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  • In this episode we'll add structure to the bean to create the robo bean.

  • If you haven't seen the bean, structure or landmarks videos, you might be a little confused

  • with some of the things in this video because we'll be taking the bean and adding structure

  • to it based on the landmarks. so click to watch those now!

  • Why use robo bean?

  • A few weeks ago we met the Bean. After you're comfortable with the bean, it's time to move

  • on to his friend, Robo Bean. The robo bean is great because it combines the motion from

  • the bean with 3d form. Now we're able to show the side planes to show rotation and top or

  • bottom planes for tilting and leaning.

  • These drawings are gonna be extremely stylized and by no means is it a finished drawing or

  • how I'm saying you should draw. This is however exactly what I'm thinking about when I analyze

  • the form. So showing this simplistic exercise is a great vision into the thought process.

  • It's also just a really good exercise to practice to see and draw three-dimensional form. You

  • should be able to freehand cylinders and boxes from any angle and get the perspective right

  • as I explained in the structure video a few weeks ago.

  • Review cylinders and boxes

  • This exercise is very similar to the bean exercise except now instead of using balls

  • we're gonna use boxes. Boxes are little bit more advanced, but more effective because

  • now you have plane changes to better explain the orientation of the forms. Spheres are

  • not effective in showing perspective as I explained last week. You can't see a sphere

  • as three-dimensional unless you add tone. Without tone a sphere is just a circle. A

  • cylinder introduces perspective because it has a plane change at the top and bottom.

  • A box shows even more perspective because it has a plane change from the front to the

  • side plane, along with top and bottom planes.

  • Landmarks

  • Ok so let's take a look at the details of the robo bean and what exactly the boundaries

  • represent. The top box is the rib cage and a portion of the shoulders. The bottom is

  • the pelvis combined with the butt.

  • Remember those landmarks we went over last week? Well they're really going to come in

  • handy as you construct the robo bean. Almost every edge or corner falls on a specific area

  • along the body. Let's start at the top!

  • The top front corners of the first box align with this corner on the clavicles. At the

  • bottom, the corners of the 10th ribs indicate the bottom of the box. These 4 corners give

  • us the front plane of the box. On the backside, the ridge of the spine of the scapula provides

  • the edge between top and back plane. Just stretch that back plane to the length of the ribcage.

  • Sometimes it's hard to tell exactly where those corners are because the ribcage

  • in the back is covered by the muscles. But the exact points are not important. Just make

  • sure to get the length and angle correct.

  • The top plane is everything between the scapula and clavicles. You have to ignore the trapezius

  • muscle to see this. This is a very important plane to show when the body is leaning forward

  • or backward toward us. Usually I'll even extend this to the edges of the shoulders, but we'll

  • save that for the mannequinization video.

  • Connect the side planes for the sides of the ribcage.. And the bottom plane doesn't matter

  • much. The space between the boxes is filled with guts and other fun stuff.

  • Lets move on to the bottom box.

  • The most useful corners, I feel, are the ASIS. The corners on the front of the pelvis. They're

  • extremely important to find the angle of the pelvis. Unfortunately, there aren't any good

  • points to indicate the bottom of the front plane. You'll just have to use your imagination

  • and extend them from the pubic bone. Follow the edge of the iliac crest until the PSIS

  • for the side planes. The back plane starts at the PSIS and includes the mass of the gluts.

  • The rounded part at the bottom of the gluts is the edge where you can show a bit of a

  • bottom plane.

  • And again, the top plane doesn't matter because of the guts thing.

  • Together all these points form the two boxes connected by the spine, which moves the boxes.

  • Differences between genders

  • The proportions are going to vary from person to person. That's why its good to know what

  • landmarks youre looking for on the body. So that you can analyze those points on the person

  • youre drawing and measure the proportions. Generally, the ribcage and pelvis on a male

  • are about the same width. On a female the ribcage is thinner and the pelvis is wider.

  • There's variation within genders - some men have wider hips and some women have wider

  • shoulders. Mentally identifying the body type before you draw it will help.

  • Motion

  • With the addition of the top, bottom and side planes we can show the motion and position

  • of the body with more detail than with the bean.

  • The corners help to show the tilt side to side with the angles from one side to the

  • other.

  • The top and bottom planes help to show the leaning forward or backward

  • And the side planes help to show twisting.

  • More about the Twist

  • This brings me to an important part about the twist that I forgot to mention in the

  • bean video. I showed with the towel that the overlaps come from the corners that are closer

  • to us. This is true from the side view of the torso, but from front or back, its actually

  • the opposite! Here's a better explanation for getting the overlaps right..

  • figure out which side of the body you're seeing completely. The overlaps are the ones parallel

  • to this rhythm.

  • If you're looking at the side, then the side plane is being twisted like this. And the

  • front and back plane will wrap back around the side plane. If you're looking at the front

  • plane, then the same thing happens here, but now the side planes wrap behind the front

  • plane and the center line is following this S curve rhythm.

  • So basically the overlapping lines are going to follow the rhythm of the plane we're looking

  • at.

  • With the robobean its actually much easier to see why this happens. Here the side plane

  • is wrapping behind the front plane, so this edge would overlap this one. On the other

  • side same thing..

  • Assignments, Critiques and Giveaway!

  • Alright so the assignment for this lesson is pretty obvious.. Just find some poses (plenty

  • available at proko.com/poses) and draw the robo bean for that pose... You'll probably

  • have a bunch of questions, concerns, mistakes you might have made. So, next week I'll post

  • examples of me drawing the robo bean which hopefully will address some of your questions..

  • Also, keep submitting your exercises for critiques. I'm going to combine the submissions from

  • the bean, structure, landmarks, robo bean and mannequinization lessons into one critique

  • video.. Since all these lessons are related to building forms.

  • So if you want to submit for a critique - do the assignment from this week's lesson. Post

  • your drawings on your Facebook page, tumblr, blog, forum, wherever you like to post your

  • artwork. In your post make sure to mention this video and include a link to it. Email

  • me and tell me where I can find your drawings. Make sure to follow the guidelines that I

  • describe on proko.com/critiques.

  • Aaand.. Giveaway time... 3 lucky, super awesome, hardworking students who submit for critiques

  • will get free access to the Figure Fundamentals Premium videos.. aww ya!

  • If you want extended versions of this video and all the other videos from the figure fundamentals

  • series check out proko.com/figure. There's a bunch of examples of gesture drawings, bean

  • drawings, robo bean and landmarks from last week. So, if you want more content to practice

  • from check out proko.com/figure. Or you can just click the link here.. Right now, you

  • can click that right now. This is a button. Just click the button. I'm gonna wait till

  • you click the button.... [whispering] click the button. Click da button!

  • If you like this video, share the wealth, tell your friends. Post it on your favorite

  • social network. Click this button here to subscribe to the Proko newsletter if you want

  • to be updated about new videos. Buh Bye!

In this episode we'll add structure to the bean to create the robo bean.

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B1 中級

体内の構造を描く方法 - ロボビーン (How to Draw Structure in the Body - Robo Bean)

  • 18 9
    vulvul に公開 2021 年 01 月 14 日
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