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  • Today, we're putting together every video we have that focuses on the vowel and diphthong

  • sounds of American English.

  • This is your one-stop shop.

  • You'll see photos, up-close slow-motion words, valuable comparisons.

  • We're going to talk a lot about word stress too because that really affects vowel and

  • diphthong sounds.

  • You're going to learn everything you need to know about these American English sounds.

  • We'll start with the vowel AH like in father and UH like in butter and we'll see a comparison.

  • AH as in FATHER.

  • This vowel needs a lot of jaw drop.

  • Ah.

  • The tongue tip lightly touches behind the bottom front teeth, and the back part of the

  • tongue presses down a little bit.

  • Ah.

  • The lips are neutral, very relaxed.

  • Ah.

  • Because the tongue presses down in the back, you can see further into the dark space in

  • the mouth.

  • Let's see that by watching this vowel up close and in slow motion.

  • The lips are relaxed, and the tongue is lowered in the back.

  • The inside of the mouth is dark.

  • The word 'job'.

  • The jaw drops, and the tongue presses down in the back.

  • Ah.

  • When this vowel is in a stressed syllable, the voice will go up and come down in pitch,

  • ah, job, ah.

  • When it's in an unstressed syllable, it won't be as long, and it won't have the

  • up-down shape of the voice, ah, ah.

  • For example, in the word 'blockade', ah, ah, blockade.

  • The mouth position looks the same: jaw drop, relaxed lips, and tongue pressed slightly

  • down in the back.

  • But because the pitch is flatter and the syllable is quicker, it sounds unstressed.

  • Ah, ah.

  • Stressed AH: job, AH.

  • Unstressed ah: blockade, ah.

  • AH, ah.

  • AH, ah.

  • Example words.

  • Repeat with me:

  • Honest AH, Honest

  • Occupation, ah, occupation

  • hot, AH, hot

  • clock, AH, clock

  • October, ah, October

  • Soft, Ah, soft

  • The UH as in butter vowel

  • This is a very relaxed sound. 

  • You can see, uh, the jaw drops but the rest of the mouth remains very neutral, uh.  

  • The tongue is relaxed: the back presses down just a little bit, and the tip is forward.

  • Uh.

  • Keep your face really relaxed.

  • Let's look at this sound up close and in slow motion.

  • A very relaxed jaw drop with relaxed lips.

  • The tongue presses down just a bit in the back.

  • Here's the word 'stuff'.

  • Again, everything looks nice and relaxed.

  • The tongue presses down just a bit in the back.

  • In a stressed syllable, the vowel curves up then down.

  • Stuff, uh.

  • In an unstressed syllable, it's lower and flatter in pitch, and a little quieter and

  • quicker, uh, uh.

  • The vowel is unstressed in the word 'undo', uh.

  • Let's take a look at this word up close and in slow motion.

  • Easy jaw drop.

  • Lips and cheeks remain very relaxed.

  • Tongue presses down slightly in the back.

  • Compare the stressed vowel above with the unstressed vowel below.

  • Notice the jaw may drop a bit more for a stressed syllable.

  • This is typical.

  • Unstressed vowels and diphthongs are shorter, so there isn't as much time to make the

  • full mouth position.

  • The UH vowel, stressed: stuff, UH The UH vowel, unstressed: undo, uh

  • UH, uh, UH, uh.

  • Example words.

  • Repeat with me.

  • Sometimes, UH, sometimes

  • money, UH, money

  • above, UH, above

  • untie, UH, untie

  • uphill, UH, uphill

  • Fun, UH, fun.

  • Here we have the AH and uh vowels in profile.

  • You can see for the Ah vowel the jaw might drop a little bit more.

  • Also the tongue position has a little bit of tension in it.

  • That's because the tongue is flattened a little bit.

  • In the uh vowel the tongue is completely relaxed.

  • Now you'll see the mouth from the front alternating between the AH and the uh sounds.

  • Watch the subtle change in jaw drop.

  • And see if you can notice the subtle change in tongue position as well.

  • AH

  • Uh

  • AH

  • Uh

  • AH

  • Uh

  • Now we'll do two other vowel sounds that I've noticed can be tricky for my students.

  • Set.

  • Sat.

  • I'm talking about the EH as in bed vowel and the AA vowel like in bat.

  • We'll go over each sound in-depth and have a comparison.

  • the EH as in BED vowel.

  • To make this sound, the jaw drops, eh, and the tongue remains forward with the tip touching

  • lightly behind the bottom front teeth.

  • Eh.

  • The mid/front part of the tongue lifts a little bit towards the roof of the mouth while the

  • back of the tongue feels like it stretches wide.

  • Eh.

  • In a stressed syllable, the voice has a little curve up, then curve down.

  • Eh, eh.

  • It's stressed in the word 'said'.

  • Let's watch up close and in slow motion.

  • The jaw drops.

  • The tongue tip touches the back of the bottom front teeth, and the middle part arches up

  • towards the roof of the mouth.

  • Said, eh, said.

  • In an unstressed syllable, the vowel is lower and flatter in pitch, as well as quieter and

  • quicker, eh, eh.

  • The vowel is unstressed in the word 'employ', eh.

  • Let's take a look up close and in slow motion.

  • Relaxed jaw drop.

  • The middle part of the tongue arches up towards the roof of the mouth.

  • Here we compare the stressed EH from 'said', on top, with the unstressed version from 'employ'

  • on the bottom.

  • Notice the jaw drops more for the stressed version of this vowel.

  • Because the unstressed version of the vowel is shorter, there isn't enough time to make

  • the full jaw drop.

  • EH stressed: said, EH

  • EH unstressed: employ, eh

  • EH, eh.

  • EH, eh.

  • Example words.

  • Repeat with me:

  • Red, EH, Red

  • Never, EH, never

  • embrace, Eh, embrace

  • enter, EH, enter

  • embody, EH, embody

  • Desk, EH, desk.

