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  • Get better clarity with your spoken English by fully understanding all the consonant sounds

  • we have in American English.

  • Today is a compilation of every single consonant sound you need to know.

  • Some will be easy for you.

  • You have them in your own native language.

  • Great!

  • Just practice the words.

  • Others will be tricky, unfamiliar.

  • Use the photos to study the position and the up-close slow motion shots.

  • This will help make it clear, for example, how much of the tongue tip needs to come through

  • the teeth for the th.

  • It's not much.

  • Why not start with the th?

  • Let's dive in.

  • These sounds are paired together because they take the same mouth position.

  • TH is unvoiced, meaning, only air passes through the mouth, and TH is voiced, meaning you make

  • a sound with the vocal cords, th, th.

  • The very tip of the tongue comes through the teeth.

  • The air passes around the tongue.

  • The tongue is relaxed.

  • There shouldn't be any pressure in the mouth, or a stop quality to this sound.

  • Just nice and easy, th, th.

  • The tongue has to easily vibrate between the teeth, so keep the tongue soft and relaxed.

  • Th, th.

  • The lips don't affect the sound, so they can be transitioning to the next sound.

  • For example, in the THR cluster, the lips will round a little bit for the R as you make

  • the TH: three, three.

  • Be careful with the tongue tip.

  • Make sure it doesn't come too far forward; it's just the very tip that should come

  • between the teeth.

  • To make the unvoiced TH, the tongue tip absolutely has to come through the teeth, th, th.

  • But the voiced TH can be different.

  • When it's in an unstressed, quick word like 'these' or 'the', the tongue tip doesn't

  • have to come through the teeth.

  • It can press behind the teeth.

  • Make sure the tongue isn't at the roof of the mouth, or pointing down, but pressing

  • right in the middle, where the teeth come together.

  • If it's not in the right position, the sound will be wrong.

  • Th, th, these, the.

  • This tongue shortcut works in these words because they're unstressed.

  • So when you don't bring your tongue tip through the teeth, it allows you to make these

  • less important words quickly.

  • These, the.

  • Let's look at these sounds up close and in slow motion.

  • Notice how it's just the very tip that comes out of the teeth.

  • The tongue is relaxed.

  • The teeth surround it, but they're not clamping down on it.

  • The lips and face are relaxed.

  • Throw.

  • Notice how the lips are starting to flare for the R as the tongue comes through the

  • teeth for the unvoiced TH.

  • Birthday.

  • Keep in mind when you only stick the very tip of your tongue out, the movement into

  • other sounds isn't as hard as you might think.

  • Watch the tongue tip come in and flip up for the D.

  • This is a quick move of the tongue that you can practice over and over to make it more

  • natural.

  • Brother.

  • Tongue tip through the teeth for the voiced TH.

  • Lips and tongue are relaxed.

  • Worth, ending in the unvoiced TH.

  • Again, the lips and tongue look very relaxed.

  • Remember to keep your tongue relaxed and soft when you practice this sound.

  • The voiced and unvoiced TH: throw, birthday, brother, worth.

  • Example words.

  • Repeat with me.

  • Other

  • Either

  • Though

  • Thursday

  • Nothing

  • South

  • The R in American English is also such a tough sound for my students to get.

  • Here's the thing, most people needs to simplify.

  • Do less with the tongue.

  • Maybe round the lips a little bit more but take out tension.

  • Take a look.

  • This is truly one of the hardest sounds in American English.

  • Before I go into how to make it, I want to talk about how not to make it.

  • In many languages, the R is made by bouncing the front part of the tongue against the roof

  • of the mouth, rr, rr.

  • In American English, this sound of the T or D between vowels, but it's quite different

  • from the American R, rr.

  • You can't hold out rr, rr, but you should be able to hold out the American R, rr.

  • This consonant is voiced.

  • There are two ways to make this sound.

  • In the first way, the front part of the tongue pulls back and up, like this.

  • The tongue can be stretched so it's long and skinny, or it can be pulled into itself

  • so it's fatter and thicker.

  • And that's what we want here.

  • We're making the tongue fatter and thicker so it's not as long.

  • The back doesn't move.

  • This is happening with the front and middle of the tongue.

  • The middle part of the tongue lifts up towards the roof of the mouth.

  • You can touch the sides of the tongue to the sides of the roof of the mouth here, or to

  • the inside or bottom of the side teeth, here.

  • The front part of the tongue is hanging in the middle of the mouth, not touching anything.

  • This sound is forward and focused because of the position of the lips.

  • The corners come in, pushing the lips away from the face.

