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  • - We live in a universe

  • where statistically disorder is king.

  • As time moves forward, things fall apart.

  • Stars burn out. Energy spreads out.

  • Entropy conquers all.

  • But humans, life, fights that trend.

  • We build things.

  • We organize things.

  • We add information.

  • So why is that we love destroying things?

  • [shouts]

  • Exploding fireworks.

  • Fights and crashes.

  • Even popping bubble wrap.

  • Ugh!

  • Tiny cute things can make us

  • want to just squeeze 'em to death.

  • Ugh!

  • Why?

  • [electronic music]

  • ♪ ♪

  • The power to destroy is a delicious one.

  • Even just holding this here,

  • knowing I can drop it,

  • I am in control.

  • I can exert my will in a dramatic and irreversible way.

  • Ready?

  • Ready.

  • ♪ ♪

  • Ugh. [laughs]

  • Beautiful.

  • Why does that feel so good to do,

  • or even just watch?

  • For me, throwing it to its death was almost relaxing,

  • like I feel calmer now after being destructive,

  • like I've vented some pent-up energy.

  • Or anger?

  • Why do we like breakings things when we're angry?

  • There's a growing trend of businesses

  • anger rooms that are popping up in places

  • like Texas and Toronto.

  • People pay to visit these anger rooms

  • and let off steam by smashing mock-ups of workplaces,

  • kitchens, and more.

  • Catharsis Theory proposes that such acts of destruction

  • reduce our anger.

  • But do they?

  • Sometimes, but sometimes they don't.

  • This is what makes studying the mind so difficult.

  • Researchers are still looking into the specifics

  • and the variables involved, and I want to see firsthand

  • and in person what it's like when people get angry

  • and then break things.

  • Will then be more or less violent afterwards?

  • To demonstrate Catharsis Theory,

  • we set up our own anger room

  • to see whether or not breaking things will help calm down

  • some angry people.

  • Our subjects think they're participating

  • in a study about opposing political views,

  • so we've asked them to write an essay

  • on different polarizing topics.

  • - Come in. - Kashona? Hi.

  • How are you? I'm Michael.

  • - Hi, Michael.

  • - It's nice to meet you.

  • I was just with your co-participant Clint.

  • He's in another room.

  • I'm gonna give your essay to Clint,

  • and he's gonna critique it,

  • and you're going to critique his.

  • - Okay, thank you. - See you soon.

  • - He wrote a lot. I didn't write that much.

  • Okay.

  • - Each of our subjects

  • has been paired with a man named Clint,

  • and they will be critiquing each other's essays.

  • - "Police officers have a very difficult job.

  • They have to protect us mainly from people of color."

  • [laughs]

  • - The thing is...

  • Okay, here we go.

  • I'm actually Clint.

  • "Overblown, un-American. Get over it."

  • My job-- or rather, Clint's job--

  • is to make our subjects mad

  • so they can test our anger room.

  • "You should be ashamed."

  • - "You deserve what's coming to you."

  • What a asshole.

  • Ha. Changed it to black.

  • That's better.

  • Oops.

  • - Okay, Kashona. I'm back.

  • And you were with Clint. Okay.

  • - Mm-hmm. - Let's go through what he wrote

  • just quickly.

  • - He wrote-- - Did I put that that way?

  • - No, you didn't. - Did you turn it around?

  • - I did turn it around.

  • He seems like a bigot or somebody.

  • I didn't want to keep looking at his face.

  • - He's responded to your essay there.

  • - We can't tell people where to go to eat for lunch,

  • what car to drive;

  • like, that just really irritates me.

  • - This is a person that is making arguments

  • that are not based in any fact.

  • - He's clearly someone who thinks

  • that the people who are on social programs

  • are lazy.

  • - I was like, "What the [bleep]?"

  • - Getting fired up, mother-- ooh, I'm getting fired up.

  • - It's disgusting.

  • - I got an F-plus?

  • Oh, I hope I don't see him in the hallway.

  • He's a dick,

  • and that is why he is part of the reason

  • why our country [bleep] sucks right now.

