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  • - "You're American, I'm American.

  • "Well, just, hell, we're all American.

  • "Can't we just be all Americans?"

  • Yeah, we are.

  • We all Americans,

  • but we live in two different Americas.

  • That's what it is.

  • People forget that.

  • And I don't think everybody

  • that doesn't understand what we go through

  • is necessarily racist or bigoted.

  • That's a far jump.

  • There's a lot of folks that just straight up don't know

  • what it's like, and you gotta educate them.

  • You gotta educate them

  • on the kind of America you live in.

  • I go to Best Buy and give a dude some straightening.

  • (audience laughs)

  • Straighten his ass out, yeah.

  • I'm straightening.

  • Dude at Best Buy gonna decide

  • I don't need a bag with my purchase.

  • (audience laughs)

  • "You just have an iPhone case.

  • "I figure you can just pop that open and..."

  • No, I ain't popping shit.

  • You put it in the bag.

  • (audience laughs)

  • I need that in a bag.

  • "What do you need a bag for?

  • "I don't understand why you need a bag.

  • "It's wasteful.

  • "Recycle.

  • "Don't you care about the earth?"

  • I go, "Sir, this has nothing to do with the earth.

  • "I'm a Black man in America,

  • "I gotta leave this store with a bag, bruh."

  • (audience applauding)

  • It's about safety.

  • I'm Black.

  • I don't get the luxury of just walking out

  • with shit in my hand.

  • That is a roll of the dice.

  • That is a horrifying day.

  • No, not only do I need the bag, bitch,

  • I need that receipt.

  • (audience cheering)

  • And staple it to the outside.

  • I don't want a receipt in my hand.

  • You staple my receipt to the outside

  • like Chinese carry out

  • and I hold it up in the air.

  • I "Lion King."

  • I hakuna matata an iPhone case out of Best buy.

  • For me, in my standup,

  • if I haven't made you uncomfortable

  • somewhere in there then I don't think I've done my job.

  • And I'm not there to make you squirm and feel,

  • but this is gonna be a real conversation

  • about stuff that's happening in the world.

  • Now, there might be a couple goofy ass jokes

  • somewhere in that performance,

  • but somewhere in there there needs to be something

  • that speaks to an honest observation about the world.

  • And I don't think every comedian sets out

  • to change the world, and politics, and Blackness,

  • but even if it's just about relationships

  • it's still your truth.

  • You've experienced something

  • and you're reporting it back to the people.

  • And to me, that is the type of comedy

  • that will always fly the furthest and the highest

  • is comedy that is a reflection of the human condition.

  • (smooth jazz music)

  • - The role of Black comedy

  • with what's happening in the world today

  • is no different than the role of Black comedy

  • from the beginning.

  • It's all about telling the real story from our perspective.

  • What better place to be able to tell your story

  • than on a stand up stage with freedom of speech

  • and letting it just go?

  • - As a comic, I've been there before

  • where I needed to go to the club.

  • So if something crazy happened in the news

  • where I was like, "Yo, I don't know how to deal with this,"

  • for me, right away I'm going to the comedy club.

  • And I don't care if it's just for me to do a set

  • or if I'm coming there just to watch

  • some other cats do they thing,

  • because I need the laugh.

  • - Redd Foxx said it to Malcolm X.

  • You gotta do something to get people excited and engaged,

  • and a sense of humor is the best thing

  • that everybody can meet at one place.

  • You can laugh people into some truth,

  • and you can hit them with some reality

  • of what's gong on in the world.

  • - Sometimes I like to have fun and it's all fun shit,

  • and sometimes it's like, "You know what?

  • "This is the fucked up shit that's going on in the world."

  • And a lot of times when you're a Black comic

  • and you're...

  • And I'm mainstream comedy,

  • sometimes white people don't wanna hear that shit, you know?

  • Or they tune in when it feels comfortable for them.

  • - Comedy, especially in the Black community,

  • truth to power.

  • I always said we the third eye.

  • We right below the pastor.

  • There's Jesus, it's your clergy, then it's comedians.

  • - I'm not preaching.

  • I'm a stand up comic.

  • My first priority is to entertain you.

  • If I'm making you laugh

  • and I'm educating you at the same time, brilliant.

  • So I talk about police brutality in my set,

  • but I do it in a way you don't even realize

  • I'm talking about police brutality,

  • and then you go, "Oh shit."

