Name: Vito Acconci: Where We Are Now (Who Are We Anyway?) | ARTIST STORIES
Uploaded: 2023-05-11T02:02:45.000Z
Duration: 11 min 31 s
Description: VoiceTubeの動画で発音を聞きながら英語表現を覚えよう！学べる英語：

過去形

There was a dog here, but he's vanished, as you watch.

on the occasion of MoMA PS1 turning forty.

who really galvanizes the artistic energy and innovation

and groundbreaking nature of going into the city

who is like groundbreaking, experimental and is challenging

like this institution is and still is forty years later?

– I do, I mean but it's different now. – Yeah.

And I hope we're going to open with a project all of us want to do.

What can our crew most effectively do today

Yeah, we're still far away from being finished, great.

I still don't understand why some things were white on black

because Vito does not like to go back to his past.

I was adamant that we had to incorporate architecture, design

to say, look, this is what Vito is doing now.

because Vito and I are both very meticulous.

that comes from me. So “Where We Are Now,”

whereas, “Where Are We Now,” is too flimsy.

We can trick it, because then in the parentheses is

There's no way we're going to fit thirty six pages.

– Not at all. – So I think we just fit,

– what fits in that space basically. – Exactly.

It's hard for me not to say something else.

Yeah, yeah. No, we need to start writing tomorrow

if we've got any chance of getting it done.

He's very particular about the spaces in between paragraphs

and the width of some columns being wider and some being thinner.

I guess we'll see what happens at that point.

and we will see if the show actually opens.

We have worked for three-and-a-half months

and all of a sudden we have constructed something.

So architecture has been realized and produced.

I'm about to press the send button on the invite.

I sent it to three-and-a-half thousand people

who are showing up here on Sunday. We have to do that. Now it's out.

“Seedbed,” for me, was such a historical piece.

but it grounded you as an artist in everybody's eyes.

Maybe I made a mistake in grounding myself with that.

A big mistake was everything came from one point.

You screwed up the piece, still you made art history.

I really felt like I had nothing to do with art.

I despised calling what I did art. I thought of them as activities.

I think many of his early instruction pieces

are literally a premonition and anticipation of social media.

Of documenting every single moment of your life.

But then you see Vito more than forty years earlier

I think Vito Acconci very often is about seducing the camera

and that is what Snapchat or Instagram or YouTube very often are.

From seeing Vito, you kind of get the sense

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Vito Acconci: Where We Are Now (Who Are We Anyway?) | ARTIST STORIES

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