A sweetstorefromthe 1960s andthewholeshopiscoveredinsweetswitchtobefair.
1960年代のスイーツ店で、店全体がスイーツのスイッチで覆われているのが特徴です。
Probablywon't lastverylongwithmearound.
おそらく、私がいると長続きしないでしょう。
Andthenhereonthissidewehaveanalleywayfilledwithlotsofpipesandlightingand a kindofscaleramenshopinspiredbytheopeningsceneofBladeRunner, oneofmyfavoritefilms.
I'm gonnagiveyouguysthecompletetourin a minutethroughtheeyesofnastycornerandpetenoneofyouhaveseenitandallofwhich I expecttodamagethesetbeyondrepairbeforethat.
Onefactorthat I alwayscomplainaboutisthatthewolvesarereallythinandso I can't reallyfilmvideosaftersevenoreightPMbecausemyneighborscanhearmetalkingand I sureashellcanhearthemaswell.
Notonlythat, butthesizelimitationsmean I'veneverreallybeenabletohaveguestscomeuplikewehadConorcomeupearlierthisyearandweatesomechickenin a roomandthatwas a nightmaretryingtofitbothofusintheshopthoughtobefair, thatmightalsohavehadsomethingtodowiththestaggeringamountchickenweate, butbetweenthesizelimitationsandthenoiselimitations, it's justbeen a bitsillyandatthispointunprofessional.
I don't wanttospendtherestofmylifefilmingabandonedbuildingsorrappingonthesummitof a volcano.
私は残りの人生を、廃墟を撮影したり、火山の頂上でラップをしたりすることに費やしたくありません。
I wanttocomebackindoorstowhereabroadinJapanbegan.
日本での海外生活が始まった場所に、屋内で戻ってきたい。
Sotwomonthsago I startedrentingthestudio.
そこで2ヶ月前からスタジオを借り始めました。
It's a convertedapartmenthereinSendaiandasyoucanseeit's nothingtoospecial.
ここは仙台のアパートを改造したもので、見ての通り特別なものではありません。
Thereis a sofa, there's a table, a whiteboardcoveredinnothingand a disturbinglyunderwhelmingkitchen, which I can't waittofilm a cookingshowinside, eventhoughthecookerdoesn't workbecause I haven't paidthegasbill, probablyshoulddothat.
But I knewthiscouldbethefirstandlasttimethat I gettohave a studioandso I wantedtobuildmydreamset, somethingthat I onlyeverthoughtwouldbepossibleinmyimagination.
Oncetheteamoftheprops, theysetaboutbuildingthesetin a warehousedowninTokyoover a periodofseveralweeksbeforeshippingitallupheretoSendaiandassemblingitoverthreedaysnow.
Unsurprisinglyitwasn't cheaptobuild a setlikethis, butunliketraditionalfilmsetsthatarebuiltwith a lotofloveandcareandthentorndownafter a filmshoot, thissetwillhopefullybeherefornotjustweeksandmonthsbutyearslike I hopetofilmsomuchcontenthere.
Soit's kindof a gamblebuildingthisonthefutureofabroadinJapanand I guess I guessmyselftosomedegreeandwhileit's alltechnicallycomplete, I'm stillgoingtobeaddingthingsalongtheway, likethisbrandnewpacmanarcadegamewhichyoucanactuallyplayandloserbeforeweletNowitzkiloosenhereandexplorethestreetstogether.
I justwanttosay a huge, massivethankyoutoeveryonewho's watchedabroadinJapanalltheseyears, it's hardformetobreakcharacterandstopbeingcynicalorsarcastic, butit's beenanextraordinaryyear, notjustgetting a studioand a set, butalsodoingthingslikejourneyacrossJapanwackyweekend, evenmeetingkenWatanabe, I stillcan't believethathappened.
SoifyouhaveanyquestionsaboutthefilmsetaboutbringingJapanaboutwhere I getmyfashionableblackshirtsfrom, I wearineveryvideofarawayinthecommentsand I'llanswerasmanyas I canandnowit's timetoletNowitzkilooseonthesetandprobablydestroyit.