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  • Here are the Apocapop 10 best moments on Punisher. 10: The first half of the closing track  

  • contains the phrase, ‘I know’,  repeated in resigned acceptance

  • It’s heard in groups of threeusually finishing restfully on  

  • the tonicthe note that sounds like home. But on the last time, the melody wanders,  

  • an ellipsis that sets up the  song’s intense final minutes

  • 9: Phoebe’s Boygenius bandmates, Julien Baker and  Lucy Dacus, join in the outro ofGraceland Too’. 

  • These lyrics echo the end ofHalloween’,  where they feature Conor Oberst,  

  • of Bright Eyes, instead. Chromatic mediant chords are  

  • used for contrast here: E flat majorwith a regular G, and G flat major

  • 8: Movement from E flat major to G flat  major is also used to highlight the  

  • ending of the choruses onMoon Song’. This is followed by one of Punisher’s  

  • most striking lines, about the  death of Eric Clapton’s child

  • It’s a poignant reflection on the relationship  of listeners, musicians and emotional expression

  • 7: ‘Garden Songincludes some of Phoebe’s most  beautifully observed and idiosyncratic lyricism

  • Above a muffled kick drum and heavily filtered  guitars, she recounts a recurring, mutating dream

  • The wordstidal waveare awash  with reverb, while the next line uses  

  • breaths and vocal melismas. 6: UnlikeGarden Song’,  

  • where the kick is almost subliminal, on  ‘ICU’, it acts as more of a focal point

  • In the chorus, the texture  thins and a four-on-the-floor  

  • rhythm underpins the line ‘I feel something’. Drums are linked to the romantic interest, from  

  • verse two’s backbeat to the fills in the bridge. 5: Drum fills are also central to  

  • Chinese Satellite’, where they accent  transitions from one section to the next

  • Each is grander than the one before: a low rumble  or the panned skitter and clatter of a snare drum

  • At the song’s climax, these elements are combined  with the noisy scrambling of an electric guitar

  • 4: ‘Savior Complexis even more adventurous with  textureespecially just after the title line

  • A reference to skeletons in  the closet briefly pushes the  

  • arrangement into a kind of macabre waltz. Later, eerie tones melt into gorgeous,  

  • opulent strings, before the  nightmare threatens to resurface

  • 3: The title track may be  understated, but its inventive  

  • use of vocal processing immediately grabs us. A lyric about hiding in plain sight is knowingly  

  • sung a cappella, shrouded by a cloak of reverb. The most memorable line takes a different  

  • approach, its overlapping parts  refusing a neat resolution

  • 2: ‘Kyotomay be an anomalywith its cheery intro and its  

  • intentionally simple indie rock beat. But each chorus ramps up the anguish,  

  • leaning into the note that’s a  dissonant tritone above the bass

  • Despite the tension, though, we do find relief, as  the melody winds its way back down to the tonic

  • If you haven’t already, remember  to like and subscribe. Here’s the  

  • final entry in our countdown. 1: Weve heard about the final  

  • track’s line ‘I know’, but its most  explosive material comes at the end

  • A plaintive violin leads us into a conflicted yet  cathartic road trip across apocalyptic America

  • Over group chants of the phrasethe end is here’,  cymbals crash, guitars squawk and trumpets call

  • Then four and a half minutes in comes  carnage, with darker harmonies and  

  • shrieking that eventually collapses in on itself. Let us know your favourite moment on Punisher

  • Take a look at the Apocapop 10 playlist for  more albums, including NFR by Lana Del Rey

  • And consider supporting the channel  on Patreon. See you next time.

Here are the Apocapop 10 best moments on Punisher. 10: The first half of the closing track  

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PHOEBE BRIDGERS | 10 best moments on Punisher

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    backup に公開 2023 年 07 月 19 日
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