  • I don't care about Starbucks banning wifi for porn.

  • That doesn't interest me.

  • That's for white dudes.

  • (audience laughs)

  • You know it's white dudes.

  • Black guys get arrested just for not buying coffee.

  • Can you imagine if they got their dicks out?

  • (audience laughs)

  • "I shot the penis!

  • "The penis was resisting!"

  • (audience laughs)

  • - We have always, from the Richard Pryors

  • to the Dick Gregory, God rest his soul,

  • made society see what they was doing to us in a comical way.

  • And laugh about it to keep from crying about it

  • or be invalid about it.

  • So, I take that on.

  • I take on that responsibility very serious.

  • I have to talk to my people and say,

  • "Yeah, this happened to me too."

  • - I hate to see any baseball player having trouble.

  • That's a great sport for my people.

  • That is the only sport in the world

  • where a negro can shake a stick at a white man

  • and won't start no riot.

  • (audience laughs)

  • - Dick Gregory represented us

  • not just as a stand up comedian,

  • but as a civil rights activist.

  • Dick Gregory spoke when I was a freshman in college.

  • The way he schooled me, Medgar Evers schooled him,

  • and it was all about doing the right thing for all, not one.

  • - [Dick] Great men have said before

  • that a soldier can fight for his country

  • against another country,

  • but it takes something like a super special man

  • to fight his country when it is wrong.

  • - If you're a Black entertainer and you talk about race,

  • you're gonna take a hit.

  • Like, it's just natural,

  • because there's always gonna be backlash.

  • Same thing with, like, Kaepernick.

  • Like, white people don't want to see you

  • talking about the issues, they just wanna laugh.

  • You're just a comedian, just stick to your day job.

  • I felt more connected to artists that use their platform,

  • especially if you get the opportunity

  • to be in white rooms, on white television,

  • in front of white people,

  • especially white people that generally don't see you,

  • you should be talking about the issues,

  • but at the same time you need to stay funny.

  • And I think that's what separates a great like Dick Gregory

  • is he was able to political and still funny,

  • because at the end of the day people wanna laugh.

  • - You can always laugh at problems that's right.

  • Everyone in the whole world knows this is wrong,

  • so then you can make humor out of this

  • in a manner like you're enlightening people

  • on just what's going on.

  • - It's, like, one of the last bastions of free speech

  • that we have is through comedy.

  • You know, we used to have the last poets.

  • You know, Nikki Giovanni.

  • We don't have poets anymore that are famous,

  • poets that can speak for us, you know?

  • "This revolution will not be televised," and all that.

  • We don't have anybody to hold our fists up.

  • The only people we have left is comics.

  • We won't be censored, we don't give a shit.

  • La Wanda Page had a lot to say that people don't realize.

  • Marsha Warfield.

  • - I really like watching the news though,

  • 'cause on the news they have their own language.

  • It's almost like they're talking in code.

  • See, they even have a code word

  • for Black people on the news.

  • It's "youth."

  • "A 35 year old Detroit youth

  • (audience laughs)

  • "was today shot and killed by a 14 year old Utah man."

  • (audience laughs)

  • (audience clapping)

  • Think about it, think about it.

  • - Something that comes readily to mind,

  • the cover of "Bicentennial N*****"

  • has Pryor in a chain of different Pryors, right?

  • In different forms.

  • He's a boxer, he's a preacher, he's a business man.

  • And the figure holding the chain is Uncle Sam to the corner.

  • And so, that in itself physically back in the day

  • when album covers were also part of the humor,

  • it's already performing a definite critique

  • of the celebration of America in this "Bicentennial"

  • and the persistence of enslavement

  • in different forms in 1976.

  • - Richard Pryor is easily the best to ever do it.

  • Richard Pryor had a line,

  • "You go to jail looking for justice

  • "and all you find is just us."

  • No white person can absorb that

  • the same as a Black person.

  • Like, a Black person is like, "Yes, thank you for saying...

  • "Exactly."

  • It's a moment of truth for Black people

  • and it's a moment of realization for white people

  • who are getting for a the first time,

  • a lot of them for the first time,

  • to see the world through a Black man's eyes.

  • - Police got a choke hold they use out here though, man.

  • They choke n****s to death.

  • That mean you be dead when they through.

  • Did you know that?

  • Wait, the n****s going, "Yeah, we knew."

  • The white folk, "No, I had no idea."