  • Because he's stupid.

  • - Well, I think that was pretty effective.

  • We've got a lot of angry people on our hands,

  • so will demolishing things calm them down

  • or will acts of destruction throw fuel on the fire?

  • [dramatic music]

  • Let's explore Catharsis Theory

  • with an expert.

  • - The modern view of catharsis

  • is that by acting out

  • we release sort of like a pressure valve

  • and that releases that energy

  • in order for us to sort of build up again

  • and handle everyday distress.

  • - People who are angry and aggressive

  • who then act that out, what would they feel afterwards?

  • - What many studies have found

  • is that it's a short-lived release,

  • and it feels good--it feels really good to release--

  • but what happens in the brain is,

  • the brain enjoys that.

  • There's really a reward to build up that pressure again

  • and then release it again.

  • It's a temporary fix, as far as we know.

  • - I didn't realize it was so complicated

  • and still being researched.

  • I thought it was black and white.

  • It was--you do this, and you release the emotion

  • and it's gone.

  • - Yeah, not as much.

  • We don't have this perfect definition

  • of catharsis, where everybody agrees,

  • here's how it works, here's how it ends up.

  • - Well, let's see if catharsis works for us.

  • ♪ ♪

  • Now that Clint has sufficiently angered all of our subjects...

  • - He's more like a [bleep] pussy, as far as I'm concerned.

  • - It's time to put Catharsis Theory to the test.

  • ♪ ♪

  • Some subjects will be allowed

  • to actively take out their anger

  • on all of these beautiful art objects.

  • You have completely free reign

  • to break anything in this room.

  • - What? - Okay?

  • Other subjects are instructed

  • to sit in the room passively.

  • I want you to reflect on

  • the essay, the arguments,

  • the critiques,

  • and also on the objects in this room.

  • - Am I going to meet Clint or not?

  • - No, you are not. - Okay.

  • - That's not part of this study.

  • - Okay, got you.

  • - Wil these subjects feel less angry

  • after their violent acts of destruction?

  • Only one way to find out.

  • [rock music]

  • ♪ ♪

  • [elevator music]

  • [rock music]

  • When we are angry, the body's adrenal glands

  • release cortisol and adrenaline,

  • readying the body and mind for fight mode.

  • - But Catharsis Theory hypothesizes

  • that letting it out relieves feelings of aggression.

  • [elevator music]

  • [crack]

  • [rock music]

  • ♪ ♪

  • Will these subjects feel less angry after their violent acts

  • of destruction?

  • - Okay, I'm done.

  • - Before we move on to the final step

  • of our anger room demonstration,

  • maybe we can gain insight from someone who makes

  • a living by hitting.

  • Not objects but other people.

  • Mark Smith, aka "Rhino,"

  • is a champion bodybuilder, boxer,

  • and UK gladiator who knows a thing or two

  • about how to destroy an opponent.

  • ♪ ♪

  • So when you're going into a fight,

  • you know that you're going to get hurt.

  • - Yes. - You know that you're going

  • hurt someone else.

  • How do you psych yourself up

  • to be good at that?

  • - When you get into a fight,

  • you want to stick to your game plan,

  • stay focused, and be relaxed.

  • - Relaxed.

  • Because I would have thought

  • you'd want to go in angry.

  • - No, because if you go in too angry,

  • all you're doing is...

  • and you're not thinking straight,

  • it turns into, like, a school brawl.

  • It's a very tactical game. - Right.

  • - The eye of the tiger, like Rocky.

  • - But this is fascinating to me,

  • because you would think that to physically outfight someone,

  • in nature, we would have evolved to run off of angry and fear.

  • - That's like two lions; I agree with you there.

  • Two lions attack and go full out, don't they?

  • There's no pace in that fight whatsoever,

  • like animals, but you have to know when to be an animal

  • and at what point in the fight.

  • Bang! - Oh!

  • - But, like--so it's point in--

  • - I'm a very jumpy, flinchy person.