  • This lip position will be a little more relaxed when the R comes at the end of a syllable.

  • We'll compare this way, on the left, with the other way to make an R on the right.

  • The R can also be made by flipping the tongue tip up.

  • The lips flare the same way.

  • Some native speakers make the R one way, and some the other.

  • Native speakers get the correct sound, no matter the mouth position.

  • But I've found that non-native speakers drop the jaw too much in this second method,

  • and it makes the sound hollow, rr.

  • The jaw doesn't need to drop very much for this sound, rr, so keep this in mind as you

  • work on one of these two methods.

  • Here is the R sound on its own, not part of a word.

  • You can see the lips flare.

  • Think of creating a little space between the inside of your lips and your teeth.

  • Notice how little jaw drop there is.

  • We don't need to drop the jaw to pull the tongue back and up.

  • The word 'rest'.

  • When the R is at the beginning of a word, we tend to make the lips a tight circle.

  • Again, little jaw drop as the middle of the tongue lifts to the roof of the mouth.

  • The word 'proud'.

  • When R is in a beginning consonant cluster, the lips may not be as tight as in a beginning

  • R.

  • The word 'mother'.

  • At the end of a syllable, the lip position for the R is definitely more relaxed than

  • a beginning R, but the lips still flare.

  • Here, we compare the lip position of the beginning R in 'rest', above, to the ending R in

  • 'mother', below.

  • The ending R lip position is much more relaxed.

  • Thinking about the lip position will help you make a better R sound.

  • As you work on this consonant, practice very slowly, thinking about all three things at

  • once.

  • Very little jaw drop, the tongue position, and the lip position.

  • Remember, you can hold out this sound, so that's how you want to practice it, rrrr.

  • Hold it out for 5 or 10 seconds; hold it out as long as you can.

  • When you practice it in a word, do the same.

  • Rrrrrrrest, prrrrrroud, motherrrrrr.

  • The R sound: rest, proud, mother.

  • Example words.

  • Repeat with me:

  • Read

  • Great

  • Try

  • Later

  • Right

  • Other

  • And now, back to back you'll see all the other consonant sounds in American English.

  • We're going to start with the pairs like TH where there are two sounds together because

  • one is voiced and the other is unvoiced but they have the same mouth position.

  • Then we'll get in to single sounds like R.

  • The P and B consonants.

  • These two sounds are paired together because they take the same mouth position.

  • P is unvoiced, pp, meaning only air passes through the mouth.

  • And B is voiced, bb, meaning, you make a sound with the vocal cords, bb.

  • The lips stay together while the teeth part a little.

  • The tongue position doesn't matter for these consonants, so the tongue can start to get

  • into position for the next sound.

  • For example, if the next sound is the R consonant, the tongue can move back and up for the R

  • while the lips close for the B, bring.

  • Let's see the sounds up close and in slow motion.

  • The lips press together, and then release.

  • These are stop consonants.

  • In stop consonants, there are two parts.

  • There is a stop of the airflow, and a release.

  • The stop of the airflow happens as the lips close: hap-pen.

  • The release is when the lips part and the air comes through, -pen, hap-pen, happen.

  • Sometimes native speakers don't release stop consonants when they come at the end

  • of a sentence, or when the next word begins with a consonant.

  • For example, the common phrase 'What's up?'.

  • My lips closed in the P position, but I didn't release the air.

  • What's up?

  • Another example: nap time!

  • Nap---time!

  • My lips came together for the P, but they didn't release the air.

  • I stopped the air with my lips, then released it with the next sound, the T consonant.

  • Nap time.

  • Let's look at some words up close and in slow motion.

  • The word 'best'.

  • The lips press together, and then release into the EH as in BED vowel.

  • The word 'spot'.

  • The lips press together, and then release into the AH as in FATHER vowel.

  • The word 'rip'.

  • The lips press together, and then release.

  • The P and B consonants: best, spot, rip.

  • Example words.

  • Repeat with me:

  • Bring

  • Baby

  • Job

  • Peace

  • Price

  • Up

  • CH and JJ consonants.

  • The CH and JJ consonants are paired together because they take the same mouth position.

  • Ch is unvoiced, meaning only air passes through the mouth, and jj is voiced, meaning, you

  • make a sound with the vocal cords, jj.

  • These consonants have a stop consonant component, but unlike stop consonants, they're always

  • released.

  • They each contain two sounds: for the CH, we're combining the T, tt, and the SH, sh,

  • to make ch.

  • For the J sound, we're combining dd and zh to make jj.

  • The teeth come together and the lips flair, just like in the sh and zh sounds.