  • Yeah, two grab your legs, one grab your head.

  • Snap.

  • "Oh, shit, he broke.

  • (audience laughs)

  • "Can you break a n*****?

  • "Is it okay?

  • "Let's check the memo.

  • "Yep, page eight, you can break a n*****, right there.

  • "See?

  • "Let's drag him downtown.

  • "Okay."

  • - It's the window into Black life,

  • Black opinions, Black thoughts.

  • You know, you look at somebody like Chris Rock

  • and some of the brilliant shit he said.

  • White people wouldn't even understand some of this shit,

  • at least politically, if he didn't say it.

  • (Lil Rel laughs)

  • - The white man thinks he's losing the country.

  • "Affirmative action, and illegal aliens,

  • "and we're fucking losing the country."

  • Losing?

  • Shut the fuck up.

  • White people ain't losing shit.

  • If y'all losing, who's winning?

  • - Then you got a guy like Katt Williams,

  • who I don't think Katt will ever get the credit he deserves

  • for being as smart as he is.

  • He said something back in "The Pimp Chronicles Part One"

  • that I wrote a thematic essay on and I got an A on it

  • because he said something about the war.

  • - You don't believe we gangsters?

  • Tell me what the Iraqi uniform look like.

  • Don't worry, I'll wait.

  • (audience laughs)

  • 'Cause you ain't never seen that motherfucker.

  • We ain't killing they army, nigga, we killing them.

  • We over there killing niggas in sweatpants,

  • tank tops, flip flops, and a cowboy hat.

  • You shouldn't have been talking shit.

  • - Then I thought about it.

  • I was like, "I don't know what that uniform looks like,"

  • so he's right.

  • We really are killing people and we don't care

  • because they don't classify them as people,

  • they classify them as insurgents.

  • That's brilliant.

  • - I'ma be honest with you white guys.

  • You guys are...

  • Don't nobody trust y'all now.

  • (audience laughs)

  • Don't nobody trust you.

  • And it used to be, like,

  • the crazy looking white dude nobody trusts.

  • A white n**** in khakis, I'm getting the fuck out.

  • Do you hear me?

  • (audience laughs)

  • If he looks like he manages an Arby's

  • I got to go.

  • What is..

  • (audience laughs)

  • what is he doing here?

  • No, I never adjust,

  • which is why it's taken me 17 years to make it.

  • She be like, "Oh, where you been?"

  • I been here,

  • just trying to figure out my life.

  • I go on stage and that's what I deal with.

  • Like, whatever I'm going through,

  • whatever is going on in the world, I deal with it.

  • 'Cause sometimes I'm nonsense.

  • It's fine.

  • But I want to say something, you know?

  • And that doesn't mean that I always hit the mark,

  • it just means that I wanna say something

  • and I wanna make sure that I make a great impact.

  • And my responsibility is, maybe sometimes to my detriment,

  • is to always push this narrative that

  • we still don't have it easy as Black people.

  • And not that we want it easy,

  • but we should just at least have some form of rest.

  • I should be able to wake up and be like,

  • "Oh, I'm gonna live my day as Yamaneika,"

  • and not have an experience as I go through the world

  • where it's like,

  • "Oh, somebody doing some shit 'cause I'm Black."

  • Or just I'm being treated this way because I'm Black,

  • or I'm a woman.

  • Sometimes you can feel powerless,

  • and comedy, for me, is a thing that makes me feel powerful.

  • - When we do go out to see comedy, we seek it.

  • We go out and we seek it.

  • I need to laugh, you know, 'cause something's going on.

  • I got one bit about we always talking about

  • white male privilege in this country,

  • but we never talk about white female privilege,

  • which I think is a lot more privilege.

  • When I hit that beginning part and I say that,

  • you'll see some of the looks going, (gasps)

  • "What?

  • "What privilege?"

  • Then when I break it down

  • and I get to one of my first bits in that joke,

  • I wish I could be as comfortable around the police

  • as drunk white women.

  • And I start breaking it down about things

  • I see them get away with versus what we can get away with.

  • And this is a true story.

  • I seen a white girl pissing between the cars

  • and this officer was being so patient with her.

  • "Ma'am, could you please?

  • "Ma'am, when you're done...

  • "Ma'am, could you please?"

  • And she turned up, looked at him,

  • and said, "Get out of my face you fucking pig."

  • And there was a part of me that's looking at that

  • that's like, "Word.