  • The AA as in BAT vowel.

  • This is a sound that changes depending on the following sound.

  • So, it can either be a pure vowel or a modified vowel.

  • We'll go over both in this video.

  • To make the pure AA vowel, the jaw drops quite a bit, AA.

  • The tip of the tongue stays forward; it's touching the back of the bottom front teeth,

  • AA.

  • The back part of the tongue stretches up.

  • The tongue is wide, AA.

  • Because the tongue is high in the back and low in the front, you can see a lot of it.

  • This is different from the 'ah' as in 'father' vowel, for example, where the tongue presses

  • down in the back and you see more dark space in the mouth.

  • AA, AH.

  • You can also see the corners of the mouth pull back and up a little bit.

  • AA.

  • Let's take a look at the pure AA vowel up close and in slow motion.

  • The tongue tip is down and the back of the tongue lifts.

  • Here's the word 'sat'.

  • The tongue position is easy to see because of the jaw drop needed for this vowel.

  • When AA is in a stressed syllable, the vowel will go up and come down in pitch, AA.

  • Sat, AA.

  • In an unstressed syllable, the vowel is flatter and lower in pitch, quieter, aa.

  • This vowel is unstressed in the second syllable of 'backtrack'.

  • Let's look up close and in slow motion.

  • In the first, stressed syllable, the jaw drops, and we see the corners of the lips pull back

  • and up for the stressed AA.

  • In the unstressed syllable, the jaw drops less.

  • Let's compare them.

  • On top is the stressed AA.

  • You can see the jaw drops more.

  • For the unstressed AA, the corners of the lips are a little more relaxed than in the

  • stressed version, where they pull slightly back and up.

  • Generally, the unstressed version of a vowel or diphthong is more relaxed and doesn't

  • take the full mouth position, in this case, a little less jaw drop, and relaxed lips.

  • This is because unstressed syllables are shorter, so we don't take the time to make the full

  • position.

  • At the beginning of this video, I said the AA vowel is not always a pure AA.

  • This vowel changes when it's followed by a nasal consonant.

  • When it's followed by the M or N sounds, the tongue relaxes in the back, making an

  • UH sound after AA.

  • AA-UH.

  • It's not a pure AA sound.

  • Unfortunately, this change is not represented in the International Phonetic Alphabet.

  • It's still written with the same AA symbol.

  • So, you just have to know when it's followed by m or n, it's different.

  • We don't say 'man', aa, 'man', with a pure AA.

  • We say 'man', aa-uh, aa-uh, relaxing the tongue and corners of the lips before the

  • consonant.

  • You can think of this UH relaxation as the 'uh' as in 'butter' sound or schwa

  • sound.

  • Let's look up close and in slow motion at the word 'exam'.

  • First we see the familiar shape of the mouth, when the AA is in a stressed syllable.

  • Watch how the relaxation that happens: the corners of the lips relax in.

  • The tongue will relax down in the back.

  • And the lips close for the M consonant.

  • This relaxation of the corner of the lips and back of the tongue happens when the AA

  • vowel is followed by the N consonant as well.

  • For example, the word 'hand'.

  • Haa-uhnd.

  • Hand.

  • So, when you see this symbol followed by this symbol or this symbol, it's no longer a

  • pure AA.

  • Think of relaxing out of the vowel, AA-UH.

  • If the next sound is the NG consonant, it's a little different.

  • Rather than 'aa-uh', the vowel changes into AY.

  • It's really like the AY as in SAY diphthong.

  • First, the middle part of the tongue lifts towards the roof of the mouth, then the front

  • part of the tongue.

  • Let's watch 'gang' up close and in slow motion.

  • The position for the first sound looks a lot like AA, but the part of the tongue lifting

  • up is more forward.

  • Gaaaang.

  • Then the front part of the tongue arches up towards the roof of the mouth, while the tongue

  • tip remains down.

  • When you see this symbol followed by this symbol, it's no longer a pure AA.

  • It's more like AY.

  • Gang.

  • Thanks.

  • Pure stressed AA: Sat, aa

  • Pure unstressed AA: backtrack, aa

  • AA, aa, AA, aa.

  • AA vowel modified by M: exam, aa-uh

  • AA vowel modified by N: man, aa-uh

  • AA vowel modified by NG: gang, ay

  • Example words.

  • Repeat with me:

  • Chapter, AA, Chapter

  • can, AA, can

  • act, AA, act

  • last, AA , last

  • bank, ay, bank

  • Bypass, aa, bypass

  • Here you'll see the EH as in bed vowel on the left and the AA as in bat vowel on the

  • right.

  • For the AA vowel, you can see that it's the back part of the tongue that raises up

  • towards the roof of the mouth.

  • For the EH vowel, it's the mid front part of the tongue that is stretching up.

  • Also for the AA, you can see that the jaw drops just a little bit more.

  • So, for the AA vowel, the tongue is raising here.

  • AA

  • And for the EH vowel, the tongue is raising more here.

  • EH

  • So here for the AA and here for the EH.

  • AA

  • EH

  • When comparing the two sounds in isolation, you'll also notice that the jaw does not

  • drop as much for the EH sound as the front part of the tongue is raising towards the

  • roof of the mouth.

  • AA

  • EH

  • There's a difference in the lip position as well.

  • For the AA vowel, you may find that you may get a more accurate sound if you lift a little

  • bit here with the top left.

  • AA, AA.

  • Whereas for the EH sound the lips remain very relaxed and neutral.

  • EH, EH.

  • Now we'll see the two alternating upclose.

  • AA

  • EH

  • AA

  • EH

  • To close, a few minimal pairs.

  • Bat

  • Bet

  • Capped

  • Kept

  • Jam

  • Gem

  • Tack

  • Tech

  • Rack

  • Wreck

  • Next we have another pair that's tricky for my students.

