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  • We don't speak to everyone in our lives in the exact same way.

  • We speak to our bosses, to customers, and to strangers quite formally,

  • and we speak to our friends and family more casually.

  • We convey different aspects of ourselves through our speech,

  • and so we change our way of speaking depending on the identity that we're trying to project.

  • We do it, for the most part, unconsciously,

  • and through history getting it wrong could result in anything from slight awkwardness

  • to death,

  • depending on how badly you misjudged your speech and who exactly you were talking to at the time.

  • What we say and how we say it matters.

  • But registers aren't just for spoken language:

  • they apply to the written word too.

  • Now, there are people who believe all writing on the internet should follow the same standards

  • as a business email.

  • But chatting to a friend is very different to emailing your boss,

  • and the way we write reflects that.

  • Our online voice can have a wide variety of "tones”,

  • and especially for folks who grew up with the internet,

  • the need to convey tone means that there are fairly well-agreed-upon conventions.

  • In standard written English, capital letters don't convey much actual information.

  • They just show proper nouns and the beginning of sentences.

  • And while that might make a paragraph easier to read,

  • we don't flag those up at all when we speak, it's not necessary.

  • So in informal conversations, those that feel like speaking,

  • we don't need capital letters.

  • But that means online communities could use capitals to convey

  • something else that does appear in conversation: tone.

  • So all-caps became shouting.

  • Side note: put that text in a speech bubble and a hand-lettered font

  • and suddenly it's not shouting,

  • it's just how comic books look. Context matters.

  • Anyway: if all caps are shouting,

  • lowercase is calm, normal conversation.

  • Remove the punctuation and you get this sort of aloof,

  • don't-really-care tone that works well for deadpan humor and irony.

  • Some people think all lowercase is "lazy,"

  • but it often takes work on the part of those typing.

  • Most smartphones autocorrect it,

  • they capitalize proper nouns and the beginning of sentences for you.

  • Turning that off or, more likely, going back and undoing that capitalization takes effort,

  • and that shows that it's actually meaningful and not just "lazy." In fact,

  • the rise of deliberate lowercasing for stylistic effect

  • coincides with the rise of autocapitalization on smartphones.

  • And on the other hand,

  • people will sometimes capitalize the first letter of words For Effect.

  • That happened way before the internet: Winnie-the-Pooh's author, A. A. Milne,

  • used that a long, long time ago and fairly often

  • in a way that seems quite relatable today.

  • We can repeat characters to convey prosody, rhythm and sound, through text.

  • We can repeat exclamation marks for more emphasis.

  • We can use question marks, not for questions?

  • but for a rising tone? That means we might be unsure about something?

  • Or that we want to hedge our bets about what we're suggesting, maybe? And reversing that,

  • rhetorical questions can be marked by phrasing them as a question,

  • but not having a question mark,

  • to show that there is no rising tone.

  • And then there's the period, or the full stop in British English. Periods show falling tone.

  • Which is pronounced at the end of serious sentences.

  • Which is why so many people perceive the period as a marker of being very serious, or angry.

  • There's a difference between "ok" and (breathes) "ok."

  • Which is fine, when everyone understands that tone.

  • One of the most extreme examples is on Tumblr,

  • where commas instead of periods and deliberate misspellings end up with "crytyping," which,

  • depending on who you talk to,

  • is either a way to show emotional distress,

  • or a way to sarcastically show emotional distress.

  • The conventions change fairly quickly:

  • now we don't have to laboriously type out text messages on old keypads,

  • cu l8r” doesn't appear any more.

  • There is no singlecorrectway to write.

  • There are standards and conventions and registers for different use,

  • and all the varieties of internet-speak are just other registers.

  • They're different, sure, but they are consistent,

  • and they're understood by those who use it.

  • Just maybe don't crytype to your boss.

  • If you've ever wondered why you get ominous, passive-aggressive,

  • ellipses at the end of text messages from usually-older people,

  • that and a lot of other tales of internet typography are in my co-author's new book.

  • Gretchen McCulloch's Because Internet is on sale July 23, 2019.

  • Links are in the description.

We don't speak to everyone in our lives in the exact same way.

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B1 中級

なぜこうやってタイピングしてもたまには大丈夫なのか (why typing like this is sometimes okay.)

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    林宜悉 に公開 2021 年 01 月 14 日
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