  • "You tell 'em, you fucking pig."

  • But then there was a bigger part of me

  • knowing that I couldn't get away with that

  • that kinda wanted to see the officer tase her,

  • just a little bit,

  • because you need to know it's real out here.

  • I couldn't get away with half of that shit.

  • Meanwhile, he's calling you ma'am, miss, and all that.

  • I've been called n***** for not turning around fast enough

  • to talk to the cops.

  • So, you know, sometimes they have the adverse reaction,

  • but if it's a good joke they'll take it

  • as long as you get to a good punchline.

  • They'll laugh at it at the end.

  • - Eating and breathing have become

  • unexpectedly dangerous in my life.

  • I'm actually gonna stop calling my allergies that.

  • That's a wimpy name for something

  • that might kill you out of nowhere.

  • So I'm now gonna call my allergies my

  • police, exactly, because they might erase my existence

  • and people will react the same way.

  • "Why'd you go outside that day?"

  • You guys know what I mean?

  • The exact same disregard for human life.

  • Okay, some of you with me.

  • Some of you feel weird about race and that's fine,

  • because that's how I woke up.

  • This morning and every single morning

  • I've woken up just, "What?

  • "Black again?

  • "Hope I make it.

  • "The police are out and it's already skin thirty.

  • "I'm a contestant on Will This Get Me Killed?"

  • Anyway, guys, um...

  • (audience applauding)

  • Come with me or not.

  • - When I moved from Atlanta to Indianapolis

  • there was no urban scene,

  • so it kind of forced me into the mainstream circuit.

  • So I would tell these stories

  • and people would be blown away how I was raised,

  • the type of parents I had,

  • the environment that I came from.

  • That's what they're learning when they're coming to my show.

  • Like, "Hey, you wanna close your door

  • "and act like people like me don't exact, but it does."

  • I'm 16 years old, I got two kids, two and one years old,

  • and I'm living in the hood in Atlanta.

  • And in this hood I'm, you know, I'm trying to survive,

  • so I go out and start me a small business.

  • Well, I was selling crack,

  • but we gonna call it a small business tonight.

  • (audience laughs)

  • Okay, white people?

  • (audience laughs)

  • I always had to keep a client in the car with me

  • 'cause I was 16 years old with a learner's permit

  • and I didn't want to risk the chance

  • of losing my fucking permit.

  • (audience laughs)

  • I think it's an eye opener when I'm standing on stage

  • talking about my life so honestly,

  • and I'm a girl.

  • See, you really don't hear girls say

  • they trafficked cocaine, they been shot,

  • and I have this little saying where I say,

  • "Hold my hand white woman,

  • "I'm about to take you to the hood.

  • "You let it go, they're gon get your ass."

  • And I just walk them through

  • all these crazy stories in my life.

  • And I bring them back at the end in the comedy club

  • and set them in they seats.

  • - Oh, I just wrote it yesterday.

  • I was a Hawks game yesterday,

  • 'cause you know I must have been bored

  • if I go to a Hawks game, and I bought the ticket.

  • I was in the concession stand and I had a friend beside me.

  • And I said, "Damn, the Hawks are really

  • "whooping some ass today.

  • "They beating the Knicks."

  • And there was a young lady beside me, a sister.

  • I say, "I'm sorry for using that language in your presence."

  • Using ass.

  • "Please forgive me."

  • And she said, "Nah, it's cool.

  • "It didn't offend me,

  • "it's just that I was just worried

  • "my mother didn't need to hear this.

  • "She's 82 years old.

  • "She don't need to hear that kind of language."

  • I said, "Well, if she's 82 years old

  • "she done heard words worse than ass."

  • "Not my mother."

  • I said, "Yes, she is 82."

  • "Like what?"

  • Like, "N***** get off my porch.

  • "You wanna vote?

  • "Recite all the ingredients that's in shampoo.

  • "Give me the National Anthem backwards,

  • "and then read it to me forward,

  • "and tell me the 54th word in the National Anthem."

  • Your mother done heard some worse shit

  • if she's 82 years old than ass.

  • She said, "Not my mother.

  • "She lived up North."

  • I said, "It was everywhere."

  • And that was my point.

  • - I used to do this bit about the first slave

  • that ever had to read, right?

  • And the whole process of this.

  • I was thinking to myself, I'm like,

  • we don't appreciate or talk about enough

  • the legacy of the people who survived

  • so that we could be here, right?