  • EE like in seat and IH like in sit.

  • We'll go over each sound in depth and then I'll talk about length when it comes to

  • vowel sounds.

  • The EE as in SHE vowel.

  • This vowel is common to many languages.

  • To make it, the jaw drops just a little bit.

  • The tongue tip stays behind the bottom front teeth.

  • The middle/front part of the tongue arches up towards the roof of the mouth, diminishing

  • the space between the tongue and the roof of the mouth.

  • The corners of the lips pull a little wide, ee.

  • They're not quite relaxed.

  • Let's see this sound up close and in slow motion.

  • A little jaw drop, tongue tip down and forward while the top front of the tongue arches towards

  • the roof of the mouth.

  • The corners of the lips pull out.

  • In the word 'please', the EE vowel is stressed.

  • Same position.

  • When stressed, the vowel has the up-down shape of a stressed syllable: EE.

  • When unstressed, it's lower and flatter in pitch, quieter, and faster, ee.

  • This is a very common ending unstressed vowel in American English because of all of the

  • words that end in Y, like the word 'busy'.

  • Let's see this word up close and in slow motion.

  • Jaw drops, top front of tongue arches up, and the corners of the lips pull out.

  • Let's compare the stressed EE in 'please', on top, with the unstressed EE in 'busy',

  • on the bottom.

  • You can see the mouth position for the unstressed EE is a little more relaxed.

  • The jaw doesn't drop as much.

  • A more relaxed mouth position for the unstressed version of a vowel or diphthong is very common

  • because they are shorter.

  • So, there is less time to make the full mouth position.

  • Stressed EE: need, EE Unstressed: busy, ee

  • EE, ee.

  • EE, ee.

  • Example words.

  • Repeat with me:

  • Keep, EE, Keep

  • Early, EE, Early

  • Police, EE, police

  • Coffee, ee, coffee

  • meet, EE, meet

  • Each, EE, each

  • The IH as in sit vowel.

  • This vowel can be a challenge for non-native speakers.

  • The tendency is to replace it with the EE vowel.

  • But for the IH vowel, the jaw drops more, so the tongue isn't as close to the roof

  • of the mouth.

  • Let's study the mouth position.

  • There's a relaxed jaw drop.

  • The tip of the tongue stays forward, lightly touching the back of the bottom front teeth.

  • The top, front part of the tongue arches up towards the roof of the mouth.

  • Let's see this vowel up close and in slow motion.

  • Relaxed jaw drop.

  • Tongue tip forward.

  • Top, front part of the tongue arches up towards the roof of the mouth.

  • This vowel is stressed in the word 'fix'.

  • Same mouth position.

  • When this vowel is in a stressed word or syllable, like 'fix', it has an up-down shape, IH,

  • fix, IH.

  • When it's in an unstressed syllable, it will be flatter and lower in pitch, quieter:

  • ih, ih.

  • It's unstressed in the word 'office', ih.

  • Let's take a look.

  • The mouth position is the same, but a little more relaxed.

  • Let's compare the stressed IH in 'fix', on the top, to the unstressed IH in 'office'.

  • Notice that the jaw is more dropped for the stressed syllable.

  • For the unstressed IH, the jaw is less dropped.

  • This is typical.

  • Unstressed vowels are shorter, so there isn't as much time to make the full mouth position.

  • Stressed IH: fix, IH

  • Unstressed IH: office, ih

  • IH, ih, IH, ih

  • Example words.

  • Repeat with me:

  • Which, IH, which

  • instead, Ih, instead

  • begin, IH, begin

  • divorce, Ih, divorce

  • busy, IH, busy

  • Print, IH, print

  • Here along the Hudson River for fleet week, they are bringing out some old-time replica

  • ships.

  • Like the ones taken in this photo by my friend Jovan.

  • And this made me think about the vowels IH and EE.

  • Ships has the IH as in sit vowel and fleet, week both have both have the EE as in she

  • vowels.

  • Now I just did a video on the IH vowel versus the EE vowel, a comparison.

  • And I didn't talk about length at all.

  • That's because I don't think length really comes into play when we're talking about

  • a vowel on its own.

  • But since a lot of people teach length when they teach these two vowels, I thought I should

  • talk about it.

  • A lot of people will say that EE is a long vowel and Ih is a short vowel.

  • But I feel like vowels themselves don't have a length.

  • To me the length of a syllable depends on is a distressed syllable or is unstressed.

  • So if the Ih vowel is in the stressed syllable of a content word, then it would be long even

  • though some people would call it short vowel.

  • Another thing that can affect vowel length is the ending consonant.

  • If everything else is the same and the ending consonant is voiced, then that vowel will

  • be a little bit longer than if the ending consonant is unvoiced.

  • So, for example the word cap will be a little bit shorter than the word cab.

  • Cap

  • Cab

  • So in looking at the EE vowel and the IH vowel in the word beat.

  • An unvoiced consonant there at the end, that EE vowel is short.

  • Beat.

  • But in the word bid, the ending consonant there is voiced so IH will be a little bit

  • longer.

  • So don't think about the length of the vowel being tied to the vowel itself.

  • It's tied to the syllable and the sentence position and maybe the ending consonant.

  • This ship was interesting.

  • Because instead of raising their sails, they had people standing where the sails would

  • have been.

  • Notice how been spelled with two e's is actually pronounced with the IH as in sit

  • vowel.

  • Listen again.

  • where the sails would have been.

  • Hey Jovan

  • Yeah

  • Nice socks.

  • Thanks.

  • I really like them.

  • Thanks, that means a lot.

  • Now you'll see videos that go into the details of all the remaining vowel and diphthong sounds.

  • Then we'll compare the mouth positions for the different sounds.

  • the AW as in LAW vowel.

  • This vowel sound, when pure, is quite similar to the AH as in FATHER vowel.