  • But the tongue position is like the tt and dd sounds.

  • The tongue lifts so the front, flat part of the tongue touches the roof of the mouth.

  • We stop the air in our throat, and then we release everything, ch, jj.

  • We release the air at the vocal cords, release the tongue down from the roof of the mouth,

  • release the teeth so they part a little, and release the lips by relaxing them.

  • Ch, jj.

  • Let's look at these sounds up close and in slow motion.

  • The lips flare and the teeth come together.

  • Then the release.

  • The word 'jar'.

  • The lips flare and the teeth come together, then release into the AH as in FATHER vowel.

  • The word 'chart'.

  • The lips flare and the teeth come together, then release into the AH as in FATHER vowel.

  • The word 'batch'.

  • The lips flare and the teeth come together, then release.

  • The CH and JJ consonants.

  • Jar, chart, batch.

  • Example words.

  • Practice with me:

  • Chase

  • Attach

  • Teacher

  • Danger

  • Just

  • General

  • The T and D consonant sounds.

  • These two sounds are paired together because they take the same mouth position.

  • Tt is unvoiced, meaning, only air passes through the mouth.

  • And dd is voiced, meaning, dd, you make a sound with the vocal cords.

  • These consonants are complicated because the way Americans pronounce them isn't always

  • what you'll find in a dictionary.

  • First, let's talk about the true pronunciation.

  • These are stop consonants, which means there are two parts.

  • First, a stop in the airflow, and second, a release.

  • We stop here, by closing our vocal cords, and lift the tongue so the flat, top part

  • is at the roof of the mouth.

  • It's far forward, almost touching the back of the top front teeth.

  • The teeth come together, and we release all three parts at once: the tongue comes down

  • from the roof of the mouth, the teeth part, and we release the air in the throat.

  • TT, DD.

  • Just like with other stop consonants, we want to release them into the next sound.

  • Let's look at the True T and D consonants up close and in slow motion.

  • The teeth come together and the top, front of the tongue is at the roof of the mouth.

  • The air stops in the throat.

  • Then, the teeth part and the tongue pulls down to release.

  • The word 'desk'.

  • The teeth close and the tongue is at the roof of the mouth.

  • Then, everything releases right into the EH as in BED vowel.

  • The word 'stick'.

  • The teeth close and the tongue is at the roof of the mouth.

  • Then, everything releases right into the IH as in SIT vowel.

  • The word 'expect': the teeth nearly close and the tongue is at the roof of the mouth.

  • Then the teeth release just a bit.

  • There's no next sound to release into, so the movement is minimal for the release.

  • The tongue releases down.

  • It's possible to make the True D without the teeth coming together.

  • Said, dd, dd.

  • Because of the voice in this sound, we can still release it.

  • Said, dd.

  • But to make the True T, the teeth do have to come together or nearly together, set,

  • tt.

  • That was the True T and True D. If the T or D are at the end of a sentence, or if the

  • next word begins with a consonant, then we make a Stop T or Stop D.

  • We stop the air, but we don't release it.

  • You lift your tongue into position, stop the air, and that's it.

  • For example, the word 'mad', dd.

  • Mad, dd.

  • Notice the last sound is dd, the beginning of the D, with the vocal cords engaged, because

  • it's a voiced consonant.

  • And that's all.

  • I don't release.

  • A release would sound like this: mad, dd.

  • But instead, I say 'mad', leaving my tongue tip up.

  • Now let's look at an example with a T followed by another consonant, the phrase 'not for

  • me'.

  • Here the T is followed by F. I stop the air, 'not', and then, without releasing, go

  • into the F sound.

  • Not for, not for me.

  • With stop consonants, we do stop the air in the throat.

  • So I don't have to move my tongue up into position for the T to stop the sound.

  • In this phrase 'not for me', I touch the roof of my mouth with a part of the tongue

  • that's further back.

  • Not.

  • My tongue tip can stay down.

  • This helps me make the stop even shorter, so I can quickly go into the next sound, not

  • for, not for.

  • I'll bring my tongue up for the Stop T if the next sound also requires the tongue being

  • at the roof of the mouth.

  • When I say 'not for me' instead of 'noT for me', the words are more connected and

  • the sentence is smoother.

  • That's what we want in American English.

  • And that's why we use the Stop T instead of the True T in these cases.

  • Not for me.

  • NoT for me.

  • Not for me.

  • Let's look at a stop up close and in slow motion.

  • Here is the word 'what'.

  • I don't release the T at the end.

  • The tongue goes to the roof of the mouth, but then I just stop the air.

  • My teeth aren't together, and I don't release.