  • All the slaves that made it, and didn't die,

  • and just went through the whole process.

  • So many times people are telling you, like,

  • "Let's forget that.

  • "Let's stop talking about it.

  • "Slavery is over.

  • "We're done with that."

  • I'm like, "But what about those unsung heroes

  • "that we really don't have documentation on

  • "because nobody was writing the stories down?"

  • And most of the stories that did come from that

  • were from a white perspective of what was going on.

  • And I said, "How hilarious that must be

  • "to be, like, the first Black person

  • "that was sent up North to read,

  • "and you're so proud of all the accomplishments

  • "that you made, and that you made it up North,

  • "and now all you wanna do is write a letter,

  • "and you wanna send it back to them,

  • "but you gotta send it to Master's mailbox

  • "'cause them n****s ain't got no mailbox."

  • And then he's like, "Who the fuck...

  • "Who getting letters around..."

  • You know?

  • It's like this whole world.

  • And so, at first I said, "Nobody wants to hear that."

  • Right?

  • And then, as I went into it and people started to laugh,

  • I go, "Oh, how crazy can I make this world?

  • "What can I say?"

  • And it just starts to add layers.

  • I mean, that's my process.

  • I don't know how other people's process...

  • Some people's process is, "I just want people to like me

  • "when I go onstage."

  • And I don't think like that.

  • I just want people to hear what I'm saying and like it.

  • - I went to a psychiatrist,

  • and those of you who are like, "I'm happy, what's that?"

  • It's like, "Shut the fuck up."

  • (audience laughs)

  • No, you go to a person,

  • you tell them all the deep, dark secrets

  • you can't tell your friends.

  • They throw pills at you and some days you feel all right.

  • A lot of my first jokes and half my material now

  • is sad things that happened to me,

  • or things that bothered me,

  • or something someone said to me

  • that made me feel bad,

  • and then I made that into a joke.

  • I've gotten to sort of exorcize a lot of things,

  • a lot of issues I had with being a kid,

  • a lot of issues I have being a Black woman,

  • and it's just because if you're, as a Black person,

  • any person of color, you're just...

  • You're going to experience more trauma

  • and that's just an amazing way to deal with that

  • is to be like, "This thing hurt me..."

  • Like, I talk about depression, for example.

  • That's not fun.

  • It's not fun for me to go through that.

  • But when I talk about it on stage I feel better.

  • I feel seen.

  • It's not a scary, embarrassing thing about me anymore,

  • because I'm telling you

  • and I'm changing the narrative with my jokes.

  • First question he asks me, pretty early he was like,

  • "Do you have a boyfriend, girlfriend?

  • "Are you in a relationship?"

  • I was like, "Yeah."

  • He was like, "Do you love him?"

  • I was like, (scoffs)

  • "What did he say?

  • "I don't wanna say it first."

  • (Sonia laughs) (audience laughs)

  • He didn't think that was amusing.

  • He was also taken aback.

  • He's like, "That's a little inappropriate

  • "given the setting."

  • I was like, "But doctor, all the world's a...

  • "Okay, inappropriate.

  • "Yep."

  • He was like, "Do you do drugs?"

  • And I was like, "Ah!" (laughs)

  • That's inappropriate.

  • I'm getting this.

  • Yep, yep, yep, yep.

  • I paid a lot of money, uh-huh.

  • Mm-hm.

  • Towards the end though he got really serious,

  • we were having a good time,

  • and then he was like, "You suffer from suicidal thoughts."

  • And I was like, "Yeah, honestly,

  • "that's a big part of why I came.

  • "I have those thoughts.

  • "But whenever I think about what it would do

  • "to my friends and family it makes it something

  • "that's impossible to go through with."

  • And this man looked at me and then looked at his notepad

  • and he was like, (laughs)

  • "Not if you're determined." (laughs)

  • What?

  • Now I wanna kill myself so fucking bad!

  • - I have a best friend, name is Mike Machoki,

  • and I was speaking to him one day

  • and I was like, "Oh, yeah, you know,

  • "I'm about to finish college.

  • "I'm doing my thing."

  • And he's like, "Man, you gotta get on stage, man.

  • "You funny.

  • "Like, we had you hosting events back in college.

  • "You gotta go on stage."

  • And I'm like, "All right, yeah, I'ma go on stage.

  • "I'ma do it."