  • In some areas of the United States, we don't even make this sound.

  • We always use the AH as in FATHER sound instead.

  • Also, when this vowel is followed by the R consonant, it changes.

  • We'll go over that.

  • First let's study the mouth position.

  • To make this vowel, the jaw drops and the tongue shifts back.

  • The tip of the tongue doesn't touch anything.

  • The lips flare a bit.

  • AW.

  • One technique that might help you make this sound is to think of the cheeks coming in

  • and shifting forward just a little bit, aw.

  • This is a way to make it different from the AH as in FATHER vowel, where the lips and

  • cheeks are totally relaxed.

  • AW, AH.

  • Let's watch up close and in slow motion.

  • The jaw drops, the lips flare out a little bit, and the tongue pulls back.

  • Let's compare with the AH as in FATHER vowel, on top.

  • In AH, the lips are relaxed.

  • In AW, the lips flare.

  • Also notice how the tongue pulls back in the AW vowel.

  • In a stressed syllable, this vowel has the up-down shape of stress.

  • AW.

  • AW.

  • For example, in the word 'saw'.

  • Jaw drops, lips flare, tongue shifts back.

  • In an unstressed syllable, the voice will be lower in pitch, quieter, and flatter.

  • Unstressed syllables won't be as long, aw, aw.

  • AW, aw.

  • The voice is unstressed in the word 'on', a function word, on.

  • Function words are unstressed, aw, aw.

  • Note, this word can also be pronounced with the AH as in FATHER vowel.

  • The vowel here is extremely quick since it's in an unstressed syllable.

  • The tongue tip isn't quite forward.

  • The tongue is in position just an instant before the tongue flips up to make the N.

  • Let's compare the stressed AW in SAW, on top, with the unstressed AW in 'on', on

  • the bottom.

  • You can see the jaw drops less, the lips are more relaxed, and the tongue doesn't shift

  • back as much.

  • Unstressed syllables are shorter than stressed syllables, so often the unstressed version

  • of a vowel or diphthong doesn't take the full mouth position of the stressed version.

  • This vowel can be affected by following consonants.

  • When the AW vowel is followed by the R consonant, the sound does change.

  • The lips flare more, and the tongue pulls back more, and up a little bit.

  • This is because we blend the position for the R with the position for the AW when the

  • R follows the AW.

  • Instead of AW, the sound is aw, core, aw, aw, AW.

  • Let's look at another word.

  • Sore, aw, aw, sore, aw, AW.

  • Let's compare the pure AW with the AW followed by R, in the word 'quarter', on the bottom.

  • You can see for the AW followed by R, the lips round more and the jaw drops less.

  • Because of the lips, it's hard to see the tongue, but it pulls back and up more than

  • in a pure AW vowel, above.

  • Pure stressed AW: saw, AW

  • Pure unstressed AW: on, aw

  • AW, aw, AW, aw

  • AW modified by R: core, aw, aw.

  • Example words.

  • Repeat with me.

  • Boss, AW, boss

  • long, AW, long

  • runoff, aw, runoff

  • lifelong, aw, lifelong

  • login, AW, login

  • wrong, AW, wrong

  • Daughter.

  • AW, daughter

  • The schwa vowel sound.

  • This vowel is always unstressed.

  • The mouth position is a lot like the UH as in BUTTER vowel, but that vowel can be and

  • usually is stressed.

  • But just like that vowel, everything in your lips, jaw, and neck should be relaxed for

  • this sound.

  • Just slightly drop your jaw to make this sound.

  • The trick is to keep everything else relaxed.

  • Let's look at the vowel up close and in slow motion.

  • It's possible to make this sound on its own with just the slightest jaw drop.

  • But in actual words, you will likely see a bit more jaw drop, like here, on the word

  • 'sofa'.

  • Lips relaxed, cheeks relaxed, tongue forward and relaxed.

  • As I said, this vowel can only be in an unstressed syllable.

  • All other vowel and diphthong sounds can either be stressed or unstressed.

  • So the schwa will always be really fast and low in pitch.

  • Uh, uh.

  • Sofa, uh.

  • Ability, uh.

  • The schwa goes with the syllabic consonants L, M, N, and R. That means when you have a

  • syllable with a schwa followed by one of these consonants, you don't need to make the schwa.

  • It gets absorbed by the next sound.

  • For example, the word 'father': th-rr, th-rr.

  • Just go from the TH sound right into the R sound without trying to make a separate schwa.

  • Father, -ther.

  • The schwa: always unstressed.

  • Uh, sofa, uh, uh, ability, uh.

  • Example words.

  • Repeat with me:

  • Allow, uh, allow

  • extra, uh, extra

  • data, uh, data

  • again, uh, again

  • visa, uh, visa

  • About, uh, about

  • The OO as in BOO vowel.

  • This sound is a little different from all of the other vowel sounds.

  • Other vowel sounds have one mouth position, EE, for example.

  • And it's the position of the tongue, lips, and jaw that make the sound.

  • For this vowel, the movement into and out of the position is just as important as the

  • position itself, ih-oo.

  • We'll talk about that in a second.

  • First, let's take a look at the mouth position.

  • To make this sound, the back part of the tongue stretches up towards the soft palate.

  • The front part of the tongue remains down, lightly touching, or just behind, the bottom

  • front teeth.

  • I'm sure you can see the lips round a lot.

  • We want to begin this sound with lips that are more relaxed to move into this tighter

  • lip position.

  • Let's take the word 'do' as an example.

  • The lip position doesn't matter for the D sound.

  • The lips can start moving into the position for the next sound when making the D, like

  • in the consonant cluster 'drop'.

  • Did you see how my lips were already forming the R when I made the D?

  • Drop.

  • So what happens when we make the lip position for OO as we make the D sound?

  • Du, du.

  • That's not the right sound, do, du.