  • The lips simply close, what.

  • Here's what it looks like with a True T: The teeth come together, then a subtle release.

  • Compare the ending.

  • The top is 'what' with a Stop T, and the bottom is 'what', with a True T.

  • For the Stop T, the teeth don't come together, because they don't need to release.

  • The air simply stops with the tongue in position.

  • For the True T, we bring the teeth together so the tongue, teeth, and air release.

  • The Stop T and D relate to the True T and D.

  • We simply skip the release.

  • But when the T or D come between two vowels or diphthongs, or after an R and before a

  • vowel or diphthong, we make a different sound.

  • One exception: if the T or D starts a stressed syllable.

  • Then it's a True T or D. But in other cases, when the T or D consonants come between two

  • vowels or diphthongs, or after an R and before a vowel or diphthong, we make a Flap sound.

  • This is different from the True and Stop T and D, because we don't stop the sound.

  • We don't hold anything.

  • We simply let the front part of the tongue bounce against the roof of the mouth without

  • stopping the flow of air.

  • The Flap T and Flap D sound the same.

  • The T in 'matter' is the same as the D in 'madder'.

  • Matter, madder.

  • This sounds just like the R in many languages, but in American English, it's the Flap T

  • or Flap D.

  • In my videos, I use the D symbol for this sound.

  • This sound, however, isn't a stop consonant anymore.

  • Let's look at some words with a Flap up close and in slow motion.

  • The word 'city'.

  • Here the T comes between two vowel sounds, so it's a Flap.

  • The tongue is in position for the IH vowel.

  • Watch how it flaps against the roof of the mouth quickly.

  • The air doesn't stop.

  • That Flap was fast, even in slow motion.

  • Let's watch again.

  • The whole word, one more time.

  • The word 'party'.

  • Here the T comes after an R and before a vowel, so it's a Flap.

  • The tongue is back and up for the R. Watch it flap and come down from the flap.

  • The air didn't stop.

  • Watch the whole word one more time.

  • The word 'tidy'.

  • Here the D comes after a diphthong and before a vowel, so it's a Flap D. Watch the tongue

  • flap.

  • The whole word, one more time.

  • To isolate the sound, try holding out the sound before and after: parrrrrrtyyyyy.

  • Then you can really feel the tongue flap, bouncing against the roof of the mouth.

  • Remember, this isn't represented in dictionaries.

  • They will show the symbol for the True T, 'parTy', even though Americans pronounce

  • it 'party'.

  • So remember the rule: when a T or D comes between vowels and diphthongs, or after an

  • R before a vowel or diphthong, like 'party', unless it starts a stressed syllable, flap

  • the tongue.

  • Sometimes, we drop the T or D completely.

  • We leave the sounds out.

  • This is an American habit.

  • If you look up the words in a dictionary, the sounds are there.

  • There are two cases when you might hear an American drop a T or D.

  • First, when the T or D comes between two consonant sounds.

  • For example: exactly.

  • This word has the K, T, L consonants together.

  • But most people pronounce it without the T. Exactly.

  • Full pronunciation: exactly.

  • Common pronunciation: exactly.

  • Dropping the T between two consonants simplifies the pronunciation.

  • Also, we often drop the T when it comes after an N. Many Americans say 'cenner' instead

  • of 'center', or 'innerview' instead of 'interview'.

  • This is a big topic.

  • I have a whole series of videos on the pronunciation of T and D, which you can find on my website.

  • The True T and D sounds: desk, stick, expect

  • Stop T and D:

  • mad, not, what

  • The Flap T and D: city, party tidy

  • Example words.

  • Repeat with me:

  • Best

  • Time

  • Do

  • Odd

  • There's no way to make a Stop T sound on its own, because it isn't a sound.

  • It's a lack of sound.

  • Cut

  • Better

  • The F and V consonants.

  • These two sounds are paired together because they take the same mouth position.

  • Ff is unvoiced, meaning only air passes through the mouth.

  • And vv is voiced, meaning, you make a sound with the vocal cords, vv.

  • To make these sounds, the bottom lip lifts and touches the very bottom of the top front

  • teeth, ff, vv.

  • The top lip lifts a little bit to get out of the way of the bottom lip.

  • You don't want to see your bottom lip disappear, ff.

  • It's actually the inside of the lip, here, that makes contact with the teeth, ff, vv.

  • The tongue should stay relaxed so the air can easily push through, causing the bottom

  • lip to vibrate against the top teeth.

  • Let's look at the sounds up close and in slow motion.

  • The top lip lifts so the bottom lip has room to vibrate against the bottom of the top front

  • teeth.

