MUSICIAN, COMPOSER, AND WRITER WHO IS JOINING US FROM SOMEWHERE

どこかの国から参加するミュージシャン、作曲家、ライター

IN THE MIDDLE OF AUSTRALIA, THE AMAZING TIM MINCHIN!

オーストラリアの真ん中で、驚異のティム・ミンチン！

HE'S HERE ON THE SHOW.

彼はショーの中にいる

HOW ARE YOU, TIM?

HOW ARE YOU, TIM?

>> HI, JAMES.

>> HI, JAMES.

I'M PRETTY GOOD, REALLY.

私はとても良いですよ、本当に。

YEAH, I'M ALL RIGHT.

YEAH, I'M ALL RIGHT.

I'M HERE IN THE HOUSE -- >> James: WHERE ARE YOU IN THE

私は家の中にいるわ -- >> ジェームズあなたはどこにいるの？

WORLD RIGHT NOW?

WORLD RIGHT NOW?

WHERE ARE YOU?

WHERE ARE YOU?

>> I'M IN A LITTLE VALLEY A COUPLE OF HOURS SOUTH OF S SYDNE

>> >> 私は今、シドニーの南2時間の小さな谷にいます

BELOW THE SOUTHERN HIGHLANDS AND I'M HERE, BASICALLY, I'M IN THE

南部高地の下にいて、私はここにいる、基本的には、私はここにいる。

MIDDLE OF 12 ACRES OF RAIN FOREST AND KIND OF IN A HOUSE

12エーカーの熱帯雨林と家の中のようなものの真ん中。

BUILT IN, CLEARLY, 1981, AND, YEAH, IT'S NICE.

明らかに1981年に製造されたものです

CAN YOU HEAR THE CECADAS?

CAN YOU HEAR THE CECADAS?

>> James: I CANNOT.

>> ジェームスできません。

WE ARE SURROUNDED BY SCREAMING CECADAS.

WE ARE SURROUNDED BY SCREAMING CECADAS.

>> James: I DON'T.

>> ジェームズ私はしない

YOU SHOULD, JAMES.

YOU SHOULD, JAMES.

THEIR LIFE CYCLE -- >> James: IS SHORT, I KNOW

彼らのライフサイクル -- >> James: IS SHORT, I KNOW.

>> THEY SPEND SEVEN YEARS UNDERGROUND AS NYMPHS AND FEED

>> ニューヨーク市の地下で７年間を過ごし、餌を与えています。

ON ROOT MATTER FOR SEVEN YEARS.

ON ROOT MATTER FOR SEVEN YEARS.

THEY COME OUT OF THE GROUND.

地面から出てくる。

THEY HAVE BEAUTIFUL WINGS, LITTLE PLATES ON THEIR ABDOMEN

THEY HAVE BEAUTIFUL WINGS, LITTLE PLATES ON THEIR ABDOMEN

WHICH VIBRATE AND THEY SCREAM AND THERE ARE THOUSANDS

WHICH VIBRATE AND THEY SCREAM AND THERE ARE THOUSANDS

SCREAMING AT THE SAME TIME AND IF YOU SPEAK CECADA, WHICH I DO,

同じ時間に叫んでるし、もし君がセカダを話すなら、私はそうする。

IS THEY'RE SAYING SOMEONE COME AND SHAG ME, I HAVE BEEN

IS THEY'RE SAYING SOMEONE COME AND SHAG ME, I HAVE BEEN

UNDERGROUND SEVEN YEARS, I'M DESPERATE FOR A SHAG!

アンダーグラウンド７年目にして髪の毛が欲しくてたまらない！

I'M UP HERE ON A TREE!

木の上にいるよ！

AND IT'S BASICALLY TINDER, AND SOMEBODY SHAGS THEM AND THEN

そして基本的にはピリピリしていて 誰かがそれを揺さぶってから

THEY DIE.

THEY DIE.

SO IT'S TOUGHER THAN BEING IN LOCKDOWN.

ロックダウンしているよりも大変なのよ

>> James: ALTHOUGH I THINK THAT'S HOW A LOT OF PEOPLE WILL

>> ジェームスしかし、多くの人がそうすると思います。

LEAVE LOCKDOWN WHEN IT COMES.

LEAVE LOCKDOWN WHEN IT COMES.

>> I THINK 2022 IS, LIKE, I WANT SOMEBODY SHAG ME!

2022年は、みたいな感じで、誰かにシャグしてもらいたい！ >> I THINK 2022 IS, LIKE, I WANT BODY SHAG ME!

DEFINITELY.

間違いなく。

>> James: THE LAST TIME YOU WERE ON THE SHOW, YOU JUST

>> ジェームズ前回ショーに出た時は、ただただ

RELEASED YOUR AL ALBUM, "APART TOGETHER," AND IT'S BEEN THE

アル・アルバム「APART TOGETHER」をリリースしました。

MOST PHENOMENAL SUCCESS.

MOST PHENOMENAL SUCCESS.

IT WENT STRAIGHT TO NUMBER THREE IN THE AUSTRALIAN ALBUM CHARTS.

オーストラリアのアルバムチャートで3位にランクインした。

DID YOU EXPECT THE ALBUM WOULD DO SO WELL COMMERCIALLY?

DID YOU EXPECT THE ALBUM WOULD DO SO WELL COMMERCIALLY?

>> YEAH, I DID.

>> そうなんだよ。

I THOUGHT, WHEN THIS COMES OUT, IT'S GOING TO BE AC/DC, BTS AND

これが出たら、AC/DC、BTS、そして

ME DOING THIS.