  • To make the right American OO sound, the lips have to start out, more relaxed, and then

  • come into this tight circle.

  • This transition into position for the sound is just as important as the position itself.

  • Let's see up close and in slow motion.

  • Lips start in a bigger flare, more relaxed, before moving into the tighter circle.

  • Look at how much the corners of the lips come in for this sound.

  • Now let's take a look at the word 'do'.

  • Remember, we don't want to start with the lips in a tight circle, but in a more relaxed

  • position so they can move into the tight circle.

  • Then lips move from the flare into the tighter circle.

  • It might help to think to think of this sound as ih-oo, starting with a more relaxed lip

  • position.

  • Ih-oo.

  • In a stressed syllable, you have an up-down shape in the voice, OO, OO.

  • In an unstressed syllable, the pitch will be flatter and lower, and it will be quieter

  • and quicker, oo, oo.

  • The OO vowel is unstressed in the word 'visual', oo.

  • Let's take a look up close and in slow motion.

  • Often, unstressed vowels have a more relaxed lip position.

  • Notice that, for the oo vowel, the lips do still come into a tight circle.

  • The OO vowel stressed: do, OO

  • The OO vowel unstressed: visual, oo

  • OO, oo, OO, oo.

  • Example words.

  • Repeat with me:

  • Blue, OO, Blue

  • issue, oo, issue

  • suit, oo, suit

  • move, OO, move

  • influence, oo, influence

  • Two.

  • OO, two

  • The UR as in BIRD sound.

  • I sometimes say this is the vowel version of the R consonant.

  • It's always followed by R, and there's no distinction between the sounds in American

  • English.

  • This sound will always be written with two different International Phonetic Alphabet,

  • or IPA, symbols, but will be pronounced rrrrrr, just one sound, bird.

  • To make this sound, the corners of the lips come in, pushing the lips away from the face.

  • The middle part of the tongue lifts towards the roof of the mouth in the middle.

  • The front of the tongue hangs down, but it's drawn back a bit.

  • So, it's not touching anything.

  • As the tongue lifts in the middle, it may be close to the roof of the mouth without

  • touching it, or it may touch the sides of the roof of the mouth, or the insides or bottom

  • of the top teeth, here, ur, ur.

  • This, along with the R consonant, is one of the hardest sounds to make in American English.

  • It's especially hard because the lip position hides the tongue position.

  • Let's take a look.

  • From the side, we can't even see the tongue.

  • The front view doesn't help much either.

  • This is because the tongue goes back, but the lips flare forward.

  • Here's the word 'hurt'.

  • Watch the tongue pull back and up

  • before coming forward for the T.

  • In a stressed syllable, the UR vowel curves up then down.

  • Hurt, ur.

  • In an unstressed syllable, it's lower in pitch, as well as quieter and quicker, ur,ur.

  • The vowel is unstressed in the word 'research', ur.

  • Let's take a look at this word up close and in slow motion.

  • The lips flare, but the jaw doesn't drop as much.

  • Let's compare the stressed UR in 'hurt', on the top, with the unstressed vowel in 'research',

  • on the bottom.

  • The lips flare for both, but in this case, there was much more jaw drop for the stressed

  • version of this vowel.

  • This is typical.

  • Unstressed vowels are shorter, so there isn't as much time to make the full mouth position.

  • The UR vowel, stressed: hurt, UR

  • Unstressed: research, ur

  • UR, ur, UR, ur

  • Example words.

  • Repeat with me:

  • Earth, UR, Earth

  • search, UR, search

  • circle, UR, circle

  • thirteen, us, thirteen

  • return, UR, return

  • Outburst, ur, outburst.

  • The UH as in PUSH vowel.

  • To make this sound, the corners of the lips come in a little so the lips flare away from

  • the face, UH.

  • The back of the tongue lifts towards the back of the roof of the mouth.

  • The front of the tongue remains down, but it might be pulled slightly back, so it's

  • not quite touching the back of the bottom front teeth.

  • Let's look at this sound up close and in slow motion.

  • The lips flare and the tongue inside the mouth is a little darker than on other vowels because

  • the tongue is pulled back.

  • Here's the word 'took'.

  • The corners of the mouth come in to flare the lips.

  • The back of the tongue lifts, and the front pulls back a little.

  • In a stressed syllable, the vowel curves up then down.

  • Took, uh.

  • In an unstressed syllable, it's lower and flatter in pitch, as well as quieter and quicker.

  • The vowel is unstressed in the word 'good-bye', uh, uh.

  • Let's look at this word up close and in slow motion.

  • Again, the lips flare and the tongue lifts in the back, pulling back the front of the

  • tongue.

  • Let's compare the stressed version on top with the unstressed version on the bottom.

  • Notice the lips flare a little less for the unstressed vowel, hiding the bottom teeth.

  • Generally, the unstressed version of a vowel or diphthong is more relaxed and doesn't

  • take the full mouth position, in this case, a little less lip flare, and possibly less

  • jaw drop.

  • This is because unstressed syllables are shorter, so we don't take the time to make the full

  • mouth position.

  • The stressed UH: took, UH

  • Unstressed: good-bye, uh

  • UH, uh.

  • UH, uh.

  • Example words.

  • Repeat with me:

  • Could, UH, could

  • Book, UH, book

  • Firewood, uh, Firewood

  • Sugar, UH, sugar

  • Childhood, uh, Childhood

  • Woman, UH, woman

  • The AY as in SAY diphthong.

  • Diphthongs are a combination of two sounds, so they have a starting position and an ending

  • position.

  • In the first position, the jaw drops and the tongue tip touches the back of the bottom

  • front teeth.

  • The top of the tongue pushes forward and lifts a bit.

  • The second sound is the IH as in SIT vowel.

  • To transition into this position, your jaw will lift as the top, front part of the tongue

  • arches towards the roof of the mouth.