  • - It's knowing when to pull the trigger.

  • - If you ever find yourself angry in your real life,

  • do you find it helpful to punch a punching bag...

  • - Definitely. - Yeah?

  • I will get angry, like, I'm on the phone

  • with my bank, and I might think slamming a door

  • or just hanging up and throwing my phone on the bed--

  • - No, don't throw your phone, and don't slam doors.

  • - Why? - Just come and exercise

  • and hit the bag; you'll feel so much better.

  • - What's the difference, though?

  • They're both, like, active things.

  • - Well, you're not doing something spontaneous

  • and acting on impulse.

  • [growls] It's premeditated.

  • You know you're gonna go, "Okay, I'm gonna pack my bag,

  • "I'm gonna go to the gym,

  • I'll be releasing endorphins."

  • You'll feel more relaxed and you'll be able to assess

  • the bank manager who's been irritating you

  • for the last hour.

  • - Can I--can I try hitting some things?

  • - Definitely. You can try hitting me.

  • - Can I really? - Yes.

  • Are you gonna hit back? - I will--

  • I will let you know I'm there.

  • - Okay.

  • [dramatic music]

  • Awesome. Do I look scary?

  • - [laughs] - Oh, yeah.

  • Is Rhino correct that violent acts of rage

  • won't calm you down?

  • But the controlled aggression used in boxing

  • will actually relax you?

  • ♪ ♪

  • I guess I'm about to find out.

  • [bell dings]

  • ♪ ♪

  • - Yes, like that.

  • ♪ ♪

  • No, no.

  • - [groaning]

  • - No. Come on.

  • - Well done!

  • Good work.

  • - I came out of the fight having learned two things.

  • One, I'm a wimp.

  • And two, Rhino was right;

  • when physical violence is channeled

  • in an organized sport like boxing,

  • it can actually reduce feelings of aggression.

  • I had this weird combination of feelings.

  • As tired as I am... - Yep.

  • - I'm very amped up.

  • - So now you feel it. - Yeah.

  • I don't feel aggressive.

  • - You feel relaxed?

  • - I wouldn't say I'm relaxed here;

  • I would just say I'm clearer here,

  • and I feel more in control.

  • - Eye of the tiger, Rock.

  • - Yeah, well, maybe it's the eye of the kitten,

  • who is in a bad mood,

  • but, man, that was great.

  • ♪ ♪

  • It's time for the final part of our anger room demonstration.

  • All of our subjects will be taking part

  • in what they think is a reflex test

  • against their opponent Clint.

  • In reality, of course, there is no Client,

  • and what we're really looking at

  • is the Catharsis Theory.

  • Have our subjects' levels of anger been affected

  • according to whether they committed

  • violent acts of destruction.

  • Or not.

  • Stage three is going to be testing

  • how your reflexes are working at this very moment.

  • Okay?

  • So this right here is

  • a static electricity generator

  • that is going to provide a little bit of a shock.

  • We're putting one on Clint as well,

  • and he's in another room,

  • but you both have the same setup.

  • Once our subjects are fitted with the shock bracelet,

  • they're introduced to the test's control panel.

  • - [chuckles] Look at this.

  • - Yeah, it's very simplified,

  • but that really helps keep the variables low.

  • So both you and Clint will be competing in a bit of a game.

  • The yellow light is going to come on at some point,

  • and as soon as you see it come on,

  • hit that orange button.

  • And if you hit this button before Clint does,

  • you'll see the green light come on.

  • And that will mean that you won.

  • And Clint needs to receive a small shock, okay?

  • And you can set this to a level of your choosing.

  • - So--okay.

  • Light goes on, if I hit this,

  • the green one comes and then I'm allowed

  • to work this contraption.

  • - Correct. - Which controls how

  • high the voltage and for how long the voltage.

  • - Correct. - Okay.

  • - If however, Clint pushes the button before you do,

  • the red light will come on, indicating--

  • - My red light and I'm about to get it.

  • - That you'll get a shock, yeah. Correct.

