Here's stuffintotellusmoreifyou'veeverbeenlisteningtomusicandsuddenlyfelt a shiverlike a kindofstrangechillthatrunsalongyourspineandmakesthehaironyourarmsstandonend.
Congrats.
You'veexperiencedwhatsomepeoplecall a skinorgasm.
Scientistspreferthetermfreesoul, whichisFrenchforshiver, andtheyhappenwhenyourbodyhas a strongemotionalresponsetosomethinglike a powerfulstretchofnotesin a song.
Youcanevenhave a freesolvedjustbythinkingaboutanemotionalevent.
Butnoteveryonegetsthem.
Studiessuggestthatbetween 55 86% ofpeopleexperienceresultsand a personalitytraitcalledopennesstoexperiencemightexplainwhypeoplewhoscorehighlyonthattradeoftenexperienceintenseemotions, haveactiveimaginationsandareintellectuallycurious.
And, accordingto a 2016 studyof 100 collegestudents, theyhavefreesoundsmorefrequentlywhenlisteningtomusic.
Thestudyauthorssuggeststhatmightbebecausethey'reprocessingthemusicin a morecognitive, attentiveway, whichmakesthemmorelikelytobeemotionallymovedbysomethingunexpectedinmusic.
Another 2016 studyof 20 peopleaddedtothatbycomparingthebrainsofpeoplewhoexperiencedfreesoulswiththosewhodonot.
A decadelater, someresearchersdidjustthat, Usingaudioclipsfromthetoptwosinglesfromthe 1955 to 2090 yearandBillboardcharts, theyonlytestedcollegestudentsandfound a similarpattern.
Thesepsychologistsdrew a differentconclusionbecausetheyalsoaskedhowoldthestudent's parentswereandtheGoldenAgesongswerefromwhentheirparentswouldhavebeenteenagers.
Somehowtheparentswerepassing.
Theirmusictastesontotheirkids.
Butit's notlikethere's a funkgeneor a newwavegenethatyoucaninherit.
Basically, peoplereportliking a thingMaurwhenthey'veseenitorhearditbefore, whetherit's a songorevenjustrandomshapes, andit's especiallytruewhenthey'renotpayingcloseattentiontothethingatfirst.
In 2015 paperfromthejournalCognitionresearcherstested 17 universitystudentswithvariousmusicalbackgroundsbutnoperfectpitchandgot a baselineforhowwelltheycouldnamedifferentnotesandrecreatenotesthatthey'vejustheard.
Afterallthat, theparticipantsdidthebaselinetestsagainandscoredatleast 8% betterthantheirscoreswerestillhigherforsixofthemwhentheywereretestedabout 1/2 a yearlater.
Thisstudyandotherslikeitareprettysmall, andtheparticipantsaren't allthatclosetotheaccurate, lifelongperfectpitchthatyoumightdevelopis a kid, butaslongasyou'rewillingtoputintheworktolearn, it's a least 1/2 stepintherightdirection.
Ah, I guessmostofuswon't everbeMozart.
Still, youcanprobablytellif a combinationofnotesispleasingornot.
Somechordsjustseemtoework, whileotherssoundlikenailson a chalkboard.
Thethingis, while a lotofusdislikedissonance, theeffectisn't totallyuniversal, andthatcanhelpusunderstandwhyitexistsinthefirstplace.
Backtoyoustuffin.
Evenifyou'veneverhad a singlemusiclesson, chancesarecertaincombinationsofnotescalledcordsorharmoniessoundprettyortwothanothers.
Studieshavefoundthatharmonieswithnotefrequenciesthatareconstantmeaningthey'rerelatedby a simpleratiolikeoctavesorperfectfifthjustseemtosoundnicerthandissonantones.
Whentosoundwavesordissonant, theyinterferewitheachotherin a waythatcancauseanannoyingwahwahwaheffect, sometimescalledbeats.
Butthereisn't a goodexplanationforwhywe'd findthatunpleasant.
And a 2011 studyinthejournalPhysicalReviewLetterssupported a differentexplanationthataccords, prettinessoruglinessisallinourheads.
Literally.
Theresearcherscreated a simplifiedmathematicalmodelofhowourhearingworks, andtheysetup a simulationoftosensoryneuronslisteningtodifferenttones, whichwouldeachsend a signalto 1/3 neuronwhenstimulated.
Kindoflikehowdifferenthaircellsinyourearsheardifferentpitchesofsoundandsend a signaltoyourbrain.