  • Let's look at a word with this sound, 'pay'.

  • The jaw drops, and you can see a lot of tongue as the front and middle push up and forward.

  • As the top, front part of the tongue arches up towards the roof of the mouth, the jaw

  • comes up.

  • Lips are relaxed for this diphthong.

  • AY, pay.

  • In a stressed syllable like 'pay', the AY diphthong curves up then down.

  • Pay, ay.

  • In an unstressed syllable, it's lower and flatter in pitch, as well as quicker and quieter,

  • ay, ay.

  • The diphthong is unstressed in the word 'driveway', ay.

  • Let's take a look at this word.

  • Just as before, the jaw drops, and you can see a lot of tongue as the front and middle

  • push up and forward.

  • Then the top, front part of the tongue arches up towards the roof of the mouth, and the

  • jaw comes up.

  • Jaw drop may be a little less when this diphthong is in an unstressed syllable, as we tend to

  • simplify mouth movements in unstressed syllables, which are shorter.

  • The AY diphthong, stressed: Pay, AY

  • Unstressed: driveway, ay

  • AY, ay, AY, ay.

  • Example words.

  • Repeat with me:

  • Okay, AY, Okay

  • Play, AY, Play

  • Operate, ay, Operate

  • Gain, AY, Gain

  • Separate, ay, Separate

  • Pain, AY, Pain

  • the AI as in BUY diphthong.

  • Diphthongs are a combination of two sounds, so they have a starting position and an ending

  • position.

  • In the first position, the jaw is more dropped than the second position.

  • The back of the tongue stretches up a little bit.

  • As the mouth moves into the second position, the jaw drops less as the front part of the

  • tongue arches up towards the roof of the mouth.

  • For both the beginning and the end of this diphthong, the tongue tip touches the back

  • of the bottom front teeth.

  • Let's watch up close and in slow motion, where you can really see the front part of

  • the tongue arching up.

  • The jaw drops and the front part of the tongue stays down, with the tip touching the back

  • of the bottom front teeth.

  • Immediately the tongue moves into the second position, the top front arching up towards

  • the roof of the mouth.

  • As the tongue arches up, there's less jaw drop.

  • Here's the word 'hi'.

  • Jaw drops with the front of the tongue down, then the jaw lifts as the front of the tongue

  • arches towards the roof of the mouth.

  • In a stressed syllable, the AI diphthong curves up then down.

  • Hi, AI.

  • In an unstressed syllable, it's lower and flatter in pitch, as well as quicker and quieter,

  • ai, ai.

  • The diphthong is unstressed in the word 'idea', ai.

  • Let's take a look at this word.

  • The jaw drops, but just a little bit less than it would in a stressed syllable.

  • Then the tongue arches up towards the roof of the mouth before the tip goes to the roof

  • of the mouth for the D.

  • The AI diphthong, stressed: hi, AI

  • The AI diphthong, unstressed: idea, ai

  • AI, ai, AI, ai.

  • Example words.

  • Repeat with me:

  • Exercise, AI, Exercise

  • Wine, AI, Wine

  • Bright, AI, Bright

  • Guy, AI, Guy

  • Allies, ai, Allies

  • Sky, AI, Sky

  • The OH as in NO diphthong.

  • Diphthongs are a combination of two sounds.

  • They have a starting position and an ending position.

  • The jaw drops for the beginning position, tongue shifts back a little bit.

  • The lips may start relaxed, or may start rounding right from the beginning.

  • After dropping the jaw, immediately start moving into the ending position: the lips

  • round, and the back part of the tongue stretches up.

  • Focus on the movement of the jaw and the lip rounding.

  • Let's see this sound up close and in slow motion.

  • Jaw drop for the first position, and rounded lips for the second.

  • The word 'slow'.

  • Notice how the lips are not relaxed in the first position of this diphthong, with the

  • jaw drop.

  • They're flared, which does not affect the sound, as they prepare to round for the ending

  • position.

  • Rounded lips.

  • In a stressed syllable, the OH diphthong curves up then down.

  • Slow, oh.

  • In an unstressed syllable, it's lower and flatter in pitch, as well as quieter and quicker,

  • oh.

  • The diphthong is unstressed in the word 'okay', oh.

  • Let's take a look at the word 'okay'.

  • The jaw drops, but not quite as much as it did on the stressed syllable of 'slow'.

  • The lips begin to round for the transition into the ending position.

  • The lips round, but not quite as much as for the stressed OH in 'slow'.

  • Here we compare the first position of the stressed OH on top with the unstressed version

  • on the bottom.

  • Less jaw drop for the unstressed version.

  • And here, the second position.

  • You can see that for the stressed OH, on top, the lips round more than they do in the unstressed

  • version.

  • Generally, the unstressed version of a vowel or diphthong is more relaxed and often doesn't

  • take the full mouth position, in this case, less jaw drop and less lip rounding.

  • This is because we don't take as much time for unstressed syllables, they're shorter,

  • so we simplify the mouth movements.

  • The OH diphthong, stressed: slow, OH

  • Unstressed: okay, oh

  • OH, oh, OH, oh.

  • Example words.

  • Repeat with me:

  • Alone, OH, Alone

  • Tomorrow, oh, Tomorrow

  • Home, OH, Home

  • Window, oh, Window

  • Phone, OH, Phone

  • Social, OH, Social

  • The OW as in NOW diphthong.

  • Diphthongs are a combination of two sounds, so they have a starting position and an ending

  • position.

  • To start this sound, drop the jaw.

  • The first sound is similar to the AA as in BAT vowel.

  • The tongue is wide and flat, the back stretches up a little bit.

  • The tongue tip touches the back of the bottom front teeth.

  • The upper lip might lift a little, or it will be relaxed.

  • To transition into the second position, the lips round and the jaw drops less.

  • The back of the tongue stretches up more.