私はこれをしています。

I DON'T SEE MYSELF AS THAT SORT OF ARTIST.

私は自分がそういうアーティストだとは思わない。

I HAVE BEEN WRITING SONGS FOR 30 YEARS AND I'VE ALWAYS BEEN

I HAVE BEEN WRITING SONGS FOR 30 YEARS AND I'VE ALWAYS BEEN

DOWNIT'S ALWAYS BEEN ABOUT MY LIVE SHOWS, YOU KNOW HOW IT

DOWNIT'S ALWAYS BEEN ABOUT MY LIVE SHOWS, YOU KNOW HOW IT

WENT, AND I WASN'T SOMEBODY THAT GOT RADIO PLAY IN THE SOUTH

行ってみたら、南の方でラジオをやっている人はいませんでした。

BECAUSE TO HAVE THE CONTENT IN MY SONGS AND BECAUSE THEY'RE

BECAUSE TO HAVE THE CONTENT IN MY SONGS AND BECAUSE THEY'RE

STUPID AND, YES, ALTHOUGH I REALLY WANTED THIS RECORD TO BE

愚かだし、そうだけど、このレコードにして欲しかったんだ。

OUT OF REACH OF A NEW AUDIENCE, CHARTS.

新しいオーディエンスの手の届かないところで、チャート。

I DIDN'T KNOW WHAT CHARTS MEAN THESE DAYS, BUT THE RESPONSE HAS

今日はチャートの意味がわからなかったけど、反応がありました。

BEEN SO GORGEOUS.

とても素敵だわ

AND PEOPLE ARE BUYING THE VINYL AND STUFF.

AND PEOPLE ARE BUYING THE VINYL AND STUFF.

HOW GREAT'S THAT, THERE'S VINYL BACK IN THE WORLD?

どのように素晴らしいことは、世界にビニールが戻ってきたのですか？

>> James: IT'S RICHLY DESERVED BECAUSE I THINK THE ALBUM IS

>> ジェイムス。私がこのアルバムを考えているからこそ、それはとても価値のあるものだと思っています。

COMPLETELY BRILLIANT.

全くもって素晴らしい。

THE SONG YOU WILL PERFORM IS ONE OF MY FAVORITE SONG TITLES MAYBE

あなたが演じる歌は、私の好きな歌のタイトルの一つであるかもしれません。

EVER BUT CERTAINLY THAT YOU'VE COME UP WITH, AND YOU KNOW WHAT

EVER BUT CERTAINLY THAT YOU'VE COME UP WITH, AND YOU KNOW WHAT

A FAN I AM, BUT THE SONG IS CALLED "TALKED TOO MUCH, STAYED

A FAN I AM, BUT THE SONG IS CALLEDED "TALKED TOO MUCH, STAYED

TOO LONG."

"長すぎる"

>> YEAH.

>> YEAH.

DOES THAT RING A BELL.

鐘は鳴ってるか？

>> James: TELL US WHAT THE SONG IS ABOUT AND WHERE IT CAME

>> ジェームスこの歌は何の歌なのか、どこから来たのか教えてください。

FROM.

FROM.

>> QUITE OFTEN, I FIND MYSELF WAKING UP IN THE MORNING HAVING

>> 頻繁に、朝起きると何かをしている自分に気づくことがある。

BEEN OUT WITH FRIENDS OR AT A DINNER PARTY.

友人と出かけたり、晩餐会に参加したり。

I LOVE NOTHING MORE THAN DRINKING WINE WITH FRIENDS

I LOVE NOTHING MORE THAN DRINKING WINE WITH FRIENDS

AROUND A DINNER PARTY AND HAVING A GOOD CHAT.

晩餐会を囲んで歓談。

AS YOU KNOW, I DON'T MIND A WRESTLE OVER IDEAS AND I LOVE A

ご存知のように、私はアイデアで勝負するのは嫌いではありませんし、大好きです。

GENTLE ARGUMENT, BUT I QUITE OFTEN WAKE UP IN THE MORNING AND

穏やかな主張、しかし、私は非常に朝に目を覚ますと

SAY TO SARAH, DID I -- DO WE -- I THINK I MIGHT HAVE -- DID WE

サラに言ってくれ、僕は...僕たちは...僕たちは...僕たちは...僕たちは...

TALK TOO MUCH AND STAY TOO LONG?

TALK TOO MUCH AND STAY TOO LONG?

AND IT'S THE REFRAIN THAT MY REMORSE IN THE MORNING IS I

朝の私の後悔はリフレインのおかげだ

SHOULD HAVE LEFT EARLIER AND JUST SHUT UP.

SHOULD HAVE LEFT EARLIER AND JUST SHUT UP.

AND I THOUGHT THAT WOULD BE A GOOD EPITAPH, I SHOULD HAVE IT

それは良い叙事詩になると思ったから 持つべきだったんだ

ON MY TOMBSTONE, "TALKED TOO MUCH, STAYED TOO LONG."

"私の墓石の上で" "話しすぎて 長居しすぎた"

AND IF I'M GOING TO HAVE IT ON MY TOMBSTONE I SHOULD TRACK ALL

AND IF I'M GOING TO HAVE IT ON MY TOMBSTONE I SHOULD TRACK ALL

THE TIMES I'VE NOT SHUT UP.

THE TIMES I'VE NOT SHUT UP.

>> James: COMPLETELY BRILLIANT AND WE'RE SO THRILLED ANYTIME

>> ジェームズ完全に面白いし、いつでもドキドキします。

YOU'RE ON THE SHOW.

ショーに出るんだ