字幕表 動画を再生する
-
it starts like this.
-
It's a very, very standard for the orchestra to play, a sort of overture where they already present all the material.
-
But they present the beginning without the main scene that Evelyn will play later.
-
So they only go, He's broken.
-
This broken a major chord.
-
It's quite a very simple sort of empty seem.
-
Then when they're finished with the overture, you expect the violent to start with the material.
-
But Evelyn instead comes in with this a gradual, which comes out of nowhere.
-
This short meditation is a really severely arresting entrance.
-
I think off the soloist to play something entirely different that has barely any relations in the same key.
-
But otherwise it's totally different.
-
And then the main section starts orchestra again, placed there distinct.
-
But the violent on top of that plays the main scene, which, you understand, comes out of this a Dodgers scene, and so that it all comes together suddenly and it'll make sense, and it's amazing nobody had ever done anything like this before.