  • We'll get a sense of our subjects' level of anger

  • by how they respond to the chance to administer pain

  • to Clint.

  • Remember, this subject just sat in the anger room passively.

  • - Did I get him?

  • Oh, all right.

  • - The green light means our subject wins.

  • How hard will he shock Clint?

  • - I'm gonna give you a little low one, buddy.

  • [buzzing] There you go.

  • Just a kiss.

  • Ah, got me.

  • - The red light means Clint won.

  • How will our subject respond

  • to getting shocked?

  • [static buzz] - Ah!

  • [laughs] You son of a bitch.

  • [chuckles]

  • - Not only does this subject

  • not seem angry, he's actually enjoying the game.

  • - All right.

  • [buzzing] How about that?

  • I'm not gonna harm you, man.

  • Gave ya a little low one.

  • - He actually seems relatively calm.

  • Will our other passive subject follow suit?

  • [static buzz]

  • Clint gave her a painful shock.

  • Let's see how strongly she retaliates.

  • [buzzing]

  • Even after getting a shock from Clint,

  • this subject is still hesitant

  • to give him a shock in return.

  • [over PA] Okay, Clint and Drea,

  • this is just a reminder that you are--

  • you are allowed to change that dial

  • to what you think would be appropriate.

  • - Yeah, I just don't want to, like, hurt him or anything.

  • I'm just gonna keep it at low.

  • - So the angry subjects who sat passively

  • seemed to have calmed down.

  • Now it's time to check on the subjects who acted violently

  • in the anger room.

  • Did letting out all of that aggression

  • relieve their anger?

  • [over PA] The experiment will begin now.

  • [buzzing]

  • - Take it, take it, take it.

  • - Kashona.

  • That's--that's fine.

  • What level is your dial at?

  • - Um...

  • Low.

  • [buzzing]

  • - He cranked that all the way up

  • and he's laying on that button.

  • This subject was one of the most aggressive people

  • in the anger room,

  • but that doesn't seem to have calmed him down.

  • [buzzing]

  • - Among our subjects,

  • it seems that those who physically vented

  • their anger are still pretty angry

  • compared to that subjects who sat quietly.

  • - So at least in this case,

  • catharsis therapy was not effective.

  • In fact, in some cases,

  • the subject seems even angrier.

  • - Ow! [bleep]

  • You know what? That's too hard.

  • You [bleep] dick!

  • Why don't you come in here and [bleep] talk to me in person?

  • - Oh, my God. Oh, my God.

  • - We're all familiar with the concept of rubbernecking.

  • It's hard to look away from a car crash.

  • - Oh, my God.

  • - But why?

  • There are surely a myriad of reasons,

  • but one may be that at a primitive level,

  • witnessing danger allows us to learn and prepare for it.

  • Activities where danger and destruction are likely

  • are exciting.

  • Starting in our childhood,

  • physical aggression is encouraged,

  • even in games.

  • Take a piñata for example.

  • As a special birthday treat,

  • we are told to beat up an effigy with a baseball bat.

  • And when we hit it hard enough,

  • we are rewarded with candy.

  • What parts of a child's urge to destroy are innate

  • versus learned?

  • Well, there is a groundbreaking experiment

  • that shed light on this.

  • In 1961, Albert Bandura conducted a famous

  • and controversial study called the Bobo Doll Experiment.

  • He had adults act violently to an inflatable clown doll

  • in the presence of children.

  • Then left the children alone with the same doll

  • to see if they would mimic the destructive behavior

  • they'd observed.

  • Disturbingly, the children did indeed copy the adults,

  • and lashed out at the doll,

  • often getting very creative with their aggression

  • and destruction.

  • Aggression comes in many unexpected forms.

  • Why is it so hard to resist popping bubbles in bubble wrap,

  • for instance?

  • Do we like the sound?

  • The destruction? Or both?

  • It's like we're naturally drawn to destroying

  • these harmless plastic bubbles of air.

  • Destructive tendencies seem to be so engrained in us

  • that we even respond to positive stimulation

  • with urges to destroy.

