So I gotoldpeopleand I gotyoungpeopleand I madethistelevisionspecial, whichisjustterrific.
Theinformationsocietyprimetime, PBSlookingatthatmoment 1979 and I throwawayeverything I didnews.
Thefilmisthefilm.
Whydon't I throwitaway?
Youaskyourself.
Dumbiswhat I say.
I justdidn't seethevaluesince I wascarrying £39,000 ofstuffwithmewhen I movedbetweenonehouseandanotherwhen I wasmovingfairlyregularlyduringthattimeinmylife.
I didn't seecarryingold 16 millimeterworkpicture, whichisallscratchedupandfilledwithspicesandworksound.
Wejustfillwithpunchholesandotherstufflikethat, butthrewitoutNamonYouTubeseveralyearsago, and I'm lookingformaterialthatyoumysubscriberswouldliketosee.
And I knowyoulike 1979 theseoldstuffthat I filmonWallStreetandwiththeoldladywhois 98 in 1979.
Andso I golookintomybasementand I findtheserollsofouttakes, nottheintakes.
Allthegoodstuff, buttheouttakes, allthisstuff I didn't want 16 millimeterworkprintfilledwithholesandscratches.
16 millimeterssoundfilledwithbeepsandotherstuff, and I copyit.
ThefactthatmostofusarenownotonthefarmandmostofusnownotinthefactoryOnethingit's put a lotofcostononthefoodbecauseyouknowthereasonthismuchfoodraisedanymoreBecausepeoplearen't onthefarm.
Nothingwepaythepriceiswhenyougotothesupermarket, youpay a highpricefortheforfood.
Somywifeitmakedressesforthegirlsarethreegirlswenttoschoolinwhat a beautifulFloridafeedbags.
Butshewasskilletsewingsoshecoulddothat.
Youknowyouneeditmoretodaythanyoudidinthosedays.
Youweremoreisolated.
Youdidn't haveallthepeoplearoundyou.
Youdotodaygetincontactwithhimas a familyonthefarm.
Youwerepracticallyisolated.
Wasthatallgood, but I wouldn't justnomorethan I'd wanttogiveupmyelectricstovetogobackto a cook, stewedtheway I hadinthekitchenformanyyears, cookedwith a cookstove, mademymealswithwoodandcoal, andnowhavetheelectricstove.
I wouldn't thinkofgoingbacksonaturally, thingsarebettertodaythantheywereinthosedays.