字幕表 動画を再生する 英語字幕をプリント let's talk first about contemporary color what the heck is it that's a really good question my first intro into contemporary color was that I went to a big American high school not too dissimilar from Friday Night Lights except for it was in a bigger town in Dallas Texas and what I know about contemporary color from those days is that they weren't the football team they weren't the cheerleaders they weren't the high school band they were this really kind of bizarre underground subculture of I guess what stemmed from a military stick dance but then really flowered into its own its own world so I I knew about their color guard because they would be rehearsing on the lawn and throwing the the toy rifles and waving the flag liberation work the way it worked in various artists were teamed up with different color guard teams and these color guard teams had already had this routine that they've been working on that they'd refine that was again their performance the dance the throwing of the rifles in the flags and essentially what I did is get a video of their dance and then restore it so you reverse engineer the color guard yeah exactly and it was a bizarre challenge because like a lot of dances go different very different tempos in different time signatures and moments of reprieve and my particular team is based on the idea of a lunatic and somebody in a mental institution so yes but I'm thrilled to work with them and apparently they stay in character the entire time they where they have all dyed their hair read for the part not I don't think that's any slight on gingers I think it's just part of part of the aesthetic and the director of the color guard is also a fashion designers are he's designed all the costumes and with any luck I will be wearing one of the costumes they asked me to dye my hair red but I said I couldn't because it's was already falling out from the white hair let's talk about your lyrics because there is one of the ways I describes a visit to myself in my head is carrying terrible events you often found the sweetest when you're most scary theater when I was in high school and I remember one of the tenets of that being if you have something really have some big big anger to express herself big moment to explore a lot of time it's it's a lot creepier to whisper that to scream in another class I want to ask about your stage a couple of times in which blows my mind as it blows my mind if everybody it's it's it's choreographed how have you folks seen as I hope some of you doing you doing with their choreography any be partisan but what did you tell her you wanted I mean for someone like me she will perhaps think about what will look good in my body in what I'll be actually be able to inhabit as someone who's not a trained dancer and her most one of the most interesting things about her is that she loves to work with novices who have no dance baggage from what I understand about the way anybody work sometimes is that she will essentially listen to a piece of music and suggests words that are like poetry and she relies on a concept that she calls first thought best thought so she works with incredible dancers will say a word like insular and then someone will react to it and the way that is instinctual go through a number of words and a number of reactions by the dancers and then whittle it down and codify until it's a piece so it's ultimately very collaborative I'm not aware this could just be my ignorance about the dance world but I'm not aware of any other choreographer who works in that specific way to me it felt like the movement is another another layer of rhythm and ideas on top of the words on top of the music on top of the drugs it's just one more mind blowing thing you're throwing out of the same time also I mean that's how our brain works if we stand in some victori victorious posed for an hour this way people like to do yoga we start to feel victorious I mean it it's it's as neurological for me as it is for the audience to polls in your work between control and chaos because you're through the years and the guitar comes out of nowhere like you or your your choreographed shows now you're also completely in control but you can go haywire at the end like he did in Austin or whatever it is you must think a lot about control versus both in your music I think a lot about control I don't think very much brought chaos that just comes in Loch Ness monster
B1 中級 米 ルミナトのタイムズトーク:セント・ヴィンセント (TimesTalks at Luminato: St. Vincent) 8 0 Cornershop に公開 2021 年 01 月 14 日 シェア シェア 保存 報告 動画の中の単語