  • Very: Bottom lip goes to the bottom of the top front teeth.

  • Flavor: The bottom lip goes to the top front teeth for the F, and again for the V.

  • Enough: bottom lip to top front teeth.

  • When you work on these consonants and words with these consonants, watch yourself and

  • make sure your bottom lip doesn't curl in, ff, vv.

  • Remember, it's the inside of the lip that makes these sounds.

  • The V and F consonants: very, flavor, enough.

  • Example words.

  • Repeat with me:

  • Live

  • Value

  • Provide

  • Fresh

  • Offer

  • Tough

  • The G and K consonant sounds.

  • These two sounds are paired together because they take the same mouth position.

  • Kk is unvoiced, meaning, only air passes through the mouth.

  • and gg is voiced, meaning, you make a sound with the vocal cords, gg.

  • These consonants are stop consonants, which means there are two parts to each sound.

  • First, a stop in the airflow, and second, a release.

  • We stop the flow of the air here, closing our vocal cords, while the back part of the

  • tongue reaches up to touch the soft palate.

  • I'm going to slow down the K sound in the word 'back'.

  • See if you can hear the stop of air before the release.

  • Ba-ck.

  • Back.

  • Here, you can see the tongue position.

  • The back of the tongue reaches up to touch the soft palate, which is closed.

  • The tip of the tongue can remain forward, lightly touching the back of the bottom front

  • teeth.

  • The jaw drops a little bit, and the lips are open, kk, gg.

  • The lip position doesn't matter for these sounds, so the lips might start forming the

  • next sound, like in the word 'great'.

  • Here the lips can start taking the position for the R as we make the G: g-, g-, great.

  • Let's look at these sounds up close and in slow motion.

  • The jaw drops and the back of the tongue lifts to touch the soft palate.

  • Then the tongue releases.

  • Sometimes, to make a sentence smoother, the words more linked together, native speakers

  • will skip the release of a stop consonant when the next word begins with a consonant.

  • For example, the phraseback to work”.

  • Back to, back---to.

  • I'm not saying 'back to', kk, with a full release of the K. I'm holding the air

  • for a fraction of a second with my throat, making that stop, then I go right into the

  • release of the T consonant.

  • Back to, back to.

  • Back to work.

  • Without the release of the K in 'back', the two words flow together more easily, making

  • it smoother.

  • Notice I do make a light release of the K in the word 'work'.

  • Can you hear it?

  • Back to work.

  • Let's look at some words up close and in slow motion.

  • The word 'keep'.

  • Because the tongue lifts at the back, and does not require much jaw drop, it's hard

  • to see this sound in this word.

  • The word 'green'.

  • The lips round for the G because they need to round for the next sound, R. The lip position

  • doesn't change the G sound.

  • It's a little easier to see the back of the tongue move when it's at the end of

  • a word like this word, 'egg'.

  • The tongue lifts in the back, then releases.

  • The G and K consonants: keep, green, egg.

  • Example words.

  • Repeat with me:

  • Go

  • Again

  • Big

  • Cry

  • Key

  • Black

  • The S and Z consonant sounds.

  • These two sounds are paired together because they take the same mouth position.

  • SS is unvoiced, meaning only air passes through the mouth, and ZZ is voiced, meaning you make

  • a sound with the vocal cords, zz.

  • To make the sounds, the lips part and the corners pull back a little while the teeth

  • themselves lightly touch, ss, zz.

  • There are two ways to make these sounds.

  • One, with the tip of the tongue down, lightly touching the back of the bottom front teeth.

  • Or, by pointing the tip of the tongue up.

  • You may find that the position of the tongue tip depends on the sounds around the S and

  • Z.

  • Let's look at these sounds up close and in slow motion.

  • The teeth lightly touch, tongue tip is down, and you can see a lot of the tongue through

  • the teeth.

  • Sip.

  • Again, teeth lightly touch, the tongue tip is pointed down.

  • Miss.

  • The tongue tip stays down as the teeth come together.

  • Fizz.

  • This time, you'll see the tongue tip point up before the teeth close.

  • And up.

  • The S and Z sounds: sip, miss, fizz.

  • Example words.

  • Repeat with me.

  • Note: the letter S can make the [z] sound.

  • Some

  • Must

  • Less

  • Zip

  • Cousin

  • Easy

  • The SH and ZH consonant sounds.

  • These two sounds are paired together because they take the same mouth position.

  • SH is unvoiced, meaning only air passes through the mouth.

  • And ZH is voiced, meaning you make a sound with the vocal cords, zh.

