I liveinthesubconsciousnumbereightamericansniper, ThetitularamericansniperischrisKyle a navysealwithover 100 and 50 confirmedkillsthenyouknowwhoyouare, youknowyourpurposefollowinghishonorabledischargeKylepennedhismemoir.
Eastwoodfurthercloudsthealreadymurkyhistoryandaddsmanydramaticfalsehoods, liketheopeningsceneinvolvingKyleand a child, a fictionalterroristandthewildexaggerationofSyriansniper.
# sixAlexanderOliverStone, maybe a talenteddirector, buthisfocusisusuallyplacedonstoryoverhistory, alexandertheGreatled a fascinatinglifethatisreadymadefor a goodmovie.
ButnotonlyisStone's alexanderinaccurate, it's notverygoodandmaybeeven a littleharmful, historianshavearguedthatalexanderisveryorientalistandthatitdepictsthePersiansin a borderlineracistlightalexander.
Themovieisalsofilledwitherrorsandanachronismsforexample, Mozartwasnotburiedin a massgraveandhedoesnotconducttheorchestraofthewaytheywouldhaveinthe 18thcentury.
RussellCrowereceivedanOscarnominationforplayingjohnNash, a nobelwinningmathematicianwhosufferedfromschizophrenia, thepeople, theplacesandthemomentsmostimportanttoyouwerenotgone, notdead, butworse, I'veneverbeen a beautifulMindworksas a tendermovieandaccuratelydepictsthegeneralthemeofNash's lifeandaccomplishments, butitisnotanaccurateportrayalofhisdaytodayexperiences.