Andtheteamfoundthatifthetwosensoryneuronsherewhatwenormallycall a prettyharmony, theirsignalsarriveatthethirdneuronatthesametime, andtheneuronfiresonceinresponsetothecombinedsound.
Whileyou'reholdingthecord, thatneuronhastimetorechargeandsend a regularseriesofpulses.
Butifit's a dissonantchord, thesignalsfromthetwosensoryneuronsarriveatdifferenttimes, resultinginanirregularlyspacetrainofpulses.
Sotheresearcherssuggestthatwhatwethinkofhismoreharmoniousjustmeansthesoundcauses a moreregularneuralpattern.
In 2016 researcherssurveyed a groupof 64 peoplefromthechimney, anAmazoniantribethatdoesn't listentoWesternmusicandwhoseownmusicisentirelybasedonsoloperformancesandcontainsnoharmony.
WhentheycomparedthetribemembersperceptionsofsoundsandharmoniestothoseoflistenersfromBoliviaandthe U.
Andthey'lldoalmostanythingtogivetheirlittlebundleofjoy a competitiveadvantage, whichhasledtothestrangeexplosionoffthemyththatplayingclassicalmusicforbabiesmightmakethemmoreintelligence.
Inonestudy, scientistsactuallycreatedmusicspecificallyforcatsbyusingslidingfrequencies, a commonfeatureofcatvocalizationsandsettingthetempotothesamenumberofbeatsperminuteaspurring.
Earlyhumansmayhaveusedmusiclikecallstocommunicate, sobeingbetterabletounderstandthemeaningofcallsbypickinguponsubtletiesandtoneandrhythmcouldhaveincreased a person's oddsofsurvival.
A shortsnippetrepeatingitselfoverandoveruntilyouwanttotearyourearsout.
You'vegotyourselfanearworm, a repeatingsnippetofmusicprobably 15 to 20 secondslong, that's playinginyourheadwithoutyouconsciouslymakingithappen.
Butwhy?
Howdosongsgetthemselvesstuckinyourhead?
Moreimportantly, howdoyougetridofthem?
Itturnsoutthatwhichsonggetsstuckmostlydependsontheperson, butpsychologistshavesomeideasaboutwhyyourbrainputsitsplaylistonrepeat, andthereare a fewwaystohitpause, includingbubblegumandwordpuzzles.
ThetermearwormenteredtheEnglishlanguageprettyrecently, sometimeinthe 19 seventiesbywayoftheGermanwordorder, whichmeansthesamething, buttheactualphenomenonofgetting a songstuckinyourheadismucholder.
CenturiesoldReferencescallitthePiper's maggot.
Tostudy, itsscientistsusuallyusetheterminvoluntarymusicalimagery, or I am I forshort, becauseearwormsairlinkstootherkindsofinvoluntarythoughts.
A lotofourconsciousthoughtsareinvoluntary, like 30 to 40% ofthem.
Butpsychologistsdon't knowmuchabouthowtheywork.
Withinthelastfiveyearsorso, researchershaverealizedthatearwormsairgoodplacetostartbecausethey're a littlemoreconcreteandthereforeeasiertostudythanotherkindsofspontaneousthoughts.
Well, that's aneasyhypothesistotest, becausescientistsdoknowsomeofthecharacteristicsthatmake a songcatchy.
Longnotesthatareclosetogetherinpitch, forexample, likeinthechorusoftheAbbasongWaterlooin a seriesofpaperspublishedin 2012 a BritishmusicalpsychologistnamedVictoriaWilliamson, let a researchgroupthatspentsometimestudyingearworms.
Unsurprisingly, themostcommoncausewasrecentorrepeatedexposureto a song, soTop 40 andJingleBells, buttherewere a fewotherstotheresearchersfoundthatearwormscanbeassociatedwith a particularmemory, andcallingupthatmemorywouldalsodredgeupthesong.
Itcanevenworkinreverselikeifyou'regoingto a concert, youmightgettheband's songstuckinyourheadaheadoftime.
That's whyengagingwiththesongbysingingalongorlisteningtoitoftenmadeitgoaway, thoughtheresearchersdidnotethat a lotofpeopleliketheirroomsenoughtonotbotherdoinganythingaboutthat.
Whiletheyweresolvingthepuzzles, thesongswouldtendtopopbackintotheirheadsTheresearcherswantedtoknowifthedifficultyofthepuzzleswouldmake a differenceinthesongsbecomingearwormsandwhetheritmatteredifthepuzzlesinvolvedlettersornumbers.