Name: ポータルクローンチュートリアル in Unity - CS50のゲーム開発入門 (Portal Clone Tutorial in Unity - CS50's Intro to Game Development)
Uploaded: 2021-01-14T10:25:09.000Z
Duration: 1 h 32 min 23 s
Description: VoiceTubeの動画で発音を聞きながら英語表現を覚えよう！学べる英語：

I think most of us have probably seen it before.

The gist is you have a portal gun, a gun that shoots just these elliptical portals.

If you look through one, you can effectively see what sort of coming out the other one, which is pretty cool and vice versa.

And then if you walk in between the portals, you'll actually be teleported to the other side.

And so they achieve a lot of really interesting effects with some pretty cool tricks and stuff, and actually vow they themselves will be coming.

Thio give a talk on a lot of the technology that they used on the second so we can get a glimpse into their version of portal.

Um, but we'll look at a lot of the same sort of principles and see how I accomplished a lot of the same things.

So this is also the last lecture of the semester, and we've covered a lot of ground.

Have a few screenshots here to show some of the games that we've talked about.

You know, the very first game was Pong, and we've come sort of a long way.

We've gone through a very simple sort of Arcadia Tory like games like this, and you have gone and created worlds effectively.

We're doing all kinds of awesome stuff, but these this was where we started the course.

Um and it's kind of fun to look back and see where we've come.

So, you know, here we talked about scoring and just effectively drawing shapes under the screen.

Then we transition to Flappy Bird or 50 Bird.

And, you know, we had sprites and characters, and we talked about scrolling and infinite level procedural generation type algorithms.

Um, we took things a step higher than that with Breakout, where we had the same sort of procedural ideas in the context of a very famous arcade game.

We talked about particle systems and some arcade style physics and high scores.

He talked about match three and how to actually calculate what goes on to determine whether we've got a match and how to clear blocks and had between things do operations overtimes or this a synchronicity.

Um, Then we went into probably what is my favorite lecture, which was Super Mario brothers.

And we talked about how to create procedural worlds that all look very different with some very simple algorithms.

And then we had triggers and events sort of happening.

The legend of Zelda came, and we had this infinite dungeon algorithm, and we had enemies walking around that we could use a sword on.

So it felt more like an actual action game action.

A brief look at physics in the context of box to D with angry birds, and I still remember the like Ball pit example was probably my favorite part of that.

And then probably the most complicated example of the semester was Pokemon, where we actually had a full a semi full turn based battle system and random encounters.

And like a little world where there's actually two main stages to our world, where there was the field and the battle scene, which is a very common thing to have in RPGs.

Following pole came on which was the most complicated code base.

We went into unity, which was our first foray into three D.

And even though we were just exploring 2.5 d, we still got a chance to look at, You know, how does the unity engine work and how do we get actual three models onto the screen?

And we put together a very simple flappy bird asking game so that we could sort of recycle prior ideas.

Last week we looked at Dread 50 which was sort of a dread holes horror inspired game.

We've got to look at lighting and how to actually transition between scenes and use some basic you I in unity.

And today we'll be talking about how do you howto create a game similar to this?

Although much simpler today is mostly just a tech demo more than anything else.

But this is a screenshot of the actual game portal, and as you can see, they do a lot of really cool, fancy things.

They have, ah, portal on sort of a slope.

They have another portal coming out of the front wall or back.

They're different colors, so you can differentiate between left and right orange and blue.

They have sort of object here on the side, and I believe that's to shoot cubes out, which this year is a cube, which you can then grab with your gun and then shoot it through portals and see it come in and out of portals, which is pretty cool.

Um, and we'll talk today about howto create sort of, ah, simple version of this and primarily just the aspect of how do I create a portal that looks out of another scene and see it updating in real time?

Um, and how do I tell a port and get back back and forth between the portals and carry a weapon and then shoot a ray that will actually place a portal where I want to in the game world?