  • This second position is considered the same as the UH as in PUSH vowel.

  • But when it's a part of a diphthong, the lips round more than when it occurs as a pure

  • vowel.

  • Let's see this sound up close and in slow motion.

  • Jaw drops.

  • Here, the upper lip pulls a little bit.

  • The tongue lifts in the back.

  • Now the lips come in and round as the jaw comes up.

  • The word 'wound'.

  • The lips start in a tight circle for the W, but then open out for the first position of

  • the diphthong before rounding again for the second position of the diphthong.

  • In a stressed syllable, the OW diphthong curves up then down.

  • Wound, OW.

  • In an unstressed syllable, it's lower and flatter in pitch, as well as quieter and quicker,

  • ow, ow.

  • The diphthong is unstressed in the word 'shutdown', ow.

  • Let's take a look at this word.

  • Jaw drops, but notice the top lip is relaxed, it doesn't pull up.

  • Tongue is lifted in the back.

  • In the ending position, the lips aren't quite as rounded as they were in the stressed

  • version of this diphthong.

  • Here you see the jaw drop in the first position of the diphthong, stressed version on top.

  • Notice that the jaw doesn't drop as much for the unstressed diphthong.

  • Here's the second position.

  • The lips don't round as much for the unstressed diphthong; they're more relaxed.

  • Generally, the unstressed version of a vowel or diphthong is more relaxed and often doesn't

  • take the full mouth position, in this case, less jaw drop and less lip rounding.

  • This is because we don't take as much time with unstressed syllables.

  • They're shorter, so we simplify the mouth movements.

  • The OW diphthong, stressed: wound, OW

  • Unstressed: shutdown, ow

  • OW, ow, OW, ow.

  • Example words.

  • Repeat with me:

  • About, OW, About

  • Sound, OW, Sound

  • House, OW, House

  • Letdown, ow, Letdown

  • Blackout, ow, Blackout

  • Found.

  • OW, Found

  • The OY as in TOY diphthong.

  • Diphthongs are a combination of two sounds, so they have a starting position and an ending

  • position.

  • This diphthong begins with the AW as in LAW [ɔ] vowel.

  • As a part of the diphthong, the lips round more than they do for the pure vowel by itself,

  • like in the word 'law'.

  • Oy.

  • The tongue is slightly lifted and shifted a bit back, so the tip of the tongue is not

  • touching anything.

  • The ending position is the 'ih' as in 'sit' vowel.

  • The lips relax and the tongue comes forward.

  • The tip lightly touches the back of the bottom front teeth, and the top, front part of the

  • tongue arches up towards the roof of the mouth.

  • This brings the jaw back up.

  • Let's look at this sound up close and in slow motion.

  • At the beginning of the diphthong, the lips are rounded.

  • The space inside the mouth is dark because the tongue has shifted back.

  • For the second position, the corners of the lips have relaxed out and the front, top part

  • of tongue reaches up towards the roof of the mouth.

  • There is still some jaw drop.

  • Here's the word 'toy'.

  • Again, lips round for the first sound, and relax for the second sound as the tongue arches

  • towards the roof of the mouth in the front.

  • In a stressed syllable, the OY diphthong curves up then down.

  • Toy, OY.

  • In an unstressed syllable, it's lower and flatter in pitch, as well as quieter and quicker,

  • oy, oy.

  • The diphthong is unstressed in the word 'tabloid', oy.

  • Let's take a look at this word.

  • The diphthong looks the same: lips rounded for the beginning position, then relaxing

  • out for the ending position, before the tongue tip flips up for the D.

  • But because the pitch is flatter and the syllable is quicker, it sounds unstressed.

  • The OY diphthong, stressed: toy, OY

  • Unstressed: tabloid, oy

  • OY, oy, OY, oy.

  • Example words.

  • Repeat with me:

  • Oil, OY, Oil

  • Coin, OY, Coin

  • Joyful, OY, Joyful

  • Steroid, oy, Steroid

  • Loyal, OY, Loyal

  • Boy, OY, Boy

  • The EW as in FEW diphthong.

  • Diphthongs are a combination of two sounds.

  • They have a starting position and an ending position.

  • The first sound is the Y consonant.

  • Diphthongs are normally made up of two vowel sounds, but in this case, the Y consonant

  • is acting as a vowel.

  • For example, in the word 'music' the Y sound goes with the OO vowel to make a diphthong

  • rather than with the M consonant to make a consonant cluster, music.

  • To make the Y sound, the jaw drops a little bit.

  • The lips may be relaxed, or they may begin rounding for the ending position.

  • The tongue tip is down, lightly touching the back of the bottom front teeth.

  • The mid/front part of the tongue lifts and touches the roof of the mouth about here.

  • It pushes forward against the roof of the mouth before pulling away.

  • As we move the tongue on the roof of the mouth, we close the vocal cords to get this sound:

  • yy, which we add to the sound.

  • Yy, yy.

  • We release it the same time we release the tongue.

  • To transition into the next sound, we release right into the position of OO as in BOO vowel.

  • The tongue tip doesn't need to move; it remains touching the back of the bottom front

  • teeth.

  • The back part of the tongue lifts towards the soft palate.

  • The lips round.

  • Let's study a word with this sound, 'use'.

  • Jaw drops just a little bit as the tongue lifts and presses forward against the roof

  • of the mouth.

  • The lips flare in preparation for the rounding at the end of the diphthong.

  • Tongue releases, lifts in the back, and the lips round.

  • In a stressed syllable, the EW diphthong curves up then down.

  • Use, ew.

  • In an unstressed syllable, it's lower and flatter in pitch, as well as quieter and quicker,

  • ew, ew.

  • The diphthong is unstressed in the word 'interview', ew.

  • Let's take a look at the word 'interview'.

  • A little bit of lip rounding in the first position of the diphthong.

  • But in the ending position, the lip rounding is subtle.

