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  • here at Stargate Universe,

  • and this is the Destiny.

  • One thing we do when we're designing the set

  • is we try to keep it as flexible as possible.

  • Because while we have a certain amount of script to work with,

  • there's also a bit of the unknown as to what could this room be.

  • So, we designed the spaces to be reconfigurable in that way.

  • The production designer, James Robbins,

  • began working on concepts in fall of last year.

  • The first thing to do was really establish the plan of the set

  • and how it would be organized.

  • This entire set is a historic structure

  • made of steel I-beams and posts.

  • We have to order the steel, it do come

  • so you really have to get this stuff figured out.

  • About three or four weeks after we started drawing,

  • a master team of construction workers were in here

  • undations

  • pads

  • structure.

  • Once the set is underway, all the different departments come together

  • and discuss what their needs are,

  • l happening pace.

  • As you've seen from the show, this ship is incredibly vast,

  • and so there are literally kilometers of corridor within the actual ship itself.

  • This corridor we're in right now is about 140 feet long,

  • our sound stage is 150 feet long,

  • so we really maxed it out to get this long look,

  • as well as several offshoots that we have

  • around various corners and into various rooms.

  • And it's also interchangeable.

  • For example, in some configurations we can lift up these walls,

  • and now we have a new setup.

  • All the different rooms have to take several different configurations

  • so that we can have 20 or 30 different sets

  • all in this one small environment.

  • For example, in this room we have at least five or six totally different setups.

  • For example, the Control Interface room

  • when the control unit comes down.

  • The chair room where Franklin and Rush both sit in the chair,

  • that's actually this environment.

  • We bring in these large buttresses

  • that go up to the central unit and fill up the space,

  • and we put new consoles in all the walls.

  • If you look over here, right now it's set up as just a corridor,

  • but you put in a round flat here

  • and this is actually the Kino room.

  • We have a bed set up, and there's a column unit where he gets his Kino balls,

  • and he sits at his console here, does his thing.

  • This room, not really set up as anything right now,

  • but these walls here actually go away

  • to create either a two-thirds size or a full size room.

  • These walls come out.

  • They can be window walls, solid walls or they go away

  • as in the case of the observation deck.

  • If you look through the window you can see the sound stage, but also some handrails,

  • and this is where our characters often stand when the ship is under attack

  • or when they're looking at a beautiful nebula.

  • In our set here we have over 30 mechanized doors.

  • I'm hammering this door controller, nothing's happening,

  • but you'll see the characters hammer these door controllers all the time.

  • These are actually all in actuator motors

  • that the special effects departments ordered from Japan.

  • They're also mounted on a very smooth track system,

  • so that when they operate the actuator, it opens flawlessly.

  • This is our central corridor leading into the Gate Room,

  • so a fairly unassuming corridor,

  • but if you recall from one of the early episodes in the season,

  • we established a battery charger,

  • an ancient battery charger that lived in this environment.

  • We also changed these wals into glass panels,

  • and that's where we keep our space suits.

  • And, of course, here we are in the Gate Room.

  • As well as being the Gate Room, though,

  • this actually plays as several of our storage rooms,

  • where we've had the workout room,

  • Brody's still, one of my personal favorites.

  • Here we have the Gate Room stairs,

  • and they only play in this room when it's set up as the Gate Room.

  • ,

  • these stairs have to come out.

  • These stairs are constructed out of 2-by-12 steel stringers,

  • welded steel here, obviously built-in lighting,

  • rolled steel handrails, and water-cut uprights,

  • and they probably weigh about 2,000 to 3,000 pounds each,

  • somewhere around the weight of a car.

  • And they rig the whole thing on chai on cha

  • lower it back to the floor, and they've built custom-made dollies

  • t b

  • e stairs

  • You can see up here that there's a large wall

  • that drops down to cover the gate,

  • and it cuts the room down by about a quarter

  • and allows us to play this as a lot of different environments

  • that aren't the Gate Room.

  • All these elements are built from steel.

  • The rest of the set also looks like it's built from steel,

  • but it's actually various forms of plywood

  • with a very intensive paint treatment all over it

  • to create this very aged, textural, rusted look that we were going for.

  • Something that was really important to the producers

  • while we were designing the set

  • was that we include a lot of built-in lighting

  • so that the set could essentially light itself.

  • Roll in, turn on the lights and yell, "Action!"

  • So you can see we have lights built in all over the place,

  • fr to

  • here

  • that are custom VacuForm pieces,

  • and a very good example, of course, is in our Chunnel out here,

  • where you'll see 45-degree ceiling lights, wall lights and floor lights.

here at Stargate Universe,

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SG U DESTINY SET TOUR (SG U DESTINY SET TOUR)

  • 62 5
    Hhart Budha に公開 2021 年 01 月 14 日
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