  • To make these sounds, the teeth come together.

  • The corners of the lips come in and the lips flare.

  • The tongue lifts so the front/middle part of the tongue is very close to the roof of

  • the mouth, but not touching it.

  • The tongue tip points forward but doesn't touch anything.

  • Let's look at these sounds up close and in slow motion.

  • The lips flare and the teeth come together.

  • In the word 'shop', the 'sh' is at the beginning of the word.

  • In the word 'wish', it's at the end.

  • In the word 'Asia', the 'zh' sound is in the middle.

  • The mouth position is always the same: teeth together, lips flare.

  • The SH and ZH consonants.

  • Shop, wish, Asia.

  • Example words.

  • Repeat with me:

  • should

  • special

  • wash

  • measure

  • garage

  • Usual

  • The H consonant sound.

  • This sound is simply made, hh, by passing air through a very slightly constricted passage,

  • either between the tongue and the roof of the mouth, hh, or in the throat, hh.

  • This is an unvoiced consonant.

  • Part the lips and press the tongue down in the back just a little.

  • If you don't constrict the air passage at all, there's no sound.

  • If you lift the back of your tongue and constrict too much, hhh, you'll feel the vibration

  • of the soft palate bouncing on the tongue.

  • This is too heavy.

  • Hh.

  • The lips and jaw don't affect this sound, so your mouth can be in position for the next

  • sound when you're making the H.

  • For example, the word how, how.

  • The lips, jaw, and tongue take the beginning position of the 'ow' as in 'now' diphthong,

  • hh-, how.

  • Let's look up close and in slow motion.

  • The sound by itself: the jaw is relaxed and the lips part.

  • The word 'hi': there's nothing to see at the beginning of this word.

  • The H sound happens without changing what the lips do for the AI as in BUY diphthong.

  • The word who': Again, there's nothing to see at the beginning of this word.

  • The H sound happens without changing what the lips do for the next sound, the OO as

  • in BOO vowel.

  • This sound is most common at the beginning of a word, and never occurs at the end of

  • a word in American English, but the letter H does.

  • The H sound: hi, who.

  • Example words.

  • Repeat with me:

  • Hope

  • History

  • Ahead

  • Behind

  • Here

  • Somehow

  • The L consonant sound.

  • This sound is especially difficult.

  • There are actually two kinds of L's, and they're not made the same way.

  • But, if you look up a word in the dictionary, there is only one International Phonetic Alphabet

  • Symbol for both kinds of L. In this video, you'll learn when to make which kind of

  • L.

  • First, the Light L sound.

  • This is what most people think of when they think of an L. The L is a 'Light L' when

  • it comes before the vowel or diphthong in a syllable.

  • For example, let's, flake, release.

  • There are two different ways native speakers make this sound.

  • One way is to lift the tongue so the tip is touching the roof of the mouth, just behind

  • the front teeth.

  • This is not the same as the T, D, and N tongue positions, where the tongue lifts so the top

  • is touching the roof of the mouth.

  • This is the tip.

  • Another way native speakers make this sound looks like the TH, with the tongue tip touching

  • the bottom of the top front teeth.

  • The contact with the teeth is more firm than the TH sound, pushing up on the top teeth.

  • The tongue is not as loose or relaxed in the L as it is in the TH.

  • Let's look at the Light L up close and in slow motion.

  • Here is one way to make the L, with the tongue tip coming through the teeth to press up on

  • the bottom of the top front teeth.

  • Here is the second way to make the Light L: the tip at the roof of the mouth just behind

  • the teeth.

  • Here's the word 'lack'.

  • The tongue comes through the teeth to make the Light L.

  • The word 'slow'.

  • The Light L is made with the tongue tip at the roof of the mouth.

  • The second kind of L is the Dark L. This is the sound that happens when the L comes after

  • the vowel or diphthong in a word or syllable, like 'real' or 'Google'.

  • This sound has two parts, but many Americans leave out the second part in most cases.

  • You should too, it makes it easier to pronounce.

  • The first and most important part of the Dark L is the 'dark' sound.

  • This defines the dark L. To make this sound, you don't lift your tongue tip.

  • Instead, it's down, touching the back of the bottom front teeth.

  • The back part of the tongue pulls back towards the throat.

  • You can see there isn't much jaw drop, and the lips are relaxed.

  • Uuhl.

  • You should feel the vibration in the throat and not the face, uuhl.

  • The back part of the tongue presses down or shifts back.

  • This is an important part of the sound.

  • Uuhl, uuhl.