  • One of the strangest things about destruction

  • is how people want to hug things to death,

  • especially things that are extremely cute,

  • like a puppy.

  • We don't know exactly why this is,

  • but there is a study that demonstrates the effect

  • by using bubble wrap and our desire

  • to pop these bubbles.

  • [popping] Oh, yeah.

  • [dramatic music]

  • Can sweet adorable stimuli

  • really insight aggressive behavior?

  • We're about to find out.

  • - Thank you for participating in our focus test.

  • - No problem.

  • - Please make yourself comfortable.

  • - We've recruited subjects who think

  • they're taking part in a motor skills test.

  • - Are you familiar with this product?

  • - Yes. - Have you popped the bubbles

  • in bubble wrap before?

  • - Yes.

  • - But really what we're testing

  • is their aggressive response to cute stimuli.

  • - So you will be viewing a montage of images.

  • Please pop bubbles in the bubble wrap.

  • You may pop as many or as few as you like.

  • Just be sure to start when the images begin

  • and stop when the images end.

  • - Popping bubbles is like squeezing a stress ball.

  • It's a great way to express aggression.

  • The question is, will the subjects pop more bubbles

  • when watching neutral images or cute ones?

  • ♪ ♪

  • First we showed our subjects these basic landscapes,

  • which are not designed to elicit an emotional response.

  • [pop]

  • And we tallied the total number of bubbles popped.

  • ♪ ♪

  • [pop]

  • - Okay, great. I'll take those.

  • All right, we're gonna do part two,

  • where you'll be viewing another set of images.

  • - Okay.

  • - We also showed them images of...

  • puppies.

  • [playful piano music]

  • ♪ ♪

  • Oh, look at that one!

  • Don't you just want to hug it and squeeze it to--

  • well, okay, you get the point.

  • ♪ ♪

  • To keep things even,

  • half of the subjects viewed the landscapes first

  • and half viewed the puppies first.

  • But either way, they seemed to pop a lot more bubbles

  • while watching the puppies.

  • Except for this guy.

  • [pop]

  • ♪ ♪

  • So-called cute aggression

  • is a universal psychological phenomenon.

  • Researchers believe the brain's response

  • to both cuteness and aggression

  • results in the release of dopamine

  • implicated in the reward and pleasure,

  • but if we are unable to physically touch cute stimuli,

  • the desire to do so can be regulated

  • by substituting aggressive physical behavior.

  • Will our results reflect this theory?

  • ♪ ♪

  • [laughs]

  • - How did you feel about the images that you saw?

  • - They were cool.

  • - How did you feel about the puppies?

  • - I love them. - They were very tiny

  • and adorable.

  • And I wanted to hug them.

  • - And how did you feel about popping the bubble wrap?

  • - I felt like I wanted to

  • play with the dogs or--

  • I wanted to play with the bubble wrap with the dogs.

  • - In our simple test, our subjects popped an average

  • of 33% more bubbles while watching cute puppies,

  • as opposed to boring landscapes.

  • - So was the bubble wrap a stand-in for the puppies?

  • - I guess so.

  • - In fact, the majority of our subjects

  • popped more bubbles while watching puppies.

  • But not this guy. Remember him?

  • - So how did you feel about seeing the dog pictures?

  • - Um, I've always been more of a cat person.

  • - It seems sometimes cuteness

  • is a matter of perspective.

  • [dramatic music]

  • ♪ ♪

  • Our relationship with destruction is not a simple one.

  • It can release endorphins and relax our minds.

  • It can amp us up and make us even more aggressive.

  • It can even help us regulate our emotional reactions

  • to cute things.

  • Destruction can be useful,

  • it can be dangerous,

  • and it can be a lot of fun.

  • ♪ ♪

  • And as always, thanks for watching.

  • [electronic music]

  • ♪ ♪

- We live in a universe

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破壊 - マインドフィールド(EP 3 (Destruction - Mind Field (Ep 3))

  • 26 0
    林宜悉 に公開 2021 年 01 月 14 日
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