  • And I knew I was gonna do it then.

  • About a week later he and his fiancee

  • got murdered when coming home from their engagement party.

  • Losing them was something that still haunts me.

  • It has me depressed.

  • There's things that I go through just losing two people,

  • like, so suddenly, right?

  • Now I'm able to talk about it on stage,

  • but when I talk about it I make sure,

  • like I kind of quote/unquote "bully" myself,

  • because I'm like, "All right, you can talk about depression,

  • "but don't you be that sad nigga on stage.

  • "You still gotta be funny."

  • When I talk about depression on stage,

  • like when I'm getting into it,

  • it's, like, the best feeling in the world

  • because I see audiences, like I see the response.

  • Especially if I'm doing an all Black show,

  • I'll see a response of people laughing,

  • and then there are other people who are just laughing

  • and looking at me like, "Yeah."

  • You know what I mean?

  • Like they get it.

  • It's not just a joke to them, it's real.

  • And it's just a good bonding experience

  • because I think that Black audiences

  • when they see me do that they're like,

  • "You know what?

  • "Yeah, we can...

  • "This is good to talk about.

  • "We can talk about it."

  • So, yeah.

  • - I don't like walking up behind white women at night.

  • (audience laughs)

  • Makes me really uncomfortable,

  • so I cross the street.

  • (audience laughs)

  • If I was a white woman I would rob Black dudes.

  • (audience laughs)

  • (Greer laughs)

  • I'd walk up to Black guys and be like,

  • "Hi, my name is Sarah.

  • "Give me your wallet."

  • (audience laughs)

  • "Sarah?

  • "That's my grandmamma name."

  • "Give me your wallet or I'm gonna scream."

  • "Here, here, Sarah."

  • (audience laughs)

  • Look at some of the white women like,

  • "Wow, we could actually do that."

  • (audience laughs)

  • So, one night I was walking the block

  • and this white woman is in front of me,

  • so I went to cross the street.

  • And then when I got across the street

  • there was another white woman there,

  • so my only option was to walk in the middle of the street.

  • And, you know, I did.

  • I was just like, "You know what?

  • "Fuck this."

  • What's so sad about the whole feeling is that

  • I don't want to make her uncomfortable

  • when, you know, if you break it down

  • that's her problem,

  • because I'm just trying to get home just like you,

  • and society has painted this wicked picture of us.

  • We're not given the benefit of the doubt.

  • From that, I wound up talking about it on stage

  • and I turned it into a joke.

  • Black people react to it like,

  • "You're damn right, that's right."

  • You know?

  • And it's the dudes normally like, "Yo, that's what's up!

  • "Yeah!"

  • And white audiences are a little taken aback at first,

  • and then they jump on it.

  • Then it's like, "Oh my God, I can't deny this.

  • "Like, this is his factual feelings

  • "and truth of what he does."

  • - We all have our mission statement

  • in this big movie called life.

  • Number one, to alleviate pressure.

  • You know, in these times we under a lot of pressure.

  • That's comedy's job,

  • we gotta alleviate the pressure that people are under.

  • Then we gotta educate,

  • because the news is so slanted in propaganda right now

  • we have to now educate ourselves

  • so we can educate through our humor

  • what's really going on out here.

  • - I firmly, firmly believe that all the best philosophers

  • through the generations just stopped majoring in philosophy

  • and just became comics, you know?

  • Like, the most brilliant people you talk to

  • make you laugh about whatever it is

  • that they're talking about

  • because if you're laughing at it

  • not only do you not have to let it be as serious of an idea,

  • but you also just, you understand it better.

  • - To me, being a Black comedian in America

  • means that you gotta stand up for something.

  • You gotta say something in your material.

  • That's, I mean, our greatest I guess comedian

  • that everybody talks about,

  • Richard Pryor, he said something.

  • Dick Gregory said something.

  • Like, say something,

  • 'cause that's what we come from in our material.

  • Our kings, they said something.

  • They made points.

  • They pointed out injustices and made fun of it.

  • Say something.

  • (Greer laughs)

  • (fun jazz music)

- "You're American, I'm American.

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A2 初級

F**ked-Up S**t Is Going On: コメディの中の発言 - ダークユーモア (F**ked-Up S**t Is Going On: Speaking Out in Comedy - Dark Humor)

  • 12 1
    林宜悉 に公開 2021 年 02 月 08 日
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