  • Most Americans will stop there when making the Dark L -- 'real', 'Google', 'thoughtful'

  • -- unless they're linking into a word that that begins with an L or a sound with a similar

  • position like N, T, or D. In that case, go ahead to make the second part of the dark L.

  • The second part of the Dark L is the Light L: bring your tongue tip up to the roof of

  • the mouth or through the teeth.

  • Some native speakers make the full Dark L, both parts, all the time.

  • What's important is the 'dark' sound.

  • Make it with the back of the tongue.

  • And make sure you never leave that part out, uuhl, uuhl.

  • Again, the Dark L has two parts.

  • The first and most important part: the tongue pulls back or presses down in the back.

  • The second part, which is often left out: either option for the Light L. Here, the option

  • with the tongue tip at the roof of the mouth is pictured.

  • Let's look at the Dark L up close and in slow motion.

  • The word 'feel'.

  • The tongue tip arches in the front for the EE vowel.

  • Watch as the tongue lowers in the back.

  • Now the tongue is lowed, pulling back a little bit in the back.

  • It's hard to see because of the lips, but the tip of the tongue is still forward.

  • Notice that lips are relaxed.

  • The word 'recall'.

  • The dark part is made with the back of the tongue as the jaw closes.

  • This time, the dark L does end with the second part, the Light L. The tongue tip quickly

  • comes through the teeth.

  • Lips are relaxed.

  • The relaxation of the lips is important in the Dark L. Many non-native speakers want

  • to round or flare the lips, which brings the sound forward and changes it.

  • But the dark sound is made back here.

  • Leave the lips relaxed so the sound can be made in the back of the mouth.

  • When you look at the International Phonetic Alphabet transcription for a word in a dictionary,

  • you'll just see one symbol, whether it's a Light L or a Dark L. It's up to you to

  • know when to make a Dark L: when the L sound comes at the end of a syllable.

  • Remember, we're talking about sounds and not letters.

  • In the example 'Google', you see the letter E after the L. E is a vowel.

  • But when you look at the phonetic transcription of the word, the last SOUND is the L. So the

  • L in 'Google' is a Dark L. Uuhl, uuhl, Google.

  • If you integrate a good Dark L sound into your speech, it will help you sound more American.

  • The Light L: lack, slow

  • The Dark L: feel, recall

  • Example Words.

  • Repeat with me:

  • Love

  • Hello

  • Flat

  • Feel

  • Table

  • People

  • The M consonant sound.

  • This sound is simply made by pressing the lips together lightly, mm, while making a

  • sound with the vocal cords.

  • So, this is a voiced consonant, mm.

  • The teeth may begin to part a little in preparation for the next sound, mm, which will pull the

  • lips a little bit, mm.

  • Because the soft palate is lowered, air comes up through the nasal passages.

  • This makes it a 'nasal consonant'.

  • You can feel the vibration in your nose, mm.

  • There are only three nasal sounds in American English: nn, ng, mm.

  • Let's look at this sound up close and in slow motion.

  • The word 'mom'.

  • Lips press together as the jaw drops a little bit.

  • Another M at the end, lips press together.

  • Summer.

  • Lips press together.

  • The M consonant.

  • Mom, summer.

  • Example words.

  • Repeat with me.

  • Make

  • My

  • Forming

  • Dim

  • Mistake

  • Game

  • The N consonant sound.

  • To make this sound, the jaw drops a little, and the lips part, nn.

  • The front, flat part of the tongue goes to the roof of the mouth.

  • Make sure to keep your tongue wide as you do that.

  • The soft palate is lowered.

  • Air comes up through the nasal passages.

  • This makes it a 'nasal consonant'.

  • You can feel the vibration in your nose.

  • Nn.

  • There are only three nasal sounds in American English: nn, ng, mm.

  • It's very important that the tongue be relaxed.

  • If there's tension in the back of the tongue, it will sound somewhat like the NG sound,

  • ng, even if the front of the tongue is in the right position.

  • One thing that will help relaxation is to think about keeping the tongue really wide,

  • nn, nn.

  • Let's look up close and in slow motion.

  • The N sound.

  • Lips relaxed, tongue wide and lifted to the roof of the mouth.

  • If you see any darkness on the sides of the tongue when you practice, that means there

  • is tension in the tongue.

  • Try to release that tension and keep the tongue wide.

  • The word 'no'.

  • Tongue soft, relaxed, and wide.

  • The word 'snag'.

  • Front of the tongue to roof of mouth.

  • The word 'on': wide tongue to the roof of the mouth to finish the word.

  • The N consonant sound: no, snag, on.

  • Example words.