  • Not like in a stressed EW diphthong.

  • Let's compare the ending position of the stressed EW diphthong, above, with the unstressed

  • diphthong, below.

  • In the stressed version, the lips round much more.

  • Generally, the unstressed version of a vowel or diphthong is more relaxed and doesn't

  • take the full mouth position, in this case, less lip rounding.

  • This is because we don't take as much time for unstressed syllables, they're shorter,

  • so we simplify the mouth movements.

  • EW stressed: use, EW

  • Unstressed: interview, ew

  • EW, ew, EW, ew.

  • Example words.

  • Repeat with me:

  • Music, EW, Music

  • Continue, ew, Continue

  • Review, EW, Review

  • Unite, ew, Unite

  • Union, EW, Union

  • Future, EW, Future

  • In this video, we're going to do side by side comparisons of vowel and diphthong sounds

  • that are similar.

  • Seeing how similar sounds are different should help you solidify the individual sounds.

  • Let's get started.

  • Notice how the lips are completely relaxed for AH, but the corners pull back and up for

  • AA.

  • Ah, aa, ah, aa.

  • Notice how there's more jaw drop for ah.

  • Press your tongue down in the back for this vowel.

  • ah

  • uuh

  • Ah

  • uh

  • Notice how the corners of the lips pull back and up just a bit for the AA vowel.

  • This is the word 'sat'.

  • The lips are more relaxed for EH.

  • This is the word 'said'.

  • Sat

  • said

  • sat

  • said

  • Notice how the lips are totally relaxed for 'ah', but flared a bit for 'aw'.

  • ah

  • aw

  • ah

  • aw

  • IH has more jaw drop.

  • The tongue arches closer to the roof of the mouth in EE.

  • ih

  • ee

  • ih

  • ee

  • EH has more jaw drop.

  • This is the word 'said'.

  • In IH, the front part of the tongue arches closer to the roof of the mouth.

  • This is the word 'fix'.

  • Fix

  • Said

  • Fix

  • Said.

  • The jaw drops less for EE.

  • Here, EE is in the word 'please'.

  • Notice how much the jaw drops for the first sound of AY.

  • This is the word 'pay'.

  • pay

  • please

  • pay

  • please

  • The jaw drops more for the first sound of the diphthong in the word 'pay'.

  • But the tongue is forward for both sounds.

  • Here, the IH vowel is in the word 'fix'.

  • The second half of the diphthong is the same sound as the IH vowel.

  • But here the jaw drops a little less.

  • pay

  • fix

  • pay

  • fix

  • The mouth position for the EH vowel in 'said' looks identical to the first half of the diphthong

  • in 'pay'.

  • But look at the jaw for the second position of the AY diphthong.

  • Less jaw drop.

  • pay

  • said

  • pay

  • said

  • Notice how the lips and mouth are totally relaxed for the UH as in BUTTER vowel, but

  • for the UR vowel, the lips flare and the tongue is pulled back.

  • uh

  • ur

  • uh

  • ur

  • There's more jaw drop for the UH as in BUTTER sound, which is usually stressed, than for

  • the schwa, which is always unstressed.

  • Here, it looks like there is no jaw drop.

  • Uh,

  • uh

  • Uh

  • uh

  • The lips round much more for the OO vowel.

  • Flare them for the UH as in PUSH vowel.

  • UH

  • oo

  • UH

  • oo

  • The lips flare a bit for the UH as in PUSH vowel, but are totally relaxed for the UH

  • as in BUTTER vowel.

  • Uh

  • Remember to start your lips in a relaxed position for OO.

  • For the OH diphthong the jaw drops a lot for the beginning sound.

  • Then the lips make a tight circle for OO, and round, but not as much, for the second

  • sound of OH.

  • oo

  • oh

  • oo

  • oh

  • The beginning position of OH looks a lot like the AH vowel, but the tongue pushes down in

  • the back for the AH vowel.

  • The ending position of the OH diphthong has lip rounding, but the lips are always relaxed

  • for the AH vowel.

  • OH

  • AH

  • OH

  • AH

  • Notice how the corners of the lips pull back for the first sound of the OW diphthong, but

  • the lips flare for the AW vowel.

  • The jaw drops much less and the lips flare a little for the second half of the OW diphthong.

  • The mouth position doesn't change for the AW vowel.

  • OW

  • AW

  • OW

  • AW

  • Now we'll see and say all those sounds and words again, mixed up in a different order.

  • Say them with me, in slow motion.

  • Aa

  • ah

  • aw

  • ah

  • aa

  • sat

  • said

  • aa

  • ah

  • uh

  • aw

  • uh

  • uh

  • uh

  • oo

  • uh

  • uh

  • ur

  • uh

  • uh

  • uh

  • sat, , , , , ee, ih, fix, said, ee, ih, pay, please, fix, ur, uh, oo, uh,

  • said

  • aa

  • ah

  • aw

  • ee

  • ih

  • fix

  • said

  • ee

  • eh

  • pay

  • please

  • fix

  • ur

  • uh

  • oo

  • Uh

  • uh

  • oh

  • oo

  • I'm so glad you've taken the time to watch this video.

  • Really understanding the mouth positions for the sounds of American English can help you

  • gain greater clarity in your spoken English.

  • We'll have another video coming out in few weeks, a compilation of all the consonant sounds.

  • For now, keep your learning going with this video and don't forget to subscribe with notifications,

  • I love being your English teacher.

  • That's it and thanks so much for using Rachel's English.

Today, we're putting together every video we have that focuses on the vowel and diphthong

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DON'T Fall For These Diphthongs and Vowel Mistakes|Pronunciation Compilation|Rachel's English (DON'T Fall For These Diphthongs and Vowel Mistakes | Pronunciation Compilation | Rachel’s English)

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    Summer に公開 2021 年 06 月 15 日
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