Name: ニール・マレー - APRAソングライターズ・ワークショップ - サザンクロス大学 (Neil Murray - APRA Songwriters' Workshop - Southern Cross University)
Uploaded: 2021-01-14T09:35:56.000Z
Duration: 1 h 25 min 9 s
Description: VoiceTubeの動画で発音を聞きながら英語表現を覚えよう！学べる英語：

命令形

未来形

And that's how informally we're going to start since you just walked on here like that.

Let me tell you about this man that sits beside me on the stage.

It's an honor just to be doing an interview with him.

Um, and he'll come across is an incredibly humbled fellow.

Ah, that classic, iconic, iconic Australian bloke.

Perhaps I could even add the Blackwood in there for you.

Um, and as you see, he, uh, he will appear humble and mother, um ah.

He'll keep everything down to us from very grounded for all of us.

Which is a beautiful thing about this man.

But if your someone of my age I turned 45 yesterday, that's recorded now on camera.

Ah, I've grown up with his music in my vocabulary.

Ah, long cyber Grumpy band and midnight oil eyes Neal Murray, in my vocabulary as folk rider and the traditions fraught What reflects this country to me and ah, he's certainly not shy of being a great Australian social commentator as well.

And we've been talking about that this morning, um, alongside law that he's a songwriter and, uh, a writer.

And Well, today, Neil and I got a sort of unpack kind of quite a few things.

We're gonna talk about few things that you know that we'll expect expected to talk about, which is perhaps early compositions and island home and some of those other things.

And then we'll talk about when you're But you're going on where you are now and about collaboration, et cetera, et cetera.

So just one more time Because so many of you I know just walked in the house.

Please make Neil Mark Murray welcome, please.

So this is an effort songwriting workshop where we talk about all those processes and we're gonna break them down today.

So first we just start with how you got into the business.

Did you do have any background in education?

I think it was over in a fear of the hat.

Some girl brought the poetry out in the This was pretty bad.

You I didn't actually get anything on record until 1993.

Um, and off the songs that I've put on record the oldest one all right, was in 1979.

But there's a bunch of stuff I wrote before them, which wasn't that great.

But at school, I like to write partnering s eyes composition.

So I had that creative kind of spark our supplies.

Ah, early on that even, um, I was brought up in the country Western Victoria rise on a soldier settlement bloc farm, small farm that my grandparent's ran.

And I can remember a time before television on Duh, because we never got TV at the little better.

I don't think it's about known in CT three or something, but when we got the black and white TV, that cow inside of beautifully with the Beatles and I love my group.

My sister's All the Sisters were under Elvis and stuff, but the Beatles are migrant and even Grade two in Promise Girl made some other kids would be singing battle songs for morning Talk show and tell, and my grandfather was a clean Emma's a singer.

All the relatives since have told me I I don't have a voice anyway like my grandfather.

So that's kind of them, Yeah, but I remember going to people's houses, relatives and that having sing songs around the piano, Accordions and things and tinpot Baines that dances and stuff.

And then when the TV came in the Beatles and all that 60 stuff, and in the 19 seventies I really started to hear the singer songwriters than your young Bob Dylan's that Joni Mitchell's but also people not in the mainstream.

I was very influenced by John Martin and lighter on Gerry Rafferty and of a songwriters, So it's better time when when I, uh, actually started on drums, I got a little drunk.

It was 10 years old Bash Dwyane that used to play along the souls in the writing on then I was about 13 afford, and I got hold of my sisters know a long string like a long string acoustic.

And, um, in about a fortnight I learned to play the basic chords and are starting to play the songs of the time sheet music, buying sheet music for various popular songs.

And in that process, discovering how songs kind of went together to the point where boy in my life chains are was attempting to run souls.

And were you doing this at school that same time with school?

One of the things we have actually could choose music into it.

You know, there's no reason I wasn't in any choir music group of school.

And and from there from that place where self taught and, you know, a bit of a multi instrumentalist, we might call, you know, uh, you know, Jack up a bit of grabbing everything you can get.

You sit with 75 a little bit before then.

So you've learned your learning Lots of repertoire.

You're playing lots of other people's songs.

Trained as a secondary art and craft takes United two years and volunteers in Melbourne to do that, cause which ostensibly we're gonna be turned out as a trying teacher to teach your signature and craft.

Um, I was meeting other people of Look that we're into music who are also doing here.

There was any music courses like you've gotten an ISA nice, Nice dies and dumb.

And I was getting little bands going for me.

Little bands and we're playing a mixture of covers and a few originals that I had going in anyway.

Even when I got posted at first year teaching up to a place called Robin Vile numeral juror, I got a band going in that 10 straight away and two little gigs.

So I fancy myself as a bit of a hot guitar apply.

But band that I already here after a few years but still play guitar but there was so many good guitar players around, and it was in that prices.

I I started to realize what my strength Woz and that was initially writing songs.

So I want Yeah, this is good bye then it's the 19 eighties.

Well, yeah, $7 that Robin Bell and I went on a trip that year to the Northern Territory and visited Panya and then a friend.

They said there's a job going Ah, driving store truck and out stations on dumb.

So in January 1990 I moved up there and, of course, I had made a tear and stuff with me and I wasn't in the place of weight.

It was, uh, this Ah, very cool looking cat.

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ニール・マレー - APRAソングライターズ・ワークショップ - サザンクロス大学 (Neil Murray - APRA Songwriters' Workshop - Southern Cross University)

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