So today, some of the topics will talk about so one holding a weapon.

So we've had we've used the first person control, and this is a very easy and simple thing to do.

But it helps illustrate what parenting is, and so we'll talk about that.

Ray Casting is the actual shooting out of Ray from your object Z direction forward.

So you have an X and A y, which are sort of the angle at which you're moving around.

But then you have Z, which is always if you're using vector of using of the forward vector from your character, it's gonna be forward from the Z axis wherever you're looking effectively.

And so that allows us to, um, we can cast a ray in that in that sense, which just means, you know, shoot a straight line and invisible straight line from that point.

And wherever that point intersects with an object, we could get some information about that and then do whatever work we need to do in this case, take a portal, prefab and just like fix it to the wall, basically rotated from its default position and just, like put it flat up against a wall texture.

Mass masking is sort of how we're going to achieve this portal effect, right, because when we when we create what's called a render texture in unity, which here is the third bullet, Orender texture just means a texture that we're rendering to with a camera.

So rather than have a texture, be an asset in your game in your hierarchy with something that you've made a photo shop you can actually dynamically created at runtime with the cameras.

What the camera is seeing immunity gives us to you for free very easily with what's called a render texture, which is just another asset type and then texture.

Map masking is effectively sort of kind of the same thing, a stencil ing where we can choose certain pixels of an object to delete.

In this case, we create a texture that's white in the center and in black around the edges in a sort of elliptical shape.

And what that allows us to do is tell it with a simple shader.

Um, don't render these pixels when you actually render the render texture just under the ones in the middle.

And so that's how we achieve in the lips just by effectively discarding the pixels on the outer rim.

Decals are is an idea in three D games where a D college is something that you have fixed the texture or some object that you fixed to a surface in this case will be using decals to act as our portal.

So are portals are actually gonna be decals?

They're just meshes with that renders texture of fixed to them.

And then all we need to do is just slap them onto a wall whenever we shoot it and we get a ray that intersects with wall and they will have the effect of, um, actually making it look like we're putting a portal on a wall when in reality, we're just taking a mesh in or kind of slapping it onto a wall.

Some other examples of details that you've probably seen in other games are, for example, bullet holes, which use the same principle.

Teleporting is very easy, although the F PS controller sort of complicates things a little bit.

So we'll talk about how we went about sort of solving it, sort of solving the problem of teleporting in a way that makes sense.

Um, it's usually just a simple as a change on the, you know, setting something's transforms position to another transforms position, setting the rotation to the transforms rotation.

Um, but the FBS controller caches its rotation data, So in order to that teleport cleanly, you sort of have to override some default behavior.

And lastly, we'll take a look at some new tools that unity is introduced with 2018.1 pro builder and programs which allow you to actually model geometry in the scene.

And this is what the assignment is going to be focused on.

Um, because going forward, I foresee it being a major part of sort of modern unity, development and or prototyping thehe bility.

To model your scene in Unity without needing 1/3 party program heavily optimizes the actual creation process and allows you to do easy what's called gray boxing, meaning create a level for like, you know, to create a level in your game engine and then prototype it.

Test it, make sure that it's actually game playable right off the bat.

So does anybody want to come up here and play my implementation of portal?

All right, so I'm gonna go ahead and set that up.

And so disclaimer there's actually a bug in this a swell.

So I'm curious to see if you can spot what the bug is.

Go ahead and hit play as soon as you're ready, and then the mouse on the right will be your sort of angle of your portal.

So we see here I have a ah character with a portal gun created.

So if James if you shoot a wall with left mouse, that will create a portal, and then they have used the right mouse.

So let's go ahead and restart the program.

And so, um, if we avoid stepping into a portal that's there and this this could be fixed in a couple of ways.

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ポータルクローンチュートリアル in Unity - CS50のゲーム開発入門 (Portal Clone Tutorial in Unity - CS50's Intro to Game Development)

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