe’s Boygenius bandmates, Julien Baker and Lucy Dacus, join in the outro of ‘Graceland Too’. These lyrics echo the end of ‘Halloween’, where they feature Conor Oberst, of Bright Eyes, instead. Chromatic mediant chords are used for contrast here: E flat major, with a regular G, and G flat major. 8: Movement from E flat major to G flat major is also used to highlight the ending of the choruses on ‘Moon Song’. This is followed by one of Punisher’s most striking lines, about the death of Eric Clapton’s child. It’s a poignant reflection on the relationship of listeners, musicians and emotional expression. 7: ‘Garden Song’ includes some of Phoebe’s most beautifully observed and idiosyncratic lyricism. Above a muffled kick drum and heavily filtered guitars, she recounts a recurring, mutating dream. The words ‘tidal wave’ are awash with reverb, while the next line uses breaths and vocal melismas. 6: Unlike ‘Garden Song’, where the kick is almost subliminal, on ‘ICU’, it acts as more of a focal point. In the chorus, the texture thins and a four-on-the-floor rhythm underpins the line ‘I feel something’. Drums are linked to the romantic interest, from verse two’s backbeat to the fills in the bridge. 5: Drum fills are also central to ‘Chinese Satellite’, where they accent transitions from one section to the next. Each is grander than the one before: a low rumble or the panned skitter and clatter of a snare drum. At the song’s climax, these elements are combined with the noisy scrambling of an electric guitar. 4: ‘Savior Complex’ is even more adventurous with texture – especially just after the title line. A reference to skeletons in the closet briefly pushes the arrangement into a kind of macabre waltz. Later, eerie tones melt into gorgeous, opulent strings, before the nightmare threatens to resurface. 3: The title track may be understated, but its inventive use of vocal processing immediately grabs us. A lyric about hiding in plain sight is knowingly sung a cappella, shrouded by a cloak of reverb. The most memorable line takes a different approach, its overlapping parts refusing a neat resolution. 2: ‘Kyoto’ may be an anomaly, with its cheery intro and its intentionally simple indie rock beat. But each chorus ramps up the anguish, leaning into the note that’s a dissonant tritone above the bass. Despite the tension, though, we do find relief, as the melody winds its way back down to the tonic. If you haven’t already, remember to like and subscribe. Here’s the final entry in our countdown. 1: We’ve heard about the final track’s line ‘I know’, but its most explosive material comes at the end. A plaintive violin leads us into a conflicted yet cathartic road trip across apocalyptic America. Over group chants of the phrase ‘the end is here’, cymbals crash, guitars squawk and trumpets call. Then four and a half minutes in comes carnage, with darker harmonies and shrieking that eventually collapses in on itself. Let us know your favourite moment on Punisher. Take a look at the Apocapop 10 playlist for more albums, including NFR by Lana Del Rey. And consider supporting the channel on Patreon. See you next time.
B2 中上級 米 PHOEBE BRIDGERS | 10 best moments on Punisher 29 0 backup に公開 2023 年 07 月 19 日 シェア シェア 保存 報告 動画の中の単語