  • Repeat with me:

  • Nice

  • One

  • Number

  • Woman

  • Win

  • Any

  • End

  • The NG consonant sound.

  • To make this sound, the jaw drops a little bit, ng.

  • The lips part, and the back part of the tongue stretches all the way up to the soft palate.

  • The tongue tip is forward.

  • Because the soft palate is lowered, air comes up through the nasal passages.

  • This makes it a 'nasal consonant'.

  • You can feel the vibration in your nose.

  • Ng.

  • There are only three nasal sounds in American English: nn, ng, mm.

  • Let's study it up close and in slow motion.

  • A relaxed, lowered jaw.

  • Since this sound is made at the back of the mouth, it's hard to get a clear picture

  • of it.

  • The tongue lifts in the back, while the tip stays down and forward.

  • The word 'ring'.

  • The tongue lifts in the back, while the tip stays down and forward.

  • Lips are relaxed.

  • The word 'along'.

  • Since the tongue is low for the vowel before, it's easier to see the tongue lift in the

  • back.

  • And now it's lifted in the back, with relaxed lips.

  • The word 'finger'.

  • Again, the tongue lifts in the back, while the tip stays down and forward.

  • This sound can occur in the middle or at the end of a word in American English, but not

  • at the beginning.

  • The NG consonant: ring, along, finger.

  • Example words.

  • Repeat with me.

  • Anger

  • Song

  • Wing

  • English

  • Single

  • Beginning

  • The W sound.

  • To make this sound, ww, ww, the lips form a tight circle, ww.

  • The back part of the tongue stretches up, towards the soft palate, while the front of

  • the tongue lightly touches the back of the bottom front teeth.

  • To give this sound the right quality, you have to close the vocal cords to get this

  • sound: ww, which we add to the sound, ww.

  • You release the vocal cords as you release the lips, coming out of the W sound, ww.

  • Let's look at the sound up close and in slow motion.

  • With the tight circle for the lips, you can't see the tongue at all.

  • But it lifts in the back.

  • The word 'why'.

  • A tight circle for the lips.

  • The word 'west'.

  • Again, a tight circle for the lips.

  • The word 'unwind'.

  • Here the W is in the middle of the word.

  • We still take the time to bring the lips into a tight circle.

  • This sound is most common at the beginning of words.

  • It doesn't occur at the end of any words, though the letter W does.

  • The W consonant: why, west, unwind

  • Example words.

  • Repeat with me.

  • Water

  • Welcome

  • Rework

  • Away

  • Between

  • Will

  • The Y consonant.

  • To make the Y sound, the jaw drops a little bit, yy.

  • The lips may be relaxed, or they may begin to take the position of the next sound.

  • The tongue tip is down, lightly touching the back of the bottom front teeth.

  • The middle part of the tongue lifts and touches the roof of the mouth.

  • It pushes forward against the roof of the mouth before pulling away.

  • As we push the tongue forward on the roof of the mouth, we close the vocal cords to

  • get this sound: yy, which we add to the sound.

  • Yy, yy.

  • We release them the same time we release the tongue.

  • Relaxed jaw drop, and the lips are relaxed.

  • The tongue tip is down while the middle of the tongue presses forward against the roof

  • of the mouth.

  • The word 'yes'.

  • The tongue tip is down while the middle of the tongue presses forward against the roof

  • of the mouth.

  • The tongue releases into the EH as in BED vowel.

  • The word 'youth'.

  • Notice how the lips begin to round for the next sound, the OO as in BOO vowel.

  • 'Yell'.

  • The tongue tip is down while the middle of the tongue presses forward against the roof

  • of the mouth, releasing into the EH as in BED vowel.

  • This sound is most common at the beginning of words.

  • It doesn't occur at the end of any words, though the letter Y does.

  • The Y sound: yes, youth, yell.

  • Example words.

  • Repeat with me.

  • Yeah

  • Unusual

  • Senior

  • You

  • Yesterday

  • Yellow

  • I'm so glad you've taken the time to watch video, really understanding the mouth positions

  • for the sounds of American English can help you gain greater clarity in spoken English.

  • We also have a compilation video on all the vowel and diphthong sounds.

  • I'll put a link to that video in the video description.

  • For now, keep your learning with this video and don't forget to subscribe with notifications

  • on.

  • I love being your English teacher.

  • That's it and thanks so much for using Rachel's English.

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A2 初級

70分で英語の子音24個を学ぶ|発音コンピレーション|Rachel's English (Learn 24 English Consonant Sounds in 70 Minutes | Pronunciation Compilation | Rachel's English)

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    Summer に公開 2021 年 07 月 06 日
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